USA - Peavey has announced the return of the EuroSys, with two new full range cabinets plus two new subs.

The EuroSys 700 delivers 350W RMS continuous (700W programme) at 4? through a 12" heavy-duty woofer plus EuroSys 175T compression driver. The Eurosys 800 incorporates a 400W RMS continuous (800W programme) 15" woofer again with the Eurosys 175T compression driver.

Subs give a choice of 15" (EuroSys 115) and 18" (EuroSys 118) drivers, each capable of handling 400W RMS (800W programme), and each using specially developed woofers with high power voice coils and dual cooling.

(Jim Evans)Peavey's EuroSys returns

Finland - This month has seen the installation of dBTechnologies' wireless microphone and loudspeaker systems at SantaPark, Finland's festive theme park, just in time for its busiest season. The project for newly appointed Finnish distributor Live Nation, involved upgrading the stage entertainment arena at the underground attraction, where Opera 410D speakers and PU920 series wireless microphone systems are now used in the SantaPark Show.

Jori Asikainen of Live Nation says, "It was an easy decision when specifying the sound equipment for this project; both systems we used were exactly what we needed. The install went smoothly and it is proving to be reliable even at Arctic temperatures."

The digitally controlled 16 channel PU920 wireless microphone system features extensive working range, long battery life and a newly developed digital squelch control.

The O

UAE - Effective immediately, Venuetech LLC has become an Electro-Voice distributor for the UAE. In parallel, the existing partner, NMK Electronics Ent., will continue to market the products until middle of April 2010. This change doesn't affect the distribution of Electro-Voice microphones, which stays with AVL Electronics.

"In recent years the pro audio markets in the Middle East have changed greatly. In order to be able to continue to increase our market share with Electro-Voice we had to adapt our strategy. With a strong portfolio for all vertical markets - retail, installation and rental - and the new partnership with Venuetech, we are well-prepared to achieve our common objectives," comments Klaus Seitz, director sales export of Bosch Communications Systems.

"Venuetech will not just distribute our products. Their experienced team will help to build complete

UK - UK radio frequencies for wireless microphones and in-ear monitoring are set to see radical changes over the next few years. The changes will affect many users of these systems, so Sennheiser UK is working hard to take a lead in keeping its customers informed about developments - both in the 'big picture' and, more specifically, what users of the company's systems can do to ensure minimum disruption.

Ofcom has designated the currently used Channel 69 (854-862 MHz) as part of a band that will be re-allocated for new services, and has designated Channel 38 (606-614 MHz) as a replacement. Although the de-regulated / license exempt frequencies in Channel 70 (863-865 MHz) will not change, over the next three years there will be a need for much wireless equipment to be either replaced or converted to use Channel 38.

The current situation with Sennheiser equipment is as follows:F

UK - Audio-Technica has unveiled two new additions - the company's first ever ribbon microphones - to its popular 40 Series mic range. The newly-designed AT4080 and AT4081 boast 18 patents pending, and Audio-Technica say they "convincingly solve the problems of fragility and low output that have traditionally plagued ribbon mics, in part through the use of a proprietary MicroLinear ribbon imprint for excellent durability".

The AT4080 features dual ribbon construction for pronounced sensitivity, while the single ribbon AT4081 is of a low-profile stick design to allow for flexible positioning options. A significant degree of hand production, including ribbon corrugation, imprint and assembly, is involved in the construction of the new mics, the company says.

According to the manufacturer: "While ensuring increased ruggedness, the design of the new microphones also

UK - An Outline line array system provided by Britannia Row supported the return of Robbie Williams at London's Roundhouse. The Outline Butterfly VLA was again requested by both the BBC and London's Roundhouse for the 2009 Electric Proms season. The system comprised 12 CDH 483 hi-packs per side, supplemented by three Mantas 'Wide boxes' for each hang and 12 Subtech 218s, all driven by Outline's T9 amplifiers and controlled via Dolby Lake 412s.

The Butterfly has become the most specified system for the Roundhouse due to its high power and even dispersion together with its camera-friendly look, which is important for televised jobs from the venue. On 20 October the opening night of BBC's Electric Proms season saw the charismatic return of the one and only Robbie Williams who was backed by a 34-piece orchestra plus his own touring band. Legendary producer Trevor Horn was playing ba

USA - The 20th Annual Time For Heroes Celebrity Carnival, featuring Disney recording artist Miley Cyrus and a dazzling array of Hollywood luminaries at the Wadsworth Theater/Westwood VA Grounds, raised over $3.1 million for the fight against pediatric AIDS.

Put on by the Elizabeth Glazer Pediatric AIDS Foundation and sponsored by Disney, the celebration drew more than 80 Hollywood names and sports superstars including Heidi Klum, Mark Wahlberg, Dwyane Wade, Billy Crystal, Sharon Stone, Ashlee Simpson-Wentz and Tony Hawk among many others. Volunteering their time as 'heroes,' they worked carnival-style game booths and interacted with guests and families.

LA Sound of Canoga Park, California provided audio for the event, with owner-president Richard Ralke serving as system engineer, assisted by band FOH engineer Paul David Hager, who mixes Miley and the Goo Goo Dolls, and

Canada - Rental company Projecson chose RCF TT+ Series for the main sound reinforcement of the Osisko en lumière festival in Rouyn-Noranda in Canada. The event, held over four days, featured a roster of Canadian bands as well as international acts including Simple Plan and Scottish hard rock legends Nazareth.

Emanuele Morlini, RCF TT+ Product Specialist, flew in for the event as PA manager and worked closely with Projecson's staff and with Frank Teoli of Sound Distribution, RCF distributor in Canada, during the set up phase of the system which comprised TTL33-A line array modules, TTS28-A subwoofers and TT25-SMA stage monitors.

"We used the TT+ Shape Designer Software in order to set the DSP of the line array to obtain a long and evens coverage of the concert area," said Ghislain Petit, who runs Projecson together with Rejean Berube.

"We were very plea

Germany - Optocore Control v2.13 is now available for download at www.optocore.com. The most significant update found in this version of software is increased network capacity, which now allows up to 24 devices to be connected to a single Optocore network. This is a move which sees Optocore addressing the increasingly frequent requirement for a larger number of distributed interfaces, says the company.

"As we work together with leading members of the pro-audio industry we become aware of these demands quite early," states Optocore managing director, Marc Brunke. "Optocore is the specialist supplier of optical fibre network solutions and it was self-evident that we needed to find an answer. We are now very happy to present our next innovative solution - this new software opens up lots of new possibilities."

In addition to the expansion of the network size, O

Germany - Ableton and Cycling '74 have announced the release of Max for Live. Co-developed by Ableton and Cycling '74 over a period of more than two years, Max for Live effectively opens up the Live platform, allowing users to create and edit their own devices.

Max for Live is a chance to join a society of makers and share ingenuity, and an essential product for all musicians and producers who want more than the conventional and predictable, says the company.

Max for Live includes a collection of premium instruments and effects, pre-made and ready to use alongside Live's native devices. But more interestingly, once the builders start building, even passive Max for Live users will potentially have access to "countless innovative new tools".

(Jim Evans)

Europe - Two new products from the Roland Systems Group offer users of the RSS V-Mixing System a new level of flexibility and versatility, exploiting the capabilities of the REAC audio transport protocol to deliver a complete point-to-point 8x8 digital snake system, and unique I/O merging technology which streams from multiple REAC units back to RSS M-400 and M-380 V-Mixers.

The new RSS S-0808 Digital Snake and S-4000M REAC Merge Unit were previewed at the InterBEE exhibition in Tokyo, extending the possibilities for digital audio configurations in all kinds of installed applications, and reinforcing RSS's growing reputation as a pro-audio solutions provider.

The S-0808 is an 8in/8out compact, lightweight digital snake that supports multiple power options including battery power, embedded power over REAC and power over Ethernet (PoE). The inputs offer remote controllable pream

UK - Following a highly-demanding and successful evaluation of Soundcraft's Vi6 during the recent iTunes Festival at the Camden Roundhouse, W1 Productions have now invested in their own 64-input digital desk, which will go straight into hire stock.

The Bury St. Edmunds rental company is run by Stuart Turvill, who as production manager of iTunes supervised more than 60 artists (representing all genres), who played live at the venue throughout the month of July. Incoming sound engineers used the resident Vi6s, which completed arduous duty cycles in both the FOH and monitor positions.

"The obvious reason for choosing the Vi6 then - and for purchasing it now - was because it is extremely straightforward to operate," says Turvill. "We had mainly used other digital brands until then, and although these have their strengths, the Vi6 is a genuine walk-on digital desk.&q

USA - The Church of Redeemer in Baltimore, Maryland was erected in 1858 and abounds with that ornate architecture that brings with it a reverb time of well over a second. Intelligibility is less than optimal, whether acoustic or with the portable PA system used in previous years.

As the church's congregation has grown, the 400-seat venue has seen increased demand, including the addition of contemporary services to complement their traditional ones. As Joseph Schwartz of Baltimore-based HP Electronics explains, that demand eventually led to the installation of a new sound system centred around a pair of Community Entasys line array loudspeakers.

"With both traditional and contemporary services now being held in the chapel, the need for a versatile, high-quality sound system became clear," says Schwartz. "We had originally been discussing the idea of a small line

South Africa - A Midas PRO6 live audio system is being used for a new production of Cats the Musical which has opened in Johannesburg. The PRO6 was specified by Mark Malherbe from Prosound, which has also provided the audio equipment for the show.

"The previous production of Cats in South Africa in 2001 used an analogue console, and I wanted to use this opportunity to not only go digital but to get the PRO6 into the country," says Malherbe.

Prosound's involvement in the earlier production was somewhat limited, with the majority of technical skills provided by System Sound of Australia, and the company used the experience to learn from them. "The level of preparation and dedication to detail by the System team was unprecedented at that time in the local theatre industry. Prosound took full advantage of this opportunity and has since adopted many of

Australia - Audinate reports that its popular training course Introduction to Dante Audio Networking has now been approved by National Systems Contractors Association (NSCA) for learning units (LUs), which can be applied toward the Certificate of Completion Programme and to maintain Electronic Systems Technician (EST) Certification.

Based on the broadening adoption of Audinate's Dante digital audio networking solution, there has been growing interest from installers, contractors, designers and manufacturers of professional audio equipment to deepen their understanding of Dante, says the company. Now attendees have the option to be recognised for developing their expertise in Dante by earning 4.0 LUs towards their certification programme offered through NSCA University.

The Introduction to Dante Audio Networking course is a one-day course for people that are looking to d

UK - Orbital Sound has announced the success of its annual autumn training course, Developing Sound Skills for the Theatre, held at the end of October. Attended by a full house of 24 students, from varied backgrounds in the theatre industry, the free two-day course provided an informative and practical framework for anyone wanting to broaden their skills in theatre sound - across wireless communications, digital mixing consoles, show automation and sound system design.

Orbital's autumn course represents an important and popular aspect of its theatre-skills training programme, which features a growing number of courses during the year, complemented by manufacturer-specific training.

The course featured two sessions each day, with Day One covering wireless communications, using HMEs digital wireless intercoms as technology examples, followed by digital mixing desks, in pa

Germany - Harman Professional distributor Audio Pro Heilbronn has confirmed a major sale of Crown's new I-Tech HD amplifiers to German touring company, TDA Rental GmbH. The company has acquired a total of 56 amplifiers, divided between 32 I-Tech 5000HD's and 24 I-Tech 9000-HD's. This will add a further 376,000 watts of amplification power to the company's inventory.

TDA owner Stefan Todeskino says, "These are great amps, delivering a powerful sound, with a superb sounding DSP." Another feature that impressed Todeskino was the flexibility of the I-Tech HD's, enabling them to be used with all speaker types and in various applications. He notes that control is made easy due to Harman HiQnet System Architect software.

Todeskino, who has a strong relationship with Audio Pro for sales and service, explained the decision to purchase Crown. "We started off with a bunch

USA - Nashville's Sommet Center arena was a complete sell-out the evening of 11 November 2009 as the country music industry came together to celebrate the 43rd Annual CMA Awards, the Country Music Association's biggest event of the year.

The ABC broadcast saw a record total of 23 music performances on the show by artists including Brooks & Dunn, Kenny Chesney, Dave Mathews, Kid Rock, Lady Antebellum, Tim McGraw, Brad Paisley, Taylor Swift, Carrie Underwood and Keith Urban. All of these performances were presented to the live audience with a large, multi-array JBL Vertec line array system supplied by ATK/Audiotek (Valencia, California).

The event system was designed by Pat Baltzell, principal at Baltzell Audio Design. It included five line array clusters made up of a total of 88 VT4889 full-size line array elements, joined by a separate flown cluster of 14 VT4880A full-size arr

BeNeLux - Audient's high resolution mixing console Zen will travel to mainland Europe next month, to be featured in demonstrations at Maarten's Sound & Vision and DADA studio in Brussels on 14 and 15 December respectively.

Kicking off at 2pm in Heerenveen on Monday 14 December, Audient's sales director Luke Baldry will be presenting the newest member of the Audient family to visitors at the Maarten Sound & Vision offices based at Businesspark Friesland West 37. Owner of MSV, Lammert Wiersma says: "We have already had great interest in the Audient Zen over the past few weeks. This demonstration day will give Zen a great boost."

On Tuesday 15 December Zen will be stopping at DADA studios in Brussels. Starting at 3pm, intensive demonstrations will put the Zen through its paces and there will also be ample opportunity for questions during the afternoon. "Seeing the

France - Studio 106, one of the principal live studios at Radio France, has recently been equipped with an Eclipse digital mixing console from Innovason. This is now their seventh console from the French manufacturer. Nevertheless, it was far from being a foregone conclusion - the Radio France technical team tried out four different consoles from four major manufacturers before settling on the Eclipse as the optimum choice.

"Studio 106 is one of our most important live studios that plays host to all kinds of live musical broadcasts from rock and roll to classical concerts and everything in between," explained studio chief Pascal Coulloux.

"A regular fixture at Studio 106 is the daily radio program on France Inter, Le Fou du Roi with French radio and TV personality Stéphane Bern, which takes a light-hearted look at current affairs, entertainment and

UK - Scrub has supplied new 16 and 32 fader Icon D-Control consoles to BBC Studios and Post Production as part of an upgrade to facilities at Television Centre. Although a wholly owned commercial subsidiary of the broadcaster, the company is required to tender competitively for BBC work alongside independent service providers. To meet customer demand there has been a gradual standardisation of its audio post production equipment onto the Pro Tools platform.

"Pro Tools is the industry standard, and it¹s essential that we can move projects easily between our own engineers and theatres, and work on sessions that may have been started externally," explains sound team leader Edurne Bengoa. "We have three dubbing theatres and two track laying rooms at Television Centre, two dubbing theatres at White City, and two dubbing theatres dedicated to Eastenders at Elstr

UK - Monitor engineer Nahuel Gutierrez has been using a Midas PRO6 live audio system for the Noisettes' UK tour. Having previously spent 15 months with its big brother the XL8 on the final Oasis world tour, Gutierrez found the transition to the PRO6 an easy one.

"I was able to mix on the PRO6 in the same way I did on the XL8, and after a short time learning where the controls on this surface were, I was flying again," he says. "Although it's a smaller surface, the PRO6 isn't missing any of the XL8's features. The sound quality equally as superb, and my favourite features were there, such as six full parametric equalisers on the output channels, which have allowed me to forget about graphic eq's for the last two years.

"Having fewer faders was never an issue working with the POP Groups, which once again were my main way of mixing. And I set up one group of f

Italy - To mix the sound on Italian singer/songwriter Gianluca Grignani's latest tour, rental firm Idea Musica Service of Latina in central Italy fielded a DiGiCo system conceived by AudioProgetti, a company with its HQ in Cavenago Brianza (Milan) specialising in the design, supply and installation of pro audio systems.

AudioProgetti's technical manager Gabel Guagliumi explains how the system came about, "Idea Musica's brief was to put together a complete touring control system with 56 input channels and 24 outputs, a single core for audio input/conversion (avoiding the additional cost and space required for splitters) and digital signal transport.

"We opted for a DiGiCo SD8 and DiGiRack setup because it enables us to have control of 60 input channels in the three sections of the console worksurface, the same excellent preamps as the DiGiCo SD7 and D5, a modular stag

Peru - Being one of the country's leading audio rental companies, Red Power's client list reads like a Who's Who of the Peruvian event and international touring industries. And with a busy schedule to service, the company bought a second DiGiCo SD8 just months after purchasing its first.

"We bought our first console in July this year and were really impressed with its great sound and its price point," says Red Power owner Andrés Cuadros. "We have other digital consoles in our inventory, but the SD8 has a lot of advantages - its sound quality, versatility and ease of operation make it a favourite console with all the engineers who have used it here."

Deployed on a variety of events - from shows by Faith No More and Kansas to Placido Domingo, Il Divo and Sarah Brightman, not to mention some of Peru's highest profile festivals - the SD8 quickly establis

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