Lighting

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14 March 2016

It was 29 August 2005 when a reported 40ft wave from Hurricane Katrina slammed into the facility, demolishing the level where the casino, nightclub and theatre were located. All production gear was reportedly destroyed and unusable, including all the HES DL.1s, which had recently been installed. The hotel was closed for massive repairs.

After a re-design and renovation, the hotel's 17,000sq.ft Magnolia Ballroom opens with 28 HES DL.2s, 64 Studio Beams, 12 Studio Spot 575s, 12 Studio Color 575s, four Intellabeams and two Wholehog 3 consoles running 5 DP (Data Processor) 2000s.

The Camelia Room features a Catalyst Media Server and 16 Studio Bea

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14 March 2016

New features of VisualDMX on show will notably include Visual3D running remotely via a network and VisualTouch. VisualTouch is a self contained section of VisualDMX software that enables the software to be run and controlled using a touch screen interface, ideal for installations in bars and clubs where, typically, non-technical staff are often responsible for insuring the mood of the venue, both lights and sound, to suit the event.

For a demonstration of the new features and to see the latest hardware - the Frontier - in action please visit us during PLASA06 at stand no. B39.

(Chris Henry)

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14 March 2016

Earlier this year the hotel's restaurants were renovated, with Ideafix, LSC Lighting's Finnish distributor, chosen to supply and install the sound and lighting, and so for Kämp Club, the hotel's cosmopolitan late hour upscale club, an LSC 24-channel EKO system was installed.

The EKO is an ideal choice for venues such as Kämp Club for a variety of reasons, say. Firstly it is one of the most compact dimmers for its capacity (24 x 3kW channels) on the market and often available space in venues is extremely limited. Secondly the availability of the LSCnet option allows the EKO to be controlled via DMX when the venue is in c

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14 March 2016

With nine albums and twenty-plus years under her belt, Melissa Etheridge is known for being an activist for a variety of causes and charities. However, her talent as a lyricist and her passionate performances are what have earned her respect in the music industry and produced loyal fans.

June of 2006 marked Melissa Etheridge's first tour back since finding out she had cancer in 2004. When deciding on lighting design for Etheridge, Hamilton said that it was more important to focus on the artist and the music than to put on a big flashy production. "I was primarily trying to create subtle scenes and looks rather than big eff

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14 March 2016

LaBarbera was extremely pleased with the performance of the LEDBlinders, which were used over the stage as a wash effect. The LEDBlinder 196LTs (an 8-lite equivalent) were rigged in each of the four corners of the lighting rig, pointing downwards towards the band set up, which was in a circular format centre stage. The LEDBlinder 148LTs (the 4-lite version) were positioned up on the rig, lighting the four differen

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14 March 2016

The PixelLine micro E is a three cell effects batten featuring 174 high brightness red, green and blue 5mm LEDs and the PixelLine micro W is a wash batten containing 22 red, green, blue and amber Luxeon K2 LEDs. Both fixtures feature completely new software which includes 16 bit intensity personalities and a sophisticated user programmable effects engine that can be synchronised across multiple fixtures. Both units can be integrated with full size battens.

The PixelArc series, introduces two self-contained units offering the choice of a circular head (PixelArc C) containing 44 new K2 Luxeon red, green, blue and amber LEDs or a re

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14 March 2016

Hosted by popular TV presenter Vernon Kay, guests were invited to take part in two game shows, entitled SLVR of Fortune and Play Your RAZR. One of the UK's brightest new music stars, Paolo Nutini sang four songs from his new album, while magician Paul Zenon and comedian Al Murray added to the entertainment.

The event proved to be technically complex: PSP's 8-way buzzer system was used for the quiz section as well as Flash to create a random name selector for participants. All of the quiz graphics were specifically designed to reflect the Motorola brand. For the sou

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14 March 2016

Founder and president of Pathway, Dave Higgins says: "We're very pleased to be able to expand our long-standing relationship with the PRG organisation. As Pathway's exclusive distributor in the European, Middle Eastern and African regions, PRG Europe's commitment to these markets will ensure that our new product ranges, as well as our CE and RoHS programs, receive maximum exposure. The opportunity to work with the great sales team at PRG Europe is the icing on the cake for Pathway."

Pathway designs, manufactures and supports an innovative family of product

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14 March 2016

This agreement combines GELcore's LED system strengths in the Transportation, Signage, Specialty Illumination, and General Illumination segments with Nichia's extensive phosphor and optoelectronics products, such as LEDs. Both companies expect to benefit significantly from each other's expertise and penetrate the high-growth LED general illumination segment.

"This agreement is a true win-win ou

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14 March 2016

"For the last 10 years I have had an association with Hawthorn and had admired how the company had grown, with the right attitude and philosophy for our industry," said Bailey, "so when Martin Hawthorn offered me the opportunity to join the Hawthorn team, I was flattered and I am really looking forward to 'making a difference' for our clients, in my new role."

"Mark is a valued member to the growing team at Hawthorn," said general manager Simon Wood, "He did a great job on his first project for us at the Edinburgh Moonwalk and we expect great things f

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14 March 2016

As part of its flexible design, Congo jr features an optional Master Playback Wing, which accesses all 40 multi-purpose masters of the main console. The Master Playback Wing contains 40 faders and two LCDs in the same configuration as the Congo console, for full playback capability and complete control of all masters and Direct Selects.

With the international communications standard ACN having just received ratification by the ESTA Technical Standards Progr

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14 March 2016

G-LEC - stand D30 + D33.

(Lee Baldock)

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14 March 2016

Long considered the standard 'de-facto' reference for those working in lighting for entertainment, packed with useful information yet still compact enough to nestle comfortably in a designer's bag, the last edition of the catalogue was published in 1999 yet it is still in demand, with the electronic PDF edition regularly downloaded from White Light's website.

"An update to our catalogue is long overdue," admits White Light's managing director, Bryan Raven, "but the last seven years have seen us move premises, enormously expand our stock and the areas of lighting we work in, and re-design our website. Somehow through all of that the it kept sl

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14 March 2016

Viking specialises in theatrical sales and hire, and initially bought the ColorWash 575AT Zoom because of its "Superb zoom - which, along with light output and functionality, is better than any other product on the market at the moment".

Since having these fixtures in their own hire stock, Viking has demo'd them to many others and consequently sold several more CW 575AT Zooms to its clients.

Viking has steadily replaced their entire hire stock inventory with Robe moving lights over the last two years, now only leaving six non Robe units. In terms of fixtures, they have everything from the expediently sized Spot 150XT spot to the powerful workhorse ColorSpot

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14 March 2016

Light-Switch is suitable for use in conference room facilities, retail and domestic environments, trade shows and museum exhibits. Available in both UK and US style wall panels, Light-Switch is controlled by 14 illuminated buttons. Features include three pages of eight memories, with each memory containing all 512 channels and an independent fade time. A fourth page provides six sequences with variable step times and direction control.

The entire system is programmed by PC application Switch-Edit, which contains a moving lam

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14 March 2016

Having the D4 and using Fixture Exchange has not only meant: "No more re-programming shows on sunny afternoons with no time!" says Marks, it's also saved him from worrying about whether the fixtures for the day are Martin, Robe, Vari*Lite. Whatever they are, his show remains the same.

Marks 'converted' to the D4 at the beginning of the summer after many years of running Status Quo's show on a Diamond 3. Now he's using the D4 and the very latest software versions which

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14 March 2016

The band's stunning stage look is being created by the slick teamwork of lighting designer Dave Sherwin and visuals operator Robin Haddow. The tour is being project managed for HSL by Mike Oates.

In addition to the LED and moving lights, HSL is also supplying six vertical trussing towers, two pairs each at 10ft in the centre, 8ft and 6ft on the outside; six two cell Moles and six Atomic strobes - each of which sits on each tower, along with six of the Robe ColorSpot 1200ATs on top. The rest of the moving lights are scattered around the floor, along with an additional 20 DB4s.

HSL designed and supplied the custom sc

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14 March 2016

The StageQube 324 is a new-generation of LED panel. Designed as a plug&play application, it doesn't require any external power supply and control boxes. The complete electronics are located in the IP54 housing. An integrated rigging system allows even large systems to be built up very easily.

The resolution of StageQube 324 is 18 x 18 px at a size of 80 x 80 cm (pixel pitch 4.44 cm). The StageQube 324 system uses a video input (VGA) that is connected to the QubeControl PC. It can be DMX controlled using a Robe Media Hub aloowing intuitive control from the lighting desk.

Robe Show Lighting also launches its revolutionary new DigitalSpot 5000 DT, a 5000 ANSI Lumen o

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14 March 2016

The specialists exhibiting at PLASA06 have the expertise to make anything possible with technologies developed by this industry transforming the quality of experience within the entertainment, events, live arts and leisure markets to a level scarcely imaginable 10 years ago.

And in the building and architectural sectors, the development of audio, video and IT technologies has also transformed the way buildings are designed and used - aesthetically, practically and architecturally - with information and safety-related systems now essential ingredients in the development of public spaces and buildings.

All these developments - together with the next

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14 March 2016

The brightest, most spectacular fixture ever released by Robert Juliat, Lancelot is both a long-throw effects projector and a followspot perfect for the largest of venues, particularly stadiums. Based around a 360,000 lumen 4kW HTI lamp, Lancelot uses a carefully-designed optical train that gives an extremely flat-field beam distribution. Lancelot's modular design allows up to five effects cassettes to be inserted: based around a totally new four-blade design these allow progressive effects such as frost or colour correction. Further effects will be available for Lancelot during 2007

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14 March 2016

"InfoTrace simplifies the set-up, maintenance, repair and integration of professional stage lighting," says Keny Whitright, founder and president of Wybron, a leader in performance lighting innovation (inventor of the scrolling colour changer and the industry's first automated spotlight tracking system). "Time saved during load in and pre-show checks translates into more time to create innovative lighting sets for stage, touring shows, architectu

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14 March 2016

John Watt, Mike Le Fevre and Ian Dow are all TV lighting directors who by default have specialised in different genres of television - as well as just lighting whatever comes next! They hope to be inspired by questions from the floor to explain how they attempt to keep the quality of lighting in television, whilst battling budgets and the idiosyncrasies of producers. They may well illustrate their remarks with stories of the triumphs and disasters of their careers!

Chaired by PLASA's executive director and former L&SI editor Ruth Rossington, the session will take place from 3.30-5.00pm on Tuesday 12 September, in the seminar theatre on Level Two of Earls Court.

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14 March 2016

The move will be underpinned by the launch of PLASA Events Ltd, which will implement the new strategy, and also allow PLASA to build on the success of its established PLASA Show, paving the way for a major relaunch of the event in 2007. The new division will be headed by two faces familiar to the industry: Nicola Rowland joins the PLASA team as director of events and Sophie Matthews joins as operations manager. Formerly with Clarion Events, both have wide experi

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14 March 2016

Demfis Fyssicopulos of dfdesign served as grandMA lighting programmer for Carnival's 2,052-passenger Sensation, with the next installation scheduled for the line's 2,052-passenger Fascination. "These vessels are si