Lighting

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14 March 2016

The line up of eight comedians, one singer and one larger than life polar bear's head set-piece featured Tim Minchin, Josie Long, Badly Drawn Boy and Richard Herring and was presented by Greg Davies. The venue was completely sold out as all united in an evening of hilarity and arctic proportions.

Laughing all the way to the lighting desk was Entec's Ryan Brown, who created a production lighting design for the evening - which resembled a festival in style and execution.

His aim was to compliment the main set piece, a giant polystyrene polar bear's head, so to connect this to its immediate environment, he imbibed the stage with an arctic ambienc

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14 March 2016

UK-based specialist LED manufacturer i-Pix launched the new Satellite Mk II LED 'brick' lightsource at the 2011 PLASA Light & Sound exhibition in September.

This was five years after the launch of the original Satellite, which was the then new company's debut product, and rapidly became a trend-setting massive best seller worldwide.

Universal Events purchased 24 of the original Satellite products when they came to the market in 2006. They have been in constant use - and are still going strong today, "They have been an absolutely essential element and a constant workhorse product in our hire inventory," confirms UEP's

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14 March 2016

"Alan has contributed to LSC in many ways over the years and has had input to all aspects of the company including the design of its products, how they are manufactured and how they are marketed and sold," says the company. "On top of this, his love of building was gainfully employed when he undertook the design and project management of the company's current 2000sq.m head office."

Trained as a design draftsman, Alan was initially employed by LSC as a contractor in the early 80s to design printed circuit boards f

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14 March 2016

Entertainment lighting specialist White Light is ponsoring the Best Lighting Designer award for the fourth year running. The company congratulates the six nominated designers: Neil Austin (for Betty Blue Eyes), Paule Constable (for Luise Miller at the Donmar), Oliver Fenwick (for My City at the Almeida), Mark Henderson (for The Kitchen, 13, and Emperor and Galilean at the National),Bruno Poet (for Frankenstein at the National Theatre)

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14 March 2016

Because the tour is playing such a variety of venues - from large scale arenas to smaller amphitheatres, even circus tents - Calvi turned to Martin Professional's compact MAC 101 wash light as the base fixture in a versatile lighting design.

"We had serious weight restrictions in many venues, and truck space was also limited," Calvi says. "Because the 101s are so light I was able to go with lots of them and keep the rig the same across all venues."

Calvi uses 150 MAC 101s as the foundation of his design with fixtures on eight towers per side for cross lighting and on five finger trusses that move throughout the show, as well as on th

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14 March 2016

Parking Protest - Musicians and actors held a protest in London's West End against Westminster City Council's plans to extend parking charges in the borough. The new parking charges will target the area south of Oxford Street, including Theatreland, and will see a rate of £4.40 an hour charged all day on Fridays and Saturdays until midnight, and between 1pm and 6pm on Sundays. It will be t

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14 March 2016

The increase, which was announced in the latest London 2012 quarterly economic report by the Department of Culture, Media and Sport (DCMS), comes from the £9.3bn public purse, which is in theory meant for building, infrastructure and security, while the ceremonies is paid for from the privately-raised funds of the Organising Committee of the Olympic Games - money raised from the IOC, ticket sales and sponsorship.

In the DCMS report, Hugh Robertson MP, Minister for Sport and the Olympics, says: "The ceremonies for the London 2012 Olympic and Paralympic Games are a unique opportunity to portray a positive image of the UK to a huge potential global audience - an estimated 1 billion people watched the openi

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14 March 2016

Suitable for special events, parties, and exhibitions the handy fixtures eliminate troublesome cabling and facilitate placement in difficult locations, says the company. The 9W unit, designed to run for a minimum of 10 hours on a single charge, features integral controls for colour, brightness, fades, and presets. A double yoke system functions as a floor stand or simply add a c-clamp to hang the fixture into the rig.

Richard Painter, director of sales at Wizard Connection says, "Partnering with LumenRadio was

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14 March 2016

Projected onto the King's Castle's turrets were a variety of themed images - ghosts, skeletons, jack-o'-lanterns and bats - up to six images per luminaire with creative options such as image rotation, dynamic focus and dimming. The Exterior 400 Image Projector's interchangeable colour slots allowed each image to change colour up to eight times, adding a further dynamic element to the ghostly atmosphere.

At over 7000 lumens of power, the Exterior 400 Image Projector had no problem handling the 40m projection throws, and the fixt

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14 March 2016

Each chandelier is rectangular in shape, the largest being over 6m long and 3m wide. Structurally, the illusion of coral is created by a forest of curved glass rods, hanging stalactite-like from the chandelier base. With the addition of dynamic lighting effects, the forest springs into life as synchronised pulses and patterns of light run across all four installations.

Artistic Licence supplied the luminaires and lighting control used to achieve these effects. These comprised some 720 custom RGB LED linear fixtures, each 0.5m in length, and 9

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14 March 2016

This year, a crowd of around 2,000 turned up to hear Zagreb rock legends Psihomodo Pop and The Beat Fleet (TBF), a rap rock band from Split - with fixtures from PR Lighting, supplied by production company GLS, bringing the scenography to life.

The company purchased eight versatile Pilot 575s from PR Lighting's Croatian distributors, Turbo-X d.o.o, which went straight onto the show.

GLS' purchasing decision was based on the value for money offered by these fixtures, according to Turbo-X d.o.o's Dario Stipic, "They were delighted with the performance," he said. "The Pilot 575's will now go into their rental inventory for use on shows throughout the year."

Meanwhile the company reports growing interest in PR Lighting fi

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14 March 2016

Russ Grubiak, lighting programmer for The Jonathan Ross Show was "very excited about the use of a very special product." He and show lighting director Oli Richards considered various ways of using the 6-06 before deciding on their approach: "We figured that a lot of people would use them in straight lines or as a grid. Oli's preference was for a non-uniform, random focus that filled the ceiling space and looked as edgy as possible. We mounted the fixtures in a ball and socket TV grip, which suited our monopole hanging grid at the stu

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14 March 2016

Featherstone's brief from Marto and the EVI team was to help bring their vision to life by creating an exciting 'arena scale' design that would be interesting and engaging from the front of the room to the back. A combination of a dynamic lighting system and an LED stage deck made for an inventive palette of creative tools, which included six of GLP's new impression Spot One LED heads.

With three days of meetings and awards - interspersed with

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14 March 2016

Flanked by sets of stairs, the open stage allowed Groban to walk straight into the audience. At times, the accompanying band - over a dozen horn players, drummers, violinists, guitarists and more - perched themselves on the edge of the stage or on the stairs as well. This gave the performance a theatrical look overall, lending an intimate touch to the large arena.

At other times, the band plays fairly close to the backdrop where the slim, linear and unobtrusive COLORado Batten 144 Tour wash lights uplight the scene in

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14 March 2016

A key member of Northern Light's team, David left his considerable mark as a project manager on numerous key projects such as Leicester's Curve, Theatres on the Bay in Singapore, The Sage in Gateshead and Manchester's Lowry Centre.

More recently, David had taken on the post of Head of Project Delivery with responsibility for overseeing all of Northern Light's installation projects. "It was a role he was a natural at and he was loved and respected by his entire team,

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14 March 2016

They have specified Robert Juliat Super Korrigan 1200W HMI followspots and Buxie 575W MSD followspots in both newly-constructed and renovated theatres in public and private high schools and colleges across the country.

"Schools typically don't go for high-end lighting, but I like these fixtures and strongly recommend them," says Conner. "There was a perception that the Robert Juliat followspots were more expensive than others on the market. But my conclusion is that they are not: On a dollar-to-dollar performance basis, they rate better. And thanks to their versatility, they're a great pick for educational institutions and the variety of product

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14 March 2016

Created by Ross Ashton, with a soundtrack by Robert Ziegler and JohnDel'Nero, Crown of Light draws its visual material from inside the cathedral itself and from the Lindisfarne Gospels.

The PIGI projectors were supplied by entertainment lighting specialist White Light, continuing a collaboration with Ashton that has encompassed projects from Edinburgh to New York.

"White Light is a valued partner on my projects," Ashton notes. "They are helpful and accommodating, and work hard to make sure that everything goes well prior to delivery and during the operation of the kit."

"Ross's projects are always something to behold," comments

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14 March 2016

ETC named its new product after the ancient word for 'tile'. ETC's architectural market manager Joe Bokelman explains, "A tessera is a tile in a mosaic but also an object of beauty and utility itself. Our Tessera is both a part of a greater sophisticated networked system and a standalone full controller, in a compact interface.

"Imagine colour-changing lights in a shopping centre or office block that can go through dynamic effects, seasonal

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14 March 2016

Richard Martin Lighting (RML) provides the lighting for the show, which is filmed in 3sixtymedia - Granada Studios, Manchester. It has previously been filmed in TVC, TLS, BBC Glasgow. Martin Kempton designs the lighting show.

His chosen specification includes VL1000TS, VL2402s, Stage Zoom 1200s, MAC 250s, MAC 500s, MAC 600s, Mini MACs, Nova Flowers, Chroma Banks, Pixel Bricks, Chroma Floods, Pixel Pars and VL3000 Wash's. Over 200 moving lights are used to create a strong and vibrant look to enhance the drama of the show.

Who Dares Wins is aired each week on BBC1 and also includes Thunderball, Lotto Draws

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14 March 2016

The tour unfolds Michael Jackson's artistry before the eyes of the audience. Aimed at lifelong fans as well as those experiencing his creative genius for the first time, the show "captures the essence, soul and inspiration of the King of Pop, celebrating a legacy that continues to transcend generations".

VideoBlades, a result of an alliance between Lighthouse and Pix2o, is a large-scale LED video display technology that straddles the worlds of video and lighting in the entertainment, events and architectural markets. VideoBlades 12 provides a 12.5mm pixel pitch, modular LED video screen that delivers "superb image quality both indoors and outdoors, with a literal twist...".

VideoBlades 12 come

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14 March 2016

"I initially joined Journey as their lighting designer in the summer of 2004," began Christopher. "When I put a lighting design together, I like to design in flow with the songs, which for Journey can be anything from up-tempo and powerful, to subtle and dramatic. As a designer, they give me a fantastic

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14 March 2016

"Thank you to all the staff at Black Light involved with the Sage Project, for all the hard work and attention to detail, greatly appreciated," said John Wilkinson from Gateshead Council. "The end result looks stunning."

The brief for the £150K project was to replace an existing tungsten-based system that was proving expensive and unreliable. The replacement

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14 March 2016

LD Brendan Gray of Gray Matter Visual returned for his fourth year designing the lighting and media content for the 3 November event, held at the Hammerstein Ballroom in New York. Scharff Weisberg Lighting was the vendor.

The six HES intellaspot fixtures were positioned on the deck behind the band in between the seven LED panels.

"I was interested in using the intellaspots after seeing them a few weeks earlier at an HES Open House in New York City. Craig Burross and Chris McMeen were helpful in getting the fixtures to me to try out," Gray explained.

Gray was intrigued by the 850W source, which he

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14 March 2016

The Edge had always used Strand consoles for their lighting control ever since the original Aotea Centre opened in 1991 with a Strand Galaxy console. The majority of the consoles were Strand 500 series, upgraded 10 years ago.

Malcolm Ibell, head of lighting at The Edge, reports, "I was searching for replacements that would not only work for today but would future proof us too". A major consideration was the networking abilities offered by a console.

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