It begins on the exterior - or rather the absence of one: the entire 50ft along Rodeo Drive is open to the street, without a storefront or glass enclosure, inviting the public into the space. At night, an aluminium panel seals the store by rising from the ground. When open, an air curtain controls the interior temperature and repels environmental elements such as rain.
Plasma screens, both hanging and imbedded in stor
The company's core design team of Eddy O'Hare, Roland Chadwick and Trevor Cross have been involved in projects of all scales throughout the globe for the last 25 years and are familiar names in the installation and consultancy sectors. They are currently involved in projects in England, Scotland and Northern Ireland.
(Lee Baldock)
Among the products Clarity is featuring, Bengal is a 154.9cm ultra-thin rear-projection DLP display only 16cm deep, based on a technology collaboration announced with InFocus Corp. earlier this year. Other new products include Margay, a zero-mullion, widescreen 127cm ultra-thin rear-projection DLP display designed for multi-display signage and video applications; and Bay Cat - a high-resolution 116.8cm direct view LCD screen.
Clarity says it views Europe as a significant growth market, particularly
The LL-151-3D can switch easily between 2D and 3D display mode for applications such as word processing, spreadsheets and e-mail. In 3D mode its 15" XGA (1024x768) LCD display allows a viewing clarity in which bright, clear pictures can be seen in fine detail. 370-nit brightness and 500:1 contrast ratio offer exceptional performance, say the manufacturer.
Sharp sees the LL-151-3D finding applications within the fields of drug discovery, medical imaging, mapp
Operating from a studio in West London, the team comprises Brett Salmon and Tony Clynick (both Themed Entertainment Association award winners), as chief executive officer and technical director respectively, Wayne Haxton as production director and Neil Dickinson as operations director. The team has already completed major projects in both China and Malaysia in the six months since its formation.
Salmon has over 23 years' experience in technical management and production of events and in the last few years has foc
Commented John Anderson, in his second year of designing the show: "The idea of a sliding screen this year was at the request of director, Richard Valentine. Also we moved the (36 x 1 module) i6 LED banner from the overhead proscenium last year onto the stage; it looked very prominent in the foreground.&quo
(Lee Baldock)
Ramon Setien of Pro-Lighting, a High End Systems distributor in Spain, accepted the award. Pro-Lighting was also in the running for lighting company of the year. The jury was comprised of professional lighting designers. Says Carlos Martinez-Iturralde of Pro-Lighting, "The judges said the DL1 deserved the award because it was the best lighting product for its innovative technology in the lighting market."
This is DL1's seventh industry award since its introduction in 2003.
(Sarah Rushton-Read)
The show included everything from their high performance display products and solutions for simulation training, to their large screen LED display and state-of-the-art projectors. One of Barco's newest products being shown was the Encore Presentation System which is a multi-layer Video Display System (comprised of a Video Processor unit and a System Controller), that combines seamless switching with a variety of flexible video effects, to provide a versatile video production tool for live event staging applications.
The huge
Hippotizer's existing features, including its beat-detection engine and user-configurable real-time effects are further improved in version 2.
With both displays measuring 245m², the 140 frames of ClassicFrame, controlled by 12 graphic computers, were used to display live video feed from the events on the main stage. With such a large rig required, ClassicFrame was the only product for the job as owing to the lightweight façade of the building - a video wall would have brought the building down!
Richard Profe, media and lighting designer at Munich and Stuttgart based design company TLD, had been waiting to specify the
PID, which has established itself as a leading solutions-based digital media service over the past two years, says that the deals with High End and Apple allow them to offer the latest software-only versions of Catalyst, together with an array of new features and playback hardware at highly-competitive prices. Catalyst Pro software features eight layers, two video outputs, MIDI Show Control input, four serial control devices, three RS422 (Sony 9-pin pr
(Lee Baldock)
Detail brought in technical event management company Next Step Forward Ltd to design and install a sophisticated multimedia system, which would transform the walk-through area into a functional yet stylish space.
Mark Thomas, technical director of Next Step Forward explained: "Detail had expressed their desire to create an area which
Immersed within the heavily arrowed stage theme at Wembley Arena, the focal point was the 44sqm of landscaped D7 wall, which could travel vertically from its flown position upstage centre. This was reinforced by a smaller tunnel screen, marking the stars' entrance at the top of the stairs, and a single 12 x 2 vertical column, situated upstage left.
The CT screens integrated well with Vince Foster's inspired lighting design, with all the graphic feeds relayed to the flanking screens from a Catalyst server, triggered from a G5 computer. The main central display featured live camera action (and nominee captions) - fed from a CTV scanner truck - while CT themselves took five close-u
(Jane Cockburn)
Barco's impressive XLM H25 projector, the first DLP projector with a native wide-screen aspect ratio, native 2048x1080 resolution and 27000 lumen light output, is ideally suited to ultra wide screen projections. Robin Wealleans, managing director of The Picture Works, explained his decision to choose Barco: "The XLM H25 offers a functional design, fully sealed DMD engine and an a
Video plays a central role in Young's stage show, with visuals running for over half of the set. Sydney-based video artist Michael Gracey initially met Will Young when his company Babyfoot Productions shot the "Your Game" promo on location in Australia - and they immediately hit it off. Young has tak
Richard Rogers, Blitz's sound designer, commented: "Owing to the very tight schedule, we pre-programmed the show in advance on our latest Yamaha PM5D digital mixing desks. We used 28 Sennheiser radio mics on the circular stage with a radio earpiece for the host, Michael Buerk. Our system also took into account that the event was being recorded to CD for subsequent web casting. We also delivered zoned onstage foldback to five separate zones via Mission NXT FS2 loudspeakers - sneakily hidden in coffee tables!"
In addition, B
Units have now been sold to USA, Japan, Germany, Finland and Russia, and the company has announced exclusive distribution arrangement in Germany and Japan with effect from 1 January 2005, plus dealers in the USA and South Korea. The company also reports that its sales have doubled every four months since its start-up in July 2003, and the fir
The projections were part of London Lights a pyrotechnic and lighting extravaganza designed to catch the spirit of London as the year rolled over and reinforce the city's bid for the 2012 Olympics. The event took place along the Thames, encompassing the South Bank between Jubilee and Westminster Bridges, including landmarks like the London Eye and Big Ben. Over 135,000 people on the streets, plus TV audiences of several million enjoyed it live.
E//T//C's Ross Ashton decided to change the projection format slightly for this event, covering the full surface of the building with eight PIGI 6Kw projectors. (In the past, they've used 6 for the images, with two for accompanyin
"Until now, controlling digital media from a lighting console has involved keeping lists of which DMX value corresponds to which
Lite Alternative's Catalyst system immediately went out of the Human League's UK tour, designed by Paul Normandale and programmed and operated by Rob Sinclair. PID supplied the full digital media system, including the dual 2GHz PowerMac on which it runs, to which PID installed an ATI9800 video card along with a Decklink Black Magic video input card and an Artistic Licence Ethernet to DMX input unit.
Catalyst XPress is a cost-effective version of the full Catalyst package. It's now available through PID as a software only purchase - making the Catalyst universe more versatile and accessible to another layer of users and viable for small to medium tours - like H
