UK - With LED lighting now becoming more and more common, LEE Filters has introduced Zircon - a new range of lighting filters that is designed to offer quality, consistency and, above all, durability.

It's no secret that conventional lighting filter struggles with fade times when used in conjunction with LED lighting set-ups. Zircon filters are able to circumvent this problem, thanks to a new technology that gives them an increased lifespan of up to 200 times longer than standard lighting filters.

It's not only their fade-resistant characteristics that distinguish Zircon filters from their more conventional counterparts. They are also easy to handle and fix in place, thanks to being produced on a 180-micron substrate that is more than double the thickness of standard filters.

With a selection of warming and diffusion filters in the range, Zircon filters provide a reliable an

USA - The popular Beachbody health and fitness brand held its most important coach event of the year 16-19 July in Nashville and Elation gear was there in force on what is, perhaps surprisingly, production company Visions Lighting's biggest job of the year.

"For us it's bigger than EDC, Coachella or any of the other festivals we do throughout the year," states Todd Roberts, president of Southern California-based Visions Lighting, who has been involved with Team Beachbody Coach Summit since its inception. "It started in a small ballroom and has grown every year. Last year there were 8,000 attendees and this year there were 20,000 so it's growing exponentially."

Beachbody markets some of the U.S.'s most popular health and fitness solutions including DVDs and health and fitness products with a well-known presence across print and digital media. Team Beachbody

UK - Produced by Gods and Monsters Theatre, London's Free Open Air Theatre Season presents a free, action-packed programme that aims to introduce new audiences - irrespective of age, education, financial circumstances, physical ability or ethnicity - to theatre.

Running since 2003, the season has simply grown each year and is once again taking place in Central London's The Scoop from 5-30 August. Having worked closely with Gods and Monsters Theatre on previous projects, White Light is not only providing the lighting equipment but also sponsoring the occasion; helping to make theatre accessible to a whole new generation of theatre-goers.

Gods and Monsters Theatre is an organisation dedicated to producing shows that share the myths and legends of the recent and distant past and bring these to a modern-day audience. It is the only company that hosts a free season of classical the

Finland - On 10 September 2015, during the Helsinki Design Week, the Silo 468 light art structure will house a gathering of minds from the world of architecture, design and lighting. Thinkers at world class level will join Lighting Design Collective (LDC) in challenging and debating the current role of light, natural, artificial, digital, responsive and participatory in the architecture and in built environment.

The social, cultural and design role of lighting is facing major crossroads and departure points at this moment in history, from applicative history to digital futures. For example, the importance of natural and artificial light to the quality of life and the health of individuals are gaining recognition worldwide, reverting priorities that seemed to be consolidated for more than a century. At this stage, the evolution towards the next generation of artificial light and

South Africa - The main stage for the 2015 Innibos arts festival - one of the largest Afrikaans events in South Africa drawing over 107,000 people over five days - staged at Hoërskool Bergvlam in Nelspruit, was lit for the eighth year by Pretoria, based LD Johan Ferriera. This year he chose to work with nearly 150 Robe moving lights, supplied to the event by Johannesburg based MGG, one of the country's leading technical production specialists.

Johan was also responsible for the set and visuals design, which allowed him to deliver a coherent and harmonious 'bigger picture' designed for a diversity of artists appearing over the four days - typically with 15 - 20 acts onstage per day - plus a large gospel show on the Sunday.

He worked alongside the festival's creative team, with the starting point for the stage lighting design being the biggest night of the festival - Saturday.<

USA - Christmas is almost certainly not the first thing that comes to mind for the large number of people who are enjoying summer evenings on the elegantly appointed deck of Howard Beach's Vetro Restaurant and Lounge. Yet it was an unexpected Yuletide meeting that resulted in the rich, warm and continuously changing lighting display that washes this rooftop area and is as much a part of its captivating charm as its warm ocean breezes and stunning seaside vistas.

Created with a collection of LED fixtures from Iluminarc, Vetro's lighting design can be traced back to December 2014, when John (Gonzo) Gonzalez, lighting director of MSNBC's Morning Joe Show, attended the Christmas celebration at Brooklyn's Saint Joseph's Co-Cathedral. It was there he met Steven Retas, who was lighting the church's façade with holiday-themed colours and gobos. The two men struck up a friendship and Go

UK - The latest lighting company to be knocking on the door of Ambersphere Solutions to purchase a number of Ayrton MagicBlade-Rs is TSL Lighting.

TSL director Martin Locket explains, "Although our market is quite diverse, we see the MagicBlades as initially being particularly attractive to our concert touring and a lot of the younger lighting designers. That said, as soon as we took delivery of the fixtures, they went out on three back-to-back rentals: Firstly, a European tour by a band called Crystal Fighters, specified by LD Michael Straun. This was followed directly by a corporate event in London for Microsoft for their Windows-10 launch, with LD Liam Griffiths. Then they were shipped directly to the third consecutive project, a Christian Festival called Newday. So we are pretty confident they will attract interest across our whole client base."

Based convenientl

Australia - Concert and corporate productions are a major force in the Western Australian production industry. With service offerings spanning lighting, AV, LED screens, rigging, and staging, CCP's gear and operators can be found at festivals, concerts, major conferences, theatre shows, symphony concerts and slick corporate gigs. CCP need lighting that can be everything to everyone, and have found their go-to fixture in the SolaSpot Pro 1500 from High End Systems, recently adding a dozen to their arsenal.

"We needed a viable replacement for our Martin MAC 2000 profiles," said Sean McKernan, CCP's general manager. "Reducing our lamp overheads was very important to us, and having an LED source saves us considerable money over a year. We did the sums, and over a fixture's working life of 50,000 hours, lamp costs are around $18,000 per unit."

The SolaSpot's 400

USA - Santa Monica Pier hosts one of LA's favourite summer concert series, the Twilight Concert Series, as well as a host of other events. This year, the pier boasts a new stage with its overhead structure a remarkable work of art illuminated using Elation Professional SixPar 300IP colour changers.

The custom stage is the creation of design and technology integration company Stereobot, a building components firm that does many of the displays for Coachella and other events. Live event production company Pacific Coast Entertainment collaborated with Stereobot on the lighting design for the stage and art piece.

The one-of-a-kind structure with sweeping cantilevered spans envelops the stage and reaches to a height of 36ft. The open structure creates a three-dimensional experience that allows for visibility from all sides and is something that can be admired even when not in actio

UK - Paul Williams has joined FIX8Group as project director. Paul joins the team following eight years as managing director of Integrated Audio Visual Ltd - a company which he built from start up to provide AV services to end clients and production companies. Prior to that, he spent five years as a freelance AV engineer.

"After working closely with FIX8 on various jobs over the past four years, it was obvious that the synergy created through those close working practices could be strengthened and leveraged for forthcoming projects," says Paul. "My responsibilities as project director will focus on supporting the delivery of our work.

"This will include streamlining the processes for project delivery, with an overview of compliance and training within the company. I will also take on project management roles on some specific projects, as well as working clos

Europe - Currently on the road until the end of October, the Mark Knopfler & Band tour brings all-time Dire Straits and Knopfler classics such as Sultans of Swing and Brothers in Arms to packed arenas throughout Europe and North America.

Not wanting to create a show any less than impressive for the multi-million-selling singer-songwriter - who also ranks 44th on Rolling Stone's 100 greatest guitarists of all time, lighting designer Mark Henderson incorporated 22 Chauvet Professional Nexus Aw 7x7 panels within the lighting show to stunning theatrical effect.

Henderson - an award-winning theatre lighting director - has worked on countless theatrical productions in London's West End, New York and Las Vegas. When he was asked to LD Kate Bush's 22-date sell-out comeback residency at London's Hammersmith Apollo, a new opportunity was presented to him to apply his theat

UK - Wireless LED specialist and manufacturer Core Lighting celebrates the sale of its 4000th ColourPoint wireless LED uplighter as the demand continues for lightweight, long lasting, high output, shadowless wireless LED units that can be quickly deployed in numerous locations at all types of corporate and private events.

When Core's ColourPoint first hit the market in 2013, it made a big impact because at only 4 Kgs, it was a quarter of the weight and considerably more cost effective than its competitors - all attributes offered without any compromise on the quality or light output..

The first ColourPoint fixtures were sold through UK distributor White Light to busy south London based event production company, Presentation Rentals - now known as PR Live. The most recent sale - including the actual 4000th fixture itself - was to AV and lighting consultants DCLX.

The ColourPo

Canada - As Rush prepared to launch their latest tour, longtime tour lighting designer Howard Ungerleider of Production Design International Toronto was once again charged with creating the lighting spectacle that would be seen by the multitude of sold-out houses.

After a collaborative process with the production team, Ungerleider turned to Solotech to provide him with the innovative lighting technology to best accentuate the R40 Live tour which included VL4000 BeamWash, VL4000 Spot, VL3500 Wash FX and VL3500 Spot luminaires from Philips Vari-Lite.

"Our designs always begin with a full production team collaboration and brainstorming session," began Ungerleider. "For this particular tour, an evolution concept was conceived about going back in time and deconstructing Rush from their earliest beginnings to present day. With our concept in mind we then turned to Sol

USA - Christmas came in July for the UCLA (University of California at Los Angeles) Royce Hall tech team, when a recent shipment of ETC Source Four LED Series 2 Lustr arrays was delivered, tested and stencilled with the Royce emblem. A compelling demo of the technology last autumn by ETC's outreach and training specialist Tom Littrell was enough to prompt an order for 18 Series 2 light engines, nine Source Four LED CYC adapters and nine Source Four LED Fresnels.

"What wowed us in the demo was the colour rendition on the Hawaiian shirt," says associate master electrician Anthony Gutierrez. "The lime green frequency is in the middle of the human spectrum and fills in colour gaps you didn't even know were there."

Jessica Wodinsky has been the master electrician at Royce Hall for 30 years and can chronicle the evolving technology - "When I came here in 198

UK - Lighting rental specialist HSL supplied stage lighting, sub-rigging and trussing, architectural and site-wide practical and decorative illumination, electrics, power distribution, and full public address announcement PA - for the 2015 Opera Holland Park festival season in west London.

The three-month performance run included five cutting edge opera productions staged in the tensile structure erected by the Royal Borough of Kensington & Chelsea (RBKC) in its picturesque park, with the historical ruin of Holland House as an atmospheric backdrop.

HSL has been involved as a technical production supplier for the event for the last 12 years, in which time the lighting requirements and expectations have changed radically. What was once primarily a generic rig onstage now features nearly 90 moving lights with another 200 light sources supplied by HSL to light the surrounding and

UK - For AC/DC's Rock or Bust tour, set designer Ray Winkler joined forces with lighting designer Patrick Woodroffe to seamlessly translate the distinct AC/DC sound into a grungy buffalo horned 'Mad Max' style stage, complemented by metallic, two colour classic rock and roll lighting primarily delivered by over 60 of the new Philips Vari-Lite VL4000 BeamWash luminaires.

"AC/DC has always demanded bold, bright, spectacular - yet uncomplicated - lighting and I think this time we gave it to them in spades," explains Woodroffe. "We were looking for powerful, bright lights that would work particularly well with no colour. We also wanted some more delicate effects, some tight beams and some hard edge source points. We chose a variety of fixtures including the new Vari-Lite VL4000 BeamWash and the VL3500 washes, which in combination gave us most of what we needed, in var

USA - Country star Thomas Rhett is out on tour with a lighting package provided by Bandit Lites. The mutli-Platinum singer is currently lighting up the music charts with the Top 10 and climbing hit Crash and Burn, the first single of his upcoming album Tangled Up, slated for 25 September release.

Bandit worked with lighting director Andrew Hunt and tour manager Logan Kornegay, supplying 14 Chauvet Legend Beams which span the top of the set, with four downstage on the right and the left, and another six in the middle of upstage to add depth. Additionally, 16 Martin MAC Auras are on the lower part of the set as eight fixtures light the drums and keys, while the other fill the outer parts of the set.

"I love the punch these beam fixtures pack, and they stand out really well, whether they are shooting out over the crowd in an arena, hitting Thomas Rhett on a cat

USA - Since their inception in 1977, the Psychedelic Furs have never shied away from making sharp musical turns. Much to the delight of their fans, the legendary UK rockers have weaved like a speedboat from austere art rock to new wave, to rhythmic tunes like their mega-hit Pretty in Pink to hard growling sounds, leaving an impressive body of work in their wake that has influenced a generation of musicians. Apparently, the group applies their daring creative spirit to lighting as well, as evidenced by their sudden decision to enhance their stage presence with an LED rig that features Rogue R1 Spots and COLORdash Batten-Quad 6 linear fixtures from Chauvet Professional.

"The band decided pretty last minute to spice up the show with lighting, so we had a bit of a rush to get things together and get the show cued out," said LD Victor Zeiser of Squeek Lights (New Yor

South Africa - One of the most popular and well-attended events during the biennial Mediatech Africa 2015, held in July, were the Lighting Designer Sessions, sponsored and organised by Italian lighting manufacturer Clay Paky.

Presented by multi award winning theatre and opera designer Paule Constable and large-scale arena spectacular lighting designer Durham Marenghi, both sessions were quickly over-subscribed from the moment they were announced and two further sessions were quickly scheduled to absorb the overflow.

Constable, who is also associate director of the National Theatre, London, talked passionately about her preferred collaborative approach to the design process and illustrated this with images of her recent designs for shows including the award winning Warhorse and The Curious Incident of the Dog in the Night-Time.

In contrast, Marenghi focused on t

USA - Eight PLASA draft standards are in public review. The draft documents, review forms, and instructions for submitting comments may be downloaded from the Technical Standards Programme website at http://tsp.plasa.org/tsp/documents/public_review_docs.php. Anyone with a material interest is invited to submit comments through the end of the day 28 September 2015. Listed in order by working group, they are:

Control Protocols Working Group

BSR E1.31 - 20xx, Entertainment Technology - Lightweight streaming protocol for transport of DMX512 using ACN

This standard describes a mechanism to transfer DMX512-A packets over a TCP/IP network using a subset of the ACN protocol suite. It covers data format, data protocol, data addressing, and network management It also outlines a synchronization method to help ensure that multiple sinks can process this data concurrently w

USA - San Francisco rockers Train continue their Bulletproof Picasso tour with the current two month US leg playing a selection of major arenas and sheds, for which LD Brock Hogan has specified 90 x CycFX 4s, 40 x Pointes and 15 x LEDBeam 1000s.

The CycFX 4s and LEDBeam 100s were both new purchases for Orlando based lighting vendor, LMG.

A prominent feature of the design are 10 lighting pods - that move into different positions during the show - providing an interesting, fluid and ever changing geometric element to the stage space.

The LEDBeam 1000s are used as wash fixtures due to the excellent zoom. Their individual ring control also opens up a whole range of new effects, together with the smooth dimming and color mixing, explained Brock who positioned them all over the rig. "The output is amazing," he stated.

The upstage truss is made up of five individual sec

USA - American hard-rock band Shinedown recently wrapped their summer tour with lighting provided by Bandit Lites. After celebrating their ninth No. 1 single with Cut the Cord off their upcoming studio album Threat to Survival, the band will be back on the road in November with a co-headlining tour with Breaking Benjamin.

Lighting designer Carter Fulghum used GLP X4S's to provide front light and colour for the stage. Robe Pointes brought punches of colour, cutting through the VL 3000s, the fixture Fulghum deemed "the workhorse of the rig".

Clay Paky B-EYES were utilized as dressing and backlight. "I really liked working with the B-EYES," said Fulghum of the recently added fixtures. "They have a lot of effects that help you keep each song looking different and new."

With the summer tour taking place in more intimate settings such as

UK - Avolites Titan consoles reigned supreme at Bloodstock Festival, with all stages running Titan for the rock and metal festival that drew more than 15,000 metal heads to Derbyshire this month.

Bloodstock's main 'Ronnie James Dio' stage featured metal heavyweights such as headliners Trivium, Within Temptation and Rob Zombie. LD Ben Coxon controlled using two HSL-supplied flagship Avolites Sapphire Touch consoles, networked together with a TitanNet Processor (TNP). HSL also supplied a dimming solution in the form of two 48-way Avolites ART2000 dimmers for the stage, as well as further Avolites consoles and dimmers across the festival site.

"Due to the busking nature of the festival, Avolites was the perfect choice," says Andy Whittaker of HSL. "The range of Titan consoles, going from the Quartz all the way up to the Sapphire Touch, suited each stage of the fest

Australia - Queensland's Fifalite Effects Lighting has taken delivery of a new MA Lighting dot2 XL-F, a compact lighting console designed for small to medium sized productions up to 4,096 control channels

Fifalite's managing director David Pfeiffer has always leant towards a different brand of lighting console but he happened to be visiting Brisbane Show Technology on a different matter, when Adam White showed him a brochure for the new dot2 console.

"I had always admired the MA brand in so much as everywhere I go, the grandMA2 seems to be the console of choice," commented Pfeiffer. "I never thought I would own one as I run a fairly small business and they are quite expensive for me. Plus the type of shows that I do would not warrant having such a fancy console. However, the dot2 brochure got me interested and once I found out the price, I was hooked."

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