Shure wireless delivers audio for 64th Grammy Awards
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The evening kicked off with a performance from Bruno Mars and Anderson. Paak as Silk Sonic. The retro soul-funk artists relied on Shure wireless microphones as they performed their hit, 777. Later that evening, Silk Sonic won four Grammys. Behind the scenes, Chris Rabold, FOH mixer for Silk Sonic, was overseeing their performance with the support of Shure Axient Digital.
“Having Bruno and Anderson and the whole Silk Sonic gang on Axient Digital for not only the Grammys, but for their Las Vegas residency is just such a no brainer,” shares Rabold. “There are things you do, decisions you make, from a live audio perspective that are done out of preference and then there are the things you do because it’s simply the smart move. For us, Axient is the latter of the two. It’s the most stable, most reliable, best supported and, most importantly, best sounding option available. Period, bottom line. And it has been for a while. Bruno, specifically, is too smart, too aware and too involved of an artist for us to use anything less than the very best. I mean that.”
The live broadcast of the show was overseen by audio producer, Michael Abbott and his long-time team of accomplished audio engineers and sound technicians. “Our team knows we can depend on Shure gear to capture the high-quality sound of the Grammy Awards,” says Abbott. “Shure consistently provides a reliable frequency coordination solution for in-ear monitors and wireless microphones for the artists performing on the broadcast.”
Jon Batiste, who won five of his 11 Grammy nominations, relied on a Shure BETA 58 wireless microphone for his performance of Freedom. J Balvin and Maria Becerra’s Qué Más Pues? was delivered on a Shure BETA 58 and KSM8 wireless microphone, respectively. Lil Nas X performed with a Shure KSM9HS alongside Jack Harlow, who was using an SM58 wireless microphone on a live routine of their collaboration, Industry Baby.
Celebrating the 20th anniversary of his record God’s Son, the rapper and songwriter Nas received a standing ovation during the show after delivering a montage of his career hits via an SM58 wireless mic. Brothers Osborne, who claimed the award for Best County Duo/Group Performance, both sang into Shure Beta 58’s for the performance of their hit, Dead Man’s Curve to close out the award show.
All of these performances relied on Shure Axient Digital Wireless. Key supplier ATK Audiotek made this possible by providing the sound system design and implementation for the show. Overall, the show relied on 28 channels of Shure Axient Digital. The production handheld microphones were all Shure KSM9’s and the lavalier microphones were Shure TwinPlex TL47. Nearly every performance the entire evening depended on the Shure PSM 1000 in-ear monitoring system, totalling 34 channels.
Notably, 250 Shure hand-wired microphones were orchestrated throughout the event on the many instruments that graced the stage.
Given the sheer amount of wireless used throughout the show, frequency coordination was pivotal to creating a seamless production for those in-person and tuning in from home. Managing the frequencies was Soundtronic’s RF coordinator, Steve Vaughn. “For another year, Shure Axient Digital and Wireless Workbench have proven the most reliable, quality solution for managing and maximizing every frequency in a completely saturated RF spectrum in Las Vegas,” said Vaughn. “This level of dependability is exactly what we have come to expect from our Shure gear.”
