The United States Institute for Theatre Technology (USITT) has announced that the deadline for submissions to its 2002 Architecture Awards Program will be 2 October 2001. Nominations will be accepted for projects located anywhere in the world, and new construction, renovations, retrofitting or reuse of structures will be considered. Now in its ninth year, the Architecture Awards program was established by the group’s Architecture Commission to bring public and professional recognition to architectural projects chosen for their design excellence and ability to resolve the challenges associated with performance spaces. To be eligible for consideration, project construction must have been completed after January 1st 1992. Among last year’s Award winners were the Severance Hall in Cleveland, Ohio; Theater and Congress Hall in Weimar, Germany; The Lowry Centre in Salford, UK; the

The Broadcasting, Entertainment, Cinematograph and Theatre Union (BECTU) has defeated the UK Government at the European Court of Justice over the UK’s implementation of the Working Time Directive. The UK’s Working Time Regulations 1998, which implements the Directive, entitles workers to a minimum of 20 days paid leave each year. But employees are not entitled to the leave until they have completed a qualifying period of 13 continuous weeks with the same employer. This means that many freelance and contract workers who work for less than 13 weeks have been denied a right to take paid leave.

BECTU launched a legal challenge to the UK legislation and on 26 June 2001 the European Court of Justice (ECJ) accepted the opinion of the Advocate General of the ECJ, which stated that national governments may not exclude groups of workers from the rights that the directive gives them.

Hayden Laboratories has supplied West London-based installation and audio consultants Phoenix Technologies with a large number of Denon multi-play CD players for an innovative North London installation. Their client Richard Abbott has a large house and a colossal CD collection. He was looking for a flexible, cutting-edge audio system that would allow him quickly and easily to locate and replay any CD or track in his vast music archive – numbering over 2000 discs! Richard set Phoenix a demanding brief for a versatile and robust systemThe Phoenix Team set about designing a system, and selected the Denon Multiplay DCM-5000 machines at an early stage in the process.

Phoenix specified the Denon machines because they wanted the most reliable technology available. They have used the Denon brand in a variety of other installs over the years. It was also essential that this system was exp

The latest Jongleurs comedy club has been developed on the site of the former Mash & Air in Manchester’s city centre - in a multi-level building, requiring multiple signal feeds. When Andy Chamley’s Telford-based AC Limited won the contract from Regent Inns plc for the sound and lighting package, they put together a specification based around a pair of BSS Audio’s 9088 DSP networking devices, with two local 9010 ‘Jellyfish’ remotes. Chamley says the success of the installation owed much to the close support offered by BSS Audio’s Dave McKinney. "This was a complex installation, since the venue exists on four floors, and required careful design," he explained.

On the ground floor is Bar Risa - a daytime operation and night-time feeder bar, with a hard disk music system. This is linked by a Soundweb device and Jellyfish, offering satellite a

An elaborate TOA networked system forms the core of the new tone and voice signalling system at the head office and distribution centre of RS Components (UK) Ltd at Corby. Retrofitted by Provoice, the audio division of Burnley-based fire protection and voice evacuation specialists, Protec, the system is based around a centrally-sited, 32-zone SX-1000 audio management digital matrix, powered by a combination of TOA VP240, VP120 and VP60 amplifiers, housed within a suite of five ‘Access Series’ drive racks, manufactured by Wilshire & Quick.

There are 48 amplifiers in total, and since the system is plugging into a pre-existing PA set-up, using branched circuits, Provoice opted to use an impedance monitoring system, specially designed by TOA Germany, and featured for the first time in the UK. Prosound’s Jan Hawrot explained that the system contained four automatic message

Crest Audio Professional series amplifiers, supplied by The Sound Department, will be used to power the sound on a series of school discos with a difference. Provided by Tarsin Entertainments for promoter Bobby Sanchez, matched with ASS scoop bins and JBL Venue series mid-tops, the combination is deemed to deliver the perfect 1970s sound Sanchez is looking to achieve for his risqué nights at Hammersmith Palais and other venues, where his clientèle come dressed in school uniforms. In Hammersmith, the sound is complemented at balcony level by the flown in-house system. "Since he plays 1970s music, he wants to achieve a sound reminiscent of the era," says Tarsin’s Peter Dyer. "The event takes place once a week at Hammersmith and it’s a fabulous night out."

The mobile rig’s bottom end is driven by four Crest 8001s, the mid-section by four 6001s and t

Golden Princess, the newest member of the P&O Cruises fleet, left Southampton on May 16th to spend th summer cruising the Mediterranean, before heading off to the Caribbean for the winter. The ship features three separate show lounges, each of which incorporates Blackout Triple E engineering and equipment. Because traditional fittings are often unsuitable, contractor HMS Italia enlisted Blackout Triple E to develop systems for the particular environment of the cruise ship, including its Austrian curtain mechanisms and Unirail and Unitrack systems for installation in the principal and cabaret theatres. Though the tracks are mainly for curtains, the Vista Lounge uses Chaintrack to carry two 300kg rotating scenic panels, and the main lounge features Unibeam tracks to carry lighting ladders on each side of the stage. Blackout Triple E also provided the control for the safety curtain in the m

Stagetec (UK) Ltd has recently won three major contracts covering a diverse selection of production industry areas. In the theatre market, the company is supplying and installing a complete new sound system at the Orchard Theatre in Dartford. The theatre 3D-modelled the auditorium to ensure optimum coverage and intelligibility, and were demonstrated several systems. They chose a Nexo system, supplied by Stagetec, consisting of eight PS15 mid/high speakers, four LS1200 sub-bass cabinets, plus three PS8 speakers for delays, all driven from Crown Macro-Tech amplifiers. The whole system is controlled via a Crown USM810 digital processor and three Sabine Graphi-Q digital programmable graphic EQs - the idea being to offer a quick, easy and very flexible system catering for the wide range of productions. Stagetec also supplied a Soundcraft K2 mixer, a range of outboard equipment and a Sennheise

The Swiss city of Berne is having the lighting system in its municipal theatre modernized by the Transtechnik Group at a cost of around 425,000 Euros. Due to be completed at the end of this month, the project will bring state-of-the-art lighting technology to this famous theatre. The new system includes two lighting control consoles - a Focus NT and a Prisma NT - each of which is fitted with a moving light controller and connected to the digital auxiliary console via a Transtechnik DMX-Gate protocol converter. The converter converts the DMX signals from the lighting consoles to the Profibus signals for the auxiliary console (and vice versa) to allow the devices to exchange data. The Profibus standard requires only a thin, two-wire cable for transmitting control signals, which means that there is no need for thick bundles of cables to the auxiliary console. Profibus also permits bi-direct

PLASA has worked in co-operation with some of London’s leading entertainment venues to offer an exclusive insight into the workings of some of the city’s most famous venues; this exclusive backstage tour immediately follows the close of the PLASA Show in London this September. Theatrical London delegates will visit the world-renowned Royal Albert Hall for a night at the Proms; the Apollo Victoria Theatre to see the upgraded Starlight Express; Tussaud’s Group Studios for an exclusive technical tour, and the Donmar Warehouse for a ‘Divas at the Donmar’ performance. To top it off, you can step back in time at Shakespeare’s Globe Theatre . . .

Wednesday 12th September: The experience begins with A night at The Proms, The Royal Albert Hall, featuring Stravinsky: The Rite of Spring. Pre-show drinks will be served in the foyer. Performance starts at 7.30pm.

A joint project involving manufacturers Allen& Heath and Audace has provided a UK conference and exhibition venue with a unique paging system.

Bryan Waters, MD and founder of Audace, explained that the HIC system required a larger number of output zones than A&H’s DR128 digital matrix could provide. "The first challenge was the need for a system of 16 zones. We wanted to provide the Centre with a single control system that would work with two of the Allen & Heath units." Waters, who professes a keen enthusiasm for the Cornish pro audio manufacturer’s products, set up Audace specifically to provide one-off solutions and off-the-shelf support products for the blossoming digital market. "When the DR128 was launched, there was nothing like it on the market for anything like the price - and there still isn’t," he enthused. "However, the software su

Stagetec has recently completed the installation of a complete stage management, stage communications, sound and video system into the new, purpose-built DH Lawrence Pavilion Theatre on the campus of Nottingham University - one of the UK’s leading universities. The building is designed as a contemporary 250-seat theatre, an exhibition gallery and performance space, and is named after a former University student - David Herbert Lawrence - who became one of the most controversial and popular exponents of 20th century literature. The equipment installed by Stagetec was specified by ACT Consultant Services. The three-zone paging and show relay system runs throughout the building, including a Sennheiser infra-red hard-of-hearing system for the main auditorium, plus Stage Manager’s desk and full cue light system. Stagetec also supplied and installed a flexible, dynamic video and co

Tannoy Dual Concentric speakers have been installed into the Cuban-themed restaurant/bar Ipanema in Birmingham to provide a range of sound levels from gentle background music through to foreground reinforcement in the Bar and Restaurant areas. Twelve Tannoy i7 Contour slimline speakers and two CMS 6 TDC ceiling monitors inside the Whitbread-owned restaurant, along with four Tannoy all-weather i5 AW speakers outside, ensured perfect audio coverage for diners. The music-based restaurant featured a natural themed design with cream décor and the Tannoy i7 loudspeakers distributed throughout the bar and main restaurant area were chosen for their discrete and elegant low-profile design, as well as for the high quality music and speech output. Nick Freeman from Birmingham based installers, Total Sound, commented: "We needed a wide, yet controlled coverage to ensure even audio distribution

As you would expect, there’s an air of mystery about the new headquarters of the Magic Circle. Those wizards of trickery have spent seven years and £2 million rebuilding and refurbishing to create a new permanent base. At its heart sits an intimate 162-seat theatre, the first theatre to be built in this area of London since the Barbican. Here members of the Magic Circle, and the public, can marvel at the latest prestidigitations. This is no mean box of tricks: the theatre is technically well planned and equipped with the latest technology to cope with both Magic Circle shows, and for special events and corporate hire.

Gradav Sales of London chose a variety of Selecon products to provide the necessary lighting for a wide range of events. Selecon Pacific lanterns were used for front-of-house - the acclaimed optics of these luminaires make them ideal for gobo projection. Behind the

Stage Technologies has just been awarded the contract for the supply of rigging systems for the latest of the Grand class ships currently being built for P&O Princess Cruises by Mitsubishi Heavy Industries (MHI) in Nagasaki, Japan. Stage Technologies’ scope of supply includes nearly 100 axes of automation, both mechanical and electrical systems, installed in three venues. Rigging systems include 26 flying bars, 4 stage lifts, and 16 curtain tracks. Control systems include the company’s award-winning Acrobat, Juggler and Solo consoles. Mark Ager, Stage Technologies’ managing director commented: "We are very excited to receive this order which confirms Stage Technologies as a major supplier of automation systems to the cruise ship industry."

To date, the company has provided the control systems for eight cruise ships including the original Grand Princess and s

Booking your tickets to the PLASA Show, the entertainment technology industry’s leading event, running from 9-12 September 2001 at Earls Court Exhibition Centre in London, has never been easier. You can now book in any of the following ways:

By Telephone: The Visitor Hotline is now live! Call +44 (0) 870 429 4472 to make your credit card booking or to request an advance booking form.

Online: Go direct to www.plasa.org/show/register to book online.

There are many advantages to pre-registration. Not only will you save £6 on the cost of entry to the Show (tickets on the door are £12) but you will be sent a personalized badge in advance permitting you fast entry into the show. You will also receive up-to-date information on the Show’s Masterclass Programme and how to book your seat at any of

To complement the exhibition, PLASA has lined up a range of seminars, workshops and clinics that will give an insight into how new technology is creating new opportunities, how individuals have pulled together highly complex projects, why integration is so important and how you can achieve more by picking up tips and techniques from others.

DJs can learn more about MP3 digitally-compressed music files and how this new technology is already creating a platform for a more creative approach. In a programme of seminars sponsored by Installation Europe, audio installation and integration is the theme under which issues of networking, control and the benefits of converging technologies are explored. Tuesday sees a Theme and Leisure Masterclass, presented by Leisure Management, in association with the TEA and TiLE, which focuses on how the leisure industry exploits special effects, lighting a

The PLASA Show, London’s leading entertainment technology event, represents far more than just an arena from which to see the latest developments and innovations within the entertainment technology industry. It also offers visitors the opportunity to learn more about how to use this technology to best effect through its Masterclass Programme. This year, the Masterclass Programme, which runs from the Monday to the Wednesday, will focus on the fields of special effects, architectural installations and audio and corporate presentations and will include an impressive line-up of speakers, all of whom are experts in their specific fields.

Tuesday 11th September 2001, Theme and Leisure Day of the Masterclass Programme is a ‘must’ for visitors interested in learning how, through imaginative design and intelligent production techniques, special effects can be utilised in live

For those visitors new to PLASA or simply keen to remind themselves how impressive last year’s event was, the Show website now features a virtual tour of last year’s PLASA Show. The tour takes in various elements of the exhibition with views from both the lower and top decks. By clicking on any of the green circles featured, visitors can look at the show floor in 3D and also explore other facilities at Earls Court 1.

Marquee Audio has fitted a Meyer UPA-1P powered reinforcement system into a multi-purpose theatre in Radlett, Hertfordshire. Owned by Aldenham Parish Council, the five-year-old Radlett Centre is administered under a trust. The venue’s technical manager, Dave Glover, says that while the old PA system had been adequate for playback it simply wasn’t up to reinforcing the vast range of shows and events that the Centre stages, in a variety of configurations. A spec had been drawn up by previous manager, Miles Marchment, in the event of funding for a new PA becoming available. But in the end it was a private donation of £10,000 that provided the green light for the system. Dave Glover tested a powered Meyer system against another leading brand, and when the Meyer rig won the shoot out Marquee Audio were the preferred supplier and installer. "It was the fact that the UPA-1P wa

The PLASA Standards Office has prepared a series of Guidance Notes for PLASA Members. Each provides useful information on current topics of interest and will be updated on an ongoing basis in line with developments. Further documents are planned in response to the needs of PLASA members. The following guidance documents are currently available. These documents are in PDF (Portable Document Format) and may be read with Adobe Acrobat Reader (version 3 or later) which is available free from www.adobe.co.uk

Guide to Australian EMC Framework: contains advice on the EMC and C-Tick labelling requirements for equipment destined for the Australian market.

Basic Guide to the FCC Rules: contains advice on application of the USA Federal Communications Commission (FCC) rules on EMC for entertainment equipment.

Standards for Dimmers: contains advice on the applicable safety

A Baldwin Boxall VIGIL voice alarm system has been installed into the first purpose-built racetrack in Britain for over 50 years. Following the phenomenon of Champ Car in the USA, the Rockingham Oval was designed and built so British crowds can flock to see these powerful cars race around a banked track at speeds of up to 240mph. This all-seater circuit required a state of the art voice alarm (VA) system, and ARB Audio & Visual Hire installed Baldwin Boxall’s VIGIL VA equipment. The system, installed prior to the official opening for the FedEx Championship’s visit to the circuit for the Rockingham 500, comprises two 43U racks, housing over 3.5kW of amplification and is controlled by Baldwin Boxall’s market-leading BVR20 ‘Microdrive’. The VIGIL equipment provides VA and Public Address facilities to eight zones, including the Pit area, VIP Boxes, all seating,

The Entertainment Services and Technology Association has launched projects to draft three new American National Standards:

BSR E1.18, Recommended practice for the selection, installation, use, and maintenance of single-conductor portable power feeder cable in the entertainment industry. The standard is intended to offer guidance on how to select, install, use and maintain single-conductor portable power feeder cables. The project will promote safety and compatibility in the equipment and practices used in live performance and in film and video production in North America.

BSR E1.19, Recommendations for the use of ground fault devices in the entertainment industry. The standard is intended to offer guidance on how to select, install, use and maintain ground fault protection devices in the entertainment industry. The project is intended to promote the use of these devi

The famous Mann's Chinese Theatre, situated on Hollywood Boulevard, is presently undergoing a restoration which, among other things, will bring new, state-of-the-art audio to the structure using DCA Series amplifiers from QSC Audio Products. The largest supplier of power amplifiers to the cinema industry worldwide, QSC, along with other manufacturers including Dolby Labs and JBL, helped develop the theatre's new sonic blueprint. Implemented by Media Technology Source (MTS) West, the design incorporates 35 of the California-based manufacturer's DCA Series amplifiers. Delivering a combined total of over 100,000W to JBL loudspeaker components, the amplifiers include five DCA 3422 models operating in bridged mono at the system's low-end, and five stereo DCA 3022s powering custom mid/high and mid/low arrays. Three DCA 2422 units are used for the high frequency transducers within the system, w

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