As you would expect, there’s an air of mystery about the new headquarters of the Magic Circle. Those wizards of trickery have spent seven years and £2 million rebuilding and refurbishing to create a new permanent base. At its heart sits an intimate 162-seat theatre, the first theatre to be built in this area of London since the Barbican. Here members of the Magic Circle, and the public, can marvel at the latest prestidigitations. This is no mean box of tricks: the theatre is technically well planned and equipped with the latest technology to cope with both Magic Circle shows, and for special events and corporate hire.

Gradav Sales of London chose a variety of Selecon products to provide the necessary lighting for a wide range of events. Selecon Pacific lanterns were used for front-of-house - the acclaimed optics of these luminaires make them ideal for gobo projection. Behind the

Stage Technologies has just been awarded the contract for the supply of rigging systems for the latest of the Grand class ships currently being built for P&O Princess Cruises by Mitsubishi Heavy Industries (MHI) in Nagasaki, Japan. Stage Technologies’ scope of supply includes nearly 100 axes of automation, both mechanical and electrical systems, installed in three venues. Rigging systems include 26 flying bars, 4 stage lifts, and 16 curtain tracks. Control systems include the company’s award-winning Acrobat, Juggler and Solo consoles. Mark Ager, Stage Technologies’ managing director commented: "We are very excited to receive this order which confirms Stage Technologies as a major supplier of automation systems to the cruise ship industry."

To date, the company has provided the control systems for eight cruise ships including the original Grand Princess and s

Booking your tickets to the PLASA Show, the entertainment technology industry’s leading event, running from 9-12 September 2001 at Earls Court Exhibition Centre in London, has never been easier. You can now book in any of the following ways:

By Telephone: The Visitor Hotline is now live! Call +44 (0) 870 429 4472 to make your credit card booking or to request an advance booking form.

Online: Go direct to www.plasa.org/show/register to book online.

There are many advantages to pre-registration. Not only will you save £6 on the cost of entry to the Show (tickets on the door are £12) but you will be sent a personalized badge in advance permitting you fast entry into the show. You will also receive up-to-date information on the Show’s Masterclass Programme and how to book your seat at any of

To complement the exhibition, PLASA has lined up a range of seminars, workshops and clinics that will give an insight into how new technology is creating new opportunities, how individuals have pulled together highly complex projects, why integration is so important and how you can achieve more by picking up tips and techniques from others.

DJs can learn more about MP3 digitally-compressed music files and how this new technology is already creating a platform for a more creative approach. In a programme of seminars sponsored by Installation Europe, audio installation and integration is the theme under which issues of networking, control and the benefits of converging technologies are explored. Tuesday sees a Theme and Leisure Masterclass, presented by Leisure Management, in association with the TEA and TiLE, which focuses on how the leisure industry exploits special effects, lighting a

The PLASA Show, London’s leading entertainment technology event, represents far more than just an arena from which to see the latest developments and innovations within the entertainment technology industry. It also offers visitors the opportunity to learn more about how to use this technology to best effect through its Masterclass Programme. This year, the Masterclass Programme, which runs from the Monday to the Wednesday, will focus on the fields of special effects, architectural installations and audio and corporate presentations and will include an impressive line-up of speakers, all of whom are experts in their specific fields.

Tuesday 11th September 2001, Theme and Leisure Day of the Masterclass Programme is a ‘must’ for visitors interested in learning how, through imaginative design and intelligent production techniques, special effects can be utilised in live

For those visitors new to PLASA or simply keen to remind themselves how impressive last year’s event was, the Show website now features a virtual tour of last year’s PLASA Show. The tour takes in various elements of the exhibition with views from both the lower and top decks. By clicking on any of the green circles featured, visitors can look at the show floor in 3D and also explore other facilities at Earls Court 1.

Marquee Audio has fitted a Meyer UPA-1P powered reinforcement system into a multi-purpose theatre in Radlett, Hertfordshire. Owned by Aldenham Parish Council, the five-year-old Radlett Centre is administered under a trust. The venue’s technical manager, Dave Glover, says that while the old PA system had been adequate for playback it simply wasn’t up to reinforcing the vast range of shows and events that the Centre stages, in a variety of configurations. A spec had been drawn up by previous manager, Miles Marchment, in the event of funding for a new PA becoming available. But in the end it was a private donation of £10,000 that provided the green light for the system. Dave Glover tested a powered Meyer system against another leading brand, and when the Meyer rig won the shoot out Marquee Audio were the preferred supplier and installer. "It was the fact that the UPA-1P wa

The PLASA Standards Office has prepared a series of Guidance Notes for PLASA Members. Each provides useful information on current topics of interest and will be updated on an ongoing basis in line with developments. Further documents are planned in response to the needs of PLASA members. The following guidance documents are currently available. These documents are in PDF (Portable Document Format) and may be read with Adobe Acrobat Reader (version 3 or later) which is available free from www.adobe.co.uk

Guide to Australian EMC Framework: contains advice on the EMC and C-Tick labelling requirements for equipment destined for the Australian market.

Basic Guide to the FCC Rules: contains advice on application of the USA Federal Communications Commission (FCC) rules on EMC for entertainment equipment.

Standards for Dimmers: contains advice on the applicable safety

A Baldwin Boxall VIGIL voice alarm system has been installed into the first purpose-built racetrack in Britain for over 50 years. Following the phenomenon of Champ Car in the USA, the Rockingham Oval was designed and built so British crowds can flock to see these powerful cars race around a banked track at speeds of up to 240mph. This all-seater circuit required a state of the art voice alarm (VA) system, and ARB Audio & Visual Hire installed Baldwin Boxall’s VIGIL VA equipment. The system, installed prior to the official opening for the FedEx Championship’s visit to the circuit for the Rockingham 500, comprises two 43U racks, housing over 3.5kW of amplification and is controlled by Baldwin Boxall’s market-leading BVR20 ‘Microdrive’. The VIGIL equipment provides VA and Public Address facilities to eight zones, including the Pit area, VIP Boxes, all seating,

The Entertainment Services and Technology Association has launched projects to draft three new American National Standards:

BSR E1.18, Recommended practice for the selection, installation, use, and maintenance of single-conductor portable power feeder cable in the entertainment industry. The standard is intended to offer guidance on how to select, install, use and maintain single-conductor portable power feeder cables. The project will promote safety and compatibility in the equipment and practices used in live performance and in film and video production in North America.

BSR E1.19, Recommendations for the use of ground fault devices in the entertainment industry. The standard is intended to offer guidance on how to select, install, use and maintain ground fault protection devices in the entertainment industry. The project is intended to promote the use of these devi

The famous Mann's Chinese Theatre, situated on Hollywood Boulevard, is presently undergoing a restoration which, among other things, will bring new, state-of-the-art audio to the structure using DCA Series amplifiers from QSC Audio Products. The largest supplier of power amplifiers to the cinema industry worldwide, QSC, along with other manufacturers including Dolby Labs and JBL, helped develop the theatre's new sonic blueprint. Implemented by Media Technology Source (MTS) West, the design incorporates 35 of the California-based manufacturer's DCA Series amplifiers. Delivering a combined total of over 100,000W to JBL loudspeaker components, the amplifiers include five DCA 3422 models operating in bridged mono at the system's low-end, and five stereo DCA 3022s powering custom mid/high and mid/low arrays. Three DCA 2422 units are used for the high frequency transducers within the system, w

Lighting&Sound International, PLASA Media’s leading entertainment technology journal, is sponsoring the New Technology Gallery at PLASA 2001. This is the showcase of all products nominated for the prestigious PLASA Awards for Product Excellence. Situated on the Top Deck of the PLASA Show, near to the main bar area, the showcase offers visitors a chance to check out the features and capabilities of all of the major product innovations at PLASA 2001, in one place.

L&SI will be based on the Lower Deck (stand K19), where we will be offering free readerships to qualifying UK industry personnel, plus special offers on international subscriptions only available at PLASA 2001 - plus PLASA Media freebies to all new subscribers!

L&SI can be found on stand K19.

Coleraine-based Light & Sound FX has installed a new PA system at Coleraine Football Club. The system, commissioned by Mackie Designs’ technical manager Mick Williams, is based around RCF’s new RX 3000, a programmable matrix for sound system management and control. Light & Sound FX’s Darren Gardener explains the background to the install: "Initially, we were dubious about using a 100V line system. We were concerned about both the quality and clarity of such a system. During consultations with Mackie/RCF in the early stages of the project, both Andy Austin Brown and myself spent a lot of time going over the pros and cons for a low impedance system or a 100V line system. In the end, we felt that Andy had a stronger case and we went with the HD 550/HFT horn speakers and the RX3000 matrix system. On the day that Mick Williams came to commission and test the system, I h

Few people understand the full complexities of health and safety regulations inherent in the design and installation of motion control systems, even less so when EU legislation is surpassed by a country’s own. The DIN standards, imposed by the TÜV, are known for being the toughest, most stringent safety regulations in the world and govern installations from railways and airlines to nuclear power stations. It was within such DIN regulations that AVW Controls designed, manufactured and installed the automation systems for the newly-built 1,450-seat Concert Hall in Thessalonika, Greece.

The facility is used for opera, theatre and as a convention centre, and as such needs to be totally flexible. The specification, one of the largest AVW has worked on, called for a fully computerised flying system for 34 scenery bars, 10 point hoists and four lighting bars, all with the capability o

Bookings are now being taken for this year's Theatrical London tour (12-14 September), which follows on directly from the PLASA Show. The event will feature visits to the world-renowned Royal Albert Hall for a night at the Proms; the Apollo Theatre to see the upgraded Starlight Express; Tussaud's Group Studios for an exclusive technical tour, and the Donmar Warehouse for a 'Divas at the Donmar' performance. The cost is just £250 per person for the whole programme! For full details and booking information, visit the website below.

Birmingham-based Central Theatre Supplies has just completed its third Performing Arts School installation in nine months. All three venues feature Zero 88 Dimming, and control along with Selecon lanterns. Two of the venues are using a Sirius desk for control, whilst the third has opted for the recently launched Fat Frog. CTS specified these particular desks as they will largely be operated by students, enabling them to learn about lighting on manual pre-set controls before moving into advanced environments.

Fat Frog was recommended for the one particular school as they are developing out of hours activities for community use. Andy Fidgeon, Electrical Supervisor at Birmingham Rep said "I was pleased Fat Frog was chosen for this venue as I light shows for a number of amateur companies and it will give me quick and easy control over moving lights."

Selecon Profiles were spec

Multitone Electronics has launched the On-Q theatre subtitling system which allows individual audience members to view translations of opera librettos or synopses, or the hard of hearing to follow scripts of plays. On-Q was originally developed for the prestigious Euskalduna Palace theatre in Bilbao, Spain, where it has been seen as a factor in the growth in audiences for opera and foreign language productions. The On-Q system is a real-time, wireless-based mobile text subtitling system specifically aimed at the theatre and opera market. It consists of small text terminals which receive data from a central PC. On-Q offers synchronised subtitling in a range of languages simultaneously, allowing audiences and the hard of hearing to enjoy productions which may not be in their native language. The terminals are small, silent and lightweight and require minimal interaction by users to select

One of the UK’s leading sound installation companies, Northern Light, has just completed "the first of many" installs with Celestion professional loudspeakers. In Grangemouth, the Town Hall has commissioned a new sound reinforcement system, featuring the new Celestion CXi Series cabinets, for its 1000-capacity venue.

Stephen Stewart, installations engineer for Northern Light, has wall-mounted Celestion CXi 1221s left and right of the stage, with another pair of CXi1221s as a delay 30 metres up the hall. Celestion KR1s provide the balcony infill, whilst Celestion’s digital management system, the DMS2065, controls all the parametrics and delays.

"We’re hoping to establish a firm alliance between Northern Light and Celestion," explains Stewart. "Celestion is a name that our clients associate with, and this is going to be the first of many CXi i

The Elbow Room chain of pool bars has commissioned a second audio installation from Essex-based Xtreme AV, for its newest venue, recently opened in Bristol. This latest contract follows on from the success of Xtreme’s design for the Elbow Room in Swiss Cottage, London, which opened in June. The three-floor bar in central London features a highly flexible Celestion CXi sound system, providing six zones of audio to the main bar, the gallery bar on the first floor and the club bar in the basement. The system is controlled by BSS Soundweb which allows the Elbow Room to route any sound source to any area - for example the DJ in the basement bar to a private party in the gallery bar. Private VIP areas, scattered throughout the club, are equipped with their own televisions and speaker system, allowing guests to choose their own programming. Each area has its own EQ setting on Soundweb.

A new specialist sound, lighting and video design and installation company, Live Business International, has opened its doors in London. The company is headed by technical director Roland Hemming, the former head of sound at the Millennium Dome, and is backed by Live Business, the UK’s largest provider of live entertainment. Live Business International specializes in design, installation and maintenance of sound, video and lighting systems in entertainment venues, including cruise ships, hotels, theatres, clubs, stadia and conference venues.

Hemming’s background spans 15 years in the entertainment technology business, beginning at the sound department of Theatre Projects where he pioneered MIDI-based show control in the late 1980s, going on to work as a sound engineer, event production manager, audio consultant and installation designer. In recent years Hemming has been res

Trafalgar Leisure, who already own several sites in Newcastle, including the impressive Powerhouse, have just celebrated the opening of their latest club, Sugar, in the heart of Newcastle’s city centre. Once again, Trafalgar turned to Sound Control's ‘Big Paul’ Yeats to specify all the audio equipment for this five-floor entertainment complex which includes bars, a cafe and a restaurant, as well as the club itself. As with Powerhouse, Paul opted for a full Electro-Voice/Dynacord audio solution to the venue's exacting demands.

The basement and fifth floors, which house the bathrooms and restaurant respectively, are the quietest parts of the building and both have been supplied with a 100V line system based around Dynacord DL70W ceiling speakers. The ground and first floors are home to the café and bar areas where Yeats has specified a system based around EV Sx80 cabin

Klotz Digital was recently awarded a contract to develop, design and install one of the most modern integrated PA installations at the new Munich Airport Terminal 2, scheduled to go in to operation in March 2003. In addition to providing flight information and other pertinent announcements to travelers, visitors and airport personnel, plus supplying background music, this system can either broadcast throughout the entire airport or can be localized, if necessary, to specific areas. Furthermore, the system allows personalized emergency bulletin broadcasts, with priority-driven repetition.

The PA system consists of 27 independently operating PA stations. All stations are connected to one another and to the central/main station via fibre optic cables. To ensure the necessary high safety standard, the entire system is fully redundant so that in case of an emergency or disaster, communicati

White Light Sales has provided The Castle Theatre in Wellingborough, Northampton with a new Strand 520i lighting control console. The Service Company completed the installation. "Last summer, The Service Company lent them a Strand 520 for an outdoor gig they were holding to celebrate the Millennium," recalls The Service Company’s Roger Hennigan. "They were so impressed that they wanted one!"

The theatre is a 500-seat theatre that can be used in proscenium format or converted to a flat floor space, and which hosts a wide range of productions and events during the course of a year. They were using a Galaxy Nova console, but chief electrician Lesley Gash felt that it was time to move to a newer console with more flexible control over DMX devices such as scrollers and moving lights. The 520i seemed to fit the bill perfectly. Hennigan says: "Following discussi

Bookings are now well underway for the seminar and workshop programme planned for the PLASA Show. This year the emphasis is very much on knowledge with those signing up gaining an insight into how new technology is creating new opportunities, how individuals have pulled together highly complex projects, why integration is so important and how they can achieve more by picking up tips and techniques from others.

In a programme of seminars sponsored by Installation Europe, audio installation and integration is the theme under which issues of networking, control and the benefits of converging technologies are explored. Tuesday sees a Theme and Leisure Masterclass, presented by Leisure Management, in association with the TEA and TiLE, which focuses on how the leisure industry exploits special effects, lighting and audio technology to create unique environments to enhance the visitor experie

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