Sound

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14 March 2016

This historic landmark church required a loudspeaker system that provided clarity of the spoken word, as well as seamless visual integration. Community Professional Loudspeakers answered the challenge with Entasys, a three-way, full-range column-array, weather-resistant loudspeaker system. This system boasts multiple low frequency, midrange and high frequency drivers, delivering a targeted vertical beamwidth from 800Hz to 16kHz. ENTASYS' modular design allowed the installer to use multiple full-range columns to create an exceptionally tight-focused vertical coverage.

"The Entasys system was selected for its quality audio performance and the ability to visually blend with the aesthetics of the hall's classic architecture,&qu

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14 March 2016

Covering the entire colour spectrum, ACO allows Alcons loudspeakers to blend into the background against any type of decor, from plain blacks and whites, through subtle shades to vibrant colours, even natural wood and metal finishes, says the company.

ACO is available for the Alcons models in the C-(cinema) series, T-series, S-series, L-series, B-series and V-series. In addition, system designers can preview the colour options online using the Alcons ACO Simulator on the company's web site.

"All of our products are developed to be as unobtrusive as possible, in their sonic response as well as in their appearance, which is also why we only appl

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14 March 2016

The annual festival, created by local radio station KAZR in nearby Des Moines, has grown rapidly since its resurgence in 2007, and this year marked the first time the show has expanded to two stages to accommodate an expanded roster of hardcore metal musicians.

Grand Island, NE-based Sure Sound and Lighting provided a massive system of integrated Renkus-Heinz line arrays to deliver powerful non-stop metal punch to the show's side-by-side stages.

Sure Sound's Jeremy Wann reports, "We set up two hangs of 12 VerSys VLX3 line arrays on the outer side of each stage, and two hangs of 12 STLA9 line arrays on the inner sides. "We set the system up

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14 March 2016

With 18 masts holding it aloft, the big top was furnished with XLD and XLE compact line array loudspeaker systems from Electro-Voice. These were supported by PX1122M and PX1152M multi-purpose loudspeakers, whilst the requisite sound pressure in the low-frequency range was supplied by Xsubs.

The system was driven by amp

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14 March 2016

vento Totales and FrancoSound (owned and operated by Jader Montoya and Amilkar Franco respectively) are two well-known sound companies in the Colombian professional audio sector. Both firms service the live sound/pro touring market and also operate equipment rental divisions. Together, they pooled their talent and resources to assemble a high performance sound system that made this year's event among the most memorable in recent history.

Amilkar Franco - with assistance from associate Reynaldo Flores - oversaw the selection and installation of the equipment for this year's event and also handled various sound engineering responsibilities.

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14 March 2016

This year, the festival took place at the Jakarta International Expo Kemayoran (JIE). "JIE is an exhibition venue," Andre Supryanata from Sumber Ria Sound, the pro audio rental company in charge, stated. "But it fits perfectly to accommodate the festival's growing audience. What we had do was to present the best audio system that can cover up the lack of acoustic treatment of the building."

In total, P.T. Kairos Multi Jaya, EAW's Indonesian

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14 March 2016

The show was a big event that included live performances from a number of top Scandinavian artists including Eagle Eye Cherry, Linda Sundblad, Carpark North, Gentlemen, Jasmine Kara, Anna Maria Espinosa and many others.

Part of the system provided by Electrosound was a full Innovason network system running

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14 March 2016

Voxguard is a high performance ambient noise attenuator, designed to mount on a microphone stand and surround a recording microphone, to help control the sound from entering the microphone by minimising the reflections in the room.

Crashguard is designed to shield a drum mic and attenuate the sound of cymbals during recording. Small enough so that it will not get in the way and durable enough to sustain repeated abuse from drummers.

The TriPad is a tripod mic stand isolator designed to prevent vibrations from the stage and floor

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14 March 2016

With an excellent price-performance ratio, it is ideal for entertainers, duos, smaller PA systems and presentation applications, says the company.

The DAVEG2Series active module features all necessary inputs and outputs as well as protective circuits. Transport bags for the subwoofer and satellites, are also available.

Other features include a lockable Volex power plug, an output clip-limiter and the subwoofer is equipped with a M20 thread.

(Jim Evans)

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14 March 2016

Director Phil Lidstone believes this purpose-specific policy has given them a competitive edge in one of the company's core market areas.

"We design for each individual application rather than use a one-system-fits-all approach," he stated. "We are known as specialists in this sector, where we integrate the two disciplines of pro audio and audio visual under a common control platform. It's a case of being able to differentiate between speech-only systems and those requiring a full dynamic range - and make them operable by non technical users."

RCF, he says, have systems that cover all eventualities. "We have confidence in their ranges, and from R&D to fini

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14 March 2016

As part of the refurbishment, the hotel brought in Bose Pro Partner, Apple Sound, to upgrade and enhance the AV in the Carden Suite. The self-contained Carden Suite, which has its own entrance and car park, can accommodate up to 400 delegates and continues to complement the existing 11 conference rooms and dedicated business centre, all supported by highly trained event and conference organisers.

In addition to nine 60" plasma screens, Apple Sound installed a Bose sound system, consisting of a Bose ControlSpace ESP-88 audio management system, and Bose Panaray 502As loudspeakers with bass support from Panaray MB4s, to provide both background and foreground sound for c

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14 March 2016

Monitor engineer, Steve Pattison, uses a mixture of the R72 surface and a Touchscreen laptop, giving him the flexibility to talk to the artists during sound check, and move around the venue during the show.

"The band are loving the fact I am on stage face to face changing their mix as they ask, and not running back and forth to the desk. They want to know why we haven't had this before! It's useful having the laptop when stage space is cramped as I can put the rack backstage and sit my laptop on the house desk."

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14 March 2016

Using just six individual components, or 'elements', the user can configure a system for anything from a small conference PA, to a full band stage rig. The entire system is quick and simple to set up, due to the innovative, cable-free internal E-Connect coupler, says the company.

The system starts with the E435 Mid/High unit. Made of extruded aluminium and engineered with line array technology, up to four of these mid/high units can be powered by the similarly designed EA600. This is a 600 watt, Class-D power amp, which can also be used to power either two mid high units and a passive subwoofer, or two subwoofers.

Bass response is provided by the E110 subs.This easy to transport 10&qu

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14 March 2016

Zbigniew Hubner Theatre, which was founded in 1945, has long been a focal point of Polish theatrical culture, attracting leading artists, directors, musicians, choreographers and stage designers both nationally and internationally. The venue has a long history of using Midas consoles, with a Midas Legend 3000 and a Venice installed in theatres two and three respectively.

Sebastian Ku?ma, the theatre's head sound engineer, chose the PRO6 having previously used the Midas Legend 3000. He was particularly impressed with innovations such as the ability to control the time of crossfades between two scenes wit

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14 March 2016

Named in honour of the late designer, developer and commentator Tony Gottelier, this award aims to recognise the product developers who have made a significant contribution to the development of the equipment and tools that enable our entertainment technology practitioners to continually push the boundaries of event production, presentation and installation.

Once the shortlist of nominees is decided, the Voting Phase will begin. This year, to help ensure that only legitimate industry professionals can cast a vote, voting for the n

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14 March 2016

Iwate Prefectural Hall plays a leading role in the art and culture of Iwate, being used for many different purposes, including music, theatre and conventions. Open since 1973, the building's main hall spans three floors and can accommodate almost 2,000, with a secondary 600-capacity hall.

"The reverberation time in the main hall is 1.75 seconds when vacant, and 1.45 seconds at 80% capacity," says the hall's head of hall administration, Mr Naruo Seki. "With a system that has a relatively long r

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14 March 2016

Melvin Benn, who runs the Reading, Leeds and Latitude festivals, described it as "blatant money-grabbing". He told BBC News, "The quantum leap in what the PRS are being paid by live music promoters is very, very substantial compared to what it was 10 years ago. Live music is so much stronger than it was, and therefore the receipts the PRS are getting are substantially more than they were. Instead of being ple

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14 March 2016

The Playground Weekender has emerged as an eclectic gathering featuring a diverse mix of international and local artists, coupled with a relaxed outdoor atmosphere featuring multiple music stages, cabaret acts, a cocktail bar, a healing area, yoga and an array of international food and market stalls. The PA system had to cover a large area but also needed to be well integrated into the visual presentation, and to go up quickly.

The main system consisted of 24, three-way KF740 modules flown in two line arrays on either side of the stage using 12 KF740 modules each. These were augmented with eight EAW SB1002 Large Format

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14 March 2016

Pulse AV were asked to design, supply and install a comprehensive audio visual system for the entire venue which is divided into five separate audio zones: Bistro, Main Bar & Lounge, Function Area 1, Function Area 2 and Function Area 3.

Wall-mounted DBX ZC-8 keypads located behind the bars are used to control the volume level and audio source in each zone. Each zone is capable of having its own audio source and volume level regardless of what is being heard in any other zone.

A combination of Control24 and Control26 in-ceiling speakers are used throughout the entire venue. Weatherproof surface-mount

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14 March 2016

Monitor engineer Graham Blake, whose 25 years' experience includes working with Queen, Live Earth, Spice Girls and the Classical Brits as well as the last five years with Simply Red, says, "The band all commented on the warmth and richness of the sound. They really noticed the difference. I've never had a band respond to new equipment like that before.

The tour provided Blake with an opportunity to use the XL8 on the road for the first time, having completed the training with Midas' brand development manager Richard Ferriday some eight months earlier. "Even with that kind of gap it was easy to pick up," says Blake who was won over by the XL8's scope and versatility, and eager

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14 March 2016

The workshop will be held in English and will focus on all aspects of a live gig, including planning and setting up the public address system, miking and frequency manage¬ment, and finally fine-tuning the monitor and FOH sound. Prominent sound engineers and event professionals will assist participants, while the band Rauschenberger will perform the live act. The Live Mixing Workshop is organised by Sennheiser Sound Academy and supported by co-sponsor Yamaha, the SAE Institute and Fischer Amps.

"What makes the Live Mixing Workshop so special is its practical orientation," explains Kirsten Wessendorf, manager of

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14 March 2016

This marks a digital first for Keyes, who has never before taken a digital console on the road. She has been mixing monitors since 1991 and, in recent years, more usually opted for a Heritage desk.

"In the past," says Keyes, "we have not been able to get (vocalist) Eddie Vedder on a digital because we've not got the sound quality but the PRO6 has really delivered. We have found no issues with latency and the band loves the sound."

Keyes herself quickly felt at home on the PRO6. "I felt pretty comfortable with it after the first show," she says, "and the factory support from Midas is amazing.

"The key to mixing monitors for Pearl Jam is keeping my eyes on Ed and the band

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14 March 2016

"Our new training center provides our OEM customers a comprehensive support system and is a reflection of the significant growth we're experiencing," said Lee Ellison, CEO of Audinate. "We are also pleased to announce that Brad Price has been appointed as Sr. technical solution manager.'

Brad Price comes to Audinate with an extensive background in audio engineering, music performance and software product development. Working with GenevaLogic and Netop, he managed the development of networked real-time video software for school classrooms, providing technical communications and direct customer support services. Working with Phoenix Gold, he developed crossovers an

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14 March 2016

"The CMX Series provides unmatched performance, the right power for the job, and an affordable price point," states Shawn Watts, director of installed solutions at QSC. "Because CMX Amps are built with QSC's proven and reliable power plant, integrators need not worry about return warranty calls that can hurt profitability."

The amplifiers are designed to deliver true and accurate sound performance and feature high-current toroidal transformers and filtering to ensure generous energy reserves, allowing the amplifiers to effortlessly handle high-leve