Events

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14 March 2016

Adlib's head of lighting Pete Abraham says: "It's exciting to be working with such an amazing breakthrough artist as Mika. There's a massive buzz about him and he's a great live performer. Ian came up with a highly adaptable and dynamic rig that fitted a variety of venue sizes." These ranged from the Birmingham Barfly to Koko in London.

Tomlinson started with floor-based trussing to build a structural outline for the stage. To give it a quirky flavour - matching Mika's interesting performance style - he chose a semi circle of truss that rested on the floor at the back creating an arched effect, flanked by two quarter circles, which also appeared as arches.

Onstage

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14 March 2016

Among the wide selection of DPA products on display will be the SMK4061 Stereo Microphone Kit, billed as a cost-effective and flexible stereo recording solution aimed at project studios and for discreet mic setup on stage. The kit packages two DPA 4061 high quality omnidirectional miniature microphones with a variety of mounting accessories.

Another recently introduced product is the BLM4060 Boundary Layer Microphone for use in boardrooms, conference facilities, courtrooms, teleconferencing and any application "requiring excellent vocal pickup". The BLM4060 is a transducer designed to work under optimum conditions when placed on a tabletop, and also performs well on any hard, flat surface that reflects sound.

Also on show at

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14 March 2016

For those who want to hear a XL8 through a large PA system, two more will be performing front of house duties for all three stages at the Agora Tent, handling a range of live performances throughout the day and into the night, while the fifth XL8 will be installed in a private VIP room where Midas will host hands-on demos for the duration of the show.

XL8 is the first of a new generation of open-architecture, cross-platform, integrated audio control and distribution systems, which brings control of not only audio, but other aspects of live performance to a single, intuitive control centre. XL8 represents

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14 March 2016

On the Dataton stand, five DLP Projectiondesign projectors - one F20sx+, three F30 sx+ and one Cineo30 1080 - will be integrated with Dataton's Watchout software platform for edge-blending and large-screen presentations. All projectors utilise Texas Instruments new BrilliantColor technology for the reproduction of images.

First unveiled in 1999, Watchout is a PC-based platform that allows for the creation of automated, multi-display presentations at corporate events, trade shows and live theatre productions, and also in installed applications such as theme parks, corporate headquarters and shopping malls.

"For some time now we have be

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14 March 2016

The lighting supply was a joint production between HSL and its Blackburn neighbours Lite Alternative. This combination worked well on the recent Human League tour which Sinclair also directed.

HSL's Mike Oates says: "It's great to be working with Rob again. He has a unique vision and creative direction, and is always coming up with new and innovative ideas and presenting us with new challenges."

Sinclair wanted his lighting design to be flexible enough to give the band plenty of space when they needed it, whilst also to being able to close the show right in at more intimate moments. He chose to do this using pantograp

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14 March 2016

As well as a rehearsal space, Keane will be using the premises to write new material. The band is currently rehearsing for its forthcoming UK arena tour, which will be closely followed by a tour of South America in April.

Freelance engineer, Ant Carr, started working with Keane when he was part of the Skan PA Hire team in Reading, where he covered system tech duties for several band engineers. "I had a look at what consoles were available before deciding on the GL2400," he says. "I had a set budget and in all honesty, there wasn't another desk available for the price that could provide the professional features that the band needs."

(Jim Evans)

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14 March 2016

Andre Serafini, technical production manager for the event, explained: "This was very much eleventh hour. As soon as we saw the renderings of their huge triangular set, a mass of Pixel Line, Versa Tubes and video wall we knew there was no way we could put other acts on in front of them without revealing the magic."

Promoters, Haddad Productions, also saw the dilemma and without hesitation ordered in another 60 x 40 outdoor stage. "We also had to pull in another PA system," continued Serafini. "My company, Beach Sound Incorporated, already had the other four stages covered, but we were max'ed out equipment wise with some simultaneous corporate events elsewhere in the States taking the last of ou

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14 March 2016

For the first time ever, L&SI is offering full-time professionals on the European mainland the chance to sign up for one year's FREE subscription to L&SI magazine - a subscription that would usually cost around 75 euros (£50). Visitors to the show can sign up for this great offer by visiting the PLASA/L&SI stand at the Hall 8.0 Walkway, stand J80. (Look for the VPLT, ESTA & PLASA signs).

(Lee Baldock)

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14 March 2016

Arranged and managed by Stephen Rickard at Blitz, the stand operated as an input station; it incorporated an array of AV equipment designed to encourage visitors to key in their thoughts and ideas about possible future inventions and lifestyle ideas that might improve the travelling experience.

These visitor contributions then appeared interactively in 'clouds' above a full motion image of the Virgin train, displayed on six horizontally mounted seamless plasma screens. This method of data capture ensured that Virgin would be able to provide specific and relevant information about Virgin Trains to the

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14 March 2016

Integrated Systems Russia will include a comprehensive programme of workshops, seminars, round table discussions and company presentations. Aimed at custom installers, dealers, resellers and influential buyers, the educational programme will "not only inform, but also influence and inspire the key decision makers", according to the organisers.

Attendees are expected to convene from across the vast CIS reg

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14 March 2016

KIVA also fulfills the five WST (Wavefront Sculpture Technology) criteria in line with the scientific concepts introduced by L-Acoustics in 1992 and shared by the benchmark WST lineage of V-Dosc, dV-Dosc, and Kudo.

The system is "highly appropriate" for both the fixed installation and rental production markets. The main system components consist of KIVA, full-range element operating from 80 Hz to 20 kHz bandwidth; KILO, complimentary low frequency extension element operating from 50 Hz to 100 Hz bandwidth, and the LA4 amplified controller.

"KIVA delivers a considerable number of imp

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14 March 2016

eJamming AUDiiO provides a virtual practice and recording studio for musicians and singers worldwide. With eJamming AUDiiO, musicians can write, rehearse, record, learn and play with each other over the Internet, in real time and more importantly, in synchrony. All they need is access to a computer, broadband connection, audio interface device and microphone, says the company.

The eJamming AUDiiO portal includes such social networking features as searchable musician profiles including music samples, an automated calendar for scheduling sessions, forums, celebrity blogs

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14 March 2016

The ColorWash 2500E AT is the most powerful wash light currently available in the Robe range. Using the MSR Gold 1200 SA/SE FastFit lamp and a 1400W electronic ballast, the fixture offers a smooth linear motorised zoom, full CMY + CTO colour mixing system, two colour wheels with six easily replaceable slots and combined dimmer/shutter unit.

Also highlighted will be Robe's newly released 700 Series of moving heads, featuring the ColorSpot 700E AT, ColorWash 700E AT and the ColorWash 750AT

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14 March 2016

"The SRM150 integrates the proven technology from the SRM series, along with an easy-to-use onboard mixer in a compact package," said Mackie Brand group vice president John Boudreau. "It makes the SRM150 the perfect choice for a wide range of applications such as boardroom and classroom A/V, and live music performance in venues such as coffee houses, piano bars, and rehearsal rooms. Plus, the SRM150 outperforms everything in its class by delivering higher

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14 March 2016

Currently aimed at domestic applications, but also likely to attract attention from designers of retail and leisure spaces, FeONIC technology can be used with any audio system with sufficient power rating, replacing conventional speakers in 2.1, 5.1, 7.1 and even 9.1 systems, the company says.

FeONIC says its audio systems can be created from standard plasterboard, MDF, plywood or blockboard, and hardwood floorings, creating a truly integrated, hidden sound system. It also offers the benefits of an even dispersion, rather than the 'sweet spots' associated with conventional loudspeaker technology.

(Lee Baldock)

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14 March 2016

All they'll say about the new product release is: "It has legs, it's powerful, it's built well, and more importantly it's want you've been asking for."

Alongside the new product release will be the full LSC catalogue including: the maXim control consoles with built in Capture Visualisation Software allowing the user to fully integrate with their programming, and the complete range of dimming and power distribution products.

(Lee Baldock)

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14 March 2016

The AV-M8 converts 8 analogue audio channels to a digital stream and provides eight mic-level inputs. It offers plug-and-play simplicity that runs over an easy-to-install Cat 5e cable, requiring no drilling of conduit.

Two channels include a 30dB switchable pad, allowing line-level signals to be connected. Eight channels of digital audio may also be input via ADAT, from a second AV-M8 module. Analogue audio is input via eight latching 5.0mm Euroblock connectors. Each analogue input channel features a set of configuration DIP switches for individually selectable gain settings, +48V phantom power, and low cut filter.

Analogue input chann

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14 March 2016

TMB has been appointed the exclusive distributor for Blues System in the Americas, Asia and the Middle East. Said Chris Curran, TMB's architectural sales director: "Blues System is truly one of those 'why didn't I think of that?' new products. It solves many backstage lighting problems as well as offering options that were previously impractical. We were almost overwhelmed by the positive response at USITT and also by the various possible new applications that arose during con

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14 March 2016

Dubbed "revolutionary" by Osbourne, the Jägermeister stage is a 34ft long, fully self-contained stage complete with a full audio sound system provided by JVC Mobile. The entire PA system, provided by Peavey Electronics and Schecter Guitars, will be hung for optimum sound. Lighting consists mostly of LED-fitted fixtures (COLORpalette and LEDrain 56 washes, LED white Technostrobes) and 10mW Scorpion lasers. All lights are controlled via Chauvet ShowXpress software.

"We are incr

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14 March 2016

Industry professionals visiting Frankfurt can take advantage of free registration to PLASA07 by visiting the PLASA Stand (J80) in Hall 8.0 where special registration forms will be available.

12,852 (ABC audited) trade buyers attended PLASA06 and the 2007 event - which has been extensively redesigned - is set to draw much bigger numbers. Re-bookings for exhibition space at Earls Court 1 and 2 are strong, ensuring that PLASA07 will be the key exhibition this year for emerging technologies and innovative ideas.

Online registration will be available from Monday 2 April enabling potential visitors to sign up via the newly redesigned and user-friendly website which will serve as the Informa

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14 March 2016

Audio is distributed to the AV-P2 over standard Cat 5e cables, using Aviom's A-Net digital audio protocol. A-Net supports realtime distribution with sub-millisecond latency, and long cable runs up to 500ft/150m.

There is no limit to the number of devices that can be daisy chained, or to the number of parallel splits in a single system, says the company.

Power can be supplied to the AV-P2 with an external DC power supply or over the Cat 5e cable (with an A-Net Distributor). Additionally, Pro16 A-Net audio streams can be transmitted over single- or multi-mode fibre optics using certain standard third-party media converters.

The AV-P2 has reversible mount

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14 March 2016

apt-X Live has already proven its audio quality in a series of independent listening tests where participants were unable to discern any difference between 24bit, 48kHz PCM Audio and apt-X Live, says the company. Shure Inc has signed a licensing agreement to incorporate the technology into its wireless live performance products.

(Jim Evans)

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14 March 2016

The new catalogue features the entire W-DMX Generation 3 line, the newest feature-packed product range for Wireless DMX. Generation 3 includes new and improved features such as easy overview of signal strength and battery power, plus full implementation of DMX over Ethernet.

(Jim Evans)

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14 March 2016

Visual Productions has "decided to allow their future generation of lighting control software to be led by the current market developments in lighting: namely LED technology". Canvix has been designed for the exclusive use with LED matrixes.

Working with the established hardware available from Visual Productions, Canvix tackles the control of matrixes with "a unique concept": instead of controlling the LEDs individually, Canvix bundles together all fixtures to form one whole canvas; a 2-dimensional area on which effects and graphics can be applied. This powerful approach allows for sophisticated video-alike visuals, as well as fast pixel painting for the easy creation of graphics, says the company.

By reusing c