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14 March 2016

HSL's John Slevin is project managing with Emma Nolan and comments: "We're really proud to be involved in this production, it looks and sounds great and is really engaging audiences old and young."

The action takes everyone back to the early days of Glenn Miller's career, his passion for music and the development of his distinctive and complex swing sound.

The lighting plot utilises seven over-stage LX bars and features a wide variety of lighting fixtures including over 60 moving lights. Forty of these are from Robe's DL LED series -luminaires especially built for theatre applications - which were

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14 March 2016

"Res X has over 120 Martin MAC Aura yet however many we purchase, they are never in the factory as everyone wants them from theatre to TV to events," remarked Tim Hall, managing director of Resolution X. "For quite some time, we have realised that an Aura is actually too bright in a lot of the applications we have been using them. So as soon Show Technology and Martin told us about the Rush MH6 we knew we wanted them. It allows us to provide a more cost effective option for our clients without compromising on quality. Another bonus is that the optics match both the MAC Aura and the Rush PAR Zoom."

Designed for night venues and liv

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14 March 2016

The organisers of the event turned to DiTech AV of El Campo, TX to handle the lighting, audio and video design and production - and powerful fixtures from PR Lighting formed a major part of the lighting inventory.

The production has grown substantially since Paul Guthrie, owner of DiTech AV became involved with the event 10 years ago. This year they exceeded expectations and challenged themselves with a design that departed from anything they had done in the past.

Guthrie worked with his LD Dan Brunson to conceive the design. With the stage being so large, the biggest challenge was creating an intimate feel to the space, without losing it

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14 March 2016

Lighting designer Aaron Swetland worked to create a design that both filled the massive stadium and light the basketball court. The result was an enormous eight point star design with circle truss nestled in the middle covered in hundreds of moving lights.

"When you do a concert, you do 60 by 40 area, but Big Blue is huge, so we used a ton of wash fixtures like VL 3500 washes over the court to give a big fat

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14 March 2016

Minneapolis, MN-based Parsons Technologies systems engineer Mark Schultz, "The main objectives were to provide a quality audio upgrade and stay within the budget of Oakland Athletics. In terms of processing, we also needed to select equipment that would complement and support the Dante network being implemented throughout the site. After evaluating several possible scenarios, we determined that using t

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14 March 2016

Erie, PA-based Grisé Audio Visual Center, Inc., a design / build AV integration firm that also has a live events division, was contracted to design and install the new sound system at The Gannon Recreation and Wellness Centre. Greg Hardner, the company's sales & production manager, designed the sound reinforcement system, which included 69 D.A.S. Audio CL-6TB ceiling speakers, 22 Factor 8T loudspeakers, and 10 Arco 4T loudspeakers. He discussed the project and his fondness for D.A.S. Audio.

"The decision to install a sound system throughout the facility was approved with only six weeks of construction remaining before t

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14 March 2016

"We turned to AV Stumpfl as the number one company to handle a project of this scale," explains Apostolos Papadopoulos, managing director at 360 event agency.

For this project, the AV Stumpfl Curve screen needed to be incorporated into futuristic architecture and design of the presentation. The screen was made to measure for its application and delivered ahead of schedule. 360 event agency integrated with five Barco HDX-W20 high-definition projectors and content was edge-blended onto the screen alongside state-of-the-art acoustic and video conferencing technol

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14 March 2016

Hawthorn has strengthened its position in the concert tour sector this year after supplying equipment for a series of prestigious European wide arena and theatre shows for high-profile music artists including Mark Knopfler, Squeeze, The Charlatans, Steven Wilson and Status Quo.

For the New Order shows, the Concert Touring division in Hawthorn is drawing upon its extensive range of hire equipment, supplying lighting to specification, including Martin MAC Viper Profile and Wash DX, Clay Paky Sharpy, Clay Paky Stormy and Robe BMFL fixtures, as well as providing the video element, which includes Glux 10mm LED panels. Hawthorn is also supplying rigging and drapes.

Mick Freer, concert touring manager at Hawthorn, said, "Ne

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14 March 2016

"I've always made sure that a bridge evolves out of the community, the environment that it's in," says Donald McDonald, the San Francisco-based architect who designed the bridge. As a statement on the importance of the river to the Portland area, Tilikum Crossing was designed to integrate compelling architecture and dynamic river conditions with a thrilling display of light art that now accentuates the Portland skyline, keeping the 5

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14 March 2016

A project of Triyar Entertainment Group, Dakota is a new build venue that fills a niche in owner Shawn Yari's string of Scottsdale properties that include Maya Day + Nightclub, The District and the W Scottsdale Hotel. "All of the properties have different niches," explains Adrian de Pamphilis, owner of Fyxx Entertainment. "Dakota caters to a bit older and more professional clientele than Maya and The District, which target more the younger 20-something crowd."

Dakota is loc

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14 March 2016

Pawel Pajak (AKA Spider) from Fish Eye was the tour's creative visual director - creating the lighting, video and set designs - in 2012 and 2013. This year, the organisers asked him to take on this same role again plus co-ordinate the budget and suppliers needed to realise the various stage concepts, so he became the project's creative producer. For the main moving lights, he specified over 100 Robe products.

The client wanted good looking visually stimulating shows with high pro

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14 March 2016

The main room is home to two towering Funktion-One DS4 Dance Stacks. The DS4 configuration features two F221 21in bass enclosures at the base, two DS15 speakers for punchy upper bass and low-mid frequencies, and two DS210 loudspeaker enclosures, featuring dual axhead-loaded 10" mid-high drivers and dual 1.4" compression drivers.

Two Funktion-One Evo 6SHs - the skeletal addition to the new Evolution 6 range - have been deployed for infill. Amplificati

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14 March 2016

The hard work carried out by volunteers and members over many years has converted what was once the United Reform Church into the modern performance venue that is the Playhouse Theatre Whitstable today. The conversion work has involved building a stage, removing the balcony from the side walls, installing a stepped auditorium floor, building a sound and lighting control room in the balcony and installing additional seating. The lower floor has been converted into a bar, club room and dressing roo

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14 March 2016

The report represents the first ever comprehensive analysis of sales data for theatres outside London. It found that 2014 was a stronger year than 2013, with a higher proportion of tickets sold and more cash value achieved.

Musical theatre accounted for £153m (38%) of total box office in 2013 and £162 million (39%) in 2014, signalling the genre's continued popularity across the

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14 March 2016

The show, which ran for 21 weeks, exceeded all expectations, making it the most popular in the V&A's history. Now a play which delves into the visionary imagination and dark dream world of the late designer is taking the West End by storm and Unusual Rigging are once again at the centre of the action.

Mark Davies, production rigger at Unusual Rigging, explained: "Lee Batty, the show's production manager, first involved Unusual in the project when the show opened to rave reviews at St James' Theatre. He subsequently got the green light

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14 March 2016

In previous years, DiGiCo has chosen to support some amazing causes and some now sadly departed individuals, with the audio industry coming together as one for what is an always-memorable night. This year, DiGiCo chose to support UK events charity Behind the Scenes.

"We have been supporters of Behind the Scenes UK since its inception two years ago, through its various charity events like the golf days and the recent karting day at Sandown Park, as well as lobbying the industry for support," says DiGiCo's MD James Gordon. "This year, it was a natural

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14 March 2016

"With the new Meyer Sound system we have excellent response, from the top to the bottom of the frequency range, at every seat," reports Ross Dines, PizzaExpress music manager. "It's a completely different world-you can hear the difference on every instrument and voice. It's been a real game changer for me."

For Luc Saint-Martin, the club's FOH engineer, the loudspeaker upgrade gives assurance that his mix will be heard uniformly throughout the room. &

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14 March 2016

Colour Sound Experiment was asked to provide rigging, trussing, lighting and LED screens for the six main tented arenas which featured sets from Duke Dumont, The Martinez Brothers, Sigma, Sven Vath, Jamie Jones, Luciano, Ricardo Villalobos and many more.

Fourteen top Colour Sound crew were led by Jon Rickets and worked closely with the production team from The Dark Horses and technical production manager James Brennan, who co-ordinated all the site production.

Colour Sound's Haydn Cruickshank, comments, "It's exciting to see a new festival growing and finding its identity, and also embracing 'small is beautiful' whilst invest

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14 March 2016

The transformation, led by Trahan Architects in collaboration with Theatre Projects (theatre designer and planner) and Talaske (acoustician), will include a complete overhaul of the Alliance Stage, their 770-seat mainstage theatre. Among dozens of improvements and additions, the overhaul will entail re-seating the room to pull the audience closer to the stage for a more intimate experience, new staircases and terraces for better audience circulation, a new audio system, upgrades to LED lighting

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14 March 2016

"The Leopard system raised sound quality for Hestival to a new level, and coverage across the site was very even," reports Toon Van der Veken, managing director for Stage Unit. "Even at the back of the audience area - nearly 90m away - the sound was still balanced, full, and enjoyable. The system scored 100 percent in every respect. The organizers said it was the best sounding system in the 11-year history of Hestival."

According to Van der Veken, Stage Unit's Leopard investment is not only keeping his long-established

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14 March 2016

Sponsored jointly by Ambersphere Solutions and Pulsar Light of Cambridge, the aim is to challenge six teams of students from different colleges across the UK who are studying technical lighting at further and higher education levels, to each light one of the locomotives in the Museum's Great Hall. Each team is given a selection of lighting fixtures, an MA dot2 console and two hours to rig and programme their chosen design.

Even for those not smitten by the sight and smell of these gigantic engines, there can be no doubting the very real challenge of successfully illuminating one of these heaving beasts of yesteryear. With a limited number of fixtures and with some of the locomotives up to sixty metres in length,

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14 March 2016

Recorded at the Stern Film Studio on Pomaz, close to Budapest, Hungarian producers Show & Game Production followed the style directions and replicated the rules established by the original UK series producers, Objective Television, who licensed this version, broadcast on leading commercial channel, TV2.

Hungarian production manager Krisztina Bene explained that they were recommended to S+H as the interactive floor supplier by Objective Television, from which they also rented key elements of the set

Presented (in the UK) by Phillip Schofield, Cube contestants can win up to £250,000 cash by completing straightforward tasks - like balancing, catching, throwing, estimating, reacting, memorising, etc. - wi

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14 March 2016

The project made use of and fully showed the capabilities of Astera's long-distance RF technology found within the AsteraBox and AsteraApp.

The production was to mark the beginning of Astera's recently announced partnership with Kaiser Showtechnik, who produced the video, and their investment in marketing Astera for the German-speaking market.

A 14-man production crew was brought in to organise the project and capture the beautiful effects, brought to fruition by lighting designer, Chris Schatz. The footage was then compiled and edited by CorneliusFilms. The video can be seen on Astera's Faceboo

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14 March 2016

The show was lit by Dubai and UK based LD Steve Shipman whose design used over 120 Robe moving lights including 12 x BMFL Spots, all supplied by technical production company Solution Media. Steve had also designed lighting for the same show in London in August.

The brief was to design a big colourful show with lots of WOW factors and eye-candy, so he set to work using the kit that was available from Media Solutions, which included 12 x MMX Spots, 18 x LEDWash 1200s, six LEDWash 600s, 34 x LEDBeam 100s and 40 Pointes plus the BMFL Spots which were positioned on the floor.

Eight moving trusses (on a Kinesys system) we