Installation

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14 March 2016

"I'm very impressed with the effortless power and clarity of sound of the Meyer Sound cinema system," says Francis Ford Coppola. "If only every theatre had a system like this, they would have the same remarkable experience I have on my stage."

The Meyer Sound Cinema Experience system, based on the Acheron screen channel loudspeakers, which has been installed in Zoetrope's mixing stage, is part of a complete, integrated cinema sound line that enables sound designers and mixers to achieve unprecedented range and clarity of sound - and for audi

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14 March 2016

The NFI's Lillebil Room (named after the famous Norwegian actress Lillebil Ibsen) is a 68 capacity screening facility, where a constant series of daytime previews and evening showings keeps its equipment and staff busy.

"The sound has to be fantastic because of the status of the NFI," says the facility's Jan Olsen. "I had been aware of the Alcons pro-ribbon technology for some time and was eager to try somethi

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14 March 2016

Research carried out by the not-for-profit Forum of Private Business (FPB) also found that business owners expect their efforts will pay off. More than half (56%) of those surveyed expect to increase their turnover in 2010 and 44% believe their business will grow.

The findings are the first of the FPB's new 'economy watch' panel - a body of more than 350 members who are sharing their experiences as the economy heads away from recession. The panel is designed to provide an accurate and timely reflection of what small businesses are experiencing on

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14 March 2016

The existing dimmer, lighting control and highly customized working lights installation, commissioned in 1994, was approaching the end of its reliable life and a radical change was required.

The move also saw the first UK installation of ETC's new lower amperage Sensor dimmer modules with a 10A MCB, allowing the original low-diameter wiring installation to be reused.

Glyndebourne's technical team, with head of lighting Keith Benson, recognised that with spares and support likely to become unavailable, and the system generally ageing, it was time for a complete upgrade. Stage Electrics' technical project manager Nick Broad says, "We prop

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14 March 2016

This high profile event, launching Nike's new Mercurial Vapor Superfly II boot and the new National Team jerseys, required Stage One to work very closely with Slice, Patrick Donohue, Slice Events' design co-ordinator and the Nike design team, to deliver a themed environment in keeping with Nike's iconic brand.

"This project evolved greatly during the design and build process and we worked closely with the design team to accommodate any changes and offer practical construction solutions - demonstrating our can-do attitude an

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14 March 2016

PAI has enjoyed a trading relationship with UWIC for many years, and its relationship with the SU's general manager Mike Davies dates back to the early 1990s, when he was running the main university of Wales Student Union building in central Cardiff.

The new bar and social area - called Centro - is an essential hub of the new building. PAI was approached to come up with ideas for the technical elements required for the two levelled multi-purpose space, which has a capacity of up to 400 people and includes a bar, lounge, dining and performance areas.

They needed a solution that would work for both day and night time usage and be capable of accommodating a variety of

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14 March 2016

An unofficial icon of Adelaide, the bar formerly known as Pier and Pines opened 14 years ago as part of the five-star hotel now known as Stamford Grand. The venue constantly battled noise pollution which is not a great selling point for the five-star accommodation located above.

Jbn Sound Ceiling's regional manager Jim Barker heard through the grapevine that the venue was struggling and so he demonstrated the benefits of the Jbn Sound Ceiling to them. "A few months after the initial presentation I received a call from them and we had another meeting," explained Barker. "I explained h

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14 March 2016

A number of designers working independently on various projects aboard Oasis chose the same lighting - Acclaim Lighting. More than 650 LED fixtures and some control solutions from Acclaim are being used to light Oasis.

The largest application of Acclaim products is in the ship's 1380-seat Opal Theatre, where scenic designers Vicki Baral and Gerry Hariton (Hariton/Baral Design, Los Angeles) used 400 Acclaim X-Panels to create a wall of lights for the ship's production of the Tony-award-winning musical Hairspray.

As with so many things ab

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14 March 2016

In addition to hosting thousands of NBA and NHL fans, the American Airlines Centre also features numerous concerts and live entertainment throughout the year. Opened nearly 10 years ago and seating up to 20,000, the installation of 25 Lighthouse LED video screens is part of a large-scale technological renovation project at the arena. This includes the first 1080x1920 high-definition video screen in any NBA or NHL facility. Overall, the new digital screens will increase video visibility throughout the facility, providing spect

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14 March 2016

D.J.Willrich (DJW) was subcontracted by the lead contractor Beck Interior, to provide a full Medialon integrated system in Centre of the Cell. DJW also worked closely with the project designer, Land Design Studio.

In Centre of the Cell, visitors are immersed in a full audiovisual experience throughout five different 'spaces', or scenes. Being the main A/V show and media controller of the installation, Medialon is in charge of the set up of each of these scenes along with their timings. The Medialon system remotely controls the power up and down of all the A/V devices installed in t

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14 March 2016

Over 13,000 delegates from 186 countries participated in the meetings, which were covered by 2,000 media representatives and broadcast live by France 24 and BBC Television. The key meetings took place in a 3500-seat auditorium, while 28 meeting halls of various sizes enabled 250 separate meetings to be held.

The DCN Next Generation Conference System and the Integrus Digital Infrared Language Distribution System from Bosch were installed in the auditorium and 28 other meeting rooms by Atempo Project Contract Co. The Bosch equipment included 250 Concentus delegate units, 116 interpreter desks, 3000 Integrus wireless infrared receivers, 50 infrared radiators and five 16-cha

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14 March 2016

The Convention Centre is designed for versatility, with a 46,000sq.ft exhibit hall, 9,000sq.ft ballroom and numerous other meeting areas. This same versatility also presented the biggest challenges in creating an audio system suitable for the space, explains Daniel Rohrer of Sage Technology Solutions in Mt. Joy, PA.

"Aside from addressing the vast differences in the architecture of each different space, we also faced issues of scheduling and coordinating the various phases of the project, building around the historical

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14 March 2016

Its sister venue in Southend, the smaller Palace Theatre, went all EV a couple of years ago, and with close collaboration and resource-sharing between the two houses, there were considerable advantages in staying with the brand and with supplier Shuttlesound.

The Cliffs Pavilion is a receiving house, seating over 1,600 for a theatrical production, but with flexible set-up arrangements enabling 2,500 to be accommodated for live gigs. As one of the premier division of regional theatre venues, Cliffs Pavilion has to balance the needs of touring bands bringing in their own systems with the needs of visiting theatre productions

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14 March 2016

Mannie Manim, executive director at The Fugard and formerly the CEO at the Baxter Theatre, says that the building construction took just a week beyond six months to complete, where three buildings were made into one unit. "It was an enormous labour but we had a fantastic building team," said Mannie.

Thanks to UK-based producer Eric Abraham, who established Isango Portobello in 2006, The Fugard Theatre is equipped w

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14 March 2016

The new system was designed by Mick O'Gorman of Dublin-based Mosco Sound Design and Recording, working closely with the venue's technical and facilities manager Ollie Dempsey.

"The existing system we had was becoming unreliable, and I spent half my life patching up and adding on to meet the increasing demands of artists," says Dempsey. "It was also a bit of a nightmare for anyone who was not 100% familiar with sound. They could operate the old mixing console, but the slightest problem would

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14 March 2016

Purchased through Allen & Heath's distributor, Music Center Pro, installer Eventech managed the complete sound and light installation project, selecting an iDR system to manage audio distribution, control and zoning across the venue's many areas surrounding the concert hall, including foyers, artist rooms, backstage and stage managers' area.

The system comprised an iDR-8 16x16 matrix mixer, an iDR-in and an iDR-out expander unit, and an iDR-switch to enable the connection of external equipment, such as room dividers and relays. In addi

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14 March 2016

Part of the newly-completed Wells Fargo Cultural Campus that also houses the 55-story Duke Energy Centre, the Mint Museum and the Bechtler Museum of Modern Art, the 1200-seat Knight Theatre is home to the North Carolina Dance Theatre, the Charlotte Symphony, and a wide variety of music, comedy and touring productions.

The diverse roster of performances was one reason for the selection of the Renkus-Heinz systems, says project manager Robert Delaney of Raleigh-based Strategic Connections. "The Knight Theatre is a very well designed space, with diffusers that can be rearranged to adapt its acoustics to different types of program material," he explains. "To make the most of this flexibilit

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14 March 2016

When it opened its doors in 1981, the Dedmon Center was among the first venues in the United States to boast a then-futuristic air-supported roof. The Centre recently underwent a major renovation that included a new steel-reinforced roof, new basketball court, new LED video scoreboards and broadcast capabilities, and an audio system utilising Community Professional Loudspeakers' Solutions Series loudspeakers.

"It's a great place to see a game, but the sound system was always something of an afterthough

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14 March 2016

"As a world-class conference facility, we want to ensure that we use only the best products and services. So when it came to choosing a partner for our mobile lighting needs, we went straight to the best in the industry - Martin Professional - who have an outstanding track record in providing quality and reliable lighting to the entire events industry," said Lee Forde, head of technical at The Convention Centre Dublin.

"In keeping with our goal of running The CCD as a sustainable business, we are delighted to be able to use Martin Pr

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14 March 2016

At the heart of each Community Campus is a new school (in most cases more than one), but each also has facilities for much wider community use. Thus, the assembly hall of each school is also designed for use as a community cinema, theatre, live music venue and space for a range of other events. To facilitate this multi-purpose use, a Yamaha system has been installed at North Inch (Perth), Loch Leven (Kinross) and Strathearn (Crieff) Community Campuses, with Breadalbane (Aberfeldy) due for completion later this year.

Designed and s

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14 March 2016

The first six-part series, produced by independent company Gallowgate, has just finished and proved a prime time Saturday night hit for ITV. Lighting designer was Tom Kinane, with whom HSL has worked on many previous projects. The programme was directed by Nikki Parsons and recorded at Pinewood Studios' S-Stage. HSL's project manager was Sean McGlone.

McGlone comments, "It's always good to work with Tom. His shows are imaginative and interestingly lit, he chooses his lighting instruments judiciously and gets the very best out of all them."

The set was designed by Dominic Tolfts. It was very wide with a series of gently curved lycra fins which also served as light-boxes around the sid

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14 March 2016

The Sheldonian was built in 1664-68 for the University of Oxford, based on a design by Sir Christopher Wren. It is acknowledged as significantly important in terms of the classical influence it had upon other Oxford buildings, and as well as being a functional space for the University, it's also used for music recitals and other events and is available for private hires.

Cover It Up's Elliot Stennett says, "It's a great tribute to the skills and dexterity of our crew to be asked back for the third year to help prepare this very special building for the conference section of the event. It takes a good deal of patience

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14 March 2016

Sales of CD albums continued to fall in 2009, dropping by 6.1%. Digital income now represents over 20% of overall recorded music revenues, taking into account earnings from online downloads alongside mobile, subscriptions and advertising-supported services. An unprecedented 4.22 m

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14 March 2016

A key development for PLASA 2010 has been the enthusiastic return of major brands in both the pro audio and AV sectors, with a marked increase in the number of pro audio companies committing to stands.

One such company is Electro-Voice, exhibiting again after a one-year absence. Sean Maxwell, sales director at Shuttlesound, commented, "It's fantastic to be returning to the PLASA Show, a major international event where we see a huge number of our distributors