Events

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14 March 2016

The system comprised 14 TA-890H three way mid/high enclosures, 18 TA-890L bass enclosures and six TSW-218 18" horn-loaded bass cabinets.

"We're using exactly the same cabinets, same array and the same Dom [Harter] from Turbosound, who came down to help put it in on the first day," says Britannia Row's sound crew chief for the Hyde Park events, John Gibbon. "We decided to stay with Aspect again this year because it worked so well last year and we have the same kind of bands playing. At one point the specification was changed, but as we know what works well in the kayam tent that hous

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14 March 2016

The Butterfly Hi-packs were used along with 20 Subtech 218, and the system was powered by Outline T Series amplifiers. The system engineer for the maxi-concert was Sherif El Barbari.

This same Outline array will be used again at Wembley Stadium this weekend as part of the sound reinforcement for Live Earth.

(Jim Evans)

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14 March 2016

This free event will gives attendees the chance to see the latest products from Selecon including the new improved Acclaim range, Rama Fresnel and the Performer range of follow spots including the RUA. There will be a series of demonstrations of the Selecon range as well as hands-on opportunities.

Sebastian Barnes from the Midland Arts Centre says, "The day is designed to coincide with a meeting of the, Midlands Technical Forum. Visitors and new members would be most welcome."

(Jim Evans)

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14 March 2016

Broadcast live on BBC One and Two and presented by Jonathan Ross and Graham Norton, the Wembley show featured performances by Madonna, Red Hot Chilli Peppers, Razorlight, Snow Patrol, Keane, Corrine Bailey Rae, Genesis, Duran Duran, Paolo Nutini and many more.

Co-ordinating all the video elements between XL and the various event designers, producers and others involved in screen content, was screen producer Chris Saunders.

Although XL already had also a large video system installed at Wembley for the Princess Diana Tribute concert just six days before Live Earth, this all had to be removed in the meantime. Some kit from that system was then re-installed for Live Earth along with several new and different video elements.

Flanking both sides of

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14 March 2016

Featured new products on the stand will include the Geni Visage LED Video Floor Module. This new stage and club lighting product can reproduce stunning motion effects as well as real time video driven through PC DVI, at a fraction of previous costs, says the company.

Also new this year are the Geni OBY5 Professional Profile Moving Head - a fully equipped, premium quality HMI575 13 channel DMX profile moving head; the Geni OBY600 Professional Wash Moving Head - a precise, quiet and smooth HMI575 15 channel DMX wash moving head designed for professional stage and production use and the Geni LED Power Blinder, controlled by DMX 512 or stand alone audio animation.

(Jim

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14 March 2016

The NSDF is a week long celebration of theatre, live performance, discussion and special events covering all aspects of theatrical performance including technical topics.

Stage Electrics - a regular LTM customer - initiated LTM's invitation to participate. The seminar was attended by technical theatre students and some who had recently left college and are now working in theatre after completing a variety of different courses, many of them geared towards sound and lighting.

NSDF technical director Anna Cole comments, "This year the technical workshop programme was the strongest yet. It was really fantastic for LTM to come to the festival, and feedback indicates that the workshop was interesting, and that it was encoura

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14 March 2016

On the main stage, Russ Tite mixed The Kooks set on one of SSE Audio's four flagship Vi6 digital consoles, while another of their boards was on monitor duty with Kasabian's sound engineer, Mark 'Yogi' Novissimo.

SSE Audio's Pete Russell comments, "Sound engineers like Russ Tite really like the sound of the desk," he says. "One of the real plus points is that it has its own plug-in FX card with its own Lexicon DSP, so you can't run out of processing power. This is not the case with other digital desks, which can run out of DSP if you have lots of idle plug-ins."

He continued, "Bo

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14 March 2016

Named in honour of the late Tony Gottelier, the industry innovator and commentator who passed away in 2006, the Gottelier Award is aimed at those members of our industry who have made a significant and sustained contribution to the advancement of entertainment, presentation or installation technology - whether in audio, lighting, rigging, staging, or any other related field.

Once the deadline for nominations passes this Friday (13 July), a shortlist will be drawn up of the most widely nominated people, and their names will be put forward, along with a brief summary of their achievements, to the Gotte

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14 March 2016

"This was a terrific CEDIA Expo," says CEDIA chairman, Simon Williams. " The event was bigger than ever, and looked more professional than ever. Exhibitors really stepped up to the plate, putting together some fantastic stands. And the education programme was again a top attraction for delegates.

"With mandatory certification on the horizon, the designer and installer examinations proved especially popular. CEDIA Expo continues to grow and we look forward to another great event in 2008."

(Jim Evans)

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14 March 2016

Around 3000 attended the event, with estimated television audiences of 800 million in China and two billion worldwide. Promoter for the event was Live Nation in partnership with OPG.

A 15m Orbit Flexidome was chosen as the appropriate stage system, as the site has a shopping mall beneath and no other structure could provide the rigging capacity combined with low self weight and point loads. Working on the roof of the shopping mall also meant the use of any cranes, pickers or forklifts was not allowed, so the whole system had to be hand

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14 March 2016

Audile of Manchester provided a Funktion-One PA system, comprising Resolution 5s and F221 subs, with a range of XTA units including two DP448s at front-of-house, with a DP324 SiDD inserted over the left and right channels being utilised for system EQ. A GQ600 graphic was also inserted at FOH for guest engineers to get their hands on. To keep the DJs under control, a D2 was set to work which helped to get levels consistent across the whole audio spectrum with the varying material being supplied by

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14 March 2016

The BB's were selected by the London event's lighting designers Patrick Woodroffe (responsible for the stage/show lighting) and Mark Kenyon (responsible for the TV and BBC's lighting requirements), and supplied by lighting contractor PRG London - along with all the other equipment.

Lighting for the Live Earth concerts challenged its designers to make the rig as energy-efficient as possible, so they used as many high output, low-energy lighting fixtures as possible - including LED and HMI sources. (Tungsten elements were reduced to an absolute minimum).

Ahead of the event, PRG's project director Carol Croft, approached a series of LED lighting manufacturers including i-Pix and asked them t

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14 March 2016

Chris Jenkins, BIC's entertainment and events manager and chair of the Bournemouth and Poole Music Industry Forum says, "Sun, Sea and Sound is all about encouraging people interested in pursuing careers in the most creative industry on the planet. There is no time like the present for our local industry to come together and hopefully inspire the future of the music business. This is great event for Bournemouth and Poole."

The Bournemouth and Poole Music Industry Forum was set up to provide a catalyst for projects like this and to provide a mouthpiece for the music industry in the are

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14 March 2016

The Scenofest attracted over 7,000 theatre students to a giant international festival of theatre technique. Its aim is to encourage students of lighting, staging, scenography, sound design, costume, makeup and more to expand their artistic and technical horizons through mutual collaboration during over 300 performances, events and workshops.

A non-profit event, Scenofest 07's numerous venues and stages were built and equipped on a voluntary basis.

ADB Lighting's contribution was to equip two main stages with its latest luminaires, including the motorised WARP/M automated zoom profile spotlight. ADB rigs featured in both the iconic Paper Box Theatre and the central Scenofest Stage.

Michael Ramsaur, pr

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14 March 2016

This year's show is all about change, the new layout brings Penton back to the ground floor with a remodelled stand, an updated catalogue, improved existing products and a debut into the pro-sound market, says the company.

Penton will launch of its new Pro-Sound Ceiling Loudspeaker range. This line has been two years in the making. It comprises 16 ohm, low impedance units for applications that require high audio quality, and 100v line units for use with commercial audio applications looking for the very best in audio reproduction such as background music, theatres, schools and hotels.

These ceiling speakers are packaged in a sealed, ported enclosure complete with a removable grill with no visible fixings and fitted with a rotary tapping selector locat

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14 March 2016

Stage Electrics staff presented Colorweb, which was a key interest at the show with an 8m x 4m section suspended along one side of the exhibition hall. The Colorweb system was programmed by Projected Image Digital, who provided on site advice and demonstrations of the PixelMAD LED mapping software and media server throughout the day.

Stage Electrics also presented the Apollo Right Arm, and also at the show was the HME DX200 wireless communication system, plus products from Swisson and Prolyte.

Business development manager Ed Gamble said, "It has been a fantastic event for both manufacturers and customers, spending time together taking an in depth look at some of the most exciting new technology in the marketplace, all in

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14 March 2016

"The day-long programme included military bands, USAF flyovers and kids' entertainment leading up to the big firework display, all fed to remote jumbo video screens reinforced with EV equipment," says Moore.

"We used ZX5 speakers to cover the Grand Terrace, Xi-1122 to cover the VIP area, and Xi-2123 to cover the parking lots - even the visitors barbecuing way out there could see and hear everything clearly. And of course we were also running EV CP series amps and Dx34 and Dx38 processing. The systems were time delay

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14 March 2016

"Jazz World is generally regarded as the musicians' stage," according to APR Audio's crew chief Matt Gunter. "This is where the real musical talent plays, and I suppose we do go the extra mile for them. But this stage is respected by the performers, engineers and audience because of the consistency of the sound. Jazz World uses the same PA every year, and we bring good experienced crew. We saw the noise police only once - we ran at 96dB all weekend, and had no problems at

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14 March 2016

A crucial part of guitarist Pete Townshend's stage set-up is a Crest XR-20 rack-mount mixer which has performed every show with him since the beginning of the tour.

Dick Hayes of Entec Sound and Light, long-time suppliers of audio equipment to The Who, explained that Townshend uses the XR-20 to do his own band mix onstage. "It receives sub mixes from the main FoH and monitor consoles and then Pete takes it from there. I'm pleased to say that, contrary to our initial expectations it does an extrao

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14 March 2016

The show was halted after just six scenes on its opening night for about 10 minutes due to "technical difficulties", the audience was told. Fans were left waiting while the problem was sorted - thought to be an issue with the rotating floor.

It was not the first occasion in recent times that a technical issue has hit a high profile West End production - Chitty Chitty Bang Bang also had difficulties in its early shows. And a West End preview performance of the Lord of The Rings musical had to be cancelled earlier this year when actor Adam Salter broke his leg after getting it trapped in set machinery.

Despite the first half hiccup, it was a standing ovation for t

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14 March 2016

Patrick Woodroffe was the global designer for the project, creating a formal plot that would be developed into the flagship London rig. As it was impossible for him to be present at all the events, he appointed a team of lighting designers - one in each hosting country - to re-create individual designs based on the availability of fixtures in the various locations.

In New York, Performance Environment Design produced the show and lighting designer Patrick Dierson explains, "We were approached not only out of trust, but also due to our past efforts in promoting environmental sustainability within live entertainment production. The crux of Woodroffe's vision for

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14 March 2016

Charcoalblue's specialist consultants worked in close association with architects Haworth Tompkins on the award winning Young Vic; John McAslan and Partners on the critically acclaimed Roundhouse and Ian Ritchie Architects on the RSC's groundbreaking temporary new home - the Courtyard Theatre.

Andy Hayles, managing director of Charcoalblue comments: "It was a great night. We're extremely proud to have been so closely involved with all three winning projects. It's great to see our contribution recognised from time to time."

(Jim Evans)

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14 March 2016

Staged by Seensee Musical Company at the Seoul Arts Centre Opera House, Dancing Shadows is an adaptation of the play Forest Fire, written by the celebrated Chilean Ariel Dorfmann. Music and lyrics are by Eric Woolfson of the 1970s rock band, Alan Parsons Project, with direction by Paul Garrington, lighting design by Simon Corder and sound design by Richard Brooker.

With plans to bring the show into both the US and Europe over the next couple of years, this initial production was designed to match up to international standards in all respects. Richard Brooker assembled a talented local sound tea

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14 March 2016

"For the complex setup that was spread over a long distance, the grandMA control system proved to be an invaluable tool. Its huge pre-programming abilities saved a lot of time during the design as well as during the programming part of the project development," says lighting designer Pawel Pajak.

One grandMA full-size and one grandMA light were used for the stage lighting and video server control. Additionally, another grandMA light controlled the searchlights using two wireless DMX lines. Two MA NSPs and grandMA 3D were also included in the event.

"Since the setup consisted of intelligent lights and video on stage with the searchlights being set on the other side of the river, we found working with the MA Net etherne