Three BSS 9088ii Soundwebs have been specified to handle the networking at the important new Media Centre which opened recently in Shanghai. The Centre is based around a single fan-shaped room, measuring 6.4m high and 36m in length. The shortest width is 22m and the longest, 44m. Owned by the Shanghai Oriental Pearl Company, the contract to fit out this new-build site was won by ACE Shanghai.

The company wrote an audio specification to include mixing consoles (Amek/Soundcraft), amplification (Crown), loudspeakers (JBL Vs Series), control components (including dbx equalization), various sound sources, patch facilities and other ancillaries. They recommended to the owners that Soundweb be employed to route the signal sources generated from CD player, cassette recorder, hard disk recorder and microphone - with a local 9010 Jellyfish remote panel. According to ACE Shanghai’s Zhou Ji

The first major European installation by Los Angeles-based artist Hiro Yamagata. Photon 999 opened at the Guggenheim Museum in Bilbao, Spain, at the end of last year. Yamagata worked with a team of over 30 specialists to realise the installation. 15 laser systems (from Tarm Showlaser, Times of Change and Dymax Special Effects), including four of Coherent’s new Viper lasers, are placed around the edge of a pool. These are projected to over 200 mirrors installed on 20m high JTE truss towers and Mylar holographic panels applied to the surface of the central walkway. The system is controlled by a custom software package designed by Laser Animation.

The Music Company has technical installation landmark at The Works on Birmingham’s Broad Street - a new flagship venue for the First Leisure Corporation, which incorporated the 500th Denon DJ unit the Music Company has installed. The audio brief was to provide a higher impact audio system than those found at other recent First Leisure sites. The 2,300 capacity venue contains three rooms, each with its own DJ booth, and each embracing a different music policy.

Music Co specified two Denon DN-2100F twin-CD players for The Works’ main room and the mezzanine level second room, plus a DN-1800F twin-CD deck for the third and VIP room, Top View, which is high in the rafters of the building, overlooking the main room. The main room also features a DN-M2300R twin mini-disc player, and all the Denon devices were supplied to Music Co by Hayden Laboratories. The Works’ Saturday a

The newly-built Chelsea Club - an exclusive leisure facility recently opened behind the Chelsea FC stadium in Chelsea Village - has invested in an array of Turbosound equipment, serving various locations throughout the health complex.

Installed by the official supplier, Atmospheric, the Turbosound system is part of a complete audio-visual installation, which includes plasma screens and a control system that routes numerous audio sources through to six different zones. Four specially prepared Impact 50 speakers - with waterproof coating applied to the cones - have been installed in the impressive pool and Jacuzzi area. A further eight have been mounted in the gym, where 16 channels of ‘personal audio’ are routed to all workout stations. Four further Turbosound TCS-35 enclosures have been fitted in two aerobics studios.

Atmospheric’s broadcast services manager, Dave G

The newest vessel in Carnival Cruise Lines’ Fun Ship fleet - the 2,124-passenger Carnival Pride - sailed on her maiden voyage from Miami on December 30. This 88,500-ton ship, built at the Kvaerner Masa-Yards in Helsinki, is the second in Carnival’s Spirit class, joining sister ship Carnival Spirit which debuted in April 2001. Carnival Legend, the third in the series, will follow in August 2002.

Nautilus Entertainment Design (NED) is the entertainment facility consultant on all three ships, as well as for 12 other ships currently under development for Carnival Corporation, Carnival Cruise Lines’ parent company which operates six cruise companies worldwide. Previously, NED has designed the lighting, audio, video, projection and rigging systems for the Carnival ships. Their scope of work was extended on Carnival Pride to include the video and audio broadcast systems, a

The exclusive Turnberry Hotel in Ayrshire has selected a Bose sound system as part of an upgrade of music systems throughout the hotel, spa and golf club house. The decision to go with Bose followed Jim Wilson’s (the Turnberry’s technical services manager), consultation with RA Communications of Stirling, to find a system that would deliver a full, rich sound, yet remain discreet.

A Bose Freespace 3 system, consisting of eight satellite cube speakers and two bass units, has been installed in the Turnberry Restaurant - a large room with traditional high ceilings. Freespace 3 systems are also employed in the Spa Terrace and Ailsa Lounge. The Turnberry has also chosen Bose for its new development of 12 luxury lodges and nine cottages, located in the grounds of the hotel. Bose Wave Radio/CDs have been spec’d in each of the lounges.

(Ruth Rossington)

Creative sound design and installation specialists CP Sound has completed its latest project in an on-going series of Zinc Bar & Grill venues for Conran Restaurants. Zinc Birmingham was a great challenge, as the background music system had to sound natural and all sound equipment had to be concealed without a wire in sight, blending seamlessly with the clean interior of the building. Thirdly, the downstairs DJ area - for parties, late bar nights and special occasions - had to avoid noise spillage into the main dining area above.

CP Sound’s Colin Pattenden reveals that they excelled themselves in the invisibility department. By the time the CP Sound team had finished the install, the only visible evidence of any sound was four neat volume controls by the downstairs bar. CP Sound utilised JBL speakers throughout, as they have in other Conran establishments, using speakers from the

Arbiter Pro Audio has helped facilitate a rich sounding JBL sound system in London’s latest club venue - Pacha. The club is located in Victoria and is owned by Billy Reilly, who’s enjoyed massive success with The Cross in Kings Cross.

For the sound system Reilly turned to Pete Dyer of Tarsin, well known for designing, supplying and installing sound systems to some of the highest profile clubs worldwide. Reilly himself specified the JBL system. In turn, Dyer approached Arbiter, and collaborated with Dave Budge (Arbiter’s project co-ordinator for Pacha) on the sound design for the club.

Pacha has two rooms and three bars, with no walls between the two main spaces, so particular attention had to be paid to ensuring that sound spillage between areas was minimized. This was achieved with careful speaker positioning and by maximizing the directivity of the various JBL uni

The new EVO speaker system from JBL Professional has been installed at the high profile Teatr Komedia in Warsaw. The theatre, built in the 19th century, is one of the busiest and most successful in Poland, primarily due to its popular and accessible programme of entertainment.

The theatre was looking for a dynamic and highly precise sound system that would be applicable for a wide variety of shows. They approached JBL’s Polish distributor Polsound, with whom they have worked previously and arranged for a demonstration of the system. Impressed by what they heard, the technical team gave the go ahead for the design, supply and installation of the EVO/JBL system which was overseen by Polsound’s Wojciech Puczynski & Pawel Danikiewicz.

Four EVOi.324 speakers are used for the main auditorium left and right arrays. They are joined by two JBL Marquis Series MS28s for centre fills

Richard Pilbrow, chairman of Theatre Projects Consultants, has announced that Elissa O. Getto has been appointed general manager of Theatre Projects Consultants Inc. She succeeds Victor Gotesman as the chief executive in the TPC South Norwalk, Connecticut office. Gotesman will be joining Jaffe Holden Acoustics.

Getto, who has been a senior consultant with Theatre Projects Consultants, will continue as part of the TPC team performing arts feasibility studies, master planning and advising on a wide range of arts administration issues. She is currently active on studies for Dallas, Virginia Beach and Kansas City.

Richard Pilbrow told us: "We are very pleased to have someone with Elissa's impressive background and experience heading up the office leadership." She joins Brian Hall, director of design and David Taylor, director of project management for TPC.

(Ruth Rossington)

Coe-tech has provided all lighting and sound equipment for Aqua - a new independent club concept, the first of which has recently opened in Grays, Essex. The equipment was supplied through IFC and the installation company DIVAS. Owned by Lee Darcy, Aqua is water themed, fusing the oceanic sights, sounds and atmospheres of bubbles, mermaids, fish and fun.

The dancefloor lighting scheme - devised by Coe-tech’s design team headed by Nathan Wan - was crucial to the venue’s visual identity. The walls and columns are painted a pastel blue, complete with stencilled bubbles - and are ideal for gobos and projection effects. The lighting brief was to produce a liquid and flowing feel for the room, and low ceiling height also played a role in the choice of fixtures.

Wan chose 24 Coemar I-Spot 150s (which were launched at PLASA 2001), one of the Italian manufacturer’s new stabl

Frequently referred to as Boston Theatre District’s ‘Little Princess’, the 90-year-old, 1,600-seat Shubert Theatre recently capped off its house sound reinforcement system with the addition of a 32-channel Soundcraft Series FOUR mixing console. Local dealer Boston Light & Sound provided the sale.

The Shubert underwent a $6m restoration back in 1996, at which time an all-EAW/QSC system was installed. A 24-channel Soundcraft 800B desk that had previously been used next door at the Wang since the early 1980s was brought over at the tail end of the renovation to run the Shubert’s house system. Now, almost six years later, the theatre has finally retired its 800B, nearly 20 years old, in favor of a new Series FOUR, which is located ‘rear orchestra’ in typical Broadway fashion.

James R. McCartney, the Shubert’s union sound man for the past three ye

Jands Australia, in cooperation with Stage Technologies, has been awarded an A$5m (£1.8m) contract for Sydney's new Walsh Bay Theatre. The Walsh Bay redevelopment project, to be completed by early 2003, comprises over 250 prestige apartments and a new theatre on the harbour foreshore in the historic Rocks area of Sydney. In partnership with Stage Technologies PLC, Jands will supply and install stage machinery, power flying equipment and theatre infrastructure services including paging, closed circuit televisions and the stage manager'sconsole. Jands is also supplying and installing Jands HP series dimmers, wired lighting bars and cable reelers, curtains and decorative proscenium surrounds.

Working with French company Serapid, Jands will also supply and install Linklift 100 machines, which eliminate the need for screw jacks and caissons for orchestra pits. The 850-seat theatre will be

Show Presentation Services has appointed Tim Brewster as its new head of scenic construction, following a review of operations taken in January this year. Brewster joins SPS after working with Set and Stage for three years as a project manager, following 11 years as construction director for Lewis Productions. During his career, Brewster has worked on staging and sets for a huge variety of shows from the Conservative Party Conference and trade union events to exhibitions in Azerbaijan.

He first became interested in set design and construction after building Doctor Who sets, amongst others, for the BBC following a five year apprenticeship as a pattern maker for British Aerospace. "This is a challenging role," said Brewster. "My focus is to integrate our scenic business fully into the rest of the company and to raise the department profile both internally and externally.

A new face on the international trade show circuit is Le Mark's Rebecca Lace. She has joined the company as project manager with the task of expanding sales and the product profile of Le Mark’s reusable PAL Roadcase Label and accessory range within the US. One of Rebecca’s first outings came at the recent NAMM show held at the Anaheim (Los Angeles) Convention Centre in January, where Le Mark shared a stand with Penn Fabrication.

Penn has developed a unique range of steel dishes for Le Mark's label range. The dish can be specified by clients and can be built in as original equipment for all new roadcases. It is available on a worldwide basis through Penn and its extensive Dealer network.

(Ruth Rossington)

Kellys nightclub complex at Port Rush is one of the province’s busiest venues. The complex includes the ultra modern LUSH with its even cooler Chill Out room and the now totally refurbished Wild, with its traditional stone and wood interiors.

WILD is split across two floors with separate sound systems: on the top floor the venue retains its existing RCF Event system, whilst on the ground floor a new EAW system has been spec’d. Local installation company, Light and Sound FX were involved in the original installation and won the contract to handle the system revamp. Darren Gardener of Light and Sound FX explains: "Our brief was to reconfigure the Event system upstairs and put a new sound system in on the ground floor. We decided to talk to Andy Austin Brown at Mackie, as he'd been involved in the original spec, and since we had no flying options, he recommended the EAW s

The largest hotel chain in Italy, the Jolly Hotels, tested Biamp’s Audia Digital Audio Platform and decided that they liked what they heard. In October 2001, an Audia system was installed in a five-room conference section within the Jolly Hotel Conference Center complex on the outskirts of Milan, Italy. This system was to serve as a beta test for Audia and was installed by Professional Show SRL and Prase Engineering, one of Biamp’s top export distributors worldwide. Biamp’s Engineering staff assisted in the installation as well.

The Jolly Hotel pilot consists of seven Biamp VRAM automatic mixers with five additional radio mics feeding the inputs of two CobraNet Audia units, each with 8 inputs and 8 outputs (8X8 CM). In each of the five conference rooms there is an output as well as five recording outputs and a monitor output. Audio control is through a PC via Ethern

When entrepreneur Alan Grant was planning his new West London venue, Cherry Jam, he knew sound was going to be of prime importance for the multi-arts programme he had planned.

Having worked with Mark Metcalf at Notting Hill Arts Club for five years, he chose Blue Box Company to specify and install the audio system. Based around the principle of creating a hi-fi sound environment, Metcalf chose Funktion One Resolution loudspeakers for the main system and Genelec studio monitors for the bar area.

Two Funktion One Resolution 2 cabinets are flown left and right of the stage, augmented by two F118s supplying low bass, and a rear fill of one Res2 hi pack and two additional F118 bass enclosures. "One of the main briefs for the architects," comments Metcalf, "was sound insulation as the venue is in the heart of a residential block. The consequent sound proofing, coupled with t

PAI have recently completed an installation at Reading University's Students Union Bar. The project was for a complete sound and lighting system, which used Mackie Fussion for the main dance floor and a combination of Martin Professional and Abstract fixtures for the effects lighting.

To run the sound system, PAI’s Martin Draisey selected to use the new Mackie Industrial DX8/10e digital audio mixer. "I was invited to Mackie’s showrooms in Wickford by Andy Austin-Brown for a seminar on the DX8/10e. The presentation was fronted by Costa Lakoumentas (the man behind the development of the mixer) and I was genuinely enthused by what I learned. The unit is highly flexible. At Reading University, for instance, we have used it as a digital processor and loudspeaker management system. I used 9 of its 10 outputs, for main, left and right (Fussion), six circuits for the periphera

PA Installations has installed a Mackie Fussion system in the Courtyard Theatre, Hereford. The theatre has been open for just over three years, and had previously hired in sound systems - predominantly EAW - for individual productions. With some help from the local council, the theatre was able to get a grant for a permanent sound system. "Because of the EAW connection I contacted Andy Austin-Brown at Mackie. He came down and did a site visit," explains chief technician Gareth Sumnall. "But it quickly became apparent that the budget would not run to an EAW system, so Andy suggested we looked at Fussion."

Andy Austin-Brown takes up the story: "Because of the type of usage the theatre wanted, I suggested they consider a Fussion system. I asked PA installations to do the demonstration with two stacks of the Fussion 3000. Once they had seen and heard the system it

A new 700-capacity rock venue in Holland has meant that the citizens of Amstelveen no longer have to travel to nearby Amsterdam for their nightly entertainment. The newly-built P60 opened its doors last November adjacent to the town’s theatre in the reconfigured town square (which now includes a parking lot), and has been thriving to a mix of Holland’s leading bands and international touring acts. Owned by the local government, the three-storey rectangular building cost HFL 11,000,000 to develop. It offers a ground floor café bar under an internet café - and on top is the large performance auditorium, where the sound sweeps through the floor and balcony courtesy of the Martin Audio Wavefront 8 Compact system.

The entire sound contract was won by Martin’s Dutch distributor, TM Audio, who put together a high specification of leading brands. Sales manager Jeroen van Ke

Audiosales has supplied a Martin Audio system for installation in the new 800-capacity Auditorium of Parma, which is run by the Commune di Parma. The programme of performance at the venue has yet to be specified, though it was originally thought that it would become a second opera house to the town’s famous Teatro Regio.

The contract for the audio was fulfilled by Ital Cida, and according to Audiosales’ Mauro Codeluppi, one of the reasons his company was nominated as the supply source was its proximity to Parma - they are based just ten minutes outside the town. When it came to equipping the former sugar refinery - which had stood empty for years - Ital Cida specified four WT3s, six WT2s, a pair of WS2A subs and eight WT15s - ideal for the multi-purpose nature for which the theatre will be used. The system will be powered by Lab Gruppen amplification, and the loudspeaker ma

Stagetec (UK) Ltd has completed a contract to design, supply and install a complete sound and lighting system for the new Chafford Hundred school campus in Grays. The split-level building is imaginatively designed by Nicholas Hare Architects, with a central lift and an impressive atrium. Built for the future, it combines the principles of energy saving with a flexible space for learning and recreation.

In the building’s central section are the halls, drama studio, dining areas, sports hall, public library and specialist facilities geared towards art, technology, music and science. The primary and secondary wings extend either side of these shared spaces, each with its own secure entrance. Stagetec’s design brief was to provide a simple-to-use system that offered the latest technology and was suitable for school productions and additionally, for when the space is used by th

Essex University has recently installed a new customised sound system in two of its lecture theatres. Local company John Hearn & Son undertook the installation, working to a brief that required the two systems not only to be capable of working together, but to work equally well as stand-alone systems.

Tim Hearn explains: "Because of the layout of the theatres, the University wanted to be able to run both rooms independently but also have the option to remove the dividing wall and run it as one. They needed to be able to run the two rooms from either sound control unit." As far as the overall system was concerned, the requirements were certainly wide ranging. "Flexibility is how we viewed it," continues Hearn. "The University wanted to use the theatres for a variety of different applications, so we designed a sound system for spoken word, sound reproduction and

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