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14 March 2016

Staged at One Marylebone in London, CSE was working in conjunction with Insight Lighting and production company Swim Productions.

CSE's Project Manager Fletch collaborated with creative director Brendan Clarke from Insight Lighting to create the lighting and production design for the much anticipated event, which saw several live performances from Cerys Matthews, Carleen Anderson, Ahmad Jamal among others.

The main room featured a stage and seated a capacity audience of 268 for dinner, and there was also a reception area that needed lighting.

The CSE team started with the installation of the four legged ground support system - meas

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14 March 2016

Ashton was commissioned to produce the piece by production company Strange Cargo and collaborated with sound artist Karen Monid who produced a special accompanying soundscape.

All Souls, which stands at the end of the High Street and was consecrated in 1895, is a fairly conventional parish church of its era, however it has the unusual feature of four stained glass windows depicting the four Archangels - Gabriel, Michael, Uriel and Raphael.

Ashton and Monid took these windows and the vivid colours of the peacock feathers making up their wings as the starting point of their concept.

The idea was to produce a two centre piece which worked bo

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14 March 2016

The Baxter Theatre at the University of Cape Town purchased their new Philips Strand Wallrack Dimmer units from DWR Distribution. "As time allowed and as the venue became available, the old dimmers were steadily replaced," commented Dave Whitehouse from DWR.

"We chose Strand because it is a trusted name in theatre lighting," said Patrick Curtis from The Baxter. "The linkage to Philips is a positive development, but mostly we chose the product because we are assured of 100% backup from DWR."

"We would like to thank Patrick Curtis from The Baxter for the opportunity to work on this installation," ended Whitehouse.

(Jim Evans)

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14 March 2016

"I instantly liked DiGiCo the minute I used one of their consoles," Richards admits, during soundcheck at London's Hammersmith Apollo. "Whatever the model, you're getting real value. Be it the great EQ, the excellent pre-amps - the list goes on - everything you're working with is always the same quality as the flagship SD7, which you really can't argue with."

Richards likes the SD10 for its functionality, user interface, and overall sound quality. "DiGiCo is always great for channel count; I'm running 54 channels here on my SD10, and what's also really handy is having 12 faders in each fader bank rather th

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14 March 2016

In preparation for Euro 2012, which saw a sizeable portion of the UEFA delegation staying at the Victoria, the hotel was thoroughly refurbished and all of its audio systems were renewed throughout. Odessa-based installer Real Music, who are also the QSC distributor for Ukraine, were responsible for installing all of the PA/VA speakers and systems.

A QSC ILA line array comprising 16 WL2082-i elements (eight left, eight right) and four WL118-sw subwoofers was used in the main conference hall at the Victoria, where all of the pre- and post-match press conf

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14 March 2016

Located hundreds of feet above east London's Shoe Lane, the venue provided the audience of competition winners with a suitably Gotham City-esque setting, although the unpredictability of the British winter weather meant that the screening's date had to be postponed a couple of times.

Access to the helipad was very tight - through the front door of the building, up 16 floors in a conventional lift and then two further floors via an exterior sta

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14 March 2016

Located on the southern edge of the state - a five-hour drive southeast of Seattle - Ford Audio is well positioned to service corporate clients, venues, festivals and regional tours throughout Washington, Oregon, Idaho and Montana.

"We've had several rigs in our 17-year history, and this time we wanted the best modular array that money could buy to move our company forward," says owner Gary Ford. "We looked at other systems, of course, but ultimately felt that L-Acoustics offered the best package, not to mention a longstanding history

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14 March 2016

Lighting was designed by Richard G Jones, who was asked on-board by show director (and judge) Craig Revel Horwood last year.

Jones ensured that no-one was disappointed, creating a show awash with colour, movement, drama and pizzazz to match all the dancefloor action, energy and high jinks!

All lighting, sound & rigging equipment was supplied by south Wales based rental and production company, Sonalyst.

The 14 x MMX WashBeams together with 23 x Robe Robin MMX Spots are newly purchased by Sonalyst for their hire stock - which now contains g

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14 March 2016

Blake Augsburger, Harman executive vice-president and president Harman Professional Division, said: "As we move forward together and institute Martin Professional as a business unit within Harman Professional, our customers from both the lighting and AV disciplines will soon be able to capitalize on joint innovations, efficiencies and access to our systems portfolios. In doing so, I am confident we'll also drive growth into emerging markets and vertical markets where digital technologies are increasingly central to the commercial enterprise - specifically transportation, hospitality, retail, communications and education."

Martin is in the process of launching new products across all of its product lines including new models in the award-winning MAC Viper family

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14 March 2016

With a number of very different scenes to evoke in a single environment set, designed by Victoria Spearing, Wardle had his work cut out. Lighting works with the set and direction to seamlessly shift the mood from the claustrophobic world of the tunnels under no man's land to bright outdoor scenes and the house where main protagonist, Stephen Wraysford, falls in love.

Wardle uses the PLCycs to deliver an evocative backdrop, symbolically conveying the time, place, feeling and atmosphere of each with his clever application of colour, transition and intensity. Wardle explains: "Because this play shifts so quickly between locations and time periods, we need to help the audience understand where we

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14 March 2016

Fascinated by the idea that words turn into crystals with a sound of their own, the artist Juergen Staack travelled to Yakutia in 2012, accompanied by his artist colleague Thomas Neumann. The sound recordings that Staack brought back with him were on display in the exhibition entitled SAKHA at the Konrad Fischer Galerie in Berlin. On his acoustic hunt to record the rare phenomenon of ice whispering - which the natives call "the whisper of the stars" - Juergen Staack took along an MK

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14 March 2016

Delegate numbers are rising and include representation from all over the world including Australia, Dubai, France, Qatar, Russia, Switzerland, Turkey and the UK, say the organisers. Delegate places are still available and there is time to book either a full conference pass, a day pass or a seat at the gala dinner.

The line up of speakers from around the world includes Piers Shepperd, Hamish Hamilton, Dave Crump, Sakchin Bessette, Tim Dunn and David Atkins.

The organisers have confirmed H.E. Laila Mohammed Suhail as the gala dinner keynote speaker.

Another speaker at the conference is Marc Schneider, director of global events for Riedel Communciations. Schneider is responsible for the

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14 March 2016

The show's narrative was based on the important natural and cultural elements of the world and how they all come together. The show was first performed on New Year's Eve preceeding the midnight fireworks for a site wide audience of 1.7m people and accompanied live by the Prague Philharmonic Orchestra. The show then played twice nightly throughout January for the many daily visitors to the new heart of Dubai.

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14 March 2016

The venue's existing house grid did not lend itself to many lighting or house ambiance options, as it held mercury vapour fixtures with gel attached and was both too big and heavy to articulate. Additionally, the stage system was a modest 120k rig and in need of an update. Bandit gutted the entire stage and house lighting systems from rigging down, and in five days, installed a completely new, dynamic lighting system.

"The idea going in was to remove this structure and replace it with something we could use to transform the room for various events," explained Bandit's Roth Edwards. "They can lower the truss grid to close in the space and make it

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14 March 2016

''RML understand that LAMDA students are the future of our Industry and so it is imperative that they are given the tools to develop to the best of their abilities and shown the best and most recent in moving light technology. It is also a great privilege to be involved with such a prestigious institution such as LAMDA,'' says Steve Wells, operations manager, RML.

As part of this partnership RML will provide lights for their performances/productions, donate equipment for training, offer work placements throughout the year and Play Days for the students to come to our demo room and gain practical experience with things such as LED products. Such a hands on approach and opportunity compliment the ethos of LAMDA.

Rob Young, Course Director at LAMDA comments, "LAMDA

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14 March 2016

The official agreement for the complete Audac product range was confirmed at the ISE show 2013. Mark Asselberghs, export manager for Audac said, "It is very important for us that our brand is well represented to customers, and our products deserve the professional knowledge and expert support that Audiologic can provide. As a well established and trusted distributor in the UK audio install market, award winning Audiologic is the natural choice for a long term partnership with Audac."

(Jim Evans)

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14 March 2016

As a multi-award-winning audio producer and mixer, with over 30 years' of experience in the audio industry, Alington will bring a wealth of knowledge and expertise to RSP's Online Mastering service.

Alington's most recent accomplishment was the BRIT Awards 2013. It was his 19th year recording the show, live-to air, with 7.5m UK viewers tuning in - the best overnight rating since 2003. All eight artists' songs, each mixed live by Alington, went straight to iTunes for download. For the past 11 years, Alington has worked on the MTV EMAs and other large annual mu

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14 March 2016

Nederlands Philharmonisch Orkest (the Netherlands Philharmonic Orchestra, or NedPhO) and Nederlands Kamerorkest (Netherlands Chamber Orchestra, or NKO) work closely together, between them playing to audiences of over 200,000 people in Holland and other countries every year.

Deeply involved in the country's cultural and social environment, under the name NedPhO GO! musicians also perform in classrooms and hospitals, community centres and other leisure facilities. The aim is to bring high quality music to those who are unable to attend concerts, incl

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14 March 2016

In fact, the idea of using MicroTiles actually came from the Spanish Film Academy itself. It specifically asked Elenco Audiovisión, the company commissioned with supplying the audiovisual equipment for the prize-giving ceremony, to use MicroTiles. The two displays received the signal from the mobile unit broadcasting the event.

"MicroTiles are ideal for creative displays because you can put them together in any shape or size imaginable. And afterwards you can reshuffle them into completely new designs", says Marcos Fernández, Christie sales d

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14 March 2016

"We are delighted to be working on another big project with the BBC, and are proud to be involved with Comic Relief," says Alington.

Once again, the team will be working with this year's double BRIT Award winner, Emeli Sandé, along with other leading artists Kasabian, Noel Gallagher, Paloma Faith, Jessie J, Jake Bugg, Nicole Scherzinger, and Rizzle Kicks. Russell Brand will be hosting the show, and he will be joined by comedians Simon Amstell, Noel Fielding, Frankie Boyle, John Bishop, Jimmy Carr, Jason Manford, Doc Brown, and Eddie Izzard.

Using Floating Earth's state-of-the-art audio OB truck and SSL mixing desk, taking nearly 200 live feeds f

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14 March 2016

An intimate venue with a relatively large stage, the Don Powell Theatre will deploy the new followspots on the last production of the school's 2012-2013 season, the Stephen Sondheim musical A Little Night Music which opens in April. SDSU has a reputation for excellence in theatre arts offering undergraduate and graduate degrees.

"We just installed three Lucy followspots with heavy duty yokes flipping the yokes to the top and hanging the spots in our front of house beam position where they now fit perfectly," says Peter Nordyke, with SDSU's School of Theatre, TV & Film. "They are not that much bigger than a traditional zoom ERS

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14 March 2016

TVB's headquarters, which is also the largest commercial television production centre in Asia, houses 22 production studios, collectively known as TVB City.

Under a new management initiative to reduce the carbon footprint of the company, TVB's engineering department, headed by Mr. Ko Cheuk Wai, had the challenging task of finding an LED solution to replace their existing discharge lamp automated lighting system.

Their research process was comprehensive and technically thorough, to ensure that their final decision would meet the studio's requirements for the next generation of automated lighting.

Present at the tests was Michael Münz, general manager of GLP Asia, who commented, "The technical tests took place at

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14 March 2016

Giving increased realism to the friendly green ogre has been SGM's new P-5 Washlight, from the inventory of lighting rental company, Focus Amsterdam.

The technical production specialists were invited by theatre producers Albert Verlinde Entertainment to provide lighting equipment - and just as they have for one of the promoters' other musicals, Annie, found the P-5 to provide a compelling solution.

Focus account manager, Marijn Muilenburg, said that although the show producers had purchased the rights to Shrek from Dreamworks, there was enough creative freedom in the agreement for them to introduce complete new décor, light and costumes.

He explained, "About on

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14 March 2016

"I believe it may have been the largest operational rig of Patt. 23's in the country," said Andrew Tweedie, head of lighting at Canberra Theatre Centre. "But they were getting harder and harder to maintain, especially as you couldn't find spare parts, and were not as punchy as they should have been."

A decision was made to replace the Patt. 23's with the main criteria being that the replacement had to be the same size as the space they would be housed in is very small. Canberra's Sound Advice recommended the ETC So