Business

Details

14 March 2016

Jared Daly signed on mid tour in 2014 to help fill the monitor engineer position and has exposed the band to the benefits of Shure's PSM1000 IEMs, AXT600 spectrum manager and the AXT200 wireless vocal mic. With input from each of the band, he has subsequently upgraded their in-ear monitoring and helped them to use Shure wireless technology more extensively throughout 2015.

"The band have always used in-ears; they all have very specific mix requirements, including click tracks and cues," explains Daly, who is currently in the USA with the group on tour. "The band and crew have been using Shure PSM900 units for a few years on stage; they owned those when I joined.

"Oli always used wedges for monitoring on-st

Details

14 March 2016

The possibility to incorporate these revisions was identified during the AES 'Plugfest' 1 testing, carried out in cooperation with the European Broadcast Union (EBU), in October last year, and held at the Institut für Rundfunktechnik (IRT), in Munich, Germany. During these tests ten companies tested 16 currently available networked-audio products with AES67-specific extensions against each other to confirm interoperability.

The participating manufacturers were ALC NetworX GmbH, Archwave AG, Axia Audio, Digigram SA, DirectOut GmbH, Georg Neumann GmbH, Lawo AG, Merging Technologies S.A., SOUND4

Details

14 March 2016

Now in its seventh year, Electric Zoo was revamped this year in an immersive zoo-themed atmosphere that included bigger stages, brighter lights and an overall recharged production. Their first year doing the festival, Burst provided lighting and rigging for all five stages, a 15 truck pull that included some 2000 moving lights and over 2000 feet of truss.

A highlight of the event and one of the animal-themed aesthetics that raised the bar at this yea

Details

14 March 2016

This year's SGP saw over 30,000 revellers hit Mill Hill Field in Cambridgeshire for a long weekend of festivities ranging from performances by big name music acts such as Angus and Julia Stone to theatre workshops and boat rides.

London-based event supplier Colour Sound Experiment was responsible for kitting out the festival with "the perfect technical package", under the direction of Jonathan Ricketts, head of lighting for SGP's production team, The Dark Horses.

Choosing 18 of the award-winning Clay Paky fixture, Ricketts knew the Sharpys would be suitable for the numerous designers making use of the main stage's rig over the four days.

"The Sharpys were put o

Details

14 March 2016

Both standards are now published. They may be downloaded at no charge from http://tsp.plasa.org/freestandards; the free download is sponsored by Prosight Specialty I

Details

14 March 2016

How did Andrea get to know De Gregori? "I have been working with Agorà for more than ten years. I met De Gregori in the summer of 2008, when I stood in for his previous lighting operator, who was no longer available. From that moment on, I started working continuously with the artist and the production team. This means I present new designs whenever a new tour starts. I have been designing the lighting for De Gregori for six years.

"I have grown together with Francesco. In the early years, Francesco had a minimalist idea of show aesthetics: he preferred a plain stage, with no particular special or lighting effects. Over time he developed the idea that stage design a

Details

14 March 2016

Pulse Lighting specializes in designing rigs that provide big looks with the most bang for a buck and a small trailer footprint. Lighting designer Preston Hoffman redesigned Potter's summer floor package with 12 GLP X4s for a compact wash that double as a beam when focused tightly, eight Robe Pointes for versatile graphic and textural looks, and 12 Cuepix Blinders.

Four towers of truss each features three X4s, two Pointes and two Cuepix Blinders, giving Hoffman the opportunity to build large looks both behind and through the band.

"Grace conveyed to me that she was looking for a highly versatile rig that can provide lots of different feels, a

Details

14 March 2016

The Painting with Light team was led by Luc Peumans, who has also designed set and lighting for the most recent series of Tegen de Sterren Op studio based shows.

Wanting to replicate key visual elements from the TV show, but enlarged to capture the scale of the arena sized production, the design featured a striking LED screen portal / pros arch measuring 8m high by 16m wide.

Upstage was a 9m high by 18m wide LED screen made up of two sections which tracked apart

Details

14 March 2016

There will also be a host of other exciting new products making their US debut at Booth 2521 at the Las Vegas Convention Centre 23-25 October.

BMFL Wash and BMFL Wash XF are the ultimate 1700W lamp based wash lights, and the latest fixtures to be added to Robe's 'game-changing' BMFL range of luminaires. These are powerful workhorse wash lights, packed with innovative and creative features.

A large 200 mm diameter front fresnel lens provides a high quality traditional wash output ranging from a punchy and tight 4.5° to a super-smooth 55°.

Custom interchangeable frost filters offer three grades - light, medium and heavy - giving an extremely subtle and natural 'soft touch'.

Both CMY

Details

14 March 2016

On 4 December 2015, taking place for the seventh time, the Baden Baden Awards 2015 will be honouring outstanding final papers by recently graduated set artists and set sculptors, make-up artists, sound and image media designers, event representatives, event technicians and property masters.

The creative industries are among those affected by demographic change and are faced with falling numbers of young people taking up technically skilled and administrative jobs. With competition for specialists increasing on the home and international employment market the situation demands that the industry react. From 20 to 22 June 2017 Stage

Details

14 March 2016

Since 2001, Cirkus Danneborg has been focusing and working with lighting as an important element for the audience experience in relation to artists, animals and the overall circus tent atmosphere. Lighting designer Liza Van Der Voorn has been working with the circus troupe for the last three seasons, designing and programming light for a circus solely deploying LED technology.

As a new acquisition this year, Liza Van Der Voorn has introduced six SGM G-Spot moving heads to the circus lighting rig. She is very enthusiastic about these luminaires, their quality and flawless operation, night

Details

14 March 2016

The high energy 2015 SNF Open features another new and rousing rendition of Waiting All Day for Sunday Night sung by Underwood. The shoot location changed this year as the production team took over one of the large sound stages at Warner Brothers Studios in L.A.

The creative concept revolves around showing numerous behind-the-scenes situations including player interactions with Carrie and even a cameo of Benoit weaving his magic at the lighting controls. The build-up leads to Carrie's exciting perfo

Details

14 March 2016

During the event, Audio-Technica supplied an array of microphones from its Artist Elite, Artist Series and 40 Series ranges and an Allen & Heath Qu-24 digital mixer for the filming of The Green Man Sessions - intimate live performances of acts appearing at the festival. In charge of proceedings was Charlie Allen from video production company Naked Noise, who faced both a challenging schedule and technical hurdles during the project.

"The Green Man Festival had commissioned us to film and record 14 artists over three da

Details

14 March 2016

However, even icons need updating to remain fresh and vibrant., which is why this June the Hard Rock Hotel had a "Final Call" party for its famous bar, and promised to reopen the 20-year-old landmark with a new design that would make its future as glittering as its past. This goal was accomplished in stunning fashion, thanks to a massive and dazzling abstract design by LD Robert Athey of All Things Integrated that drew on the pixel mapping

Details

14 March 2016

"Ninety percent of our work is supporting classical and jazz music, and Leopard is the perfect system for these applications," says Henry Gómez Rey of Proaudio Granada. "At a Leopard demo in Paris, we listened to a recording of Diana Krall. I closed my eyes and thought, 'It's impossible, it's like she's playing right here in front of me.' It was not like a recording at all.

"With jazz music, people know good sound, and they are very critical," Rey continues. "They loved the sound of the Leopard at Jazz en La Costa. With no delays, we had uniform coverage of the whole a

Details

14 March 2016

This initiative meant seeking graduates looking to expand their technical knowhow and gain extra experience within the busy events environment and also in some cases, individuals willing to re-locate. The search to hire interns began before the summer to coincide with the break for college students locally and i

Details

14 March 2016

The technical staff decided to look for a solution which could meet their many requirements, namely a versatile console on which they could programme complex cue lists even when programming time is very short, or that was ideal when the operator has to improvise a show in a professional manner. Therefore they decided to invest in the dot2.

Intuitive operation is at the core of the dot2 philosophy, and with a comprehensive set of connectivity hardware on all console models, the dot2 range is suitable for most theatre, touring, corporate, t

Details

14 March 2016

The MA2 was busy across August as the Scottish capital welcomed the world to its Fringe and International Festivals. The desk was used on shows at the Playhouse theatre and Magners Summer Nights concerts in Princes Street Gardens.

Headline acts James, Flaming Lips and The Waterboys all specified MA2 and Blue Parrot supplied a robust control system with a fully tracking back up MA2 onPC fader wing. The Flaming Lips show also saw the company provide a stunning 96 panel 5mm pitch video backdrop using their Chauvet PVP modular system. The band and crew were particularly impressed by the brightness

Details

14 March 2016

Director, Sam Gold - who took the 2015 Tony for Direction - transformed the original 2013 off-Broadway proscenium format to an in-the-round staging, with the intention of achieving more intimate and immersive engagement with the audience.

Sound designer Kai Harada, notes, "It was challenging for all departments, and for the cast, but the show took an incredible leap forward. Now you really feel you're part of the family, watching Alison's past come to life. It is an immersion rather than a presentation.&qu

Details

14 March 2016

The school used the fixtures on their musical theatre produciton of Big City Dreams, performed by students on its MA Music Theatre course. The production ran over three days in Central's Webber Douglas Studio, a black box studio theatre with fixed lighting catwalks which allow for flexability, both in terms of design and staging.

Technical manager Phil Rowe says: "The show was set in traverse, and its divised nature required a broad colour palette. But our fixtures' scrollers were coming to the end of their life, which gave us an opportunity to try some LED fixtures, ahead of the new uilding which is being planned, and which will be largely

Details

14 March 2016

The Book's The Thing - A new theatre company hopes to reinvigorate local libraries through theatre. Librarian Theatre will tour productions to libraries across the UK in what founders Tom Cuthbertson and Kelly Eva-May, who are both actors, say will be the first touring company dedicated to visiting regional libraries. Its first production, an adaptation of Hamlet called The Book'

Details

14 March 2016

SiPA's Craig Bennett reported that "over 70 representatives of all corners of live production had come together over the last year to uncover 10 shared goals, formed from stories from across our industry".

The initiative encompasses issues around equality, well-being, education and development, waste, procurement, renewable energy, transparent reporting of environmental and social impacts, fair pay and resilient industry economics.

Leading the ratification of the goals by industry figureheads, Professional Lighting and Sound Association (PLASA) CEO Matthew Griffiths said: "We need to move quickly to finding reso

Details

14 March 2016

One of Novus Leisure's approved suppliers, Middlesex Sound & Light (MSL) specified CDD as part of a major overhaul, having already fitted the manufacturer's new Coaxial Differential Dispersion technology in several other high profile sites.

"We had also carried out a number of other recent refits for Novus using Martin Audio's AQ range, which we were great fans of," said MSL project director, Darrel Olivier. "But this high profile venue provided the perfect opportunity to debut the new CDD. In terms of aesthetics and sound quality CDD is a definite improvement, offering wider dispersion, as we

Details

14 March 2016

The Advocate, located in Berkeley's chic Elmwood neighbourhood, combines soulful northern Californian fare with the Meyer Sound variable acoustics to create a multisensory dining space in which guests can converse easily over a comfortable background buzz.

Paluska pushed the importance of restaurant sound to the forefront when he installed Constellation in Comal in 2012. "After the success we had with Libra and Constellation at Comal, there was never any question that we would also incorporate them at The Advocate," he says. "It's always worthwhile putting extra effort into making a room sound its best