Events

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14 March 2016

Electrosonic was tasked with delivering AV systems that met the needs of media consultancy RomeAntics and media designer and producer Local Projects.

"Almost all the smaller screens at the NMAJH that require projection use projectiondesign," explains Bryan Abelowitz, system sales consultant at Electrosonic.

Depending on the throw distance, image brightness and resolution required at each location, Electrosonic selected projectiondesign F12, F22, or F32 projectors, and Abelowitz is pleased with their size and performance.

Anders Løkke, marketing director, projectionde

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14 March 2016

Contracted by Al Ain Football Club, the production company ensured that the high output 35,000 lumens projectors, brought the event to life for the 11,000 people who gathered in the Tahnoun bin Mohamed Stadium, showing HD content and bespoke graphics throughout the event.

Images were projected onto a huge 60m x 90m canvas, using the Christie Twist module in the projectors, with the show run through a Dataton Watchout system.

With a throw distance of around 55 metres, MediaPro used 1.45-1.8:1 zoom lens on the projectors, which were mounted on scaffolding platforms positioned in the upper grandstand. This

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14 March 2016

On hand was Illuminate Design, who set up and managed the lighting for all five stages, with an anticipated audience of up to 90,000 - as well as a number of different craft areas with a small but functional lighting arrangement.

Project manager Robin Shephard-Blandy reports, "We have worked on the Mayor's Thames Festival many times before, so knew the organisers of the Diamond Jubilee Pageant already. They asked us to help with a number of different stages, with a finishing time of 7pm - which meant ev

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14 March 2016

Chairman Richard John introduced a team of leading events industry professionals to debate the benefits and the development of blended, or hybrid, events in some detail. The viability and effectiveness of the eStream streaming solution was clearly demonstrated on the day, with 25% of the audience watching and interacting online as remote participants.

Topics and questions from the room and from the online audience were discussed, broadcast and captured, using the Saville iDEA iPad platform to sample opinions and display results on screen. Nearly half the audience comprised professional event organisers and 60% saw the benefits to accessing a wider audience coupled with the ability to respo

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14 March 2016

For the last seven years, i-Pix has been creating LED lighting fixtures that have immediately become the favourites of lighting designers working across the full spectrum of entertainment lighting, from concerts and live events to theatre productions. At PLASA Focus, staff from White Light, i-Pix's distributor, will be showing the new i-Line 600 and i-Line 1200 battens. Building on the success of i-Pix's renowned BB range, the i-Lines are six-cell or t12-cell colour-mixing fixtures offering high light output in a beam that is completely blended. The i-Line fixtures deliver over five times the output of the original BB range. The new fixtures have already been put to use lighting the Queen's Diamond Jubilee con

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14 March 2016

Benedetti secured a £2m, six-album record contract after winning BBC Young Musician of the Year at 16 and has risen to international fame. She has also been involved in supporting the Big Noise orchestra in Raploch, Stirling - inspired by the Venezuelan El Sistema scheme to help poorer children. The violinist said: "So many people up and down the country are trying to create a better foundation for musical education.

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14 March 2016

Seventy-eight Clay Paky Alpha Wash 1500s, 24 Clay Paky Alpha Spot HPE 1500s, 14 Clay Paky Alpha Profile 1500s, 32 Clay Paky Alpha Beam 700s and 18 Clay Paky Sharpys were used at the event together with other lights.

Kuhn explained the advantages of using Clay Paky moving heads for this Night, "The Clay Paky range has been highly successful at this type of event in recent years, an

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14 March 2016

On 13 June, the city of Baltimore kicked off a three-year national commemoration of the events of 1812 with the Star Spangled Sailabration, a seven-day festival of concerts, celebrations, fireworks, an international parade of ships, and a rousing air show featuring the Blue Angels.

To provide audio support for the Blue Angels air show, Continental Air Show Productions selected a dozen Community R.5HPT loudspeakers. CASP's Dave Olmstead comments, "Obviously, the biggest challenge in providing sound for a Blue Angels air show is competing with the a

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14 March 2016

The Prime Minister's 8th Olympic Dinner, produced by Multiple Award Winning producers -Peter Jones Special Events, held at the Plenary, Melbourne Convention and Exhibition Centre, raised over $2m dollars for our Australian Olympic Team, competing at next month's Games.

VIP's included former Prime Ministers, Over 60 past and present Olympians, along with corporate guests.

Entertainment for the evening included a star studded line up featuring Orchestra Victoria, Melbourne Philharmonic Choir, Delta Goodrem, Todd McKenny, David Hobson, Silvie Paladino, Mar

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14 March 2016

Playing a mixture of hits and cover versions to an audience of over 75,000, Stevie Wonder himself requested the three SD7s - one for Front of House, one for vocal an in-ear monitors and the third for band monitors.

Supplied (along with the rest of the festival's audio system) by Brazilian rental company Gabisom Audio Equipment, Stevie Wonder's set included over 80 inputs with each SD7 having two dedicated SD-Racks.

The FoH console was on a redundant Optocore loop, with the monitors on redundant MADI. All SD7s were dual redundant mirrored engines (audio and control), which assured total permanent redundancy.

"When Stevie made the jump from analogue to digital, the SD7 was the ideal ch

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14 March 2016

PLASA CEO Matthew Griffiths comments, "PLASA runs events to provide quality business opportunities, education and thought leadership. The PLASA Show in London is the only entertainment technology event to reinvest its revenue back into the industry it serves - anything that is not invested back into the show is used to help develop technical standards, certification and qualifi

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14 March 2016

LiteConsole is a versatile podium structure that offers a portable and high-visual-impact solution for any number of applications from live musician and DJ performances, to corporate AV presentations, exhibitions, conferences and retail environments where it makes an eye-catching stand.

This new version "combines all the most desirable features of LiteConsole in a sleeker, lighter package". The design makes the system even easier to assemble - it now takes one person just a matter of minutes. The innovative folding frame design means the LiteConsole XPRS will flat pack and fit into an average car, thus leaving plenty of room fo

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14 March 2016

The stand was showcasing Nissan's rugged Juke crossover vehicle under the 'Built to Thrill' banner. Over the Festival of Speed weekend, fans were treated to a virtual skydiving experience.

XL Events' display, measuring six metres in diameter, was made up of lightweight Pixled F-11 LED, mounted on to a circular Litebeam truss. The circular display was flown just off centre of the main stand and displayed facts and figures about the Nissan Juke throughout the Festival of Speed weekend.

Rich Pow project manager for XL events worked with Matt Price from the TRO Group both before and during the event:

"It was a pleasure to work with Matt," said Pow. &qu

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14 March 2016

So when it came time to choose a PA system for Miller's first major solo tour, Showtime Sound, of Glenelg, Maryland, put together a touring EAW PA system consisting of 24 KF740 line array modules in two hangs of 12 modules each. Six KF750 modules were used for flown out-fills, three per side, with six KF755 modules hung beneath as down-fills, also three per side. Another six EAW JF80 systems were used as front-fills positioned along the front of the stage lip.

The system wa

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14 March 2016

Another aspect that links current Canegreen/SSE clients is that many of them are performing at London's Royal Albert Hall, which hosted the annual BluesFest in June and for which Canegreen/SSE provided a Meyer Sound system.

The Royal Albert Hall, says Canegreen/SSE Director Yan Stile, is a notoriously challenging environment for front-of-house engineers. "The nature of the building," he explains, "is its 360-degree coverage. It's a really difficult place to cover." For BluesFest

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14 March 2016

Over the course of the two days, inspHire exhibited key features that are valuable to hire companies within the lifting, access and crane industry such as:

Automatic Servicing - inspHire provides you with the option to automatically place items in to a state of service when off-hired so an inspection must take place before it can be hired again.

Forward Planning - Carry out multiple future bookings for the same piece of equipment, checking clashes and scheduled service and repairs ensuring maximum utilisation of your machinery.

Create your own custom test certificate criteria, a LOLER certificate for example. Enter the test results, complete the test and attach it to the equipments record fo

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14 March 2016

"I still get excited about working on events," commented Sproule. "If I didn't, it would be time to pack up. It is estimated that viewership for this live production was 14m million, and apparently it was the number one tweeted subject between 8pm to 10pm that evening."

A rare occurrence was that for once there was more than enough time for the set up, but what really made it a success were the people involved. "I just love working with this team," said Sproule. "There is no drama, everyone gets on with it. I call them 'The Wrinkle Rockers Road Show,' and while there is fun and laughter, nothing is a pro

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14 March 2016

Lighting for this - and the six week tour preceding the two 85,000 capacity sold out shows at Croke Park - was supplied by UK lighting and visuals rental company HSL. It included nearly 200 moving lights.

The lighting design was created by Dave 'Biccie' Lee and operated on the tour at Croke Park by Simon Horn. Mike Oates project managed for HSL, who were working for the tour's technical production co-ordinators Production North, under the auspices of production manager Karen Ringland.

Says Mike Oates, "We were immensely proud to work on this tour and the two landmark Croke Park shows. The show was absolutely stunning and a real tribute to all involved i

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14 March 2016

"The show format requires a 32-channel mixer, which ordinarily would take close to 4 hours to set up venue to venue. However, with this Allen & Heath iLive system, we are essentially bringing our own console everywhere we go and it fits into two 3 rack space bags. We can even take them as carry-on luggage when we fly," comments tour manager, Ryhna Thompson.

iLive enables Kid Koala to store all o

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14 March 2016

On a stage designed by Mark Fisher with a backdrop of the palace itself, lighting designer, Durham Marenghi, worked his magic to create a spectacular lighting show worthy of the occasion, balancing the light from 240 moving lights, 36 20K projectors, and a wrap-around LED backdrop.

Marenghi specified five Robert Juliat Lancelot 4000W HTI followspots as the main stage key lights to pick out the performers and presenters on stage. These included a variety of artists from the past 60 years, from relative newcomers, Ed Sheeran and Jesse J, to veterans such as Cliff Richa

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14 March 2016

New products making their regional debut at Focus Nashville included: Martin Professional's new MAC III AirFX; MAC Viper Profile; M2GO, M2PC VC; d&b audiotechnik's E4 and E5 loudspeakers; Elation Professional's IP65-rated RGBW wash; Clay Paky's A.LEDA LED moving head range; Chauvet's new PVP S7 high-res video panel, new moving yokes Q-Spot 360-LED and Q-Spot 460-LED, Legend 412 pixel-mapping moving yoke lights and MVP 12 modular video panel - and many more.

The free to attend Professional Development Programme attracted over 1000 registrations for sessions that ranged from The Green Scene: Recycling Sets

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14 March 2016

One was in the Moving Motor Show where approximately 40% of visitors entered the event, and the other was at Škoda's Pavilion stand in the main exhibition area. Commissioned by A1 (Events & Exhibitions), based in Milton Keynes, XL Events was asked to provide video screens for both the inside and outside walls of the main Pavilion.

The main challenge when specifying the LED for the outer wall was to identify a product that was both light enough to hang on the exterior of a temporary structure, and that offered high resolution at short viewing distances.

Pixled's FX-11 was chosen as it is lightweight and suitable for outdoor use.

For the interior of the Pavilion, XL Events supplied two LCD seamless di

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14 March 2016

Recognising "that the events industry is diverse encompassing not just the performing arts, but everything from public and corporate events to exhibitions and broadcast, wherever the same equipment and techniques are in use", The ESAA intends "to bring together all the players in the market to develop a truly representational voice for the Australian industry".

In the context of public event safety and emergency management, the ESAA aims are:

To develop and promote the Australian Event Safety Guide, across all States and Territories incorporating national and international standards of best practice.

To promote co-operation and mutual assistance between people and organizations.

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14 March 2016

Named in honour of Tony Gottelier, the designer, innovator and industry commentator who died in 2006, this prestigious annual presentation aims to recognise "the product designers and developers who have made a significant and sustained contribution to the development of the equipment and tools that enable our entertainment technology practitioners to continually push the boundaries of event production, presentation and installation".

This year, a panel of 20 people, all with links to the PLASA organisation or its Media divisions, was invited to put forward their suggestions for the most deserving individuals or teams according to this criteria. From there, the final shortlist of six nominees was reached.

The nominees for the 2012 Gottelier Award are:

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