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14 March 2016

"We are using SC Master to control show effects and ride functions such as seat drops, air blasts, water blasts and special effects, many of which run simultaneously and involve live audience interaction. SC Master runs independently of the system, so doesn't rely on software. It is purely engineered, bullet proof in design, and is robust," explains Andy Bates, project delivery manager at Simworx.

Simworx deployed SC Master Controller at Angry Birds The 4D Experience, the centrepiece of a new, 4,000sq.m Angry Birds Zone at Thorpe Park, UK. Owned and operated by Merlin Entertainments, the experience captures the fun of and humour of one of the world's most iconic games. The family frien

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14 March 2016

The laser show was a central visual element of the event, so the organizers decided to go for high end laser gear from Swiss and German manufacturers. Ten SwissLas PM-10.000RGB lasers as well as six RTI PIKO RGB 18 were used to make this festival more than spectacular.

This whole laser setup had an overall laser power of more than 200W laser power and worked well with the video walls and conventional lighting, as the power was more than sufficient to cover the whole festival area.

Featured artists included Roger Shah, Dzeko & Torres, Alvaro, Genix and Ben Nicky.

(Jim Evans)

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14 March 2016

PRG will continue to use its brand name in all other countries across Europe and North America. XL Video teams in those territories will be immediately transitioned into the PRG family.

"Part of our decision to acquire XL Video was the premier value of its brand in many of our markets," said Jeremiah J. Harris, PRG's Chairman and CEO. "We recognize that the XL Video name and logo are synonymous with outstanding quality, customer service, and technical expertise in some of our territories, equal to that o

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14 March 2016

Ballet Creole's spring season featured world premieres of Agua Como Vida, Myth of Atlantis and Reflekson. It also included a remount of the company's very first piece, Fete.

"The theme for this year's season was water," says Trenaman, who has been with the company for just over half of its 25 years. "So I wanted a fixture

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14 March 2016

The BMFLs were the company's first Robe purchase. However via Danor Rental, they have regularly used different Robe products over the last two years, all of which helped in making the decision to choose BMFLs when seeking a powerful and versatile multi-purpose light source.

KolOr Eli was founded as a lighting and sound specialist in 1988 by Linda and Eli and with business booming, a few years later became a limited company. By this time they had a well-established client base and were looking after the technical requirements of several major artists including vocalist Shlomi Shabat, band Caveret and singer Gidi Gov.

"W

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14 March 2016

ETC 2-day seminars progress from theoretical classes in general acoustics, line array theory and the case for point-source systems, to practical hands-on training with Nexo's different line arrays. Designed to help engineers and technicians achieve optimum performance from Nexo systems, the programme includes an in-depth look at networking and control software.

Anyone who would like to attend can contact their national Nexo distributor, or email training@nexo.fr for a full agenda and location details.

(Jim Evans)

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14 March 2016

The mangled, rusting, mean, grimy steelwork of the castle is a sinister visual centrepiece for the dystopian experiment, and has been constructed by art collective Block 9, known for their detailed, raw, edgy urban environments created at festivals and music events.

Alan regularly lights Block 9's scenic spaces, so they invited him to add some special hard treatment to their version of the sacred saccharinity of Anaheim's Sleeping Beauty Castle.

In keeping with the mean overall spirit

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14 March 2016

Producer Julian David took the very deliberate decision to ditch the PA in favour of wireless headphones in order to provide a completely immersive experience for the audience as well as the best possible conditions for audio capture and recording. The event was supported by DirectOut who provided much of the equipment to make the event possible.

In total, DirectOut supplied two Andiamo.MC microphone amplifiers, five B

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14 March 2016

"We started off with an Avolites Titan One," says Chigwendere. He started the company after working at Gearhouse South Africa for eight years. "When I left I had a month's salary and my garage from which I operated," he says.

Hard work and good service has seen Puredeal grow in reputation and earlier this year saw Kgomotso Malbye join the team. "We were the first black rental company to do work at Vodaworld," commented Kgomotso Malbye.

The Avolites Tiger Touch II was purchased from Schalk Botha at DWR Distribution.

(Jim Evans)

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14 March 2016

Entitled Boundless 2015, the five-day event was staged across all of the O2's venues and attracted 20,000 visitors from around the world. Avenue Services provided full technical production for three of the venues and some support for the main arena too. Over a dozen different musical and dance groups took part in 18 performances across four venues - the main O2 arena, the Cineworld Sky Super Screen, Cineworld Screen 2, and Building 6.

"We provided a site wide implementation of Allen & Heath digital and analogue mixers for simple ease of use, quick turnarounds and fle

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14 March 2016

Despite sounding very dry, this was in fact surprisingly upbeat and a thoroughly entertaining presentation for BBC2 using a virtual reality graphics system called Musion. This state-of-the-art equipment enables the presenter to appear to be surrounded by objects, graphs, numbers and other images - all in a visually stunning way.

The LD had to avoid light falling on certain areas, whilst allowing the presenter the freedom to move almost anywhere. "Light levels were lower than normal but the production asked that the studio should not look dark on camera."

Martin requested that some set elements

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14 March 2016

Working closely with Arcadia's technical production manager Tim Smith, Central Presentations Ltd (CPL) supplied projection equipment and crew.

The CPL team was led by Richard Burrow, who commented, "We are all passionate about our part in bringing the Arcadia concept to life, and it was hugely exciting and challenging to work in a completely different environment from a green-field site."

The juxtaposition of the 50 tonne spider, created from recycled industrial waste and the brainchild of Pip Rush and Bert Cole, and the historical - much of i

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14 March 2016

Promoter Andrew Mattle of Lock N Load Events had called in the London based production company and its MLA last year for main stage only, initially having being impressed with the production they had delivered with Martin Audio for one of his promotions at Alexandra Palace back in 2011. As a result, this year the use of MLA and MLA Compact was extended to other stages.

Recalling the background, Capital's senior project manager, Martin Connolly, said, "T

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14 March 2016

More than 20,000 revellers travelled to Mill Hill Field in Huntingdon, Cambridgeshire to experience the atmosphere and hear headliners including Public Service Broadcasting, Roots Manuva and Kate Tempest.

London-based Colour Sound Experiment supplied a 22-strong team of LDs and operators to man numerous Avolites Sapphire Touch, Quartz, Tiger Touch II with Wing and Expert Pro consoles. Jonathan Ricketts was head of lighting for the festival, working directly with festival producer, The Dark Horses.

On the Great Stage, Frankie McDade and Chris Brown manned an Avolites Sapphire Touch, with a Quartz running as backup. An ART2000 touring rack and Power Cube powered the rig, which included Robe MMX Spots and 600

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14 March 2016

At the end of each day's performance the festival's video wall, which was made of PVP X6IP LED panels from Chauvet Professional, was taken down, reassembled and repositioned to give the stage a fresh new look that fit the needs of the next day's headliner band. "It's a good thing the panels are so easy to rig, because we had to take them down and put them back up on a daily basis," said Tim Messina, owner of Events United, which suppl

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14 March 2016

The band's long-time lighting designer, Ben Inskip designed a new lighting concept for the festival shows, which served as a launch pad for the group's new album, That's the Spirit, and the accompanying upcoming world tour.

"The band were really keen to make a huge impact as they haven't performed since December," says Ben. "We had the 'sunset' main support slot to Metallica, so I really wanted to impress and make the house rig and our floor package look like one design. Fixtures choice and some in-depth programming specific to this show was how I planned to achieve this.

"My choice to use the Vista L5 was instant. We didn'

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14 March 2016

Lighting designer Michael Cummings of Pulse Lighting has utilised 12 of them on the upstage floors for both beam looks, pixel effects and as a light curtain.

"We love them," said Cummings. "We use them quite a bit, and in fact, we are using some on Needtobreathe's tour as well."

According to GLP, the GLP impression X4 Bar uses high output RGBW LEDs that are packed tightly to give a full batten of light. High quality optics ensure a smooth, homogenised output across the batten through a broad pallet of pastel and saturated colours, allowing for subtle g

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14 March 2016

"We were really very, very happy to work with a legendary company like Disco Donnie Presents for an artist like Hardwell," said Justin Jenkins of Creative Production and Design. "We knew there would be a high level of energy at this event, so we wanted to immerse the whole stage in vibrant light and c

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14 March 2016

The FLX console is a recent addition to the equipment inventory. The console was specified by Howden Park's technical co-ordinator Ian Gibson and theatre technician Stephen Oakes, who undertakes most of the show operation - and they are delighted.

Ian and Stephen first became aware of the FLX - launched at the 2015 Prolight+Sound, expo in Frankfurt - via a Zero 88 mailshot, which was followed up by a demo from Eaton's Paul McEwan.

The new console was delivered via Edinburgh based Zero 88 distributor Black Light, and is installed in the theatre at

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14 March 2016

Sublime With Rome is a musical collaboration between bassist Eric Wilson formerly of the band Sublime, and singer / guitarist Rome Ramirez, presenting an eclectic mix of Sublime's distinctive ska punk and their own original material.

Four Cyclones are on the tour - supplied by Karate Pinky Visual Design together with other special effects and the control console - and they are positioned upstage at the base of the backdrop.

Scott was the person who originally thought of the Cyclone - a moving head integrating a ring of 24 high powered RGBW multichip LEDs and a fan as a tool to create some fabulous visual atmospheric effects. He took hi

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14 March 2016

Straightpoint's wireless load shackle is supplied with an update rate of 3Hz and can be configured to run up to 200Hz. Data is transmitted wirelessly utilizing the latest in IEEE 802.15.4 (2.4 GHz) technology, providing transmission of both static weight and dynamic load to a wireless handheld controller or PC. The software allows for simultaneous control, display and real time data logging of up to 100 Straightpoint telemetry load cells.

Dr. Phil provides a forum to make psychology access

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14 March 2016

"Being able to provide great customer service everywhere in Europe is very important to us," says Norbert Stangl, CMO of the Laserworld Group. "Running our own sales and service office locally helps our Spanish and Portuguese distribution partners in improving their customer base and their services. With Daniel Patricio, Laserworld has acquired an experienced sales manager with a laser show background: He is already familiar with the products of the Laserworld Group from his own experience and thus can start over immediately."

The Laserworld Ibérica office is located in Basauri-Bizkaia and provides sales support as well as show laser light services. The local staff speak Spanish

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14 March 2016

"We have set ourselves ten challenging goals for the decade ahead. Only by working together will we be able to solve our biggest issues. These goals set the pace for the live production industry and reflect our shared aspirations and needs," says SiPA's Craig Bennett.

SiPA has been created by the industry to provide a central hub for collaboration and culture change. Its initiative encompasses issues around equality, well-being, education and development, waste, procurement, renewable energy, transparent reporting of environmental and social impacts, fair pay and resilient industry economics. The SiPA goals create an aspirational, active and practical framework that is common to all. www.si

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14 March 2016

i-Pix' Chris Ewington explains that he specifically sought an independent and specialist distribution company to represent the brand and support and promote i-Pix inventive and creative products and concepts. "I looked at many options and researched extensively before choosing to partner with ICD," says Chris. "I didn't want a large company with lots of brands on-board, I wanted a focussed and dedicated operation with individuals passionate about the industry that would give the Db1 the attention it deserves and share the zeal for invention that characterises i-Pix."

Chris a