Stage Electrics has also been appointed a Service Point for the Prolyft Performance hoists, so in addition to stocking chain hoists, Stage Electrics will have trained mechanics to service and certify hoists to comply with LOLER regulations.
Adam Blaxill, head of purchasing at Stage Electrics said: "The relationship with Prolyte has been a natural development for Stage Electrics. We have made a large investment in inventory but
In most theatres and opera houses wagons are trucked on and off stage, but at the Bolshoi the wagons are winched to the back of the stage and hauled up into a vertical position, then dropped into a storage slot at the back of the stage until called for again. Since each of the two wagons was estimated to weigh 1.5 tonnes complete with the basketweave floor construction, Harlequin appointed structural engineers at the early design stage to calculate loads and devise special fixings to ensure the total weight was adequately supporte
Colin Hurst, Head of training and development at Schering-Plough commented: "Stagecraft won the business after showing a clear understanding of our local business needs and corporate drivers. The company offered us a creative approach to our move forward, showing a clear vision of what and how our meeting would look, feel and sound."
Working with Schering-Plough, Stagecraft was responsible for the production of the conference, which was attended by 600 delegates. The company provided all creative, editorial, t
Machine washable and fast drying, these gloves allow you to dial your phone, tie knots and operate equipment without taking them off, say the company. The gloves "built for the needs of the technician working in the live entertainment industry" are now available from stockists in the UK and Europe.
(Lee Baldock)
There have also been some additions to the team at Long Lane. Stephen Bray has joined as sales manager for the branch. Bray has come to Stage Electrics from a background in sound, most recently at Media Tools. Also, James Morris has joined as a customer service representative after working at Vodafone. Bray and his team will shortly be holding a series of open evenings to introduce products and services now available from London.
Pictured left to right are: Ed
(Sarah Rushton-Read)
The walk-through project, wholly funded by Ballymore Properties, was conceived and led by PR agency Fleishman-Hillard on behalf of Ballymore. Serious was asked onboard by production company Vibe, which is working with RPMC on staging the event. It remains at the high profile Trafalgar Square location for two weeks before moving on to Canary Wharf for a further two weeks. Serious's project manager is Steven Corfield.
The 15m wide, 22m long and 8m high custom-designed building provides 300sq.m of exhibition space a
As a special introductory offer, Vertigo is offering these sponsored course places - free to the trainee - for the first three applicants whose names come out of the hat. Applications must be made by 27 April and the minimum qualification is four years' full-time professional production industry experience. Applicants should confirm their interest by email to Vertigo Rigging director Becky Loughran (e-mail address below), attaching a brief CV.
The revolutionary system, developed by Holland's XL
The new space offers a much larger office and a voluminous warehouse and workshop production area, which will be utilized for LTM's constantly expanding product range. A bigger prep area will make it easier for equipment to be assembled, tested and packaged before despatch.
LTM's John Jones says: "We started off modestly on the Argyle Industrial Estate because we had to be operational in time for our official launch at PLASA 04 - at only eight days old! However by the en
As Marc Hendriks, Prolyte's engineering director, states: "Although it might seem very futuristic, for Prolyte it was a natural step, as we are constantly looking for way's to improve our products. In this process we do not hesitate to use new materials or methods."
The hybrid coupler is a combination of metal, encapsulated in synthetic material. The coupler can replace the current aluminium CCS6-600 coupler and lives up to the same specifications for strength and tolerances. The advantage of the hybrid coupler is first of all it's price, which will be less
As Marc Hendriks, Prolyte's engineering director, states: "Although it might seem very futuristic, for Prolyte it was a natural step, as we are constantly looking for ways to improve our products. In this process we do not hesitate to use new materials or methods."
The hybrid coupler is a combination of metal encapsulated in synthetic material. The coupler can replace the current aluminium CCS6-600 coupler and lives up to the
The Wrangler National Finals Rodeo, held annually in Las Vegas, requires a powerful system with reliability, and rapid programmability. Marty Canavan, chief show designer for YLS Entertainment, says he found all of this in the X1: "When I am on a show like the National Rodeo Finals, where I have maybe 10 nights of live performances to light and another half dozen pre-programmed laser and light shows to create, it all boils down to one thing: how fast can I get it right? When it comes to programming a show, time is the one thing
Hawthorn prides itself on its ongoing investment in new technology: most recently this has seen the purchase of James Thomas's brand new PIXELpipes and RADlite's revolutionary Pixeldrive, currently on tour with The Chemical Brothers, and their new Martin Line Array. Martin Hawthorn, managing director, says: "We just had nowhere left to grow. After building mezzanines in our current unit, we were delighted when we heard our neighbours were moving, as we could literally double our space overnight without relocating or running a spli
Blitz Communication has headquarters in Elstree, as well as a branch in Manchester. The company uses the popular 'Eurotrucker' general purpose road trunk extensivley for cables and accessories. To commemorate the 1000th unit supplied to Blitz, 5 Star produced a 'Eurotru
This annual event attracts visitors from all over the world and is run by people from within the industry - and the 2005 show promises to deliver precisely what the market requires - information, ideas and a strong forum for doing real business.
Over 300 companies are committed to making PLASA 2005 a solutions-led event: between them they will roll out over 1,000 new products and services designed to push existing technical and creative possibilities a stage further.
Both show floors will be packed with new ideas in audio, lighting, AV, rigging, system integration, engineering and effects: visitors will get to
The first operational units - a DGS 250 & a DGS 500 - are working in the Milton Keynes Theatre and will be touring the UK and Europe over the next few months, supporting Hall Stages 2005 Exhibition schedule.
"Once installed, the venue saves the time and effort involved in loading and unloading counterweight cradles," says Hall Stage director Phil Wells.
DGS installations are designed to "massively reduce" the time taken on fit-ups and show rigging. A bar is available immediately as required and can be loaded and flown in minutes, without the need for re-weighting. "Although not currently illegal as such, various aspects of the tasks involved are definitely inhumane and the practic
LTP's Terry Reeves was contacted by the project's lighting designer Martin Richmon to help specify the scheme - the two having worked together on a myriad of previous projects. The substation is comprised of two structural elements. The rear portion which deals with distributing the actual gas, and the front 'market stall' area, which is prominent, highly visible and directly on the pavement and main vehicle and pedestrian route
Manfrotto has lightened the coupler's structure, optimizing resistance in major stress areas andhollowing excess material in low stress points, resulting in a lighter, yet more robust jawcomposition. The new washer seat on each of the couplers makes the Eye Coupler ultra-safe by eliminating slipping and aiding locking, and the unique design features optimized ergonomics, developed in order to smooth off the jaw's structure, eliminating s
The two hour Once Upon A Time event was staged in in front of a live audience of 35,000 at Copenhagen's massive Parken Stadium, and starred a cast of over 300 international artists and celebrities including Jean Michele Jarre, who staged a special live performance interpretation of the fairytale The Shadow.
The show was commissioned by the Danish Broadcasting Company (DR) in conjunction with British production company Initial, and was broadcast live on DR1 and to the rest of Europe via the European Broadcasting Union. The production brief was to transform the stadium into an enchanting fairytale universe. Equipment was supplied by several UK compan
The automation equipment was initially set up at the Cirque Éoize venue in Canada to enable the shows' creative team to experiment with its ideas and allow the performers to become accustomed to the equipment. Working closely with performance riggin
BSR E1.4, Entertainment Technology-Manual Counterweight Rigging Systems, describes the design and construction of manually powered counterweight rigging systems. The primary purpose of the standard is to enhance the safety of these system, which
The screens are the most spectacular of several unique LED effects devised for the latest U2 tour by show director Willie Williams, with whom Kinesys has previously worked on the last U2 tour and the ongoing West End blockbuster, We Will Rock You.Conceived by Williams and designer Mark Fisher, the seven custom engineered trusses each carry 27 strings of 63 Barco MiSphere 'balls', totalling 1,701 balls per truss, weighing approximately 500 Kgs each.
Each truss, specially designed by Brilliant Stages for U2, is one metre square in width/height and five metres long, with an open bottom. Each s
Briefed to create a signature stage piece for Westlife's recent No1s tour, it soon became apparent that neon lettering wouldn't be practical, because it's made of glass, but then Mark remembered seeing Neonflex at PLASA. Marketed by Batmink, Neonflex is a flexible PVC light tube which closely replicates real neon, but uses LEDs as a light source. Much more rugged and roadworthy than neon, it was the obvious choice. LiteStructures made up an individual Neonflex letter, which Production North and the band agreed was just what they wanted.
Although the original design, a 20x10ft Perspex signature, was intended to be invisible when not lit, it was then decided, by the band and Production North's S
Blackout's project manager Kevin Monks collaborated with Nick Levitt, and set designer Bill Laslett to help transform Parken into a magical fairytale environment. Working to Laslett's exacting specifications, Blackout supplied over 3km of silver voile. Specified for its silky texture and semi-translucency, it played a major role in his design, used by Blackout
