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USA - Being located in the heart of Nashville, it’s only natural that The Belonging Church would count quite a few musicians as congregation members. On any given Sunday, the music that resonates through this former-warehouse-turned-house-of-worship rivals an arena concert. The lightshows that accompany these performances are equally impressive.
Andy Rushing, the lighting designer for Grammy Award-winning worship music stars Lauren Daigle and Kari Jobe, is also a member of The Belonging. Rushing’s artistry was on full display recently, as he created a dazzling lightshow anchored by Chauvet Professional fixtures at a special fourth birthday party held for the church at the Tennessee Centre For The Performing Arts.
Marking the fourth anniversary of The Belonging, the two-hour event combined worship services with a commemoration of the church’s accomplishments and a

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UK - A new venue in London’s East End is reinvigorating UK clubland with a refined focus on technical perfection and substantive musical experiences.
Blazing onto the capital’s live electronic music scene at the beginning of 2018 with a 27-hour New Year’s Eve launch party, E1 blends simple industrial minimalism with cutting-edge technology to provide the perfect backdrop for a quintessential clubbing experience.
Occupying a two-room converted warehouse space, E1 is a location-turned-destination. The brainchild of Yuval Hen and Oren Arush, the venue is an evolution of the founders’ existing Studio Spaces facility – an events and high-production photo shoot destination catering to global brands and the biggest names in fashion and film. Having already run a series of successful warehouse style parties over the past few years, the team wanted to hone their offe
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UK - British metalcore band Architects recently played their biggest show to date at London's 10,400 capacity Alexandra Palace as part of their current European and North American tour. Long-term lighting and show designer, Paul McAdams, designed the production's high-energy 'lunar' lighting and set, selecting the Claypaky Mythos and Claypaky A.leda B-EYE K10 fixtures as key tools in his lighting arsenal.
McAdams has worked alongside the band for four years and for the current tour design drew inspiration from the band's latest album. All Our Gods Have Abandoned Us is the seventh studio album from Architects and features ethereal, burnt-out lunar imagery that McAdams brought to the stage through a series of clever light landscapes.
"The band are really involved in the show design and we have a great relationship where we're able to discuss ideas openly," says Mc

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UK – Version 2 Lights are back on board with lighting director Oli Richards for the second series of Sounds Like Friday Night.
Returning to Studio TC1 at BBC Television Centre, the show is broadcast live on BBC One in a series of five half-hour episodes featuring live performances from some of the biggest names in global music.
A core feature of the show is its stage architecture, designed by the creative Misty Buckley. The mammoth set takes up the entire footprint of the flagship TC1 studio, with its trim height soaring up into the impressive grid level at some 34 ft. above. The design provides an amphitheatre for the audience with its contours drawing influence from the iconic doughnut design of the Television Centre building.
Using Buckley’s installation as his canvas Richards utilises Martin Viper Performances to give shuttered animation to the va

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UK - This month sees one of Audient’s USB audio interfaces, iD14-LE take to the stage in the capable hands of theatre sound designer, Kenan Trevien who is working on Pericles, Prince de Tyr at the Barbican. This Cheek By Jowl production is an adaptation of a rarely seen Shakespeare play directed by award-winning Declan Donnellan in collaboration with Nick Ormerod, and performed in French with English subtitles.
Kenan explains the setup he’s used in the run up to this latest production: “I have one laptop dedicated to the cues on the PA, and the iD14-LE is plugged into the laptop I keep for designing new sounds. As the monitor outputs and the main outputs are independent, I can easily choose to work quietly with my headphones or to test new sounds on the PA whilst the actors on stage.”
The play follows the hero, Pericles on a journey involving pirates, m

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UK - The Harrogate Convention Centre has been evolving as a conference and events venue since what was then the Spa Rooms hosted the British Medical Association in 1884. The first purpose-built halls were added in 1959, and today HCC is recognized as one of the country’s leading multi-use venues with 147,000 sq ft (13,700 sq m) of completely modular exhibition/event space across nine flat-floored, interconnected halls.
In order to bring the venue fully into line with modern standards and expectations, HCC has recently invested in a brand new distributed, networked audio system with a Symetrix DSP backbone and Dante audio networking supplied by CUK Audio and installed by Acoustic Solutions.
“We clearly needed to replace our old system which was becoming unreliable,” explained HCC’s technical manager, Ross Simpson. “The site has grown considerably over the year

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UK - There’s something out of the ordinary about doing a gig in a cave. However, when Jonathan Stafford of Cornish band Haunt the Woods approached Plymouth music technology college dBs Music to supply a PA system for their much anticipated EP launch gig, it seemed like a perfect challenge for dBs Music’s team Live Sound.
The complex nature of trying to optimise a sound system which would cover the audience area equally throughout the cavernous 500-capacity space outside Liskeard, meant that careful thought was required ahead of the show to ensure the right equipment was specified. However, the newly supplied Martin Audio MLA Mini system was a perfect solution to achieving this.
According to dBs music lecturer and live sound technician, Olly Wickes, discussions regarding a next generation PA system had begun more than a year earlier. It was Simon Honywill, one of

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UK - Rick Wakeman recently recorded a live version of his successful 2017 Piano Portraits release in front of an audience at Lincoln Cathedral.
Longtime Wakeman studio engineer / producer Erik Jordan employed an Allen & Heath dLive system for the project, comprising an S7000 surface with M-Dante card, DM64 MixRack and DX32 Expander, supplied by Tech-Serve Audio Consultants.
Jordan found that dLive’s ease of use and fast, flexible routing made it the perfect choice for a challenging live recording scenario.
“I knew from Ian Barfoot, Rick’s FOH engineer and a longstanding dLive user, how flexible and intuitive the system was to use and although this was my first real dLive experience, it took very little time to become familiar with. We had around twenty mics for Rick’s vocal, piano, audience and ambient pickup and – because the show was filmed

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The Netherlands - Don’t Let Daddy Know (DLDK) is one of the biggest international EDM parties taking its Ibiza roots and transitioning into a worldwide dance phenomenon known for spectacular production values. The 2018 Amsterdam edition, produced by Dutch7, returned to the renowned Ziggo Dome for two nights, for the first time with creative lighting designed by Bas Knappers from Netherlands based creative practice, Live Legends.
Live Legends has previously provided programming and operating teams for the event and in the design ‘hot seat’ Bas specified 122 x Robe Pointes and 40 x MegaPointes as part of a large lighting rig? supplied by Rent-All together with video and sound.
An all-star line-up included Axwell Λ Ingrosso, Steve Angello, Nervo, Nicky Romero, Timmy Trumpet, Sunnery James & Ryan Marciano, Headhunterz, Wildstylez and much more superlative music.

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Australia - When Ben Hunt, head of lighting at the Empire Theatres, Toowoomba, in Queensland first fired up their new Robert Juliat Dalis LED cyclorama lights, his first impression was “finally we’ve found something up to the task”.
“It’s no secret that to light a cyclorama with conventional asymmetrical floods is going to require some serious power along with its consumable lamps and colour filters – especially when you’re lighting a 14m by 9m cloth,” commented Ben. “That task had been dealt with by sixteen, four cell Selecon Aurora cyc floods and you could hear the power meter groan every time we flicked the switch on!”
Ben added that the theatre had been looking at the LED cyclorama light market intently for the last few years waiting for the right product to pop up that would allow them to light their cyclorama with a quality light, but also giv

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Portugal - Portuguese National Broadcaster RTP, in a joint initiative with the European Broadcasting Union (EBU), selected the combination Ampco Flashlight and local Portuguese partner Pixel Light as supplier for lighting, rigging and motion for the upcoming Eurovision Song Contest in Lisbon.
The combination of Ampco Flashlight’s international experience and local Pixel Light’s professional knowledge proved a winning team for one of the most demanding and popular live TV shows in the world, with a live TV audience of over 200 million.
Dennis van der Haagen, CCO/COO Ampco Flashlight Rental comments, “For years we have been the supplier of motion systems through our CyberMotion technology. The experience we have with this production and our international acclaimed status as a full-service company convinced us that we should apply for the lighting and rigging packa

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USA - The North Carolina Museum of Art amphitheatre has used various PA systems over the years but has now settled on a Martin Audio MLA Compact, deployed by RMB Audio.
Asked to describe the current system, RMB’s Tobias Cannady says: “We’d originally used speakers stacked but then negotiated for the ability to fly MLA Compact for an improve the Joseph M. Bryan Jr. Theatre is known for its summer concert series.
“The set-up includes eight flown MLA Compact cabinets per side with four Martin Audio DSX subs ground-stacked on each side of the stage and CDD-LIVE 15’s for side fills and delays.
“There’s been a significant improvement in several areas with the new system,” Cannady continues. “Even though the stage is lower than most of the seating, the MLA Compact system is able to throw much further, with a more cohesive sound quality while cleaning

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China - Hong Kong-based Cosmo Pro AV partnered with AV Stumpfl to deliver a media server solution for Ocean Park’s new theatre, the Applause Pavilion. 
Ocean Park, Hong Kong’s most impressive theme park, merges education with entertainment. With 44 rides and 7.7m visitors on average annually who come from all over the world to see its attractions, the park first deployed AV Stumpfl’s systems in 2016 for its Cyber Illusion Show, when it rented the Wings Stage Engine and RAW Engine from Cosmo Pro AV. Such was its success that Ocean Park decided to invest beyond renting and instructed Cosmo Pro AV to design a comprehensive, permanent video system using AV Stumpfl technology for its Applause Pavilion.
Jason Yeung, sales engineer at Cosmo Pro AV, who project managed the installation from start to finish and trained the staff, explores Ocean Park’s special r

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USA - When singer-songwriter Cole Swindell announced plans for his 2018 headlining tour, it was easily his largest to date. Swindell has continued to grow both as an artist and as a touring phenomenon. Looking to now build a high-energy, yet intimate storytelling experience for his first arena headlining tour, Swindell’s production team once again teamed up with the Nashville-based production provider Elite Multimedia for lighting, LED video, and live IMAG video support.
“We have done headlining tours before, but nothing on this scale with our own opening acts for an extended arena tour run,” began production designer James ‘Mo’ Butts. “As an artist, Cole will give us broad stroke ideas, but then will leave a lot of the technical aspects up to us to sculpt into the final design. Going into this tour design, we really wanted to showcase Cole’s evolution as an a

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UK - Edinburgh based lighting, sound and AV company, Black Light, continues its relationship with ETC by acquiring 26 High End Systems SolaFrame 750s to their already impressive hire stock.
Calder Sibbald, head of hire & production at Black Light says: “Black Light has been looking for the next addition to our ever expanding moving light stock and eager to see what High End Systems could bring to our strong relationship with ETC. We were blown away with the demo from Jeremy Roberts from ETC, with its high output, smooth operation and excellent price point - it was the perfect unit for us to add to our fleet of moving light.”
The SolaFrame 750s are the smallest and newest LED framing fixture in the Sola Series family of automated tools. Designed for use in small to medium sized venues, the SolaFrame 750 features a compact footprint but with a massive feature se

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Greece - CinemaNext recently deployed a complete Martin by Harman LED wall lighting solution in its first Sphera theatre installation at Village Cinemas.
CinemaNext recently debuted its new premium format Sphera theatre concept at Village Cinemas in the Mall of Athens. Combining the latest in projection, audio and lighting technologies, the Sphera theatre at Village Cinemas includes an 82ft wide wall-to-wall screen, 669 luxury seats, 4K digital video projectors and a high-quality Dolby Atmos surround sound system. To provide an innovative movie going experience, CinemaNext decided to incorporate Martin VDO Sceptron LED video fixtures to create a dynamic lighting system that complements the visuals on the screen.
“Our goal was to offer a more enthralling experience by including an immersive multi-dimensional lighting effect,” says Jérôme Michel, business developm

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Indonesia - Djakarta Warehouse Project (DWP) began in 2008 as a dance club event by entertainment company Ismaya Live. A hit from the start, the event moved to the Djakarta International Expo (JIExpo) in 2014 and has blossomed, with Clair Brothers as a key ingredient, into an all-out festival that spans two days. In 2015, DWP was crowned 'The Best EDM Festival of 2015' by EDM Sauce. Today, DWP is Asia’s second largest two-day dance music festival, boasting more than 90,000 attendees in 2016, with an estimated 20,000 travellers from 39 different countries each year.
It was the move to the JIExpo outdoor stage area that i made clear the need for a sound system that could handle such a large space. Clair Brothers was the first choice of the production company - Live Production Indonesia, based on its partnership since 2012 with Clair Brothers’ rental partner Total Audio.

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Sweden - Niklas Pohlman is a freelance lighting designer based in Sweden’s two largest cities, Stockholm and Gothenburg. He focuses on lighting artworks and fine art installations.
Recently, he specified Anolis ArcSource 4 MCs LED fixtures to illuminate Do You Go Here Often?, three striking pillars wrapped with a bronze fabric effect created by sculptor Yvonne Thornqvist outside the Göteborgs Stadsbibliotek (Gothenburg City Library).
The bronze treatment is actually a wrap of the pavement-to-first floor level sections of three concrete structural pillars running through the front of the building, which is one of the busiest public facilities in the city. Fulfilling many roles, the library is a hub for literary vibrancy and learning, a meeting place and a lively community and social space.
The work was commissioned by HIGAB a community-based provider of

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UK - The record-breaking production of Shrek the Musical has exploded back onto the stage this year on a second UK & Ireland tour and Hawthorn has joined the adventure.
With lighting equipment supplied to meet the design of leading lighting designer Hugh Vanstone, Hawthorn invested in Martin MAC Viper Performances and MAC Aura XB fixtures to meet the requirements of the Shrek tour and many others, expanding its lighting inventory as part of its ongoing programme of investment in new equipment.
The rig was further made up of MAC Viper Wash DXs and ETC LUSTR2 Profiles. Utilising Chroma-Q Color Force 72 Battens, Hawthorn offered an updated Cyc lighting solution, removing the need of the older, heavy ETC Par battens. Hawthorn also supplied smoke effects and two Robert Juliat Cyrano Followspots to complete the design. All this was controlled off a GrandaMA2 netw

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Singapore - The Lo & Behold Group owns and operates two OverEasy American-style diners in Singapore overlooking the Marina Bay skyline. To improve the overall sound experience for OverEasy patrons, and a permanent solution for outdoor space events, the Lo & Behold Group commissioned Electronics & Engineering Pte Ltd to design and install a new audio system for the One Fullerton Road venue.
In addition to a substantial upgrade in audio quality, the owners wanted better zoning and greater level control within each of the zones. The permanent outdoor part of the system also required loudspeakers that could handle all weather conditions, particularly torrential rain and high humidity.
Case Woo of Electronics & Engineering Pte Ltd was the audio consultant for the project, tasked to meet the varied requirements for indoors and outdoors with good aesthetics an

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USA - As the newly launched d&b Soundscape system continues its worldwide rollout, it is finding itself in all kinds of creative and inspirational company. One such liaison is with Berlin-based experimental electronic pop outfit, Mouse on Mars.
The creative duo behind Mouse on Mars - life-long friends Jan St. Werner and Andi Toma - seized upon the potential of d&b Soundscape as the tool with which to demonstrate the complex, layered aural dimensions of their multi-collaborative new album, Dimensional People.
The album launch event, presented with the aid of percussion-playing robots, took place during a conference presented by the Massachusetts Institute of Technology (MIT) called Dissolve Music.
For Mouse on Mars, it was the ideal environment in which to showcase the special ‘spatial mix’ of their new album, through d&b Soundscap

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USA - Orchestral Manoeuvres in the Dark (OMD) is out on the road with a lighting package provided by Bandit Lites. The British electronic music band, comprised of Andy McCluskey, Paul Humphreys, Martin Cooper and Stuart Kershaw, has been a staple in the synthpop scene even nearly 40 years after their debut performance in Liverpool.
With 13 albums under their belts including the most recent release, The Punishment of Luxury, the OMD (so named to refute any potential punk band assumptions) has offered their insight on society ranging from the relationship of man and machine to a commentary on modernism. And with a decidedly contemporary sound, it is only fitting the lighting complement the music while keeping focus on the band.
Bandit Lites supplied Showline Nitro 510C LED Strobes, Elation Paladin Strobes and Clay Paky Sharpys for the tour where lighting designer

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USA - 2018’s Monster Energy Outbreak Tour is on the road with DJ Kayzo headlining and a full complement of new Elation Professional lighting fixtures hyping the rhythms of one of dance music’s newest and most sought after EDM DJ’s.
Outbreak tours showcase emerging artists on their breakout tours and are an opportunity for young talent to get exposure. After DJ Kayzo released his debut album Overload on 19 January, he hit the road on the Monster Energy Outbreak Tour, his first national tour. Production includes a light show from Pin Point Lighting featuring some of Elation Professional’s newest luminaires - DARTZ 360 LED beam/spot fixtures, Paladin hybrid LED lights and Chorus Line 16 LED pixel bar wash luminaires.
Production specialists Pin Point Lighting of Philadelphia provided the lighting rig and design for the show. “The artist wan

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UK - Over 700 international television buyers from across the globe recently headed to ACC Liverpool for BBC Worldwide Showcase, the world’s largest international television market hosted by a single distributor. Taking place on 18-21 February, the event brought together producers, talent and BBC executives as well as Britain’s most successful creatives. For the 12th year running, creative technical event production expert Hawthorn supported BBC Worldwide to showcase its premium programmes, delivering two hotly-anticipated evening events.
Putting premium British content right at the centre of the global stage, the evening events showcased the best of BBC talent and creativity to an audience of TV executives and producers.
Led by the BBC Worldwide team, Hawthorn’s group creative director Peter Harding helped to produce and deliver the production design
  1. Universal Music installs Genelec systems
  2. Star China’s arena solutions
  3. Fineline screen for Teenage Cancer Trust shows
  4. Bose brings David Bowie statue to life
  5. Historic Tallinn theatre chooses ETC
  6. Triple E structure for new Pleasance space
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