Installation

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14 March 2016

Installation of the new lighting and technical infrastructure was undertaken by Dublin lighting supplier Stage Lighting Centre, who also supplied a full set of stage curtains, complete dimming system and stage lanterns. They worked very closely with Brian Tracey, Liberty Hall’s head of technical, throughout the installation period. When it came to custom engineering and installing the specialist lighting bars required at the FOH and forestage positions, Stage Lighting Centre’s Paddy Farrell approached PCM.

Working to the s

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14 March 2016

The installation is the work of systems integrators, Sysco, whose relationship with The Tussauds Group extends back nearly 10 years to when they first fit out sister attraction, Tussaud’s London Planetarium. Managing director Hugo Roche explained: "Over the years we have undertaken a lot of the Group’s AV work - sometimes winning competitive tenders, on other occasions being appointed during the design phase and working more on a design/build basis."

In terms of delivery, Sysco looked at a number of ways of achieving th

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14 March 2016

In charge of the development of the 22,224sq.m facility was Jarvis plc, a facilities management and infrastructure services group, and the first company to win a schools project under the government’s Private Finance Initiative. The Jarvis team worked in partnership with the local education authority to create the facility, and also with a number of sub-contractors - amongst them Maltbury, who fulfilled the staging part of the contract.

As the facility's main hall is used for school presentations and exams, the Jarvis team wanted to provide under-stage storage for the exam desks without lifting the height of the stage. To achieve this, Maltbury designed and buil

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14 March 2016

The move is certain to be seen as adventurous in the current climate and watched with interest by senior industry figures. The studio industry has been in a state of flux for a couple of years with a change in the way records have been made, resulting in a number of mid to large studios closing. Metropolis created studio E, one of the world’s first purpose-built music surround mix rooms in 1996 and was the first major studio complex to embrace the ProTools revolution in the early 90s. The Group was also unique in offering ProTools workstations for every session with Prism con

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14 March 2016

The installation was supervised by DAT AB, Renkus-Heinz’s Swedish distributor. DAT installed the new Renkus-Heinz ST7/94 (90 x 40 degree dispersion) loudspeaker and a series of distributed nearfield speakers in the church, to minimize the effects of a long reverb time while projecting vocal and musical clarity throughout the building.

Faced with a limited budget and the requirement for a compact, simple, but state-of-the-art sound system, DAT measured the reverberation time at almost 4.5 seconds and created an EASE model of

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14 March 2016

To maximize an ideal location, Urbium brought back interior designers Tibbatts & Co to deliver this 1800-capacity multi-bar concept. With a large ground floor Tiger Bar, Moroccan-themed Kaz Bar, Manhattan-style Loft, colonial-style Raffles Bar and the retro feel of The Den, as well as a clever tunnel which acts as a bass trap into the industrially-appointed club, the venue caters to all tastes. There is also further evidence of the company’s move towards fine dining with the stylish, silver service restaurant. Yet where Newcastle has become truly groundbr

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14 March 2016

Installer Tony Abou-Khair outlines the brief: "In terms of speech intelligibility, the old system was not capable of doing justice to the demands of today. As an ever-increasing number of people have been frequenting the services, the sound system had to be expanded. The budget was tight so the loudspeaker cabinets we chose had to be capable of producing a balanced sound with excellent speech intelligibility, even without any type of external controller. As a result, we opted for the HK Audio Linear 3 Series. The acoustics in the front portion of the church are problematic because of a potentially unpleasant build-up of mid to hig

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14 March 2016

The Imagination team, led by designer Caroline Wilson and lighting consultant Tony Rimmer, worked in collaboration with researchers and futurologists from Orange to create the interactive learning environment. The experience begins with a series of animated stories, linking everyday needs to technology. Three more zones follow a pattern of ‘Search and Find’, letting visitors experience and be creative with technology. The space is built around three key technologies - voice activation/recognition, personalized information and Orange Home services. In ‘Tell Me A Joke’, voice recognition sof

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14 March 2016

Owner Gary Brown, together with Pete Williams of AVL, gave i-vision’s Geoff Jones the brief to design and realise an exterior lighting scheme. The stone constructed building posed several challenges - with dark grey stone proving a less than ideal lighting canvas!

Jones has lit the front façade with seven Superlight CDM 150 up/downlighters. Each fixture is fitted with a blue dichroic for the downlight and a magenta dichroic for the uplight. This method was employed to break up the architectural lines of the frontage, producing a dynamic blue wash over the lower half, and an eye-catching magenta sweep across the first floor. MA250 blue asymmetric floods were used to complete the picture

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14 March 2016

The screen, measuring 3.84m x 2.4m, is part of a complete audio visual installation undertaken by London-based Interactive View and forms the backdrop to a 6 x 5m stage area constructed by Rode Island. The area is designed to host an array of live events, including DJs, solo artists and bands and was heralded by a week of live events, including appearances by Grand Master Flash, Craig David, Blue and The Libertines promoted on Capital Radio throughout.

Interactive View managing director, Lee Edwards, commented: "This is the largest audio-visual installation in a retail outlet in the UK to date, and is part of HMV’s nationwide refurbishment. We’ve designed and managed this

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14 March 2016

Cinevideostudio was established in Mantua, near Verona, back in 1983, and moved to Milan in 1997 where the collaboration with MTV Italy began. Today it employs around 80 people, and boasts a complete post-production suite - with editing and transfer facilities dedicated to Quantel and Avid - as well as transmission studios among its facilities.

Cinevideostudio’s E studio, featuring the lighting of Coemar, was used recently for a concert with international artists Robbie Williams, Alanis Morissette, REM and Oasis, for the Italian MTV Live, which is shot i

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14 March 2016

Consequently there has been, in his own words "huge changes", not least the recent installation of a new rigging grid above the famous Fairfield stage. "The existing grid was well past its sell-by date, so in September of 2001 I visited PLASA to see what was available. At the time I didn’t even know Total Fabrications’ T2 system existed (hardly surprising as it was barely a year since launch) so when I stopped by their stand I was more than impressed with the system."

Being a prudent shopper, Lock

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14 March 2016

According to project director, Atan Burrows, the sound system upgrade coincided with a new interior design (by owner and co- director, Raymond Brown) and the launch of a new restaurant and cocktail list. "Dust has developed a reputation on the back of breaking out new DJ talent, and so with the addition of a second floor, good sound reinforcement became a top priority," he said. He had been referred to Marquee by another satisfied client from a Shoreditch bar/restaurant, but the decision to use Marquee was only made after a competitive tender. &quo

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14 March 2016

Gravesend Sound & Light totally relpaced the sound system using multiples of Martin Audio Blackline F15s around the dancefloor, underpinned with S218 subs. Said Middleton: "We had originally planned to fly the F15s in pairs, but the roof wasn't structurally substantial enough, so instead we created two ground stacks either side of the stage, inverting the F15s on the S218s to produce a horn-coupled solution. It provided a much crisper, punchier sound with a vibrant top end."

Gravesend had r

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14 March 2016

All of the theatres have identical ceiling-mounted projectors and the classrooms will use an interactive whiteboard with media management via Cue control systems. One of the first rooms to be transformed - lecture theatre E, a listed 1970s structure - was used as a location for Stanley Kubrick's controversial film A Clockwork Orange, shot in the early 1970s. The equipment installed provides a highly flexible presentation system, which will be employed for university lectures as well a

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14 March 2016

Colum O'Neill, RG Design's technical director, outlined the project: "Skye's entertainment manager, Eamon Beagon, came to see us with a requirement for a top-quality system, to tie in with the club's high-end image. He was interested in using a Turbosound-based system, as he had heard a number of our Turbosound installations in other clubs and had been impressed with the results. Due to space constraints, the design called f

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14 March 2016

The ARX ZA400, ZA600 and ZA800 amplifiers have been fitted by PIVoD with their new audio streaming technology, VIPA (Venue Internet Protocol Audio). With VIPA, each ARX ZA amplifier features an Internet Protocol (IP) interface that allows the amplifier to be monitored for the operating and control status of each stereo channel pair and the AC power control 'on/off' of each amplifier. The amplifiers are then controlled and monitored with the PIVoD Technologies Show Control

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14 March 2016

The specification was for a sophisticated audio system capable of delivering high quality background music throughout the venue with the ability to zone to specific areas. The system also needed to be powerful enough to ma

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14 March 2016

Level 3, which occupies over 2000sq.m in a former Planet Hollywood on Peachtree Street in downtown Atlanta, sprawls across three floors and features a large dance floor, a VIP area and balcony seating. The club offers patrons five bars, two downstairs, two upstai

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14 March 2016

This latest Zinc occupies a prime location amidst the bustle of Fulham Broadway, one of the liveliest parts of London. Although a smaller space than the other restaurants, the same aesthetic and sonic requirements were applied to this venue. Sound equipment had to be invisible, to offer comfortable and almost imperceptible background levels and dispersion, yet also be capable of pumping up the volume in the venue when needed. Zinc's bar area is designed for multi-purpose use, and can be converted into DJ/dancing mode. It was also important that sound in the two adjacent areas - restaurant an

Details

14 March 2016

Consequently there have been "huge changes", not least the recent installation of a new rigging grid above the famous Fairfield stage. "The existing grid was well past its sell-by date, so in September of 2001 I visited PLASA to see what was available. At the time I didn't even know Total Fabrications' T2 system existed (hardly surprising as it was barely a year since launch) so when I stopped by their stand I was more than impressed with the system."

Being a prudent shopper, Locke looked around all th

Details

14 March 2016

"Dust has developed a reputation on the back of breaking out new DJ talent, and so with the addition of a second floor, good sound reinforcement became a top priority," he said. He had been referred to Marquee by another satisfied client from a Shoreditch bar/restaurant, but the decision to use Marquee was only made after a competitive tender. "We found the company to have the necessary tec

Details

14 March 2016

The dancefloor in TJ's main room now features four JBL AM6212/95 bi-amped speakers, complete with high-powered ASB6128 subs. The AM6212 is the most powerful of three types of speakers in the AE range. A major feature, and one of the enclosure's many innovative points, is its very low profile - a slim and elegant physical shape and size which make it an ideal solution for fitting into small spaces unobtrusively.

The sizing has been made possible because the enclosures have rotatable waveguides, enabling them to be just as easily be mounte

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14 March 2016

However, his life has been made easier with the discovery of the BSS 9088 Soundweb networked digital matrix system, which he used for the first time recently on installations for the ITC Sheraton Hotel Group in India. LSI won a competitive tender to provide an AV solution for two Irish pubs, situated within the Sheratons in Delhi and Kolkata (Calcutta). With Irish theming, these act essentially as fun pubs, but with a dancefloor and potent sound systems.

Ian Harris was asked to support LSI's Delhi-based Systems Integration Division and programme Soundweb for the two installations. "Although I ha