Lighting

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14 March 2016

Martin distributor A&T Trade was commissioned to create a club atmosphere for the multifunctional space, one that included dynamic as well as static lighting. "Use of the installation depends on the type of event," says Denis Bessonov, director of the company MasterMedia. "The fixtures support the work of the professional artists as well as creating different lighting effects on the dance floor. They are used to reflect the mood of the various musical styles."

Arena is housed in a two-story building with a ceiling height of 12m. The original plan called for lighting fixtures to be fixed on the

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14 March 2016

Adlib's head of lighting Pete Abraham says: "It's exciting to be working with such an amazing breakthrough artist as Mika. There's a massive buzz about him and he's a great live performer. Ian came up with a highly adaptable and dynamic rig that fitted a variety of venue sizes." These ranged from the Birmingham Barfly to Koko in London.

Tomlinson started with floor-based trussing to build a structural outline for the stage. To give it a quirky flavour - matching Mika's interesting performance style - he chose a semi circle of truss that rested on the floor at the back creating an arched effect, flanked by two quarter circles, which also appeared as arches.

Onstage

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14 March 2016

For those who want to hear a XL8 through a large PA system, two more will be performing front of house duties for all three stages at the Agora Tent, handling a range of live performances throughout the day and into the night, while the fifth XL8 will be installed in a private VIP room where Midas will host hands-on demos for the duration of the show.

XL8 is the first of a new generation of open-architecture, cross-platform, integrated audio control and distribution systems, which brings control of not only audio, but other aspects of live performance to a single, intuitive control centre. XL8 represents

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14 March 2016

The lighting supply was a joint production between HSL and its Blackburn neighbours Lite Alternative. This combination worked well on the recent Human League tour which Sinclair also directed.

HSL's Mike Oates says: "It's great to be working with Rob again. He has a unique vision and creative direction, and is always coming up with new and innovative ideas and presenting us with new challenges."

Sinclair wanted his lighting design to be flexible enough to give the band plenty of space when they needed it, whilst also to being able to close the show right in at more intimate moments. He chose to do this using pantograp

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14 March 2016

Jensen's design is big and 'televisual' in keeping with the environment from which the show originated, and it is also what "the majority of the audience would expect," he explains.

The set was designed by Production North's, Iain Whitehead and includes a central staircase walkway and a series of hydraulic lifts from below the stage, which gives the show an epic feel. There are three upstage LED screens with the central screen splitting to form a stage entrance.

With ten artists on the bill, the other aesthetic

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14 March 2016

The new look site has a much more contemporary look and feel and will evolve over the next few months to incorporate e-commerce capabilities such as an online shop and hire booking system, says the company.

Lois Ferguson, marketing manager at Northern Light, said: "As it stands, the relaunched website is very much in phase one of our redevelopment plans. We have updated the information on our services - aimed at our very diverse client base - and brought the overall look of the site into the 21st cent

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14 March 2016

The 72kW PAR Can show was controlled using an LSC maXim XXLP, provided by Piston Sound. The owner of Piston Sound, Leon Pitts purchased the maXim more than 12 months ago, and has used the console on a number of productions including large and small concerts, fashion shows and now boxing matches throughout the Florida region. The maXim's powerful features and user-friendly design made controlling the lights simple and a blessing for the production crew, he says.

The maXim is available in six models, from 24 faders to 120 faders, and the optional PaTPad moving light controller further extends its capabilities by adding features like pal

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14 March 2016

For the first time ever, L&SI is offering full-time professionals on the European mainland the chance to sign up for one year's FREE subscription to L&SI magazine - a subscription that would usually cost around 75 euros (£50). Visitors to the show can sign up for this great offer by visiting the PLASA/L&SI stand at the Hall 8.0 Walkway, stand J80. (Look for the VPLT, ESTA & PLASA signs).

(Lee Baldock)

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14 March 2016

The four grandMAs are networked together for the musical. The main console is utilised by Warren Flynn, associate lighting designer and programmer for automated lights. A second grandMA is used by video programmer Hillary Knox to programme projections; another is dedicated to focusing and work calls. The grandMA light is a slave for conventional lights.

Flynn's grandMA controls six Martin 3k Atomic Strobes and 36 Vari*Lite 2k Spots, 26 2k Washes and 21 3k Spots. "We have three separate cue lists; the conventional cue list triggers moving lights and moving lights trigger projection," he says

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14 March 2016

"VisualDMX will be controlling the lights on our stand, using the latest software release, demonstrating new features and highlighting the intuitiveness of VisualTouch, our touch screen interface."

Alongside demonstrations of the latest version of its current software, Visual Productions will be launching a software lighting contro

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14 March 2016

Current Frog users will find a familiar ergonomic hardware platform but the hardware set has been expanded considerably: the new desks feature two DMX universes as standard, USB storage, external touch screen support, multiple onboard LCD displays, multifunctional keys and the desk supplied in a custom flightcase.

The key change however is in the software platform. Consistency of operation with the existing desks is maintained but the new software allows users to achieve more. Up to 200 fixtures can

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14 March 2016

MTFX was approached in April 2006 and asked to develop a very large low fog effect to fill the entire stadium floor in order to represent the sea as a ship passed across the stadium. After the development of several prototypes, the effect was achieved and the whole system manufactured and tested just two weeks before the shipping date.

The company also provided CO2 jets and a series of Sequenced Flame effects. As these were being built on to the top of 10m high structures which represented the City of the Future, each flame effect had to be custom-built on to each unique piece. Despite the adverse weather conditions, with the worst storm the country has seen for 25 years, the long months of planning and develo

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14 March 2016

"However, with so much lighting and trussing and a big video screen filling the stage area, space was at a premium. There are only a couple inches' clearance on either side of our video truss when you fly it up. We needed a fixture that would fit into our limited stage spa

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14 March 2016

Toru (the Maori word for 'three') delivers the same lift in efficiency, performance and operator features that were first realised in the wider angle Rua (9°-16°) and Tahi (18°-24°) models which were launched last year.

Delivering 1000 lux at 90m - 4° and 1000 lux at 53m - 8°, Toru provides the output to cut through the brightest outdoor or large venue entertainment lighting rig, near the output of Xenon units yet costing much, much less and only requiring a domestic outlet to power the unit, says Selecon.

Four Perf

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14 March 2016

The purpose built 3,500sq.m headquarters, just a few miles from Bucharest's Otopeni International Airport, is divided into offices and warehouses. The space enables Paradigma Group to maintain large rental stocks of audio, lighting, video and staging equipment, to provide professional servicing and training facilities, as well as housing the group's sales company including a showroom and maintenance department.

Paradigma Group is a joint venture between Ampco Flashlight Holding BV of Holland and AEI Broadcast Concept, one of the leading facilities companies in R

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14 March 2016

A new, lively, user friendly interface presents the ADB range in product families, with colour photography throughout, and introduces a 'search by market' feature that allows viewers to view products from all product families that are relevant to either television, rental, theatre or architectural applications.

Other new or redesgined features include the information request and downloads areas, trade show information, subscription to email based news and ADB's Insight newsletter, and a secure distributors' area.

(Jim Evans)

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14 March 2016

Bryan Ferry is performing songs from his new Dylanesque album, plus a few carefully selected classic Bryan Ferry & Roxy Music blockbusters. Ferry, a former fine art student, has some very clear ideas on visuals himself and is good at communicating these. Together, Ferry and Feast decided to make the show look totally different from a Roxy Music gig, keeping it moody, mysterious and with a definite 'sense of the unknown'.

On the first UK leg of the tour, they are playing concert halls and theatres. With no production rehearsals, j

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14 March 2016

The diverse rig allows Tomlinson to produce big theatrical effects, injecting visual creativity to the various characters that Mika brings to life during his shows. The Micros form an arch at the back of the stage and their high powered effects complemented the 1044s.

Tomlinson comments: "The Micros hold their own against the 1044s, I was very impressed and hopefully on the next tour we will introduce a media server. I'm pleased PixelLines are now available in different sizes, as it allows more flexibility in the rig - particularly when we are touring venues of different sizes."

All the lighting is supplie

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14 March 2016

In total, three screens were used for the videos - one screen measured 12m x 2.5m and two screens for back-projection. Pinna relates: "The aim was to create a multimedia show based on animations, video effects and projections with the possibility to interact with special Deutsche Bank content, backgr

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14 March 2016

Stackers' patent pending design allows them to stack neatly on the shelf, but a ridge on the top hat prevents sticking, no matter how much pressure is applied, the company says. All Stackers feature black flocked interiors to reduced light bounce and round frames to allow rotation of half top hats to the most advantageous angle.

A full line of 20 different varieties of Stackers are available including 6.25", 7.5", 10", 12" and 14" diameters in full, half, short full, and short half styles to suit the needs of lighting designers.

Top hats are used in lighting design for two primary purposes: to reduce spill light from li

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14 March 2016

SmartFade ML's professional features include palettes, parameter "fan" and built-in dynamic effects. Its direct access style of operation means that students, volunteers and non-technicalstaff can be lighting memorable shows in minutes, suggests ETC.

With a capacity for up to 24 moving lights and an additional 48 intensity channels (dimmers), plus the ability to patch to two complete universes of DMX512A (1,024 outputs), SmartFade ML provides a solid range of control for smaller lighting r

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14 March 2016

At the Product Resource Centre users will find comprehensive information on Martin products such as features and description; press releases, including product news and associated case stories; videos and images; brochures and leaflets; other marketing material such as screensavers; technical data, including in-depth specifications, user manuals, instruction not

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14 March 2016

Recolight will "seek to establish an efficient and cost effective process for recycling end-of-life lamps and related equipment, which is fully compliant with the Regulations. This will involve supporting and facilitating the development of a national network of collection points for end-of-life products and arranging contracts for the collection and recycling of such p

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14 March 2016

"Our customers have asked us to provide them with a more diverse product line," said Miles Dudgeon, director of marketing at Wybron. "This is just the beginning of our response to their demands."

"By giving our customers what they want and need, we can take advantage of market demand and increase the strategic value of our relationships," added Larry Turner, CEO of Wybron. "We are seeing rapid adoption of Wybron's products in certain markets and expect this pace to increase."

In addition to developing products for Wybron's sales channel, the company is working with ot