Pierre-Yves Nussbaum, the CCM's head audio-visual technician, commented: "We were looking for a digital audio distribution solution because the big distances in the building and many neighbouring analog audio cables caused big noise problems, especially in the transmission between the Stravinsky Auditorium and the Miles Davis Hall. We chose EtherSound because of its audio quality and its low latency, which makes it suitable even for live sound applications in our venue. The fact that we are able to combine products of different EtherSound licensed manufacturers was important, too, in order to keep the system as scalable as possible."
During the last overhaul of the CCM's Ethernet infrastructure in 2001, Nussbaum had already anticipated the bandwidth requirements of a digital audio distribution system, so that almost no additional cables were pulled when the EtherSound system got installed. "We simply allocated some existing CAT6 or fibre optic cables to the EtherSound network, plugged in the Digigram products, and had the network up and running. The hardware investment was very low and the set-up was really very easy." says Nussbaum. "Today we have cable runs of up to 150m, but a crystal clear sound with the same audio quality from the beginning to the end."
Nussbaum also convinced the Montreux Jazz Festival to use EtherSound for its temporary network, which linked the mixing trucks outside the CCM to different locations inside the building. "In the past years, two people needed to work two days to make this happen. With EtherSound, I entirely reconfigured the system in half a day without any additional staff. I simply unplugged the EtherSound devices at their permanent position, pulled short standard CAT5 cables to the nearest network sockets in the wall, and plugged in the devices at the new location. Then I used the EScontrol software to define the new signal paths. This routing flexibility of EtherSound will make our life during one-time events like the Jazz Festival a lot easier."
Nussbaum already has plans to extend the EtherSound network to other applications like recording and sound reinforcement. Additional ES8 and ES2 audio bridges, an audio workstation featuring the miXart 8 ES multichannel sound card with EtherSound interface, and an EtherSound card for the CCM's InnovaSON Sy40 mixing console are being budgeted.
(Sarah Rushton-Read)
