Lighting

Details

14 March 2016

The Frog 2 made its Austrian debut with the Vienna State Opera Ballet on their production of Walzerreigen in August. The performance was staged at the Kaiserzelt on Lake Altaussee with lighting design by Rudolf Fischer. The Frog 2 controlled the comprehensive lighting rig, which included 18 Martin MAC 600, 18 Martin MAC 2000, 16 6-Bar PAR 64 1kW, 12x Arri 2kW Fresnell, 12 Floodlight 1kW, 12 UV Tube 36W and two UV Flood 400W.

Managing director of Wiener Event Technik, Erich Kulicska says: "The Frog 2 fits all the criteria for our rental consoles including individual timing of channels and quick access to all desk data. In a

Details

14 March 2016

"I am excited to apply my accumulated experience in production, administration and community cultural organizing to the work of TPC." says Forman. "Building or renovating a performance space has always been a keen interest of mine, and I now feel well suited to this unique endeavour. I am thrilled to be part of the team."

(Jim Evans)

Details

14 March 2016

Lighting designer Terry Heisler, transformed the hospital into an entertainment atmosphere, with an eclectic mixture of moving lights - 20 PixelLine 1044s showcased on the main stage and 24 PixelArc Rs decorating the walls inside the hospital.

Heisler reports: "The PixelLines were a perfect fit for this show. The main stage was located in a large portable tent with sloping angles. I wanted to break up the monotony of those angles with something that could contrast and add another dimension."

He continues: "When the PixelLines were turned on you lost the 'tent' feeling - plus the pixel mapping and collage movement made the rig look much bigger than it was. The PixelLines also complemented the collage wal

Details

14 March 2016

"Panto is one of the hardest shows to light because it encompasses so many different genres - comedy, tragedy, musical, theatre, dance and rock 'n' roll all rolled into one," says Cracknell.

This Aladdin show also includes 3D projection for key elements including the magic carpet and the genie, which really throws the action right out into the audience and into people's faces - eliciting great excitement and reaction.

HSL is supplying all the moving lights for the show, along with equipment for another 10 Qdos productions around the UK, fr

Details

14 March 2016

Dierson notes that R. Kelly has always had problems getting the lighting of his shows to be exactly as he envisioned it. "Now, for the first time in his career, he has complete control. He was very involved in the lighting and sat with us throughout the programming sessions."

The Double Up tour's high production values required the grandMA to control all the lighting, the DL.2 projectors, video control and routing, Control Freak systems integration and M-box servers.

The grandMA also controls the Mainlight Soft Motion system, a DMX-controlled motor cabling system for soft goods like

Details

14 March 2016

The Paddo's new lighting scheme was designed by Craig Chandler of Craig Chandler Architects as part of a recent re-vamp of the large venue, giving it a post-modern industrial edge. The installation was undertaken by electrical contractors Espirit.

The project was jointly managed by Acoustic Technologies and ULA. Blair Terrace, national sales manager from ULA comments: "Craig has specified both Robe and Anolis fixtures for many other venues."

(Jim Evans)

Details

14 March 2016

This year lead singer Philip Oakey took a real interest in the visuals. Deciding to perform their seminal 1980 Dare album in order in its entirety, he discussed with Sinclair his desire for a real period feel from the visuals and a 'rectangular' basis to the stage.

Sinclair created and edited all the show's video content himself. Approximately 50% of this is completely new, and the rest was a combination of re-edited and archival material form the Dare era. All of it is stored in the Digital

Details

14 March 2016

Lighting design is by Howard Harrison (Mary Poppins, Cat on a Hot Tin Roof, Mamma Mia!) who was LD on the original London production that started at the Royal Court Theatre before moving to the West End, where it played successfully for nine months. Associate lighting designer is Daniel Walker with Marc Polimeni handling lighting programming.

Harrison uses 12 Martin MAC TW1 tungsten wash lights for tight moving specials on the Broadway production. "One of the problems we had was that the light we used in London - an old Strand Pirouette PC moving head - was hard to source in America," Harrison explains. "There was nothing that quite replaces what it does which is basically very small, tight specials to something a bit bigg

Details

14 March 2016

The annual event presents three awards to individuals selected from across the globe. Past recipients have included such personalities and dignitaries as Paul Newman, Her Majesty Queen Noor of Jordan, former First Lady Betty Ford, former US President Jimmy Carter and many others.

The event is produced for RMHC by McDonald's Creative Services division, and for the 13th consecutive year they turned to Lightswitch for lighting design; long time McDonald's vendor Billy Nolan and TLC to provide equipment

Details

14 March 2016

The National Stadium will host the Opening and Closing Ceremonies as well as athletics and soccer events. GE is working with the stadium's architects Hertzog and de Meuron to implement their high aesthetic goals and the need to minimize energy. The interior lighting design is intended to ensure that light remains as invisible as possible, while revealing the building to its visitors in a visually pleasing manner. To achieve this, fixtures are integrated within and behind structures, and the use of compact fluorescent minimizes energy use while maximizing the

Details

14 March 2016

The 735 Series from Marl is designed to be mounted on a vertical surface and can emit light in two directions, either horizontally or vertically. The new range is suitable for both internal and external installation making simultaneous illumination of both buildings and pathways possible, says the company.

Vibrant effects can be created with a choice of warm white, cold white or RGB with colour mixing at source, creating a shadow-free vivid illumination. The 735 Series can be fitted with different colour light engines top and bottom. The product can be supplied with white, RGB or monochrome red, green or blue LEDs. This enables the sides of buildings to be washed with colourfu

Details

14 March 2016

Looking to build on last year's successful launch of the MR16 LED luminaires, the company now has a wider range of products (including lift lighting and linear lighting) with the additional benefit of BSI compliance to offer.

"I'm delighted to be back at the ARC Show after a very successful year in business," comments Robin Day, managing director of EcoLEDLighting. "Last year visitors were impressed with our high quality, long lasting, low energy fittings. We now have an expanded range and the ARC Show represents the perfect opportunity for us to display our range to the country's leading lighting design

Details

14 March 2016

Based in Calgary, Alberta, Likeness will provide in the field support for the company's stockholding of general distribution products and leading technology brands - including the exclusively distributed Jands Vista, Hog 500/1000, Event, ESP and Stage lighting console ranges, and the Chroma-Q range including colour changers, gobo rotators, PSUs, and the Color Block, Color Split and Color Web multi-purpose LED solutions.

Likeness has nearly 20 years' entertainment lighting sales experience, holding the previous positions of VP for sales and marketing at Pathway Connectivity Solutions for 11 years and eight years

Details

14 March 2016

Suited for lounges, bars and restaurants, and appropriately silent for noise sensitive environments, smartMAC will liven up any space while saving money on power bills and service and maintenance checks, says the company.

The smartMAC features new fanless thermal management. With no dust and pollutants forced into the fixture, lamp life is optimised, service intervals extended (up to two years with 9000 hour lamp), maintenance kept to a minimum and operation costs reduced.

"The smartMAC is a unique product and a significant step for Martin," states Martin product manager for moving heads, Pet

Details

14 March 2016

Among the new features given to Accu Spot Pro are many that are typically found only on 575W or larger units. These include: a second gobo wheel, a separate prism wheel with trapezoid prism and three-facet prism, auto focus, shutter with pulse effect and random strobe, and 0-100% dimming.

"The Accu Spot Pro is great for clubs who may be on a budget but still want an intelligent moving head with premium features," said Scott Davies, general manager of the American DJ Group. "It will also appeal to more moderate-sized

Details

14 March 2016

The installation was part of Greenpeace's campaign to champion efficient lighting and encourage the phasing out of incandescent light bulbs. Greenpeace commissioned Jason Bruges to create an electronic, animated interactive garden of raised flowerbeds made up of hundreds of energy efficient compact fluorescent lamps (CFLs).

iLight worked closely with Jason Bruges in providing the lighting control system to show that the CFLs could be efficiently dimmed. The newly developed Varilight lamps used are the first 'dimmer dimmable' CFLs on the European market and, unlike earlier designs, can be used wit

Details

14 March 2016

Recently, the company was awarded a 5-10 year contract for the maintenance of stage automation, lighting and stage machinery effective from August 2007. A service team of12 personnel and technicians headed up by the service director, Stuart Cornell, has been put in place to work full time at Sydney Opera House.

This team is responsible for the smooth operation of the lighting automation and stage machinery equipment and is available for support 24 hours a day, seven days a week.

(Jim Evans)

Details

14 March 2016

"Lumificient and its founder Zdenko Grajcar bring a whole new level of intellectual property, research and development capabilities and cutting edge technology to Nexxus Lighting," stated Mike Bauer, president and CEO of Nexxus Lighting. "Zdenko is one of the most respected and knowledgeable minds working in solid-state lighting. He and his team have developed some very exciting new technology that Nexxus plans to commercialise in

Details

14 March 2016

Lighting equipment was supplied by Southampton-based GLS who were working for event producers Watermark Event Management. GLS brought Peter Canning and Nic Ayres of Anglo-Irish design practice High Resolution Lighting onboard to produce the creative elements needed to make the presentation fly. "They were an obvious choice as Virgin Atlantic like a rock and roll edge to their shows," says GLS's Ian Turner.

Challenges included the back wall of the venue being an 80m (262ft) wide by 20m (66ft) high glass wall, which effectively meant that the show - which took place on a 12m (39ft) deep stage built in front of this - was in daylight. No available flying

Details

14 March 2016

The performances involved approximately 700 people including Ringo Starr, Dave Stewart and local upcoming indie stars The Wombats, all of which took place on eight surrounding rooftops - including the Walker Arts Gallery, St John's Beacon, the Empire Theatre, Lime Street Station - as well as on top of and in front of St George's Hall.

The site was challenging - lights had to be craned into position and rigged at all these locations, and also onto a series of scaffolding constructions around the main area.

The get-in started on the Monday for the Friday show and the HSL team, project managed by Mike O

Details

14 March 2016

"The main idea for using the LC Series was to establish a 3D look for the stage and the LC panels fit perfectly in our application - size, configuration and transparency," comments Tellos.

Tellos lists several reasons for his choice of the LC panels: brightness, saturation, quick and easy setup, and wide angle viewing. "I was impressed with the brightness and the resolution of the LCs," he states. "Also, the way of setting up and configuring the system is very easy. The construction is robust, which is very important for touring and when you add in the transparency ef

Details

14 March 2016

Presenting the first £2,500 cheque to trustee Matthew Griffiths at the ETC / ABTT Christmas party on 14 December, Fred Foster, CEO of ETC, said: "Our industry would not exist without its many freelance lighting designers and technicians. Light Relief has already provided much needed practical and financial help to many of our colleagues and I am delighted that ETC can enable it to continue this fine programme."

Griffiths, who is also managing director of PLASA, said: "Light Relief assists freelancers in our industry who need immediate assistance in times of crisis. One-off donatio

Details

14 March 2016

Congo jr helped the ice show's board operator Daniel Tschanz overcome two major challenges - a narrow time window for setup, and show programming that could not be done at night. However, on Congo jr, cues and positions can be easily adapted immediately before the show or on the fly.

The Congo jr controlled 18 Martin MAC 600 NT automated luminaires, six Martin MAC 250

Details

14 March 2016

Marenghi comments: "For the fourth consecutive New Year's Eve, associate LD Paul Cook and I created a three hour light show prior to midnight and then supported the firework finale with the floodlighting of the Eye and aerial searchlight effects. PRG Europe, led by crew chief Gerry Mott, supplied 100 VL5 Arc luminaires and ten 10kW Syncrolite sea