Video and AV

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14 March 2016

The museum tells the story of Fort St Elmo's rich and varied history, including the dramatic Great Siege of 1565 and Malta's pivotal role in World War II for which it's citizenry were awarded the George Cross, the civilian equivalent of the Victoria Cross. Sarner worked with design consultants, Forward Architects Joint Venture and main contractor Camray to bring the project to life.

"Exhibits date back to the Bronze Age, around 2,500 B.C," explains Ross Magri, Managing Director at Sarner. "AV Stumpfl players are configured to display our content onto the screen. We remotely access the severs to update as necessary using a FTP server or i

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14 March 2016

To celebrate the temple's 20th anniversary, the socio-spiritual Hindu organisation, BAPS, decided to mark the occasion with a major event. PRG XL Video project manager, Nilkanth Patel, a regular attendee and volunteer at the temple, led the team producing the video for the event, which included former and current freelancers for PRG XL, Viral, Yagnesh and Hamanshu.

The celebration event spanned a full weekend in August, and included presentations and celebrations inside the temple, as well as a night-time projection mapping on to the exterior steps of the marble and limestone building.

Inside the temple, the brief called for a widescreen pro

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14 March 2016

Lighting and the video system was designed by Neil Marsh, working closely with all three members of Above & Beyond - Jono, Tony McGuinness and Paavo Siljam?ki - with lighting kit and LED screens supplied by Colour Sound Experiment.

Neil started working with the band after lighting their set at Glastonbury's Dance East a few years back, and he now co-ordinates lighting and visuals worldwide for all shows, primarily working with local productions in large one-off scenarios.

When in the UK, Colour Sound is one of his go-to suppliers and whe

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14 March 2016

The theming is extensive and spectacular, and certainly includes enough pre-historic atmosphere to stir the imaginations of dinosaur enthusiasts of all ages. Highlights include a vast and impressive 'crystal cave' that constantly sweeps through a range of intense backlit colours and thickets of cretaceous jungle foliage around smoke-emitting tar pits. All of this provides a backdro

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14 March 2016

Naomi is the general manager of Sell a Door and supports owners and show producers David Hutchinson and Phillip Rowntree. "Everyone involved in the show lives and breathes the music and it created a real buzz of excitement in-house, simply at the privilege of being able to work on such a passion project. I often think we should have a competition to discover who is the biggest fan, there would be a lot of contenders."

The original and inspiring lighting design is by established theatre lighting designer Tim Deiling, himself a massive Gree

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14 March 2016

The event encompassed a two day conference with two evenings of themed entertainment and was staged in the beautiful and majestic environs of Ashridge House in Hertfordshire. Nestling in 190 acres of impeccably preened gardens and parkland, the impressive stately home was built between 1808 and 1814 on the site of the original Ashridge Priory dating back to the 13th century. It is now owned by the National Trust, and more recently, full business conference facilities were added.

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14 March 2016

It was the fourth time that Projection Studio has created an art installation onto the Cathedral, but the first time it's been done using video projectors. In the past, PIGI film projectors were used.

The projection system involved 14 Christie 20K machines which were positioned on a series of custom towers and hides strategically located around the perimeter of the Cathedral. This was carefully calculated to ensure that all the front facing walls and their various return surfaces were evenly lit.

There is a depth differential of 25m from the front to the back projection surfaces which inclu

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14 March 2016

GrandVJ 2.1 is the result of intensive development from the masters of video manipulation, and has been comprehensively tested and approved by ArKaos aficionados. "We are always keen to hear the feedback from our loyal following to ensure that ArKaos software remains ahead of the market and provides the best experience and capabilities for all our GrandVJ users," says ArKaos' Managing Director, Agnes Wojewoda. "We think this version of GrandVJ is going to be welcomed by users old and new who will be keen to put it into action on their Christmas and New Year events."

GrandVJ ver

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14 March 2016

Selected by integrator Craneworks to power the installation - roughly three times the size of its predecessor - Mura now delivers the platform to showcase everything from advertisements to live events.

Craneworks, who also manages the day-to-day operation of the digiLED outdoor screen, leverages a Mura MPX-4/4, four-input, four-output board, inside an HP Z600 system, to display content from various inputs, including a Mac mini media player, local DVI input, and live feed. Mura also scales and switches between content for different ad campaigns, with the resulting signage seen by the 700,000 Kamppi customers every week. Meanwhile, Matrox MuraControl fo

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14 March 2016

The new Christie Boxer 30 is built for rental staging applications including concerts, amusement parks, projection mapping, live theatre and conventions, as well as permanent installations including museums, planetariums, higher education and houses of worship.

Omni-directional with integrated Near Field Communication (NFC), a preview screen and 1,500-hour lamp-life to 70 percent brightness, the 30,000 lumen Boxer weighs 160 pounds and features 2K imaging with optional upgrade licenses to 4K DLP. Utilising the same rigging frame, lenses, lamp modules and projector controls as the Boxer 4K30, the Boxer 30 expands the Boxer family and introduces a resolution upgrade path.

Christie Boxer 30 has six mercury lamps housed in two 3

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14 March 2016

The stand will have a football stadium layout with themed zones and content highlighting specific Peerless-AV product selections, including a host of new European launches. Visitors will be invited to show off their striker skills in an interactive penalty shoot-out game to win spot prizes and enter a competition prize draw for two tickets to the final of Euro 2016. One lucky winner will be drawn at random by ISE managing director Mike Blackman on Day 4, Friday 12 February.

Gordon Dutch, managing director, Peerless-AV Europe, commented: "We're excited to go live with our theme for ISE 2016. Whoever wins the Euro 2016 Fin

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14 March 2016

Thought provoking speakers include Grant Anderson, the Scottish Lighting Designer, in collaboration with lighting, AV and sound specialists Black Light who designed the popular Botanic Nights - 2015, a unique night-time experience. Grant Anderson explains how the light installation evoked an emotive reaction from the audience.

Anderson comments: "In Scotland, it's often said that you can experience four seasons in one day. Visitors to Botanics Lights have been able to experience four seasons in just one night. It made perfect sense to me to combine nature and light with seasonal changes as the three are inextri

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14 March 2016

Phil Mercer, PRG XL's Music Group director, worked with Major Lazer's production manager, Joel Stanley, and lighting and visual designer, Kyle Kegan, to create a custom-built video setup which could be varied in size according to the venue.

Using Pixled F-12 LED, the video team worked closely with All Access, who constructed the staging for the tour, to create four pods and a DJ booth. Everything was prepped together to ensure the construction precisely fit the LED tiles. Joel Stanley explains, "We wanted a more scalable design for this tour, and having video and staging prepped together made everything much easier

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14 March 2016

Georg Rössler, founder and CEO of Matrixmanagement states, "Our advertising, exhibition and event customers are demanding more detail and finite, brilliant presentations on larger projection and LED screens for exhibitions and events globally. We are uniquely positioned to offer them the best server technology and combined services to achieve their objectives."

Thierry Heldenbergh, managing director at AED Display adds, "Following our initial purchase of 15 Wings Engine Raw media servers in September, we supplied Wings Engine Raw media servers to Matrixmanagement through our AED Lease prog

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14 March 2016

Danish system integrators AV-Huset worked closely with dnp denmark to come up with two very different solutions in order to overcome these difficulties. In spite of space restrictions and low ceilings, they were able to deliver the desired image quality via their proprietary Supernova optical display platform.

The specification of a 80" (2.33:1) dnp Supernova STS and similar size dnp Supernova Blade, equipped with 08-85 screen material, came about when the museum was setting up two new exhibitions, and wanted each to make a dramatic opening statement. One of the museum's exhibition designer/developers, Carl-Henrik Hansen, explains, "We wanted to captivate the audience with size and content, and felt projection was

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14 March 2016

"By reducing smear at the pixel level, images appear sharper and moving images look more realistic," says Curtis Lingard, product manager, Christie. "AccuFrame Pro eliminates the need for additional projectors to compensate for the loss of brightness by targeting low-to-mid intensity content, where most simulated content falls."

AccuFrame Pro is activated via a licensing process for any Matrix StIM WQ, Matrix SIM WQ and Mirage WQ-L projector in the field, thereby improving existi

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14 March 2016

Sam Ward started her AV career with Saville before moving on to embrace a diverse range of roles within the industry over the last 17 years. Working as business manager from the Manchester office Sam will draw on her wealth of experience in live events to establish new levels of engagement with both existing and prospective clients.

Supporting her in this mission is sales and account manager Jennifer Toothill, herself a specialist with over seven years' experience in high profile corporate client events, venue support and business marketing/advertising management

"We are pleased to announce that our existing contract with

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14 March 2016

Simon Harris, Green Hippo's user experience / training manager went out to Dubai at the end of September to provide the busy video crew at Eclipse with three days of Hippotizer media server training. The Eclipse video team were in the middle of supplying and setting up full technical production for Dubai Music Week, so it was convenient for them to be able to have training at their video warehouse.

"I thoroughly enjoyed training the video team from eclipse. They took to Hippotizer V4 like ducks to water and to see the product quickly exceed their high expectations was an absolute pleasure. Eclipse have a very talented team of technicians and I can't wait to read about the projects they use their systems on in the near future," commented Si

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14 March 2016

"Yes you could say it's been a busy start," said the Video Design founder Alex Leinster, "in fact we've only now found the time to launch our company website. But for a young company we have a solid base of experience and frankly there's nothing we like better than engaging with a variety of demands. What we've done for Marina and the Diamonds and Duran Duran are good examples."

Show designer for Marina is the LD Rob Sinclair who comments, "Ma

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14 March 2016

Graduating in 2000 from Omaha, Nebraska's Creighton University with a bachelor's degree of fine arts, Martir tapped Avolites' Tiger Touch II lighting control console when he returned to his alma mater this fall to present a special art installation called Unique, a self-described giant "graphic novel" brought to life with light and shadow.

"Using new and old etching techniques, the story is told through twelve chapters, with eight drawings per chapter," Martir describes. "The 96 drawings are th

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14 March 2016

Belgium-based WI was approached to produce an automation solution for three distinctive digital and scenic set elements - a huge skull, six moving video screens and five moving lighting pods - by Hallyday's production director Roger Abriol. WIcreations has enjoyed a long and productive working relationship with Roger who has looked after Hallyday's tours since the start of his career. WI is one of his go-to companies for automation, creative engineering and thinking 'out-of-the-box'.

WI's project manager is Koen Peeters. Chris Das is

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14 March 2016

From tussles between prisoners on the gangways, to the clanging of heavy cell doors, to the distinct smell of cannabis drifting down the cell block, the museum has so faithfully recreated the sights, sounds and smells of prison life that visitors feel the closure in 2006 never actually happened.

Central to the multi-sensory experience are the 56 Panasonic projectors, which help create shadows through the halls and the sight of heavy set prisoners in the toilet blocks.

The majority of these are Solid Shine laser projectors, including a total of 46 PT-RW330, 2 PT-RZ470 and PT-RZ475 projectors placed throughout the prison. Solid Shine projectors were chosen due to impressive brightness and contrast

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14 March 2016

It would be a given that the designer of some of the world' best concert halls and a conductor with the stature and experience of Michael Tilson Thomas would make a fantastic design, but no corners have been cut in installing the latest media equipment to cover all requirements. The 756-seat Performance Hall and the smaller Sun Trust Pavilion are fully equipped for live performance and recording and share two multi-track surround capable control rooms. HD video recording and projection is also available for those hiring the spaces.

Originally set up to record 64 tracks at 24bit/48kHz, it became apparent that the majority of the major opera and concert venues had installed Pyramix and Horus/Hapi Networked

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14 March 2016

"I've been involved with Give Thanks for the last three years, and each year the design process is entirely dependent upon what the programming material is going to be," began Moore. "I knew I