The show's designer Peter Bingeman and director Tony Dickson were also keen to use the Cyberhoist system, as it would maximise time during their tight set-up and rehearsal schedule, and also be a flexible solution for moving certain set pieces in and out during changeovers, to get the next band's backline onstage.
Vertigo undertook the rigging for the event, project managed for them by Tom Roberts, who worked with a team of six Ver
This latest system, developed in close cooperation between Prolyte and Ital Stage, is based on the standard B100RV truss and the new series of towers, the C52T. As the stage is based on standard elements, it is not only a very economic system, but is also easy to build, say Prolyte, with the whole construction designed and developed within two weeks.
The roof is constructed from five arches made of B100RV truss. A hinge in the bottom connectors and a pen-fork connection with a spreader plate in the top connections, gives the complete span the arch needed. Two steel wires per span absorb the arch thrust. The arches are connected to a standard sleeve block for the B100RV t
The structural challenge of the project was to deliver a tower capable of supporting the 6.5 tonnes of glass, four thousand bottles of wine and four flying performers known as 'wine angels'. Adding to the already stunning complexity of the project the air-handling system had to deliver chilled and warm air to individual wine cases throughout the tower, maintaining ambient working temperatures for the Wine Angels and ensuring that there is no condensation on the glass.
To make this complicated system work, every element of the tower had to be perfect with the largest
Arena Seating worked closely with fellow suppliers StageCo and Kayam through the design process and rain-flooded installation, to interface its equipment to create a safe infrastructure for the televised event. The company had been given only two weeks to translate Italian seating regulations and design a layout to conform, before being given the go ahead to ship the 10 truck loads of equipment and nine crew to Rom
(Sarah Rushton-Read)
Rigging Seminars is the longest established entertainment rigging training program, and is highly respected in the industry. They are taught by Harry Donovan and Jay O. Glerum, both working professionals with more than 40 years' experience in show business. Both have written respected books on entertainment industry rigging and thousands of riggers have graduated from their courses, ay the company.
Glerum has been a stagehand, scenery and lighting designer, technical theatre instructor at several universities, and systems designer for a major theatre equipment compa
To order wine at this venue is to initiate a live aerial performance, where 'wine angels' fly up the face of the 13m tall tower and descend with your desired bottle. To achieve this Stage Technologies has supplied four BigTow winches that are controlled by radio linked operator pendants. These handheld, wireless pendants enable the wine angels to control their own movements up and down the tower. Their two-point hip harnesses allow them to turn upside-down and swing from side to side whilst performing choreographed routines. Stage Technologies' BigTow winches, origina
"Being able to prep and load all of the equipment and scenic elements from a single operations facility enabled us to respond quickly to the band's needs," stated Mark Coleman, a PRG account executive for the tour. "And by co-packing the items, we were able to save the band significant shipping costs."
The first portion of Scorpion's Unbreakable tour began on October
Clay wanted some large moving elements to his rig, both for general dynamics and for those big 'rock statement' moments. Four moving pods -previously incarnated as a back wall effect for the show earlier in the year - have now evolved into the overhead rig. Once the precision, speed and flexibility of the Kinesys system was demonstrated to Clay at Neg Earth - Clay describes it as, "The most reliable and accurate I have ever used" - he had no hesitation in integrating it into his rig.
Branford and lighting crew chief Nick Barton went to Kine
The ice pad is supported by a 1,600sqm of decking built in the lake. This provides a flat surface for the ice pad and public areas around the ice. The size of the structure is 54m x 41m and it is 13m high. The structure is made from galvanized steel truss and a tensile membrane. 350m of truss was designed and manufactured especially for the project.
Tim Norman commented: "ESS had to coordinate the work of two designers, three engineers and eight major sub-contractors to design, fabricate, deliver and install t
These are suspended over the stage and used to reflect the onstage action and the floor itself using 12 model LL Lodestar hoists, controlled by Kinesys flexible Vector software, running via 12 Kinesys Elevation 1+ variable-speed hoist controllers. The floor consists of a set of printed scenes, specifically designed to be read in themirrors, providing either an atmospheric 'set' backdrop or a more stylistic, abstract effect. One mirror is used per act. Each is moved throughout the act to highlight and convey particular elements of the print or parts of th
The Pavilion will take two months to build, with a team of 80 staff on site to oversee construction. The fully insulated and sound-proofed structure will be built with over 45,000m of scaffolding and will weigh over 250 tons. A special secondary mem
Pete Brotzman's Crystal Pro Audio sales company has also supplied two DM8s to the Croation production company Lite-Prom to manage direct control CM hoists used for PA and general rigging purposes, while in the UK A.C. Lighting reports positive client feedback on the four-channel DM4 which the company has recently started selling, following substantial sales this year of six-
Stocks of the unique Star Orbit stages are already in Milan, along with trained crews, transport and associated services such as front of stage barriers. The modular nature of the Star Orbit range enables the company to temporarily increase stock levels in Italy, from the UK, for large projects.
The Milan office will also be offering other Star Events Group products to the Southern and Eastern European markets. The first confirmed contracts for the new venture are to supply 15m Orbit stages for the pre Christmas and New Year's Eve concerts being organized by the City of Milan outsi
Star Vertech crews have installed the large platforms in Newcastle, Dublin, Glasgow and Warwick, with another going into Leeds Millennium Square in January. Phil Addyman has managed the projects, commenting: "The Vertech staging system has proven popular for ice-rinks as it provides a very stable base and as it is designed to be installed quickly it saves time and money over other systems."
In addition to supporting the weigh
A huge 135 sqm full colour backdrop being used for the event was digitally printed by Sunbaba Screens on the company's "Ultra-Mesh" fabric, while a number of smaller screens were designed and printed to hang over the doors of the temporary structure which houses the production.
Trevor Booth, technical director of Sunbaba Screens explained: "We worked closely with Quest to produce a backdrop which would suit their precise requirements and set the scene for the production. We have worked with David and his team before and it was great to be involved with a theatrical production of thi
Project manager, Phil Addyman said: "This used to be a quiet time of year for us, but we are amidst a very busy December season of outdoor shows, supplying Vertech ice-rink platforms and these rolling riser stage shows emphasize how the company has moved forward to be busy at all times of the year."
Star Events Group will finish the year with New Years shows as far a-field as Edinburgh Hogmanay and Milan (the latter managed by the new international arm of the company; Star Orbit Italia).
(Sarah Rushton-Read)
The company say that the impact of this new team will be that Tomcat UK will be able to offer a much wider range of services to its customers including technical appraisal, site surveys, theatrical installations and also the supply of industrial lifting and mechanical handling equipment and structures, which will be dealt with through its Lifting and Handling Solutions division based at Bromborough, utilizing the skills of Dickson, Jordan and Lockwood.
Lockwood, who joins Tomcat UK as a sales engineer, first started in the industry as a welder for James Thomas Engineering in 1990. Working his way through the company, Lockwood ran the welding shop for approximately two years. With his k
The projections were part of London Lights a pyrotechnic and lighting extravaganza designed to catch the spirit of London as the year rolled over and reinforce the city's bid for the 2012 Olympics. The event took place along the Thames, encompassing the South Bank between Jubilee and Westminster Bridges, including landmarks like the London Eye and Big Ben. Over 135,000 people on the streets, plus TV audiences of several million enjoyed it live.
E//T//C's Ross Ashton decided to change the projection format slightly for this event, covering the full surface of the building with eight PIGI 6Kw projectors. (In the past, they've used 6 for the images, with two for accompanyin
