The Ministry Makes History
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The Yates Group has a long association with Martin Audio loudspeakers, and the company’s technical manager Les Farmer, had no hesitation in returning to their catalogue to create even coverage across the new 525-capacity, 3000sq.ft bar. The requirement from the designers, Mason Wood Architects, was for discrete lighting and sound reinforcement. Thus four recessed white C516 ceiling speakers, with their own volume control, have been concealed in the far corner chill-out area of the four-zone venue, to complement the eight
Architect Tim Foster set about fulfilling Boizot’s dream of recapturing the splendour of traditional cinema in a state-of-the-art modern facility.
Strand luminaires, control and networking components form the lighting backbone in the 1,200-capacity art deco auditorium - specified by Northern Light, who won a competitive tender issued by Theatre Projects Consultants. Northern Light also undertook all the house electrical contracting, working with builder Marriot Construction, while for the specialist lighting they reported directly to Peter Boizot’s company, Mistvalley Ltd over the duration of the 10-month contract. The lighting designer on
Douglas Scheller, TSC account manager for Smith and Western said: "When Smith & Western met TSC at a recent exhibition they were looking for a music system that was not only more reliable than their existing CD players but one that could virtually run itself. They also required very specialist country and western music to create the correct atmosphere in their authentic American themed restaurants. The perfect solution was our soundserver hard disc player, which is design
Vigil Eclipse is a stand-alone, wall-mountable system, which can operate up to four zones of VA - all dual circuit if required. The system, which utilises Baldwin Boxall's well established
Millbank JustiFire is an off-the-shelf product designed as the integral element of a BS5839 part 8 compliant (European BS EN 60849) VA system. The utilization of a standard Windows-based configuration programme provides ease-of-use and a simple graphical interface enables the system to be set-up to meet the requirements of individual installations. For the Coleraine Diamond Shopping Centre, Federal Signal has added an additional power supply to enable JustiFire to support two operational amplifiers and a stand-by unit.
The order was placed by Fed
Supplied by The Production Shop, Selecon’s Queensland dealer, the decision to choose Selecon luminaires came after months of extensive tests held at the Centre under the exacting eye of lighting manager David Schultz and his crew. Tim Kennard, at that time of the Production Shop, arranged the numerous sample units and provided the technical back up. In a move away from their established inventory, QPAC are now using Zoom profiles front-of-house in preference to fixed angle units.
Installation, which included a PA system for the press and public areas, was carried out by a local contractor and fully supported by Brähler. "Not surprisingly, ease of operation was emphasized," remarks Mark McGlynn, Brähler’s sales director. "For the microphones, this was partly achieved by incorporating a power supply unit th
Supplied through Turbosound distributor Audio Telex, a sound system comprising numerous TCS-56, TCS-59 and TCS-10 loudspeakers, was both flown and wall-mounted, along with a set of TCS-118 subwoofers and TCS-12M floor monitors. The chapel consists of highly reflective, angled walls, plus an all glass rear wall. With large amounts of glass panelling throughout, the client brief required the design to impress acoustically, whilst being aesthetically discreet.
Stuart Craig of Audio Telex told us: "The client wanted to be able to use the system for music playback vocal reinforcement, as well as live m
"A key area to address was the problem of hearing the choir properly at back of the chapel over the large pipe organ," notes Dee Couchman of Scan Audio. Improved sound reinforcement for speech was also required throughout the chapel. "It was the opposite to the usual problem of long reverberation times in that type of building," comments Paul Malpas of consultants Arup Acoustics. "We needed to lift the choir and subtly balance their level with the organ."
The solution was to completely strip out the old column spea
Studio 3 is the new home of the Top of the Pops and Later with Jools Holland broadcasts, and the request for Kelsey's involvement came directly from the sound supervisor responsible for both programmes. Mike Felton explained: "We were temporarily housed at Riverside Studios for TOTP whilst the move and refurb was going on, and SSE were supplying all the monitoring and PA facilities. They use Kelsey's 32-way multicore as standard, and having used it ourselves, Gary [Clarke, sound supervisor TOTP] and I immediately requested that a compatible line system be installed in Studio 3. It entirely fitted
The wooden-framed glass cases of mineral samples, stuffed animals and neatly-pinned insects, have been replaced by interactive exhibits that recount the history of Australia, its peoples and its region, using the entire panoply of contemporary display and production technologies. Museum operations manager Craig Gamble (who started life in technical production for the performing arts), considers the museum spaces to be of three types.
There are the circulation and orientation spaces, which include the foyers that house permanent displays of iconic objects such as a whale skeleton and a tram. There are permanent exhibitions (5-10 year lifespans), and finally, there are temporary exhibition spaces
Installers Starstruck Sound and Light were responsible for specifying the EViDs. Starstruck's Kenny Taylor admitted that he had in fact specified another brand until Shuttlesound's Andy Murray walked in with an EViD to show him. "It was definitely a case of the right product at the right time," said Taylor. "Visually the EViDs look stunning - a real departure from the usual black box scenario - and being EV, I was fairly convinced they'd sound good
The sound system is all JBL, supplied by JBL's UK distributors Arbiter Pro Audio. The Cellar's dancefloor area features four JBL MS112 top speakers and two MS125S subs. The bar is serviced with four of the new JBL Control 29s, with Control 24 speakers also in the toilets. For the DJ booth, CP Sound supplied Technics SL1210 turntables and an Allen & Heath Xone:464 mixer, complete with a Denon DN-1800 twin CD player. The mixer was chosen to provide the facility of liv
Stagetec supplied a selection of luminaires from the Selecon range, including 1.2kW fresnels, 600W Pacific profiles, Aurora cyclorama floods and a Performer followspot. Stage
The sound systems consist of Martin Audio Screen Series cabinets, which also featured recently in a number of screening rooms at the high-profile Warner Village Cinema complex at Star City, Birmingham, and in the Warner Bros. preview theatres in London. Warner Bros International Theatres' director of projection and technical equipment, Phil Crawley, confirmed that Martin Screen 4s and 5s are currently being adopted in new Warner Village Cinema multiplexes around the UK. Screen 5s and Screen Sub 1As
Creative Technologies' relationship with Fuller extends back to his days when he ran Little Havana. The company also installed Sugar Reef, but according to managing director, Rob Ferguson, this is their most sophisticated fit-out yet, as the combination of Martin Audio components and Soundweb networking wil
In 1972 a fire destroyed a large part of the backstage of the Victorian theatre and the refurbishment provided an opportunity to re-design the theatre to provide greater accessibility for all theatregoers. One of the key areas to be developed was the lighting and sound systems and thus Stagecraft supplied a range of technical equipment, including Martin intelligent lighting, Selecon Pacific luminaires, Compulite Luna moving yolks, Zero88 lighting control and dimming, and a range of audio equipment, including Tannoy speakers, Shure microphones, QSC amplification and Allen & Heath control.
Grant Bales-Smith of Stagecraft worked closely with the New Theat
Andrew Missingham, director of performing arts, explained: "We were so impressed by the SLS system that Ampekko supplied for the week-long Climax 01 season, that it made total sense to replace our old system and upgrade to SLS. It will allow us to fulfil our objectives in 2002 to revive live music performance in this venue. It has already worked to enhance ou
Currently in the middle of a £22million Lottery-funded rebuild, with the Pavilion Theatre and the Corn Exchange already open and the Dome due to re-open next month, the theatres' staff had come to realise that, as is so often the case, the architectural plans generated for the refurbishment would actually be of little use to visiting companies since they would contain too much detail and superfluous information.
Modelbox are now adapting the architectural plans to produce a set of theatrical-style groundplans for each of the three venues, presenting theatrical users with the information they need in the form they expect to find it in. The plans will be available to visiting companies
Which is how the company became familiar with the BSS FDS-334 and FDS-336 Minidrives. Adlib have long been devotees of BSS’ famous Omnidrive family and so when they won the contract to fit out a series of Living Room bar/restaurants for fast-expanding Living Ventures Ltd, the proprietary digital loudspeaker management system went straight into the specification.
As the latest Living Room opened on Birmingham’s burgeoning Broad Street leisure strip this month, Adlib managing director, Andy Dockerty, told us that their