South Africa - Interactive IPTV and digital signage are on the menu for Cabletime when it shares a stand with distributor, Mindstec at this week’s MediaTech show. Visitors to stand C39 will be able to see new features now available for the MediaStar Media Players and the team will also be demonstrating all the benefits of Cabletime’s powerful digital signage content creation software, Creator.
The MediaStar 782 AV-DS Media Players work seamlessly with Cabletime’s recently introduced digital signage content creation software, Creator, and the tools that enable it to deliver rich HTML support, live IPTV streams and video playout. Visitors will be able to see interactive HTML pages that show off the full capability of the 782 Media Player, controlled using Cabletime’s new wand-style remote controls. Also being demonstrated will be DCC (Dynamic Content Creation), which

Europe - Panasonic has launched a new range of indoor display panels engineered for digital signage.
The Full HD SF2 range replaces the LF8 indoor signage series and features new data cloning software, accessed via LAN, which allows for the copying of menu settings and adjusted values from the original display to multiple others.
The E-LED LCD display is available in four sizes (43, 49, 55 and 65-inch), the adaptable screen features wide-view IPS panel technology with 450 cd/m2.
The addition of multi monitoring and control software enables users to monitor and control the displays alongside any projectors within a facility from a single PC. Up to 2,048 devices can be controlled simultaneously, suitable for use within corporate or education environments.
“We have engineered the SF2 series to offer failure-free round-the-clock operation,” said Enrique Ro

USA - Atlona has announced that a firmware update to its award-winning OmniStream AV over IP platform will expand the innovative solution with a wide range of new features and capabilities that “will greatly benefit its corporate, educational, and government AV customers”. Scheduled for release in late September, these new enhancements include comprehensive 4K and HDR compatibility, video wall processing, HDCP 2.2 compliance, and AES67 audio over IP interoperability.
“In keeping with our mission to help our AV over IP customers solve their integration challenges, streamline infrastructure, enhance connectivity, and simplify management, this OmniStream upgrade will continue to enable many new and novel AV system design and problem-solving opportunities, today and tomorrow,” said Nick Bethard, Atlona’s senior product manager.
Topping the list of new features is

UK - Holo-Gauze has been instrumental in helping Realtime Environmental Systems (RES) and creative director Liam Tomaszewski to realise superstar DJ Eric Prydz’s holographically-enhanced performance for his EPIC 5.0 show, debuting at London’s Victoria Park in front of an audience of 15,000 in late May.
Projected onto a huge, highly transparent and reflective 20m x 9m Holo-Gauze screen, mind-bending animations – including a giant astronaut – created the “biggest hologram in the world”, according to Prydz. Four Panasonic RZ31K 30,000 lumen laser projectors were merged together, beaming a single image of creative director and VJ Liam Tomaszewski’s optical illusions onto the Holo-Gauze screen, which was positioned in front of Prydz.
In addition to the Holo-Gauze screen, a huge V-shaped 2304 x 576 pixel LED display was positioned on the back wall of the stage

Europe - When a band like Kiss takes to the road on a European tour, they demand an aesthetic extravaganza which delivers the ‘wow factor’ on an epic scale. PRG XL Video supported lighting designer Sean ‘Motley’ Hackett and the band with a complex video system, made up of LED screens, projection, HD camera system, media servers, and a crew of engineers and technicians to ensure everything ran smoothly for the 37 days the tour was on the road.
Motley’s an established lighting designer who has worked with Kiss since 2007, as well as other acts including INXS, Andrea Bocelli, Savage Garden and has worked for Bytecraft/PRG Australia as crew chief and fill-in LD on many tours. Motley described the process behind designing the lighting and video rig for the current tour: “The main element of any Kiss show is that it has to be big. The brief from the band was that they

UK - Green Hippo has announced a key addition to its training team, further bolstering its ability to provide invaluable guidance to Green Hippo users across the globe. Annalisa Terranova joins as senior training manager and will provide training at Green Hippo’s London HQ, as well as taking sessions, including ‘HippoSchool’ Hippotizer training meets, across the rest of the world.
Annalisa comes equipped to deliver immediately effective Green Hippo sessions, bringing extensive experience of the media server technology, including projection-mapping projects. She has most recently worked with M.I.A. on the singer-rapper’s world tour. Annalisa programmed and operated a Hippotizer Media Server the live show using a timeline and timecode.
Terranova will be teaching the below Basic and Advanced sessions: HippoNet, HippoLauncher, Configuration, Output manager, Media m

UK - Continuing their long-running support for Nordoff Robbins, PRG XL Video, has provided a package of video technology for the O2 Silver Clef Awards, held at London’s Grosvenor House Hotel.
The glamorous fundraising event which honours both up-and-coming and established music artists, celebrates Nordoff Robbins’ music therapy work, and via live and silent charity auctions, a raffle, and personal donations, raises hundreds of thousands of pounds to enable more people to benefit from music therapy around the UK.
PRG XL Video supplied Barco projectors, and e2 screen management system, along with three large projection screens for onstage, and a variety of plasma screens situated around the Great Room, that displayed lots from the silent and live auctions, and acted as relay screens from the camera system.
Crew chief for this event was Nathan Avery. Gearhouse

Russia - The City Panorama exhibition and entertainment complex in Kazan opened to the public in early 2017. Breaking new ground in the deployment of high-resolution video in museums and visitor attractions, AV expert Polymedia together with their partner United 3D Labs designed an integrated audiovisual system with the help of AV Stumpfl CIS, using an 800 wide by 300 cm high AV Stumpfl Curve projection screen.
Located in the exhibition hall, the panoramic exhibit uses a virtual fly-over whereby guests and citizens can see modern architecture of the city and familiarise themselves with modern Kazan. Video content comprises over 250 panoramic images taken with an ‘Octocopter’ using a high-resolution camera at different viewpoints and angles.
The system works using a touch-screen and controller placed in front of the AV Stumpfl screen. This enables visitors to look o

Europe - Green Hippo has confirmed its agreement with Ampco Flashlight Group.
Peter de Fouw, general manager of Ampco Flashlight Sales comments: "Green Hippo is a hugely important brand to us and by taking on this market-leading brand for distribution, opens up opportunities in new and innovative markets across the Benelux region.
“More and more we see video applications being used in all major events and across many vertical markets such as theatre, live performance, installation and broadcast. We are honoured to be the new distributor for a leading brand such as Green Hippo, which is a welcome addition to the Ampco Flashlight portfolio.’’
James Roth, head of sales & marketing for Green Hippo said: “Reaching an agreement with Ampco is another major step towards securing and further growing our market position in Europe. For me, the timing of this is

Australia - Audio-visual production company, IKONIX, recently used one of their Avolites Ai RX8 Media servers to video map a Cinco de Mayo event (Day of the Dead) at Melbourne's top trending event space, Peninsula.
The Mexican-themed event marked the end of the five-day 37th Australian Dental Association (ADA) Congress 2017 with 700 guests in attendance.
"For the Cinco de Mayo event, we worked with our client to choose a selection of 3D models that we could projection map on to," says Richard Saunders, co-director of IKONIX along with partner Zachary Burton. "We had a small 3D model printed for demos and testing before moving forward with larger custom-built models made from foam and plaster."
Focusing on the Mexican theme, IKONIX's animator, Daniel Tabacari, created a mix of bright, bustling 3D content that Burton mapped across multiple three-metre high 'Day of

Latvia - Dinamo Riga, the Latvian professional hockey team, teamed with Stage Crew, Latvian technical production service, to mark Dinamo’s final home game of the KHL 2016/17 season. And central to the stunning pre-game visuals was a Hippotizer Karst Media Server, running Hippotizer V4.
The impressive Arena Riga has been home to the Kontinental Hockey League club Dinamo Riga since 2008, offering a 10,300 capacity when the ice is laid out. One of Latvia’s leading indoor venues – artists to have played concerts there include Ed Sheeran, Elton John, KISS, Metallica, and Tiesto – Arena Riga provided a superb backdrop and centrepiece for the show.
Pro 1 Stage, Green Hippo’s Latvian distributor, used and configured a Hippotizer Karst to drive five 1920 x 1080 feeds at 60Hz. Two of the Karst outputs, split with Datapath X4’s fed four Barco HDXW20 Flex projectors fo

UK - Working with creative studio Another Space, VER London helped build the vibrant, large scale artistic installation that shrouded the entrance to the Dazed 100 celebration event.
Titled Shadow Play, the production centred on a 15m wide projection, featuring imagery and beams split into layered colour channels. The presence of visitors passing through the beams refracted the layers resulting in their silhouettes becoming an integral part of the highly immersive experience.
Speaking about the production, VER lighting project manager Mark Rooney said: “The Dazed 100 event was an incredible artistic adventure for us. The equipment we supplied out of VER London helped the production team create and deliver a fantastic audience experience”.
VER provided six Barco HDX 20K projectors to the show, offset from standard blend and operating in conjunction with

Belgium - In his 11 years as Epica’s lighting designer, Erwin Van Lokeren has never repeated a look from song to song. Neither he nor the band would have it any other way. Never afraid to blaze their own musical path, the symphonic metal pioneers have transcended genres by pulling in wildly disparate influences from Vivaldi to Star Wars, and weaving them all into a uniquely transformative sound.
Van Lokeren, who collaborates closely with two of Epica’s members Coen Janssen and Isaac Delahaye, has accentuated the band’s musical message with a ceaseless flow of compelling looks, each more unique than the next.
Helping him accomplish this feat on the group’s current Holographic Principle tour of Europe and North America is his ChamSys MagicQ MQ60 console with a compact wing.
“My constant touring life is really easy with the MQ60,” he said. “Because of

World - Known for their very intricate stadium shows, U2 honours the 30th anniversary of their 1987 album, The Joshua Tree, by taking a robust, cinematic set and the albums legacy hits on the road for a stadium tour across North America and Europe.
After reuniting with their fans at iHeartRadio’s Music Festival and Salesforce.com’s Dreamforce conference, the Irish rockers cemented the idea to celebrate the Joshua Tree album with the Joshua Tree Tour, making it the first time the band has ever taken an entire album from their back catalogue on tour.
In a Rolling Stone interview, Bono speaks about tour, stating, "It's so not like us to throw ourselves a birthday party. We didn't know if we could pull off a tour that honours The Joshua Tree without it being nostalgic. That's an oxymoron."
In order to showcase the album to its fullest

UK - Creative technical event production company Hawthorn brought the bright lights of Las Vegas to Battersea Evolution for the Waitrose Supplier Gala Dinner 2017 on 19 May 2017. Following a Vintage Vegas theme, Hawthorn worked with client Entertee Events to transform the venue into a show-stopping party venue.
Not only providing an opportunity for the company’s suppliers to network with the executive board, commercial directors, category directors, and senior traders, the evening also raised vital funds for the charity GroceryAid.
With 1,500 guests seated across 147 tables, Entertee made the most of Battersea’s large versatile space. Decorated with crystal chandeliers, entrance tunnels made from Hawthorn’s lavish blue velvet drape and thirty-two palm trees wrapped in fairy lights, guests were transported back to the golden age of Vegas. Hawthorn also created ten

UK - Depeche Mode’s career spans four decades and a reputation for musical originality has kept them relevant and at the cutting edge in delivering one visually and sonically inspiring performance after another.
Blackburn lighting rental specialist HSL is the main lighting and video contractor worldwide for the current Spirit tour. They are partnering with CT to deliver the video package.
The raw, stylish, industrial production design is by creative director Anton Corbijn, who has always pioneered video as an essential vehicle of live production. Lighting has been designed by Sooner Routhier and Robert Long of SRae Productions and is being directed on the road by their associate LD, Manny Conde.
The Spirit tour is being production managed by Tony Gittins and plays a mix of stadiums and arenas. HSL’s project manager Jordan Hanson is working closely with CT’s

UK - The British Museum Experience (BME), a new museum dedicated to popular music honouring the global influence and history of British music and artists, is now open and in full swing at the Grade-II listed Cunard Building in Liverpool.
At the heart of the attraction, the main stage show is powered by a 7thSense Nano-SDI media server featuring a specially produced digitally-projected performance by music legend Boy George, and a large-scale stage hologram – all integrated by DJ Willrich.
The BME was originally housed inside London’s O2 venue between 2009 and 2014 – while a few items from the original site were recyclable, the new permanent home and themed zones of the BME have seen a full technology and content refresh.
Visitors are taken on a chronological journey of British music history from 1945 to the present day as told in eight state-of-the-art inte

UK - Okulus, the production design company working alongside creative director Paul Caslin, and 24/7 Productions, were behind the Canadian singer-songwriter’s recent Illuminate World Tour, creating attention-grabbing looks, with Hippotizer Boreals and Taigas.
The Hippotizer Taigas (one active, one backup) fed a 1920 x 640 curved, 9mm LED wall, which served as the performance area’s main backdrop to display the visuals, triggered via timecode. The team also integrated the video director’s live camera feeds into the content.
A key technical aspect for the Okulus team was Hippotizer’s ability to beautifully integrate with Notch, the ‘real-time graphics workhorse’. Effects here included a 3D model of Shawn Mendes – using an Xbox camera focused on Shawn DSC – which Okulus placed into pre-programmed environments. The team also used the set-up to manipulate IM

UK - The Vienna-based Dynamic Projection Institute, designer and manufacturer of the Dynamic projection system, has appointed Polestar Productions as its UK partner. The Dynamic Projection Institute’s high tech Mirror Head system enables a projector’s output to be dynamically moved anywhere within an 180° by 90/162° arc under the control of DMX / Art-Net or the comprehensive software package provided as part of the system’s MDC-X Media Servers. 
The software's features include Show Automation, Time Scheduling, Media Manipulation, Geometric Corrections, Seamless Transformations, Image alignment with Soft-edge and Show Pre-sets. System Control is Via the MDC-Touch Remote Control, a web-based app or DMX / Art-Net control.
The Mirror Head systems versatile design

UK - Universal Pixels, has become the latest rental and video production staging specialist to add Epson’s laser projectors to its product portfolio.
Established just six months ago, UK based Universal Pixels has already supplied bespoke video solutions for some of the world’s best known bands. The impressive line-up includes names such as Radiohead, The Killers, Blondie, Robbie Williams, Gorillaz, Rick Astley, Primus and Agnes Obel.
Universal Pixels is using Epson’s EB-L25000U laser projectors as part of the staging for Radiohead’s current world tour, Moon Shaped Pool, which includes a headline performance at Glastonbury this weekend.
London grime collective, Boy Better Know also used two of the 25,000 lumens projectors to launch its takeover of London’s The 02 on August’s bank holiday weekend, and Rick Astley’s recent tour included a laser projec

UK - RealSound & Vision Ltd, the Oxfordshire-based sound, stage lighting and AV system integrators who have achieved UK-wide success and recognition within the education sector, has announced the appointment of David Wilkins as their sales manager.
Wilkins is well known in the lighting industry with previous roles at Northern Light, Selecon and Strand. He now adds this experience to broaden the multidisciplinary skill set at RSV.
On joining, Wilkins commented that: “It will be an exciting opportunity to drive the Company forward”.
David Nibbs, managing director, added: “I am very pleased to have David on board as part of our team and I’m sure that he will be successful in significantly raising the RSV profile and our levels of successful business in Education and elsewhere.”
(Jim Evans)

UK - PRG XL Video, the UK operation of Production Resource Group (PRG), has announced two new additions to its music team. Robert Watson and Michael George have both joined as account managers and bring a diverse range of talent and experience to PRG.
Michael George has joined the company from Blink TV where he specialised in filming and streaming of live events – a service PRG XL has already begun to offer with the live streaming of Stormzy’s recent sold-out Brixton Academy shows.
Stefaan Michels, director of music, PRG XL Video, comments: “It’s a pleasure to have Michael join the team. He’s great to work with. It is exciting to expand into the live streaming market and with Michael’s expertise and high standard of delivery, it’s sure to be a resounding success.”
Robert Watson brings more than a decade of experience in live production, working a

UK - Anna Valley helped LAMDA (London Academy of Music & Dramatic Art) celebrate their new £28.2m training centre by providing AV for their official opening event on Wednesday 14 June. Attended by Royal Patron HRH Princess Alexandra and alumni including Brian Cox CBE, David Suchet CBE, Ruth Wilson and Jemma Redgrave, the event showcased the new theatres and training spaces that are transforming LAMDA’s west London home.
Anna Valley provided a turnkey AV solution for the event’s gala performance. Guests in the 200-seat Sainsbury Theatre watched students perform against the backdrop of a developing photographic timeline which was projected using two 21k projectors onto a 14.4m x 7m cyclorama fed by a Macbook Pro running Qlab.
Because space in The Sainsbury Theatre was limited, Anna Valley also filmed the event using two Panasonic AW-UE70 4K remote-head cameras a

UK - The Cockpit Theatre in Marylebone, London has just completed a three-week run of Robert Anton Wilson’s play, Cosmic Trigger, directed by Daisy Campbell and produced by The Cockpit Theatre.
Dave Wybrow, artistic director at The Cockpit contacted PRG XL Video for help in solving a video projection conundrum they encountered whilst planning to stage Cosmic Trigger.
Dave discussed the challenges they faced, bringing their creative visions to life: “We’d wanted to produce Cosmic Trigger at The Cockpit for a long time, I’m not only a huge fan of Robert Anton Wilson, but also the seventies American counter-culture he represents so well. Cosmic Trigger is a complicated piece to produce, it’s basically a play within a play within a play—and is more a play about ideas than it is about characters.
“Previous productions have been prese

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