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Video and AV

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The Netherlands - Indie rock stalwarts Kensington have been widely praised by critics for bringing layers of added dimensions to their music without sacrificing any of its immediate power to engage emotionally. For six days this September, the quartet from Utrecht were supported by a light and video show that reflected the multi-faceted appeal of their songs.
The intricate and tightly coordinated show turned the 17,000-capacity Ziggo Dome into an immersive 3D galaxy of images that flowed in perfect harmony to the music being produced on stage. At the centre of it all was a massive 800m² ‘tree’ made of blow-through and solid LED panels that worked cohesively with intense, fast-moving displays of light.
Like the entire production, the mesmerizing video-and-light combination was the product of intense collaboration, as well as some seamless integration between two Ch

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Finland - Rapper Pyhimys staged a three-hour performance at Helsinki’s Ice Hall in September, designed to celebrate his 20 years of industry success. Key to the show was categorised themes recalling milestone career moments, with cleverly created graphics taking the audience on a journey through time. At the core of the visuals was a Hippotizer Boreal+ Media Server, expertly programmed and operated by the team at Visual45.
A focus of the stage design was a large, semi-transparent upstage LED screen made up of ROE Vanish8 panels, with two samller IMAG screens stage left and right, consisting of ROE MC9. The back screen was raised to reveal Pyhimys and his musicians, before being lowered down into place to display graphics created by Visual45 and driven through the Boreal+. The IMAG screens were used mainly for live feed.
“We were asked to design Pyhimys’s concert
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UK - Technical business development specialist Neutral Human (NH) has appointed Christian Dickens as co-director of the business.
Dickens first established a solid working relationship with NH founder, Sarah Cox, while working at media server manufacturer disguise as head of support and sales director EMEA, respectively.
“At disguise, Christian and I laid out many successful strategies for onboarding and managing client adoption of complex software and hardware tech as the company grew,” says Cox. “We both understand what each other does and where our strengths lie. Between us, we seem to create the perfect hand-off in the client journey, from discovery to purchase, and then to onboarding.”
Dickens has been in the entertainment technology industry for 26 years, specialising in video tech across a variety of verticals from concert touring to theatre, film

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UK - ADI are set to bring innovative sports presentation, AV technologies and creative staging to the World Gymnastics Championships Liverpool 2022.
From 29 October to 6 November, Liverpool’s M&S Bank Arena will play host to over 500 of the world’s greatest gymnasts from over 75 countries, and after an extensive consultation process, ADI have been chosen to lead the transformation of three venues across the ACC Liverpool complex.
With the event theme, ‘Welcome to our World’, ADI will be managing all of the digital engagement platforms throughout the M&S Bank Arena, Fan Zone and Athlete’s After Party, including the technical delivery of dynamic content, audio and lighting for the sports presentation elements. In addition to this, 750sqm of modular LED will be installed, creating 15 digital touchpoints for spectators to interact with.
The platform

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The Netherlands - DMT has announced the launch of the Premiere Series Blue Line pixel screens. Starting with two new models that have a pixel pitch of 3.9 mm, the PS-3.9 Blue Line LED pixel screens are a cost-effective choice.
Thanks to a rating of IP54 (back) and IP65 (front), and a brightness of up to 5000 nits, they’re suitable for temporary use outdoors and can also be used indoors, of course.
The built-in A5s PLUS receiver card works perfectly with NovaStar video processors, while the Power Pro and ProCat connections ensure safe and secure power and data connectivity.
Like all Premiere Series screens, the Blue Line models offer front and rear access for easy servicing, which makes them ideal for fixed installations as well as the rental market. Measuring 50x50 cm and 50x100 cm, the new PS-3.9 Blue Line pixel screens are compatible with other models in the

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Europe - Absen is collaborating with tech-forward film studio Garden Studios and cinematography hire house Pro Cam Take 2, to host the Virtual Production Forum on 20 October.
Virtual Production allows filmmakers to shoot live-action footage within a pre-visualised virtual world, using 3D CGI modelling, high quality LED displays and precision camera tracking to make it all look as real as possible. The VP Forum promises fascinating insights into the world of virtual production, with an agenda covering a series of tech talks and panel discussions giving practical insights such as ‘Managing workflows and pipeline’ to ‘Changing the way we think about filmmaking: collaborative on-set experiences that allow filmmakers to think and work differently’. This one-day event has been created to showcase the potential that VP offers everyone in the content creation and film produc

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UK - The Reminisce Arena at 90’s dance music festival Reminisce in St Helens, Merseyside, boasts an impressive line-up of dance legends including 2 Unlimited, Baby D, Rozalla and Tall Paul, with Alice Deejay, 5ive, Fatman Scoop, Whigfield, Phats and Smalls and Pat Sharp appearing on other stages.
oXyFire Media has been supporting Reminisce for a number of years, and uses the Blackmagic URSA Broadcast G2, Blackmagic HyperDeck Studio HD Mini and the Blackmagic Constellation 8K to broadcast the Reminisce Arena.
“It’s great fun, but the weather and the distances can make it an interesting challenge,” said Jay Rozanski, oXyFire Media. “But it also gives us the opportunity to keep improving how we operate.”
oXyFire Media chose a mixture of equipment for the festival, including the Blackmagic URSA Broadcast G2 on a 30ft jib and the Blackmagic HyperDeck Stud

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UK - This summer, Creative Technology worked on a multitude of the UK’s largest and most popular major outdoor music events and festivals.
May marked the start of festival season for Creative Technology’s audio team with the return of The Great Escape Festival, followed by BBC Radio 1’s Big Weekend in Coventry, delivering LED main screens along with LED columns and a DJ Riser.
June’s highlights included Liam Gallagher - Knebworth Park, where CT provided large I-mag screens and a control package for the singer’s largest solo gig to date – twenty-six years on from his show as part of Oasis back in 1996 where CT supplied LED screens, OB vans and cameras.
The audio team headed to Red Rooster Festival in the heart of Suffolk, while the video team prepared for the British-created rock festival, Download, where I-mags and FOH screens were supplied – short

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UAE - Mike Walker has joined Creative Technology Middle East as sales director.
Walker’s career in the entertainment technology industry began with Creative Technology London joining as the company’s first business development manager and moving on to running the presentation and 3D graphics facility in Soho and then leading the combined Screenco and CT sales team as sales director.
After 14 years with CT, Walker spent two years as a freelance video consultant for major UK productions including the SKY TV HD launch and the historic Led Zeppelin concert at London’s 02 Arena.in 2010 Mike joined Martin Professional Lighting heading up their UK operation and moved on to a senior role with Harman Professional after they acquired the business.
“Joining the CT team in Dubai at such an exciting time in the company’s development is hugely exciting and it’s al

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UK - AE Live, provider of graphics and data solutions, and Pixotope are partnering to deliver a turnkey virtual production solution for broadcast, sports and live entertainment.
The integrated system combines AE Live’s expertise in on-screen graphics, data and augmented reality with Pixotope Camera Tracking technology.
“This end-to-end solution removes many of the challenges of traditional production,” said David Dowling, chief revenue officer at Pixotope. “It provides a full-service platform for delivering unique and immersive viewing experiences that are a perfect fit for the way audiences consume data and entertainment today.”
The joint AE Live and Pixotope technology solution has been deployed successfully on several events across Europe including football, horse racing and rugby, with plans to expand its use on sports and events in the United Sta

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UK - CPL - via Urban Audio Productions - supplied a full video design and production package – screens, cameras, and control – to the 2022 Camper Calling festival which ran for three days over the August Bank Holiday weekend at Ragley Hall, Warwickshire.
The CPL crew, led by Lee Gruszeckyj, relished the chance to return to this festival, which this year attracted much larger audiences than in 2021, when it was among the first round of live events able to operate as Covid restrictions were tentatively lifted.
This year organisers Jazz Events and everyone involved was buzzed to be back to the full-tilt energy levels of 2019 with a line up including Basement Jaxx, Starsailor, Shed 7, Del Amitiri and James.
Following on from the success of last year’s presentation, the side stage IMAG screens were again flown in portrait format, a move suggested by CPL to fram

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Malta – MTV’s Isle of MTV festival burst into life on the island of Malta this summer with a line-up of pop music heavyweights performing on the main stage, backed by shifting LED screens powered by a Hippotizer Mayon+ MK2 Media Server.
Isle of MTV Malta attracts more than 50,000 people to dance in the Il-Fosos Square. Now in its 14th year, the festival is shown on MTV as well as Sky and via online platforms.
Two Grammy-nominated artists headlined the 2022 event, kicking off with DJ Marshmello and followed by the multi-platinum artist French Montana and English singer Mae Muller, among many others.
UK-based video solutions company Digital Insanity was commissioned to deploy their characteristic dynamic, dazzling visual delivery and operation for the main stage, which featured an upstage LED screen, three further onstage screens which were moved around between

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USA - At the 74th Engineering, Science & Technology Emmy Awards ceremony on 28 September in Los Angeles, ARRI was honoured with the Philo T. Farnsworth Corporate Achievement Award.
With this prestigious accolade, the Television Academy recognises the company for its more than a century of designing and manufacturing camera and lighting systems as well as its development of systemic technological solutions and service networks for a worldwide complex of film, broadcast, and media industries.
Accepting this prize, named after the American inventor and television technician Philo Farnsworth and presented since 2003, was Dr. Matthias Erb, chairman of the ARRI Executive Board. “On behalf of all ARRI employees, I thank the Television Academy for this tremendous honour,” said Erb. “The Philo T. Farnsworth Corporate Achievement Award is a very special accolade since

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China - Unified communications (UC) solution provider Yealink and Harman Professional Solutions have announced the integration of Yealink and AMX by Harman control systems that brings a convenient connection and simple control when users are meeting and presenting in meeting rooms.
With the combination of Yealink’s Microsoft Teams Rooms system and AMX’s devices including central controllers, video switchers and HydraPort connectivity solutions, meeting attendees can enjoy a simple switch between table inputs to determine which laptop will be shared in the Teams meetings. Additionally, the integration of Yealink and AMX allows users to control not only the camera on the Yealink MTouch II, but also the lighting and room temperature.
“The partnership between Yealink and AMX brings users a simpler and more friendly meeting experience,” said Alvin Liao, vice preside

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Portugal - Europalco, one of the largest providers of solutions for events and shows in Southern Europe, was the global provider of the United Nations World Ocean Conference held at the emblematic Altice Arena stadium in Lisbon.
The five-day event, organised by the governments of Kenya and Portugal, was attended by more than 7,000 participants and brought together 25 heads of state and government and a hundred ministers.
Europalco dedicated a team of 141 people (120 technicians, five project managers, eight purchasing managers, and eight logistics operators) to the event, providing a comprehensive solution. The Portuguese company was in charge of setting up the stages, providing all the furniture and all the technology necessary for the event. It also oversaw sound and lighting, screens, video, and live transmissions, as well as teleprompter tools, simultaneous transla

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Finland – The annual Miss Finland pageant was broadcast live on TV from Helsinki’s Valkoinen Sali hall in September, with contestants ‘strutting their stuff’ backed by LED screens driven by Hippotizer Karst+ Media Servers.
The event, which crowns a winner who will go on to represent Finland in the Miss Universe competition, draws healthy viewing figures and sparks conversation on social media. It claims to promote not only outer beauty, but mental strength and charity work showcasing the women of today.
Helsinki-based Capital AV was commissioned by Miss Finland organiser, Finnartist Ltd, to create and operate the visuals for the event and design the staging inside the Valkoinen Sali venue, which was built in the 1920s. Capital AV’s Capital Creative arm designed and constructed a triangular catwalk from the hall’s existing stage, allowing the contestants to

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China - Spanning more than 100 acres and welcoming almost 10 thousand visitors each day (with nearly 20,000 visitors on holidays), Unique Henan: Land of Drama is recognised as ‘the world's largest fantasy city’. This self-guided, multi-media and immersive live performance experience tells the 5,000-year history of Chinese civilization around the Henan region.
A range of dramatic, full-immersion, panoramic storytelling encompasses 21 theatres and dozens of outdoor spaces, including 56 maze-like courtyards, multiple themed restaurants and food and beverage areas, and employs more than 800 performers. The attraction’s construction took four years to complete and cost nearly $930m.
The facility’s many lighting, video, and sound systems are controlled by a mix of pre-programmed, synchronised, time-code-based presentations, audio-triggered routines, as well as live p

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South Africa - ArKaos, the real-time visual processing technology provider for live performance, architectural installations, LED applications and broadcast, has appointed DWR Distribution as a reseller in the South African market.
In October 2020, InMusic announced the acquisition of ArKaos - a company founded in 1996 - and has continued to focus on engineering advancements, design and technology. With an emphasis on customer expectations, DWR Distribution’s appointment includes sales, service and support. After 20 years, the ArKaos development team consists of the same people.
“When ArKaos changed management, it opened the doors for communication, and we are very excited to reinstate DWR as the official distributor in South Africa, said Nils de Laeter, brand manager at ArKaos. “DWR is a strong and well-respected distributor, is familiar with our products, and w

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USA - Regarded as his ‘first farewell tour’, Roger Waters has embarked on a marathon four-month tour of North America, Canada and Mexico, showcasing music from across his career, with an ambitious 360 immersive production based around a CarbonLight Series LED screen from Leyard.
Building on Waters’ legacy of technically renowned visual productions, the This is Not a Drill tour develops visual storytelling to create an immersive experience, staging the production for the first time in-the-round, with a lightweight 650sq.m cross-shaped Leyard screen, suspended from the roof as the centrepiece, provided by video equipment suppliers, Universal Pixels (UP).
"With the screen, audio and lighting all hung from the roof, this ‘heavy’ rig required a lot of advance planning. The Leyard LED screen was chosen because it is lightweight enough to reduce the overal

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UK - disguise has announced the launch of r22, a new software release that will help users scale their disguise-powered projects like never before. Developed to save hours of time on manual processes such as media distribution or spatial calibration, r22 introduces new features that will help enhance content resolution, production set-ups and media file management.
New features include Intelligent Media Distribution - built to help users save time on manual media file distribution and maximize on server space by synchronizing and distributing only the media files within the video layers that are needed across each disguise server.
Single Large Canvas (SLC seamlessly combines multiple video fragments into a single view output when used alongside multiple projectors. This creates a single, gigantic canvas that can be used for everything from live event projections to i

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South Africa - The LED Hire Company, a Johannesburg- based rental company that specialises in the hiring of LED screen solutions, content creation and creative design and renders, has invested in 100 sq.m of Absen PL2.9 lite LED panels. The panels, supplied by DWR Distribution, form part of a large shipment containing 2 080 units all of which recently arrived in South Africa.
“I’m looking forward to this,” said Walter Pretorius, general manager at The LED Hire Company. He started in the industry as a lighting technician but teases that AV chose him and has become the love of his life. “Our company offers different types of LED, but when it came to this purchase, I wanted to go with Absen as it provided the quality I was looking for.”
The LED Hire Company has positioned itself in the market to help other rental companies with the supply of extra panels when n

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South Africa - The live events industry in SA has invested in 2080 (520sq.m) Absen PL2.9 lite LED panels, each upgraded with a NovaStar A8s-N receiver card, shipped to the country by DWR Distribution. It started when Cape Town-based Marcel Bezuidenhout, owner of Audio Engineering, wanted to find like-minded technical suppliers who would invest in the same LED panels to enable sub-hiring when needed.
Marcel previously owned Absen D2V panel and while satisfied with the product, he was an island regarding larger batches whenever he needed additional stock for larger set-ups or multiple events. More recently, he was in discussion with someone who suggested buying panels in batch which could reduce the cost of the initial investment and provide a larger hire pool. “I was after the Absen PL2.9 based on our previous D2V panels that did well for us," Marcel explains.
"There

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South Africa - DWR Distribution has welcomed Darren Durbach, a well-known name in live events and AV, to the sales team.
“When I left school, I ended up studying electrical engineering,” Darren recalls. “But I had a passion for sound, and I was blessed that my brother was friends with Joe Copan’s middle son and that’s how I got in as a junior.” Darren completed his 18-month internship at Wild and Marr, a professional audio distributor, then for a very short stint worked at a computer-based company before being given a permanent position at Wild and Marr in February 1995. He stayed at the company for the next 27 years.
“I was mentored and guided by a subline human who regrettably is no longer with us,” Darren recalls of Joe who passed away in 2019.
“Darren has a commitment and passion for the industry which stands out,” says DWR’s Duncan Ril

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UK - London’s Four Seasons Hotel Park Lane was the setting for a pre-fight press conference by British boxer Anthony Joshua and his Ukrainian opponent, Oleksandr Usyk, with a stunning LED screen backdrop driven by a Hippotizer Nevis+ Media Server.
The heavyweight champions were giving interviews to the global sports press, prior to their match in Jeddah, Saudi Arabia, at the end of August. The questioning centred on the importance of winning; the real attraction of the press meet-up was purely visual, focusing on the plush surroundings, the famous photo-op face-off, and the video content that ramped up the spectacle.
Reading-based video production company Digital Insanity was commissioned to operate the visuals for the high-profile occasion by events company VME.
“We were hired for the playback job as we have a reputation for delivering shows as per the clien
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