Lighting

Details

14 March 2016

This is Lewis' second tour with Cooper and his first visit to the UK, about which he comments: "The continuity between Mike Golden at Bandit Lites Inc and Lester Cobrin at Bandit Lites UK makes touring Europe exceptionally smooth, and ensures that the high production values and 'Bandit Standard' that we expect are maintained. I have been really impressed with the UK operation."

The original production was designed by artistic director Norm Schwab and lighting designer Rob Roth. From there, Roth and Lewis developed and programmed the

Details

14 March 2016

Viktors Andrejevs from LTV commented: "The maXim has a fantastic feature set, and the downtime for learning the new console was almost non-existent. I was surprised to find out just how intuitive the operating system really is."

(Jim Evans)

Details

14 March 2016

The Mania EF4 features a long-life halogen lamp with 800 hours of action. And like all Manias, the EF4 operates continuously meaning there are no cool down periods and no stopping the show. The effect can be either sound triggered with patterns moving to the beat of the music, or automa

Details

14 March 2016

The first award was given to Joshua Thatcher with the Local 728 in Hollywood, who was the first to use W-DMX in a major feature film and continues to be the biggest such user in movies like Spiderman 3, Mission Impossible III and Transformers.

Valy Tremblay of Proluxon was also given a Visionary Award, for his

Details

14 March 2016

Manufactured by Alkalite and distributed exclusively by Elation in North America, the VersaBar 270 features a selection of optional brackets and accessories that allow users to link multiple units together in different ways to create fixtures like light bars, blinders and various multilateral shapes - whatever the situation calls for. Additionally, an integrated power supply, auto switching from 100-240V, as well as power link of up to 10 pieces on one line and 3- and 5-pin DMX connectio

Details

14 March 2016

Berry was head-hunted by the band earlier in the year and started working with them during the summer, leading up to the release of their eighth album, Hey Venus. Changing graphic designers for the first time in 10 years for the album artwork, they tracked down cult Japanese artist Keiichi Tanaami and asked him to design their record cover.

This album cover became Berry's starting point for the light show aesthetics. Colourful and quirky, the base layer of artwork featured a lighthouse complete with five shafts of light beaming out brightly and positively from it.

Berry had a set of scenic cloth 'rays' made up by Back2Front which they carried for the festivals. This concept was then developed for the tour, when Prompt Corner added light-proof backing material to

Details

14 March 2016

Colourdriver 36 gives control of up to 36 LEDs, is compliant with Luxeon power light sources and can be remote mounted by up to 30 metres from the LEDs. With thermal feedback protection and a three-channel driver powering a minimum of four to a maximum 36x350mA LEDs, Colourdriver 36 is ideal for exterior architectural lighting, says the company.

(Jim Evans)

Details

14 March 2016

The agreement will see Philips will acquire Genlyte - whose entertainment industry brands include Vari-Lite and Strand Lighting - in an all-cash transaction for approximately US$2.7billion - creating one of the world leaders in lighting fixtures, controls and related products.

The acquisition will be conducted by means of a tender offer for all of the issued and outstanding shares of Genlyte, followed by the merger of Genlyte with Philips' acquisition subsidiary. The tender offer is subject to a number of customary closing conditio

Details

14 March 2016

For Edwards, this was a chance to see how the Americans approach the problems he has been facing in his job for many years. Edwards is the lighting manager at the Royal Northern College of Music in Manchester where he is responsible for the lighting of the College's performances - especially the operas. His job entails not only looking after and operating the lighting systems in the four performance venues and keeping up to date with developments in the field, but also the artistic design of the lighting for dramatic

Details

14 March 2016

"The new design is conceived not as the 'grunge' look of the original, but as a clean white box - simple stylish lines with a white reflective floor, a raised dias in the middle for the apartment and, above, a clean shiny metallic bridge," explains David Howe. "This all meant that the available lighting positions were quite restricted, having only 1m of space between the safety curtain and the white walls, and quite high trim heights, over 9m, on hemp bars overhead, making access for focus and mainten

Details

14 March 2016

Lighting designer Micke Berglund has completed the installation for the production and made a specific request for LSC's e24 dimmers. "If we want either dimmed or straight power we can configure each channel to whatever we want it to be. Along with the remote monitoring option it's no longer just a dimmer," comments Berglund. "I know that the Culture Centre will have lots of fun with these for a long time to come."

Interlite in Sweden supplied the equipment.

(Jim Evans)

Details

14 March 2016

The Stealth LED display, supplied by rental company XL Video, consists of three columns - used as two columns of 16 panels wide and 25 panels high on either side of the stage, as well as one column centre-back of 19 panels wide and 25 panels high.

TT Video's production team Andy Tonks and Richard Shipman, conceived and designed a unique way of exploiting the Stealth fan-fold capacity to enable the 200sq.m to be rigged at the speeds which production manager Chris Vaughan demanded. Dollies housing the processors allow for the screens to be hung a

Details

14 March 2016

The control of lighting, and other systems including animatronics, was the responsibility of Technovations, an Essex-based technical design company that creatively uses sound and light to provide fully choreographed and controlled features to museums, exhibitions and theme parks.

"This type of job, with substantial lighting dimming, isn't exactly unique these days," said Technovations director Graham Owens, "but the way we went about it was probably a little unconventional."

The usual approach would have been to use a show control system, which could be anythin

Details

14 March 2016

Light Fox comes with 20 pre-programmed scenes - static colours or colour changing. Anyone can easily connect the controller and run programmes for quick atmosphere adjustments. Light intensity is also adjustable for instant mood manipulation, says the company.

The lighting presets are pre-programmed to achieve market-useful lighting looks with smooth cross-fades between presets. Free-for-download, Design Fox software allows for easy re-programming of presets. DMX communicable if needed, Light Fox can mange u

Details

14 March 2016

The project was undertaken by VenuTech - who have previously installed Anolis and Robe fixtures into the bar, restaurant and night club at Melbas as well as into many other venues in the area.

The aim of Melbas' new lounge area is to provide a classy space fusing elements of neoclassical and contemporary design in which guests can relax and chill out, whilst indulging in a spot of game playing if they wish.

The lighting scheme was designed by Tony Dowthwaite of TDLD, a high profile lighting design company, and VenuTech's Mick James. Dowthwaite - who has also used Anolis products on previous projects - had originally contemplated using neon

Details

14 March 2016

Effects designer, Lorenzo Cornacchia collaborated with Jesse Collins (show producer), Brian Stonestreet (production designer), Alana Billingsley (art director) as well as Marc Lucas (executive in charge of production), and John Cossette (executive producer) of Cossette Productions.

The industrial set created by Stonestreet allowed for a number of versatile positions to mount the pyrotechnic equipment. In applying the pyrotechnic effects into the set designs, Pyrotek's Crew Chief; Bob Ross was accompanied by gas specialists and pyrotechnicians, Keith Maxwell, Kevin Hughes, and Gary Bishop in assembling the special effects into each

Details

14 March 2016

The façade of the company's red brick headquarters has been adorned with a spectacular illuminated wreath which was constructed out of 250 Christmas trees sourced from Balcombe Estates in West Sussex. It is filled with 8,000 glimmering UV blue LED lights. Underneath the sparkling wreath is a huge blue and green bow attached to a ribbon made entirely from blue neon.

The impressive Imagination building, flooded in a wash of blue light serves as the backdrop to the wreath. The installation of the lighting display took place over the last weekend in November. Imagination enlisted the help of a team of 19 construction specialists as well as Imagination's in-house production managers and lighting designers.

Details

14 March 2016

Flashlight Rental supplied 15 Showguns. Part of the Ampco-Flashlight Group, the company is one of Europe's biggest rental houses and the first in Europe to purchase HES' new automated luminaire.

Lighting designer Jeroen Jans said: "For this new high-level TV show I was looking for a fixture that was both new and fit well cosmetically into the scenery with a high LED and lamp output. The choice was easy: Showgun. All 15 units did a job well done for two months, with nice slow and smooth moveme

Details

14 March 2016

The show was staged at the Sport Palace in Salsomaggiore Terme (PR) which was transformed into a large studio for the show that was presented by Mike Buongiorno and Loretta Goggi. It was produced by RAI Milano and broadcast live on RAI 1, watched by 6.2 million people - about a 32% share of the viewing public - jumping to nearly 60% as the winner was announced.

Brera has lit Miss Italia since 2003 and also used Robe on many previous occasions. He works very closely with the set designers on these large projects, and in this case it was with Sabrina Fontanini and also with choreographer

Details

14 March 2016

Electric Fly was working for brand experience agency Slipstream who brought them onboard to provide all the specialist lighting and effects required for the high profile event.

Staged at the Trocadero, in front of the Eiffel Tower, the set - built by Stage One - consisted of a large 6 x 8m 'shoe box' which was set up two days prior to the launch and acted as a count-down monitor. Three LED strips were installed along the sides of the box that flashed every second.

England's Steven Gerrard and Liverpool team mates Dirk Kuyt, Andriy Voronin and José Reina were joined by a host of international football stars for the box opening event.

When the time came for this to

Details

14 March 2016

Regarded as the most prestigious racing club in the world, the exclusive membership includes F1 World Champions and those who have obtained international success over a number of seasons, or made a significant contribution to the sport. Every British or Commonwealth World Champion is, or has been in their lifetime, a full member of the Club.

As part of the scheme, promising young British drivers will benefit from A.C. Lighting's BRDC patronage. With its emphasis on cutting-edge new technologies, the sport provides a natural affinity with A.C.'s own product

Details

14 March 2016

When used with the UltraStart programme-start ballast in settings such as office and industrial buildings, warehouses, retail chains, schools, hospitals and government buildings, the GE F28T8 lamp can deliver a 15% reduction in wattage compared with a standard three-lamp F32T8 system. It als

Details

14 March 2016

Lighting designer Dave Butzler chose to use 18 VL 3500 Washes, 43 VL 3000 Spots, 55 Martin MAC 2000 Washes, 22 MAC 2000 Spots, 18 Coemar Halos, 33 Coemar Infinity Washes, 39 Coemar ParLite LEDs and five Lycian M2 Spots to light this event. Lighting was controlled by three grandma full-size lighting consoles, with a single grandMA Lite and four grandma NSPs (Network Signal Processors).

The fundamental design concept is similar to what Brooks has done in the past- a wide rig with all moving lights. The rounded truss structure featured a custom-built centerpiece, surrounded by VL3500 Washes. Coemar ParLite LEDs were used as truss illuminator

Details

14 March 2016

During the pre-programming overall three grandMA full-size, two grandMA light as well as one grandMA replay-unit, all in a multi-user session, were used.

Each new production of Wicked is based on the original lighting design by Kenneth Posner.

(Jim Evans)