Canada - AV Stumpfl, the Austrian AV technology manufacturer has announced Theatrixx as their exclusive media server and show control distributor for Canada.
The Montreal based company distributes and manufactures technical equipment for the performing arts industry. Theatrixx Technologies also designs custom equipment that offers solutions for video, lighting, audio, power and cabling challenges.
AV Stumpfl CEO Fabian Stumpfl comments: “Coming from a country with a lot of mountains ourselves, we have always had a soft spot for Canada and its majestic landscapes. However, it was obviously not just the beauty of this country that made us look for a direct distribution partner, it was the vibrancy of the Canadian creative scene. Canadian companies are among the best in the whole world when it comes to finding innovative ways for using media server and show control solu

USA - Christie has announced that industry veteran Brian Claypool has returned to the organisation to propel the company’s continued dominance in the cinema-technology field as VP, product management global cnema. He will report to Jennifer Smith, Christie’s executive vice president, global market solutions and engineering, and be based in Cypress, California.
The appointment of Claypool, effective immediately, sees his return to Christie to help direct the creation of advanced products and services that further support Christie’s legacy as the leading provider of advanced cinema exhibition technologies and solutions since 1929.
“Brian’s cinema pedigree is impeccable, since beginning in the industry as a projectionist in the 1980s and successive roles with Lucasfilm’s THX division, Avica Technology, Christie and Barco, Brian has an extensive history being i

Australia - The Australian TV industry’s biggest night, the 59th annual Logie Awards, were held at Melbourne’s Crown Palladium on Sunday 23 April 2017, broadcast live on the Nine Network.
Always a great opportunity for the broadcaster to show off its tech capabilities, visuals were spread across three huge screens onstage, a wrap-around screen surrounding the audience, and pixel mapped to onstage fixtures and LED chandeliers. Helming the mission-critical media server and console operation was Lynden Gare, director of Melbourne-based lighting and production company Colourblind, who relied on Green Hippo’s Hippotizer media servers to ensure that the show went exactly to plan.
Green Hippo is no stranger to the world’s biggest televised events, with their media servers used on The Eurovision Song Contest and The Academy Awards. At the heart of Lynden’s set-up for

UK - Based on the book by James Hindman and with original music by Patrick Brady, Pete ‘n’ Keely is the story of a famous musical couple, now estranged, who are persuaded into doing a TV reunion.
The current production of Pete ‘n’ Keely at London’s Tristan Bates Theatre, produced by Wallflower Theatrical, and directed by Matthew Gould, includes a colourful glitzy set. Designed by Emily Bestow, it’s reminiscent of classic 60s American TV variety shows, featuring bright colours and a kitsch style.
Tasked with designing the lighting for the show, BRIT School alumni Mitchell Reeve explains how he became involved: “Matthew Gould and I have worked on a few productions together now. I first met him a year ago when I was asked to light I’m Getting My Act Together and Taking It On The Road. As a lighting designer, it is vital to have a good

UK - NEC Display Solutions will open the doors of Victoria House, Holborn on 17-18 May to present fully-integrated, readily-deployable display solutions in collaboration with over 35 partners at the NEC Solutions Showcase 2017.
Addressing the needs of specific markets, the NEC Showcase presents the power of collaboration and partnership to perfectly meet the needs of its customers.
The Corporate Zone sees the trend towards multi-usage workspaces with huddle rooms, cloud-based working and live collaboration alongside solutions for employee outreach and motivation.
The Education Zone focuses on higher education with solutions for student-centred collaborative learning in the classroom and in the lecture theatre, alongside campus-wide IPTV signage and security.
Moving to the Transport Zone the emphasis is on innovative passenger communications at the airport,

Europe - Barco has added a 7mm pixel pitch model to its range of 'digital media canvases' –LED screens that radically differ from traditional LED displays. The R-series provides more creative freedom, and greatly reduces setup time and cost thanks to their thin, lightweight and bendable design, says the company. Designed for retail, advertising, venues, and visitor attractions applications, the R-series frees customers from the limitations of traditional LED displays when digitising their visual communication.
"Venue owners, advertisers, and retailers are faced with the ever-challenging task of catching the attention of consumers and visitors. At the same time, they want to reduce installation time and cost. The R-series' unique design not only allows for cost-savings, it also frees designers from the limitations of traditional LED displays – so their message stands out


UK - As the doors close on another year of PLASA Focus Leeds, enthusiasm from the industry proves that the show’s Focus formula remains a perfect fit. Providing the ideal platform for many UK debuts of new products, the show’s many networking opportunities and leading seminar programme combining expert-led sessions and hands-on training, make for a truly unmissable show.
Spread over two halls of the Royal Armouries, the showfloor was packed with hundreds of brands showcasing the latest audio, lighting, AV, broadcast, rigging and stage technology – including UK debuts from many of the industry’s major players.
New releases in audio included, Shure’s UK launch of the Axient Digital Wireless System; Martin Audio showed their Wavefront Precision Series - a new generation of multi-purpose line array; Bose introduced the ShowMatch DeltaQ Array loudspeaker fo

USA - Fans of Mastodon weren’t surprised when three of the band’s members appeared in an episode of Game of Thrones. Like the HBO hit, the music of this group reveals itself in lavishly detailed layers of fantasy that fire the imagination and leave easy categorisations smouldering by the wayside.
The complex Mastodon experience is on full display in the quartet’s 30-city North American Emperor of Sand tour, not just in the epochal music, but also in the highly evocative light and video show that Michael Howe created and controls with the new ChamSys MagicQ MQ500 Stadium and Magic HD media server.
The Emperor of Sand album takes listeners on a cosmic odyssey through time as it follows a man sentenced to death in a majestic but cruel desert. Howe’s design evokes rich imagery that reflects this musical narrative with seven 2’ wide by 14’ tall vid

USA - Built in the 1980’s, Christ the Redeemer Parish Church is a thriving part of the community in Atco, New Jersey. From more humble beginnings, when Deacon Charles “Chick” McAleer was part of the team that helped wire the original Church, the initial sound system used just six pendant style loudspeakers distributed down the sides of the congregation seating. Localisation, intelligibility and overall sound quality were lacking for today’s worship services, which can be attended by over 800 people. Music now also plays a much greater part in many services.
The Church found JD Sound & Video through an internet search and, after seeing the work they had done for other local churches and Catholic high schools, invited them for a consultation. JD Sound & Video designed a system using Community’s E Eries Entasys loudspeakers, having previously used them with gr

UK - Yes featuring Anderson, Rabin and Wakeman, a newly formed group of the progressive rock band's core members, played a well-received show at Manchester Apollo, captured by Eagle Rock Entertainment for DVD. As the filming required precise lighting levels, Jonathan Pask of Illuminate Lighting Ltd designed a reliable multi-user control system of networked Avolites consoles to ensure each look was on point for camera.
"As the show was filmed for release later this year, it needed to be both amazing for the live audience and for those at home," says Pask. "I've used Avolites since I started out as an LD and their consoles have never let me down. The multi-console set-up for Manchester allowed us to both run the show smoothly and provide real-time management of the light levels, so that the cameras could capture high-quality footage."
To power the show's classic rock an

USA - DWP LIVE has become the first US company to invest in AV Stumpfl® 8K RAW servers. Since its founding in 2007, the Nashville based company has established itself as a world-class video projection specialist, providing end-to-end event production solutions, including AV, lighting, technical direction, production management, scenic and environmental design, and venue coordination.
With their latest investment, DWP LIVE has once again underlined their status as a trend-setting early adopter.
AV Stumpfl 8K RAW servers are currently the only media servers capable of handling four simultaneous streams of uncompressed 4K content @60fps. The RAW servers are also able to handle 8K video files and can be used for 120fps playout scenarios or setups that require the ability to process a 12-bit colour depth.
DWP LIVE founder and president, Danny Whetstone explains the e

UK - Since 2013, an array of country music’s biggest stars have been visiting the UK and Ireland as part of C2C: Country to Country, a festival of country music devised by AEG (The O2) and SJM Concerts in collaboration with the Country Music Association.
The show began at The O2 in London, and has since added shows in Glasgow and Dublin, as well as visiting Scandinavia in 2015 and 2016. Show and lighting designer, Mike Oates and his partner Ryan Hopkins have worked with the festival since it began. For the 2017 festival at The O2 they created a sophisticated design featuring shaped video screens, curved trusses, and a bright versatile lighting package.
Mike comments: “The design comes together after a series of meetings with Ross Hanley from SJM Concerts. Ross has ideas of what they would like to include in the design and look of the event, and we then go away and

UK - PRG XL Video recently supported lighting designer Richard Howell and production manager Stuart Tucker, for the opening show at the newly renamed and renovated London theatre, The Other Palace. PRG XL Video account manager John Pauls worked closely with Richard, Stuart and production electrician Neil Foster to supply the lighting for The Wild Party during a seven-week run in central London, between February and April.
The Wild Party is a musical theatre production adapted from a book by Michael John LaChiusa and George C Wolfe, with music and lyrics by LaChiusa, based on Joseph Moncure March’s 1928 narrative poem of the same name. The show premiered off-Broadway in 2000, before this 2017 revival at London’s newest producing theatre.
Richard Howell discussed the initial brief of how to light the show: “It was great to be teamed up with director/c

China - Creative Technology (CT) has announced that with immediate effect Chris Burke will take on the role of managing director of Creative Technology in Shanghai. Chris will also continue as managing director of CT in Hong Kong and Singapore. This appointment now puts all of CT’s Asia Pacific Business under his control.
Chris has been with Creative Technology since 2009 and in that time, he has developed the necessary skills to effect the changes that will be needed to further develop the China business and expand CT’s operation in this region.
Chris replaces Simon Tibble who passed away suddenly at his home in Shanghai just over a week ago. Simon was a key part of the China business and a true industry veteran whose skills helped develop the business into what it is today. He will be missed by all.
Graham Andrews, president of Creative Technology North Ame

USA - S. Jeremy Peters loves piloting small FPV drones. There is, he says, “no rush quite like it.” He and his wife Alison Peters wanted to share their passion for drone flying with a wider audience. As owners of SJP Productions, a lighting and projection company experienced working festivals, they were in an excellent position to do so. Hooking up with a local brewery, they created one of the first spectator-oriented drone racing events, complete with festival-like lighting, atmospherics and live video feeds all controlled with a three-universe set up built around ChamSys Software.
“Typically drone races are geared toward the racers themselves without a lot of spectators,” said Peters. “Generally, they don’t have much production. Alison and I wanted to draw on our production experience at festivals like Lockn, Peach, Bisco, Mountain Jam, Taste of Country and Gat


UK - Green Hippo has made four additions to its UK-based team. Jacqueline Attard is the UK HQ’s new financial controller, while Phil Blue joins as sales manager, expanding the technical sales team. Rob Moss enlists as junior production engineer, and Anastasia Nikolaou is the latest member of the London-based marketing team, securing the role of PR and marketing executive.
Jacqueline Attard’s remit as Green Hippo financial controller sees her help manage the financial complexities of a global business; one with offices in the United States, as well as the UK. Jacqueline’s previous experience includes senior roles with large European and US companies, including Deloitte, Jones Lang Lasalle and AstraZeneca.
Rob Moss brings significant technical expertise, having previously held the position of broadcasting engineer at the BBC, as well as time with Orange Ampl


UK - Green Hippo has confirmed three new international distributors. These new members of the Green Hippo family, respectively covering Italy, New Zealand, and South Africa, extend the influence of Green Hippo’s video playback technology, including its award-winning Hippotizer range of media servers.
In Italy, Spotlight, the Milan-based distributor, will use its 50 years of design and production experience, to help see the Green Hippo gear at work in Italy’s celebrated collection of opera houses and theatres, as well as auditoriums, conference rooms, and TV studios.
Nicolo Oliva, partner and CEO of Spotlight, said, “It’s a short time since Spotlight have started the distribution of Green Hippo, and we’re already very fond of the brand. These media-servers are really powerful and easy to configure, and the new software interface of Hippotizer V4 is a st

UK - Epson and mclcreate have announced a UK wide partnership in the projection rental market. The agreement sees Epson’s installation projectors added to mclcreate’s already extensive portfolio of hire supplies which include audio systems and camera kit as well projection solutions.
The agreement currently includes Epson’s EB-L000 series of laser projectors, specifically the EB-L1405U and EB-L1505U, which are ideal for the live events and installation market thanks to their innovative laser light source.
A culmination of extensive research, development and testing, the EB-L1000 series of projectors marked Epson’s move into a new era of installation projection. With game-changing laser technology and a range of flexible features they offer a minimal fuss and an almost no maintenance solution. The range allows rental companies as well as visitor attractions, di

Germany - Production Resource Group (PRG) organized its annual summit for the members of its global partner network programme – PRG Alliance – during the Prolight + Sound 2017 in Frankfurt.
Currently in its third year, the PRG Alliance has 15 members in 28 countries delivering high quality technical production services worldwide. The theme for this meeting was Building on Success, and celebrated numerous collaboration projects among the members, including some from Italy, Poland, and Portugal.
During the summit, they shared success case studies and discussed future initiatives to promote greater business and information exchange.
“The PRG Alliance is praised by our clients and the market in general. What started with a recognition of PRG partners three years ago, today is a substantial network of remarkable companies – and the largest resource pool

South Africa - DWR Distribution has joined up with Phil Blue from Green Hippo UK, to present a one day training session at their Cape Town (2 May), Durban (3 May) and Johannesburg (5 May) offices.
The hands-on workshops will cover topics including Hippotizer Concepts & Terms, Hardware, HippoNet, Startup, Configuration, Output Manager, Media Manager and so much more.
All delegates are requested to please bring their own Laptops along with the Green Hippo Programme on it. While the course is free of charge, booking is essential. Bookings can be done on-line via http://dwrdistribution.co.za/register/greenhippo/
(Jim Evans)

UK - Live performance visual specialists Really Creative Media worked with the theatrical production team Collective Productions to create a seamless visual experience for its first UK tour of The Wedding Singer from March to October 2017.
Taking in 33 cities on its initial tour, this new production set in 1985 features wedding singer Robbie’s love life as the central story. Really Creative Media worked as a central part of the production team led by Dan Looney and alongside lighting designer Ben Cracknell to create an animated billboard which is used as a central part of the production’s set throughout the show.
Complementing Francis O’Connor’s moving scenery, a Panasonic laser projector is used to create 80s style adverts and animation on a billboard in the centre of the stage, setting the scene for each part of the story.
Set in front of low-r

South Africa - Saying goodbye to an unforgettable summer, Hunter’s hosted the three Heat Seekers, visiting cities in Durban (4 March at Peoples Park East), Johannesburg (11 March at Mary Fitzgerald Square) and Cape Town (18 March at The Ostrich Farm, off N7). This year the AV Company, a Durban based rental company, provided the sound, lighting, staging and power for all three venues where the top South African line-up included Cassper Nyovest, Black Motion, Chicana, Nasty C and Ricky Rick.
Lighting designers Mbulelo Msuthwana and Keagan Browning from the AV Company programmed on an MA dot2 console with dot2 fader wing. “We loved the simplicity and ease of the MA as well as the node options allowing so many DMX outputs easily spread out,” they both agreed.
Twenty-four Robin 600 LEDWash fixtures were used to wash the entire venue and VIP deck as well as lighting t

Europe Visualization expert Barco has kicked off a two-month roadshow throughout Europe. The objective: to demonstrate the power of Barco 4K projection technology and 4K image processing. Departing from Barco’s head office in Kortrijk, the Barco truck first headed for Prolight+Sound in Frankfurt. From there, it will be crisscrossing Europe until mid-June, visiting around 45 partner and customer events.
Barco’s product offering for events and venues is constantly reaching new heights to meet the market need for ever-brighter outcomes. If it comes to ensuring really bright images, 4K projection – together with 4K image processing – is just the ticket.
To show its 4K solutions at work and encourage real interaction with customers and partners, Barco decided to tour Europe. Visitors to the Barco truck will discover the power of Barco’s 4K laser projectors and its

UK - The Cure recently completed a 76-date world tour, with lighting, video and rigging supplied by PRG XL Video. The lighting and video design was by Angus ‘Mac’ MacPhail, with creative input from lead singer and founding member of The Cure: Robert Smith.
Mac explained the creative process behind bringing the production to life, and how they dazzled the expectations of die-hard Cure fans: “It’s important to note that Robert Smith was very hands-on with the design for the show—he’s been as much a member of our creative team as he has a band member. When Robert and I first discussed the design, we wanted a very simple look, where the set is the lighting rig, and it’s a very clean, uncluttered stage.
“We started off with the idea for a curved screen at the back of the stage, added a curved riser and pulled the ends of the truss back to extenuate the curve

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