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14 March 2016

PRG's inaugural K2 deployment came almost immediately - two dozen enclosures were put into active duty for the 25th annual National Memorial Day Concert, attended by countless spectators on the West Lawn of the US Capitol in Washington, D.C. on 26 May. This year's event, hosted by actors Joe Mantegna and Gary Sinise, featured an all-star line-up of performers, including the National Symphony Orchestra, Jennifer Nettles, Megan Hilty, the US Army Chorus and Air Force Singing Sergeants.

Having supported this annual holiday event for over two decades now, PRG's new K2

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14 March 2016

Despite the change of image and musical direction of recent years, Cyrus has remained faithful to key members of her technical team, in particular monitor engineer Vish Wadi and FoH engineer Paul David Hager. Both have been working with Cyrus (and Sennheiser) for a number of years. Wadi's relationship with Sennheiser goes back some 17 years, whil

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14 March 2016

Katy Perry toured across the UK with 75m of Mojo Barriers' patented aluminium stage barrier, configured to follow the layout of the singer's v-shaped stage which was designed to reflect her latest album's title, Prysm. The layout, designed by Mojo Barriers' CAD specialists in cooperation with Perry's production team, featured a secondary barrier line within the 'v', used to create a custom 'golden circle' for fans to get up close and personal to the Roar star.

Justin Timberlake's 20/20 Experience toured with 18m of Mojo's stage barriers to provide crowd control solutions across all of its UK and European dates. The tour also engaged Mojo B

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14 March 2016

Wireless Workbench 6.10 now supports the newly introduced QLX-D Digital Wireless System, a cost-effective solution that features networked control and Shure's intelligent rechargeable battery technology.

For greater insight into frequency compatibility, Wireless Workbench 6.10 introduces a re-designed Frequency Analysis view. Providing more transparency when troubleshooting, Frequency Analysis displays a detailed and interactive listing of conflicts discovered per frequency and enables users to filter conflicts by type.

After all desired settings are in place, the software

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14 March 2016

The MAC Quantum Wash features tight beams, "beautiful wash fields, a market-leading colour palette and uniform mixing that combines to accommodate the most demanding applications with brightness and perfection". Combining an impressive 750-watt of RGBW LED power with Martin's market-leading optical system ensures Quantum's 1:5 zoom operates with maximum output and superior performance.

"By combining the lens shift possibilities first seen in the MAC Viper Quadray with the MAC Aura's ground-breaking optical system, MAC Quantum Wash sets new standards for light and colour morphing effects from a wash light," says Markus Klüsener, product manager for stage lighting, Martin Professiona

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14 March 2016

dbn has been the lighting supplier for the festival organised by Ground Control since it started five years ago, since when it has grown in stature, popularity and physical size. Last year, it moved from the original site in Platt Fields to Heaton Park to allow for expansion and this year the capacity was increased to 70,000.

dbn's project manager Pete Robinson created an individual production design for each area, all of which served as eye-catching backdrops for the heterogeneity of acts appearing over the two days.

He comments, "It was great to be involved again! We are all really excited to see the festival develop and to be ab

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14 March 2016

He also required each step to have LED on the front edge and to be controlled individually to enhance the lighting design by Joshua Koffman. This was achieved by inserting LED strip into the Versa decks extrusion. All the cable management was done in the underside of the deck with all the LED power supplies living in this space.

All the decks packed onto set carts and once unpacked required one loom to be attached each day to get them to work. This method with the LED has been used on many tours with All Access and has been very successful. It allows set edg

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14 March 2016

"It's amazing to watch them step on stage and see how they truly captivate and connect to the audience, making every single person there feel special," said Koop, who has been the LD for superstars like Sara Bareilles, Incubus and Cee Lo Green. "When I took on this project and got to know this group of very special artists, I wanted to create more than a lighting des

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14 March 2016

ARX managing director Colin Park said, "Matrix Sound are a well known and long established Distribution, Sales & Rental Company in the South African Professional Audio Industry.

"Here at ARX we're looking forward to working with the Trevor Peters and his team at Matrix, they're very enthusiastic about the possibilities for the growing ARX product range amongst their extensive client base throughout South Africa."

(Jim Evans)

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14 March 2016

From safety announcements and music, to team changes and minutes of added time, stadium announcer Steve Buxton is a busy man who carries great responsibility. On February 1st Stoke's heroes demonstrated their progress under manager Mark Hughes by putting Premiership giants Manchester United to the sword. On a memorable day for the club, Steve was putting into action some progress of his own.

Prior to that momentous day, Steve was to be found high above the pitch, behind glass and mixing his output from information received by walkie-talkie. This unsatisfactory state of affairs

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14 March 2016

In such a crowded market, packed with products from other manufacturers, why have RML opted to purchase the K20 B-EYEs from Ambersphere Solutions, the exclusive UK and ROI distributors and service suppliers for Clay Paky? Gemma Jaques is RML's marketing coordinator: "We have a long term relationship with Clay Paky and many of the Ambersphere team so as soon as it became clear what a popular fixture the B-EYE was going to be we decided it was essential that we invest in them. We only took delivery of the K20 version a couple of weeks ago and we've already had lots of interest in them - their first job was the Sky Sports Awards and they went out so fast we didn't have time to get them fligh

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14 March 2016

Announced on his Facebook page only a matter of hours before each performance, and drawing crowds of up to a thousand at a time, Passenger's latest 'busks' have seen him perform in Manchester, Brighton and on London's South Bank outside the Tate Modern and they certainly haven't been disappointed in the quality of the audio.

Simon explains why he chose to use the LSP 500s. "I looked into this long and hard," he says. "The whole vibe of these gigs is that we need to be able to turn up anywhere and be completely self con

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14 March 2016

In the case of Timberlake they were able to meet the spec by deploying Optocore's sophisticated fibre distribution system comprising four XR6-FX interfaces at the FOH, stage and delay tower ends. One device was configured 8AE/8MI and the other three 8AE/8LO.

Transmission to the L-Acoustics PA and delay towers was via Optocore AES, Analogue and Ethernet on a redundant loop, with two AES lines from the DiGiCo SD-7, through a routing/summing Lake LM-44 to a total of five AES lines on the Optocore rack. These were configured for AES and analogue, while an analogue line was connected for backup.

The two Optocore stage rac

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14 March 2016

The work was carried out by Phil Clark and Neil Kavanagh of UK-based Old Barn Audio. They were commissioned by the owners, who also operate the Oon.Dah Restaurant below it in the Edifício Escom, Luanda's tallest tower.

Phil Clark takes up the story. "We had already designed the original system 18 months ago, with assistance from Nigel Meddemmen at Martin Audio, but it was such a roaring success that we were asked to return and make the system louder to satisfy the DJs. This we did by upgrading the nightclub with more subs, bigger amps and processing."

Doo.Bahr is one of Luanda's chicest cocktail bar/lounges with an outdoor terrace offering spectacular views. It was originally designe

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14 March 2016

The fixtures are mobile and are being used for a variety of applications involving temporary exhibitions and small events which are constantly staged in the venue.

Elite is one of Australia's leading rental companies and has a substantial number of Robe products - nearly 300 moving lights - in regular hire stock.

Elite MD Darren Russell explained that they have also enjoyed a close working relationship as the in house audiovisual provider for external clients within the venue but also as a supplier to MOAD, which includes introducing them to new, interesting and appropriate technologies as and when they come to the market.

This is exactly what hap

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14 March 2016

LD Uffe Jansson of Hysterical Design has taken on the task of delivering Kent's two festival shows as part of their new concept Kentfest, where the Swedish band, now celebrating its 24th anniversary, provides its vision of how a festival should be.

Kent is the festival's headline act, and Uffe Jansson was determined to create a lightshow that matched their status. "For me the important thing is to accentuate the band's music with lighting to make it a great concert. It is a fine line to use the right amount of effects for each song, when you have about 600-700 fixtures," he informs.

Besides the regular festival rig, Jansson added about 120 P-5 wash lights and 35 XC-5 colour strobes exclusively for Kent's performance. "My goal was to incorporate the entire stage,

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14 March 2016

Not content to have dot-marker LEDs positioned on the neck of their guitars, McBusted wanted the entire body of each guitar encrusted as well. The three lead and two bass guitars were developed and tested in around five weeks and delivered well before final rehearsals and the opening performance just prior to Easter.

Ultra compact SMD LEDs were used as they are both lightweight and cost effective; having all the colours within the same thin 'chip-bulbs'. These were positioned just 10mm apart and programmed to not only display a myriad of colours but also produce moving patterns and even full

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14 March 2016

CEG's recent investment from Robe includes the Robin Pointe, Robin LEDWash 600, Robin LEDBeam 100 and Robin CycFX8.

CEG's director Ben Bowles explains, "After embarking on a thorough investigation of fixtures that are available on the market, we picked the Robin range. We already own a small selection of Robe's AT series and so we had experienced the high level of customer support from the manufacturer. It was only natural to extend our product range with these new products.

"The Pointe is an in credibly flexible and useful fixture - proving very popular with our growing base of LD clients. We're most excited about the CycFX 8 - although this fixture is a punt fo

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14 March 2016

The appointment covers flagship racing venues at Haydock Park, Aintree and Carlisle racecourses. Saville has provided support for events in the venues many times and both parties felt the time was right to enter into a strategic partnership aimed at providing the best possible technical event support for the venues clients.

Carl Pastor, operations manager at Aintree Racecourse commented, "The established close links formed with Saville and the strengths offered by their network of distribution outlets in the North West means that together we can offer a great package to existing and new customers at our three North West venues."

Saville has over 40 years experience in delivering audio visual

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14 March 2016

Fox Sports Brazil, a key broadcaster of the games, is using a GLD-80 digital mixer connected via Dante to 3 LAWO consoles and 3 RTS matrixes for broadcasts from Rio de Janeiro. Broadcaster, Sigma, is using a Qu-16 and a Qu-24 compact digital mixer, plus two iDR-16 and an iDR-48 iLive MixRacks.

Fox Sports' Sao Paulo studio installed a GLD-80 earlier this year. As part of the system, an AR2412 remote I/O rack was selected as a master unit, with two AR84 expander racks installed in the Fox studio with the mixer. This system is being used to provide audio fe