Lighting

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14 March 2016

Working closely with lighting designer Nigel Catmur, ELP took delivery of 26 of the Alpha Spot HPE 1500s which Catmur specified first on S4C's Rhydian shows and the Only Men Allowed TV special. He subsequently featured them on the lighting rig for the Royal Variety Performance.

"Having first seen the impact of the Alpha Spot HPE 1500 on Eurovision last year, I knew it was a light I wanted to work with," says Catmur. "Simultaneously ELP had the same idea and so we collaborated and made it happen on the projects we were working on together at the time."

"We recognised that we needed a

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14 March 2016

Jands CEO, Paul Mulholland, unveiled the Vista L5 while reflecting on the 10 year journey the company have taken with their Vista range. Explaining that while the original Vista concept was very well received, their work over the past few years has been to refine that concept to deliver a second generation software that is "the perfect integration of Jands's original concept and the industry's demands for it," encouraging those who may have dismissed it in the past to take another look, now it has truly reached its potential.

With the Vista L5 offering "the definitive work surface" for the Vista v2 software, he concluded that, just like outside of our industry, embracing new technologies and interfaces deliv

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14 March 2016

The MVP 12 is a lightweight, tri-colour SMD LED modular video panel suitable for high-resolution graphics and live action video. Featuring a semi-transparent design, MVP 12 allows lighting and elements to pass through while maintaining high resolution and clarity. MVP 12 video panels easily interlock for dramatic displays.

Legend 412 is an innovative, pixel-mapping moving yoke wash fixture featuring 12 quad-coloured RGBW LEDs controllable in quadrants. Nimble and ultra-compact, this multi-purpose unit is capable of an excellent wash and mesmerizing dynamic chases

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14 March 2016

Prior to coming to the ADJ Group, Webster was a technical sales specialist with Motorola United Kingdom for seven years. He worked on the British Broadcasting Corporation's switch from analogue to all-digital (DTV) broadcasting and reception in the United Kingdom.

"We are very pleased to welcome Ian on board," said Dirk Kast, general manager of ADJ Europe. "He not only brings a wealth of technical knowledge to this position, but also valuable experience helping customers understand and utilise technological driven products to thei

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14 March 2016

Fowler was most recently regional sales manager at entertainment lighting manufacturer High End Systems in Austin, TX, where he concentrated on lighting for fixed installations.

Before that, he worked as senior designer/project manager for New York-based architectural lighting design firms Schwinghammer Lighting and Johnson Light Studio.

(Jim Evans)

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14 March 2016

"Our pyrotechnics courses are always popular," says Black Light's customer relations manager, Claire Södergren who is helping to organise the course. "This one should appeal to a wide variety of people - from those who have never used pyrotechnics before through to participants who want to see what the latest technology can do. Participants who successfully complete the course will receive a nationally-reco

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14 March 2016

This line is a valid alternative to discharge-lamp washlights of equal power, with all the benefits of LED lights: intense, highly vivid saturated-tone colours, light-weight, energy saving, longer light source life, and lower operating and maintenance costs, says ythe company.

All the models in the A.Leda line are fitted with advanced electronics, have a compact light-weight design, and can be easily adapted to all areas of applica

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14 March 2016

Long standing lighting designer Martin Kempton comments, "It's very sad to see it go - it's been a regular fixture in my diary for the past 11 years and I've been really proud to have been associated with it."

The four-time BAFTA winning ITV show uses a small and selective amount of lights (including MAC 250's, MAC TW1's, Pixel Par 90's and Alpha Spot 575 HPE's) to create a bright yet 'homely' look to compliment the set.

(Jim Evans)

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14 March 2016

Lighting designer Ken Billington reports, "For the production, Tim Bird created a very neutral set with many levels and then with his team from Knifedge created visuals that were projected on all the surfaces requiring fast moving changes like a video game. This of course impacted the lighting in that it needed to change quickly and drastically with intensity and colour. With a very low ceiling (4m) and limited electricity - LED fixtures became almost essential to make the concept work. To give me the bang of LED I chose the PixelRange QPar 10°, 20° asymme

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14 March 2016

"Something we've often heard from lighting designers is that they long for a decent sized space where they can just try things," explains White Light's managing director, Bryan Raven. "They wanted somewhere they could come and experiment with new products, new colours, new ideas, away from the crazy pressure and schedules that come when you're actually creating a new show. There's alwa

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14 March 2016

For the first time, a stage area was set up on the stand, where field project coordinator Mark Tobler gave presentations in German or English describing ETC's overarching philosophy: Layers of Light. He showed how different types of lighting - tungsten, HID and LED - can be used together with ETC's latest control desks and Sensor3 power control system to create the right light for any kind of purpose.

Market anager for ETC GmbH Sarah Clausen says, "With ETC, our focus is on the quality of light; we wanted to show how we can really enhance the stage and what's on it.

"By setting up our famous mannequin with a brightly multi-coloured dress, we showed how we can make colours balance, 'pop' or appear dull by adjusting each o

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14 March 2016

Thrilling the audience with her song Part of me, Perry was surrounded by 12 large plasma balls and four plasma columns, topped off by her own laser display; the ensemble made for an electrifying show.

The vibrant colours of the plasma balls and columns were echoed by the pink and blue stage lights, making the whole vision a show to remember.

(Jim Evans)

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14 March 2016

These showcase exhibitions follow hot on the heels of the South-East roadshow that Ambersphere held recently in Brighton.

The Black Light Open Day, which is Scotland's largest gathering of lighting industry professionals, is taking place at Black Light's HQ in Edinburgh on Friday 30 and Saturday 31 March, and will be the first opportunity for those North of the Border to get a close up look at the new products on offer from Clay Paky and MA Lighting.

"It's really exciting to get on the road with the dazzling array of new products that Clay Paky and MA Lighting have recently brought to market," says Glyn O'Donoghue, managing director of Ambersphere.

"With a number of regional exhibitions

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14 March 2016

"Musikmesse and Prolight + Sound 2012 have further strengthened their position. Both, visitors and exhibitors highly appreciated and rated Musikmesse and Prolight + Sound and are in confident mood for orders and business", said Detlef Braun, member of the executive board Messe Frankfurt.

Blowin' In The Wind - Bob Dylan, Peter Gabrieland Suede are the headline acts for Vince Power's Hop Farm Music Festival 2012. The festival will have four music stages this year including a comedy stage, Camp Acoustic stage and Buskers Boulevard as well as "more new, exciting additions to be announced in due course"

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14 March 2016

"Established for 22 years and with our strong foundation, we have the distribution power to ensure we are sourcing the best products in commercial sound, lighting, visual and special effects at the best prices, which translates to greater value for our trade customers," says the company.

The Leisuretec name is synonymous with quality products and at this year's PLASA Focus the company will represent over 70 prestigious brands spanning many market sectors including installed sound, presentation and live entertainment.

"We can offer the choice and flexibility essential to your business whether you are an installer, reseller, hire or events company or other trade professional. Since last year we have added several new f

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14 March 2016

The architects of the new extension, John McAslan and Partners, worked with Network Rail on the £500m project to create the largest single span structure in Europe, delivering a new station concourse with more than three times the space of its predecessor.

Network Rail brought in Unspun to produce the launch of the spectacular new extension. Unspun's creative team, consisting of Robert Alge as Creative/Executive Director, Glyn Peregrine as lighting designer and Julian Scott as the soundtrack composer, designed a show to highlight the dynamic meeting of the station's original 1852 brick façade, with the striking new curved steel lattice.

Peregrine worked with Dom Sh

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14 March 2016

The project was part of a free of charge city event Lux Helsinki that is organised by City of Helsinki. The event consists of a cluster of individual lighting installations ranging from the spectacle to minimalistic realizations as well as a number of fire circus performances in the centre of the Finnish capital. Energy efficiency and sustainability is a major theme and designers are also encouraged to utilize new and innovate technologies to catch the attention of the public.

Lighting designer Matti Jykylä has been fascinated by Rubik's Cube, the famous 3D mechanical puzzle invented in 1974 by Hungarian scul

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14 March 2016

Lighting designer is Davy Sherwin, who has worked closely with Catalyst and live visuals programmer / visuals operator Robin Haddow and video director Blue Leach. The trio are collectively known as 'The Art Department' on the tour, and the ntelligently harmonised show is the result of some serious triumvirate creative chemistry.

HSL's project manager is Mike Oates. He says, "We love working with Davy and Robin and have seen the band's show and their designs take a real journey and evolution over the last few years. Each tour is always fresh in ideas and this is among the best yet."

Just as the band have explored ne

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14 March 2016

Gaetano Castelli's set was immediately christened the 'ark of music'. It consisted of a large 'space ship' that dominated the stage with surprise effects as it moved and opened. The 20m long, 9m high scenic machine was so heavy (20 tons) that preparatory reinforcement work was necessary on the structure of the Ariston Theatre. The 'musical spaceship' took three months to put together and was entirely built in Rome. The work also involved the capital's TV Production Centre. It was then taken apart and reassembled piece by piece on the stage at Sanremo.

Th

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14 March 2016

To ensure the designer clothing was shown at its best, lighting was given the utmost consideration. Tupac Martir, director of Satore Studio in London lit the runways at the Temperley, Björn Borg, House of Holland and Vivienne Westwood shows, amongst several others, doing all previsualization in wysiwyg.

"We use wysiwyg for all the shows, it helps tremendously when they occur so closely together," says Martir, "We actually run wysiwyg on a gaming machine at our studio with Alien Ware and two v

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14 March 2016

The new system uses a "revolutionary" and patented 4-way connector with an auto-lock system. The system guarantees solid connections of the uprights and drape supports, while they can still be adjusted to every conceivable direction. The cloths attach with Velcro onto the cross bars, making for easy rigging and adjusting. Cloths are available in black and white.

Highlite International will also be showing the new DMT P10 SMD Tour Pixelscreen. Each panel is 640 x 740 x 90mm, and weighs 18kg, making it easy to rig. The panels are IP65-rated and have a luminance output of 5500 Nits.

Also on display will be the new range of Showtec Spectral

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14 March 2016

Taking place this year on Tuesday 24 April on both sides of the Atlantic, By Design Day focuses attention on the various ways that individuals can support the two organisations that are dedicated solely to helping entertainment technology professionals in need.

Whether you prefer to make a personal donation, hold a collection at your place of work or, if you are a designer, simply support the day by voluntarily giving a day's royalties to one or both of these charities, it's the action (not the thought) that counts.

Light Relief is there for those involved in the UK lighting industry while Behind the Scenes aids professionals based in the US and Canada working in any area of the enterta

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14 March 2016

"With the release of our 1500W VL3500 Wash luminaire, we began to hear from designers and dealers requesting a similar 1500W platform in our range of spot luminaires," said Bob Schacherl, Philips Vari-Lite vice president of sales and marketing. "So building upon the product features that have made the VL3000 Spot and VL3500 Spot two of the most in-demand luminaires in the history of automated lighting, we are very excited about the introduction of the new VL3015, VL3015LT and VL3515 Spot luminaires."

All using the double-ended 1500W lamp that has been so effective and reliable in their large format wash luminaires, the VL3015 and

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14 March 2016

British-born Pilbrow, who now lives in America, is joint founder of the Association of British Theatre Technicians, Society of Theatre Consultants, The Society of British Theatre Designers, and the Association of Lighting Designers. He has won countless awards, including the Distinguished Lifetime Achievement Award in Lighting Design from the United States Institute for Theatre Technology, Association of British Theatre Technicians Technician of the Year (2000), Lighting Designer