Renaissance promoter and Gibb Street venue owner Geoff Oakes called on Sheffield-based production company Mustt Audio to configure and install an audio system that would best deliver outstanding sound to this 1,200 capacity warehouse/club space, located beside Birmingham's international arts complex, The Custard Factory.
"Gibb Street Warehouse has reflective brick and metal surfaces so it's an echoic space," says Mustt pro
Commenting on this exclusive partnership, POLARaudio MD John Midgley was upbeat: "We're very pleased to now be able to bring the exciting new Eurocom products to market. The line-up comprises feature-rich, innovative, professional technologies for exceptional performance quality. Combine this with great aesthetics and extremely competitive pricing and it's easy to see how Eurocom will set new standards in the integrator market."
AX Series: These dual channel amplifiers epitomize power and control, offering contractors flexibility and efficiency in sound reinforcement and playback systems. The line includes models designed for low and high impedance speaker loads. The units are ready for immediat
A packed entertainment programme saw the 25th Anniversary of this award show's VIP audience entertained by two live music acts and a top DJ, and hosted by TV personality and Strictly Come Dancing finalist Jason Donovan.
Corporate Events provided a high level audiovisual solution to support the event. "Our production quality standards for working in here are amongst the best and the creative that goes into the opening sting, slide desks and video shine through, ensuring that the VIP's get just that," say
The show, known as Light of Venice was the first of 10 short commissioned son et lumière works conceived by projection artist Ross Ashton who teamed up with London-based UnitedVisualArtists and Tucson, Arizona's Darling Ltd. on the creative implementation. AVDB Group of Las Vegas further supplied the technical components of the production, including a new L-Acoustics ARCS II system.
Hidden behind a scrim to preserve architectural appearances during the day and not interfere with the video mapping at night, eight ARCS II enclosures are positioned in a horizontally oriented constant curvature array at the
Styles will be responsible for developing Electrosonic's customer base and building new client relationships across the corporate market.
His role will involve developing new relationships with professionals across the corporate market, which includes finance, education, accounting, medical, government and oil and gas.
"Lee's skills, knowledge and capabilities will be a great addition to our corporate team," commented Paul Brown, general manager, corporate solutions, EMEA. "He is experienced at developing strong business relationships which will ensure our clients remain at the forefront of technological developments."
Prior to joining Electrosonic, Styles was a collaboration specialist for Logi
Marius Müller Westernhagen, possibly best known for his hit Johnny Walker, has been a constant presence on the German rock music scene since the mid-1970s. As well as his records, Marius is known for his energetic public concerts and, this September, set out on the road for his Hottentottentour 2012.
Monitor engineer Wolfgang Hofer recalls, "I had the chance to check out the Nexo wedges during a nice little two-day cultural event. Immediately, I decided to take them out as main monitors for the upcoming MMW Tour. In total, I've been using 10x N-12s, amped by the NXAMP4x4 in active mode on 6 mixes. Apart
The K1 system, which had just come off of the road with Tom Petty and the Heartbreakers prior to the tour, was prepped for the Dukes' first show at St. Louis' Fox Theatre in Sound Image's Nashville office by systems engineer Vic Wagner, who has deployed K1 for Taylor Swift and Prince, in addition to Tom Petty.
For most venues on the tour, Wagner flew up to t
Thanks to leading sound company EML Productions - now part of the PRG Group - all eight stages for this mammoth event were this year powered exclusively by Lab.gruppen amplifiers.
EML Productions have been behind the sound for the festival since the early days, and the relationship with Lab.gruppen is one that has also been longstanding, as Patrick Demoustier, Chief of Sound at EML, testifies.
"We first started using Lab.gruppen when we decided to change our systems some years ago," said Patrick. "We did some careful A/B testing and comparisons, and we ended wi
The cathedral's size - in normal use it seats 1,800 but can accommodate an extra 800 during major events that are frequently televised - reflects its historical status as the Seat of the Archbishop for the whole of northern Sweden and the other Nordic countries.
Its cavernous nave had long proved a challenge for bishops whose voices would become hoarse trying to project down such a long space. Many years ago a sound system was installed to help, originally with four wired microphones and a conventional loudspeaker system.
The last time it was replaced was 1987, when the church felt it was time for something more c
The lighting rig included 100 Martin and 55 Color Kinetics fixtures. Control data from two Martin consoles was transmitted via a total of 2,000 ft. of ProPlex Fibre Cable to two ProPlex GBS 10-port, dual-fibre, managed GigaBit Switches, and then via ProPlex Ethernet cables and ArtNet converters to four ProPlex Opto-Splitter 2x8 units, linked to the fixtures via ProPlex DMX cables.
"We've been using ProPlex data cables for about 10 years and never had a problem," says Otto Schlesinger, production electrician at TLC. "Based on our experience, it made sense to adopt the new ProPlex Fibre Cable. This
Orbital Sound Inc's President Jim Shearing comments, "Orbital's professionalism and technical capabilities are highly respected on the international stage, providing us with a fantastic platform on which to build the US business. All of us in the Orbital Sound Inc team have many years' experience, and we shar
Chris Crockford told LSi: "This is a blow to our original plans, but it will mean more bandwidth and more box connectivity. We have also found a couple of manufacturing errors with the original boxes when tested in the field, so we are working to correct them, along with integrating the feedback we received from people attending PLASA."
Designed for all aspects of the entertainment industry, the Super2fer allows users to modulate their video, audio, lighting, and IP data through standard 16A mains cable up to 500m from source.
To see Crockford's PLASA Show presentat
Director of Shine Systems and audio engineer for Welford stadium, Phil Taylor, explains, "The DL1608 is used to play music before/after the match and at half-time (both from the iPad and from a Macbook Air running Traktor), together with playing pre-recorded announcements and to control the match announcer microphones."
The large stadium is divided into 17 discrete zones and employs a robust wireless network that was suitable for the DL1608. "I was also able to walk round the ground during the pre-match build-up with just my iPad and adjust levels as required using the ground-wide wireless network." continued Taylor. "I would usually use a larger-format digital console for this, but I am confi
By means of a front and rear located woofer configuration, in combination with dedicated processing, the BC332 enables selectable cardioid low-frequency pattern control and excellent rear rejection (up to 18dB), without the need for additional cabinets.
On the front side, one 18" long-excursion woofer with 4-in. voice-coil with double-spider and demodulation ring frame, is mounted in a front-loaded configuration, with X-Venting; This newly designed reflex port takes more than 20% of the
Belcher now becomes the eighth member of HHB's experienced and fully trained engineers team with specialist technical knowledge. He is based in HHB's technical department in North West London and reports to service manager Rachid Amini.
HHB has invested more than £250,000 in the latest analogue and digital test equipment, making its facilities Europe's largest independent pro audio support centre. This is complemented by a massive stock of spare parts, which ensures that all repairs are made in a fast and efficient manner.
Before joining HHB, Belcher studied audio technology at the University of Salford. He also has experience as a freelance sound engineer and a professional DJ. Originally hired for a work placement as part of his degree, he fitted in at HHB perfectly and wa
The event was hosted by MC Villain, produced by Matt Chromatic and promoted by Q-dance Australia. Norwest Productions provided complete sound production; staging, lighting, and pyro were executed by LX- PRG, Lasers- Oracle, and Pyro-Howard & Sons.
Audio system design was executed by the event FOH Engineer Scott Harrison, on the new Adamson Blueprint AV Software, enabling the plotting of the four hangs plus a front-fill.
The 46th Annual CMA Awards aired live in 5.1-channel surround sound Thursday, 1 November, 2012, on the ABC Television Network from the Bridgestone Arena in Nashville, and featured over 200 Audio-Technica microphones, including an impressive array of hard-wired mics and Artist Elite 5000 Series UHF Wireless Systems.
The team responsible for the audio at this year's CMA's again included a who's who of broadcast audio. The audio was supervised by award-winning audio producers Tom Davis and Paul Sandweiss; ATK/Audiotek provided the sound system with FOH (front-of-house) mixers Patrick Baltzell and Rick Shimer; the broadcast music mix was handled by New Jersey/California-based M
Originally designed by the Bristol architect James Saunderson, the theatre is believed to be the oldest working theatre in the UK. Stage Electrics was awarded the contract to design and install a completely new technical infrastructure and production lighting, audio and communications systems. The project has been headed by consultants Charcoalblue with design by John Stevens and project management by John Woodley; architect Andrzej Blonski and builders Galliford Try.
The refurbishment includes the raising of the stalls and gallery to dramatically improve sightlines throughout the Georgian auditorium, a new, flexible thrust stage format, conversion of the pai
A collaboration between RMIT's Music Industry (Sound Production) and Audio Visual Technology departments, the MAVIS project is an opportunity for final year students to apply their skills in event planning, live sound, audio and visual recording in a professional setting, using industry standard equipment.
This year they were faced with a variety of acts, performing on two stages. The music ranged from cartoon metal warlords Barbariön, country rockers Alford's Band of Bullwinkles and psychedelic beatniks Wolfy & The Bat Cubs to singer/songwriter Violetta Delconte Ra
For the first time in the worldwide history of Monster Jam, the event brought together the world's biggest monster trucks, along with daredevil demo riders and, of course, the FMX-ers from Team Marvel and Team Destruction - creating the largest ever extreme sports battle.
Last year almost 70 Powersoft Duecanali amplifiers were installed in the Gelredome arena by TM Audio. Olaf Landzaat created the system design and headed the installation team. In collaboration with Italian engineers at Powersoft, a custom-made Media Matrix plugin was written, enabling the amps to be integrated into the system seamlessly.
The house system at the Gelredome (also installed by TM Audio several years ago) has
Since the venue also hosts LAE Live Audio engineering diploma courses, it depends on showcasing the best in production technology. Recently it upgraded its mixing consoles and now standardises on Soundcraft platforms, which can be found in both the house and stage positions.
Three and a half years after purchasing a 32-channel Soundcraft MH3 from dealers Crystal Pro Audio, head of sound George Gregori gave the go-ahead for the purchase of a new Soundcraft Si Compact 32 from the same suppliers - giving them a matched channel count at both ends.
The desk was specified by head sound engineer Dave Preston, who earlier reviewed several other options in the same category before dec
Additionally, American trumpeter Roy Hargrove's RH Factor made their China debut while Chinese artists Tia Yuan, Karen Mok, and Khalil Fong gave riveting performances. Over 8,000 music fans enjoyed a weekend of music and some fantastic weather in the world's largest city.
Martin Audio distributors, Budee, service the main Green Note stage - the largest and most popular of the six stages - on an annual basis and the company's Lee Feng, one of China's leading tour sound engineers, built the PA system around Martin Audio MLA Multi-cellular loudspeaker arrays.
Remarkably, the audio mains were about as compact as it gets: at only 790kg - in
Based on the same concept as NBC's The Voice, the Chinese show featured four judges/coaches who used blind auditions to identify teams of singers they wanted to work with during the series. The prize for the winning artist, Liang Bo, was a recording contract.
Heading up sound production for the show was Mr Jin Shao Gang, a noted sound designer and one of China's most important sound engineers. During an extensive and illustrious career, Mr Jin has worked with many of the country's top recording artists and was also heavily involved in the opening ceremony for the Beijing Olympics in 2008.
Chicco Hiranandani, business development manager at Midas's Middle East distributor NMK commented: "The Heritage Theatre joins a prestigious line up of venues that have specifically chosen Midas solutions for their reliability, redundancy and most importantly - audio quality. These venues include the Raha Theatre, Abu Dhabi; the Qatar National Theatre, Doha as well as the Royal Opera House in Muscat, Oman."
The Heritage Theatre is a 550 seat multi-purpose venue that is used for drama, dance, lectures and conferences. The latest supply of the PRO6 sees it join other UAE venues such as the Emirates Palace Hotel in Abu Dhabi, which is currently using a Midas XL4.
"Midas is enjoying increasing
