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14 March 2016

The festival's line up, staged at Europe's highest music site, was led by Basement Jaxx, Junior Jack, DJ Fresh and Freestylers. The audience could also dance with Ms Dynamite, Skism, Eddy Tample Morris, Micky Slim, and a host of domestic bands.

Created and organised by producers of the award-winning EXIT festival and its president Dusan Kova?evi?, the Big Snow Festival was staged at MK Mountain Resort. This all-year resort is in the heart of th

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14 March 2016

Presented by Kennedy's Live Promotions under the banner, Tipp Goes Pop, the special one-off gig by the Anglo-Irish group was designed as a homecoming for the band's Una Healey, who hails from Thurles, and is soon to marry English rugby star Ben Foden. More than 6,000 people turned out to help her celebrate - and listen to a roster of some of Ireland's leading support acts.

Although the site was the scene of several festivals many years ago, these days it is used exclusively for greyhound racing. And with a hospital overlooking one side of the stadium, Declan O'Sullivan, of audio production company Star S

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14 March 2016

The Musikhuset is the premier concert venue in Denmark's second city, Aarhus; what Adel had idealised in his mind's ear for the venue was, for want of any other description, the V-Series line array from d&b audiotechnik, a system only recently launched at prolight+sound in Frankfurt 2012. "We have been using d&b systems in this venue for more than 25 years. We were one of the first houses to purchase an F2/B1 system and have the legendaryF1220 loudspeakers which we used for near-fill.

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14 March 2016

Richard Martin Lighting (RML) supported Just Lite Dublin for the Ireland show by supplying Martin LC2140 panels and Atomic Strobes.

Nick Malbon designed and operated the show and he said of the units, "The screen was a joy to use, it has the punch needed for a dance event like this and the package sent by Richard Martin is as near plug and play as these things get."

(Jim Evans)

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14 March 2016

Robert Juliat Cin'k Fresnels are available with interchangeable lamp bases offering a choice of 1200W or 2500W HMI and 2500W or 5000W tungsten light sources, but Royal Opera House senior lighting manager, Nick Ware, particularly specified the HMI model.

"The HMI Cin'k Fresnel is ideal because the Royal Opera House already has in its possession a large number of Robert Juliat D'Artagnan 2500W HMI profiles," explains Ware. "The Cin'ks replace our old HMI Fresnels which were becoming worn out and obsolete, so finding spare parts for them was becoming increasingly difficult. But the Cin'ks use the same ballasts, header cables and many spare parts as our D'Artagnans which streamlines stock control and makes maintenance easy.&quo

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14 March 2016

Robert Hoey of Dream Sets got an assignment from the client, Vertical Limit Productions, that most set designers only can dream about and he (despite the name of the company) never got before; design your dream set without limitations.

Hoey came up with a design incorporating inflatables, described as Dr. Seuss meets Sci-Fi style, that reached beyond the stage and over the audience. The production design also included a massive compliment of AV and lighting equipment from brands like Robe, Clay Paky, Avolites, MA Lighting, Robert Juliat, LSC, and Selecon with support from local companies MGG Productions, AV Unlimited and Audi

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14 March 2016

Lighting designer Jerry Appelt, who was also the lighting designer of last year's Eurovision Song Contest in Germany, specified an impressive lighting rig to compliment the new arena. More than 1,400 moving lights (2,891 lighting fixtures total) with 39,860 parameters allowed 42 countries plus an elaborate interval act and opening performance to have a completely unique look during the overall 7-hour broadcasts.

MA Lighting took total control of the show. Eight grandMA2 full-size consoles, as well as five grandMA2 fader wing ran all lighting, triggered via Timecode. Fifteen MA NPU (Network Processing Unit) devices and 21 x MA NSP (Network Signal Processor) handled all traffic in one session on the MA-

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14 March 2016

The concert called for extravagant lighting, video projections on the Palace and of course, plenty of pyro. The star-studded line up included Sir Paul McCartney, Sir Elton John, Robbie Williams, Kylie Minogue, Stevie Wonder, Sir Tom Jones and Madness, among others.

Lighting designer Durham Marenghi sat at the creative helm with a tall order to fill, as the concert was attended by the Royal Family and broadcast worldwide. Not only did he have to provide stellar lighting for some of the world's biggest pop stars but he also had to deliver something that would prove equally gripping for the live and TV audience at home. To a

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14 March 2016

The move is described by James Belso, Christie UK sales manager, as a "natural extension to the Christie range AVM already handle very successfully. They are consciously focussed distributors, have embraced the value of the Christie brand and established themselves as an extension of the Christie unit to their own extensive partner channel."

Joe Graziano, EMEA market development manager, MicroTiles, Christie, explains, "MicroTiles was first introduced into the market three years ago and in that time has established itself as the leader and pioneer within the new concepts

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14 March 2016

The Audiothinktank will be presented by Dave Swallow (La Roux, Imogen Heap, Amy Winehouse), Chris McCarron (Biffy Clyro, Maximo Park, The Pigeon Detectives), Chuck Knowledge (Dizzee Rascal, Jay Sean, Modestep, Nero, Tinchy Stryder, Tony Andrews (Funktion-One), Luke Ramsay (Julie's Bicycle), on Monday 10th September at PLASA 2012. Come spread your idea - Dave is taking suggestions for topics through his website now, go to www.dave-swallow.com then click the link on the side entitled Suggest a Topic.

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14 March 2016

They are a great opportunity for students to come together for pre-arranged demonstrations, discussions and Q&A's. If you are interested in arranging a Student Insight tour for your students, please contact Will Hahn at the National Skills Academy who will arrange this for you; Will.Hahn@ccskills.org.uk

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14 March 2016

Music Group founder and CEO Uli Behringer comments, "Since the acquisition of Midas and Klark Teknik we have been pursuing a loudspeaker brand that complements the consoles and processing offered by these historic brands. Throughout our search Turbosound have stood out as the ideal match because of their extensive IP, sterling reputation and a first-class team of people. I am very proud to welcome Simon Blackwood and his team to our family."

It is expected that Turbosound will benefit from Music Group's extensive infrastructure while retaining their own manufacturing, sales, marketing and distribut

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14 March 2016

The open day will be held on Wednesday 4 July in Leeds at AC-ET's demo facilities. As one of the major UK distributors for Zero 88, AC-ET is inviting interested parties to pop in to the informal all-day event, which runs from 11am to 4pm and is geared towards all levels of user.

Zero 88 has been designing and delivering innovative entertainment lighting control solutions for over 40 years which have been hugely successful in professional and amateur theatre, education and rental markets

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14 March 2016

The Commission on the Future of Sweden aims to identify major societal challenges that Sweden faces in long term towards 2020 and 2050. The Commission on the Future of Sweden is chaired by the Prime Minister and consists of party leaders in the government and nine individuals with differen

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14 March 2016

First year students on the year-long course have just graduated, and all 15 graduates have received job offers, including one student who has been employed by Autograph Sound, and is currently working on Damon Albarn's new Dr Dee opera.

"The Edinburgh Lighting and Sound School is delighted to be working with Allen & Heath as a training partner. Allen & Heath has a reputation for high quality products and we are pleased to have a relationship with a British company which has a personal touch and understands the UK entertainment industry," comments George Tarbuck, director at the Edinburgh Lighting and Sound School.

(Jim

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14 March 2016

Eurovision, known for its epic, weird and remarkable performances didn't fail to entertain us once again as contestants competed, not just with their voices but the effects, lighting and imagery that supported them. This year Europe's guilty pleasure came back bigger and better, with a huge stage, catwalk, six giant LED screens and an enormous lighting rig.

Hippotizer's PixelMapper and VideoMapper components took each performance out into the seating area, bringing the whole 'land of fire' theme into the hall.

Crystal Hall holds up to 20,000 people and the event was witnessed by 125 million people worldwide. The LED screens created an immersive environment for the performances - using all of Hippotizer's aw

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14 March 2016

The Show's futuristic storyline and hard hitting soundtrack required some big-impact lighting and visual effects. But how were the producers (Iron Sea Productions) going to achieve this when they could only access the theatre in the morning of each Sunday show? Not to mention the fact that a full lighting rig for the long running National Theatre production of One Man, Two Guvnors was already installed at the venue.

Cue lighting director Nigel Catmur and a well drilled ELP crew led by Mark Gardiner. "The technical and logistical challenges were t

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14 March 2016

Participants will hear keynote lectures from creative professionals and top manufacturers, and Audient's very own Simon Horn will be discussing the concept of the 'ideal' recording process.

Adding even more value to the event, all registered attendees are automatically entered into a draw with the chance to win any one of a range of prizes including Audient's MiCO dual mic preamplifier with A/D conversion, with winners to be a

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14 March 2016

Being part of this database will help increase awareness not only of training you provide, but also the wider services provided by the PLASA membership.

If you would like to participate, please enter the details of courses you provide on the document available for download at the web address below - and return to skills@plasa.org by Monday 25 June.

(Michele Enright)

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14 March 2016

Ambersphere hosts a fully equipped training centre at their West London based facility, and there are courses available for users at all levels.

"Our entry level courses are open to people who have a working knowledge of DMX and lighting systems, but we also offer advanced courses, and courses specific to the theatre, rock n' roll and TV sectors," states Chris West, training and support manager for Ambersphere Solutions.

Forthcoming courses cover general use of the Grand MA2 and the new, one-day, onPC command wing introduction course.

"The training

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14 March 2016

LD Rolf Wenzel has worked with Die Happy for many years, designing many of their concerts and tours. For the commemorative concert Wenzel specified 24 Technospot automated luminaires, one Road Hog Full Boar, two Wholehog Playback Wings, two DP8000 DMX Processors, one Hog IPC and an Arcus Lighting Hog Switch 8A as the Main/Backup Switch.

The Technospot fixtures were his first

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14 March 2016

The sound systems in particular have been chosen with a view to ensuring the closest possible correspondence between the studying environment afforded the university's aspiring musicians and sound engineers and the environment they will encounter in their day-to-day work after graduating. Aside from the technical education, the declared objective of the new Sound Engineering degree of the Department of

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14 March 2016

"A colleague (David 'Steedsy' Stevenson) was installing a system in a Glasgow venue, and suggested I'd take a listen. I was blown away. The system was loud! We all know just turning up the volume does not make things better (refer to the loudness wars here!). Although it was loud, I couldn't believe the definition, detail, and more importantly, the headroom that the system had. It was then decided I had to get one of these rigs out touring.

"I had a couple of gigs comi

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14 March 2016

Submissions can range from the simplest problem-solving product to unusual or complex uses of technology to projects that highlight the collaborative nature of our industry. If you've seen something that's impressed you in the last year, now is your chance to tell the world. It could be a piece of equipment you worked with, something you saw at a trade show, read about in an industry magazine, or an event you experienced. It could also be something your com