USA - Following lengthy industry speculation, ETC is to enter the LED luminaire market, having acquired the Selador product line from Selador co-founders Rob Gerlach and Novella Smith.

"We didn't want to make a 'me too' RGB or RGBA product that didn't provide the kind of significant innovation in lighting we strive for," says ETC CEO Fred Foster. "With its exclusive x7 Color System, the Selador product line produces a far superior quality of colour and light to anything that we had seen before in LEDs. We also benefit from the brainpower of Selador LED experts Novella and Rob - great people who will join our ETC team."

The Selador x7 Color System finds its perfect counterpart in ETC's control products, says the company. ETC's marketing manager David Lincecum explains: "ETC brings to the table a unique capability to make the control of LED luminaires ea

Australia - The X-band 300 from Coemar De Sisti is a wall washer with 36 high powered RGB or white LEDs featuring the latest RGB SMD technology and marketed as "the perfect solution for the dynamic illumination of facade structures and landscapes."

The beam angles of lenses available are 10°, 25°, 45° and 10x45°. With an IP65 rating, the X-Band 300 is suitable for indoor and outdoor applications, architectural wash applications and for high impact scene settings thanks to its "precise light distribution and even luminance".

(Claire Beeson)

South Africa - Disney's musical, Beauty and the Beast, produced in South Africa by Pieter Toerien and Hazel Feldman, played to its first South African audience on 2nd October 2008 at the Montecasino Teatro Theatre in Fourways. The production made use of a grandMA full-size console.

Richard Knight, the associate lighting designer who came out to recreate Natasha Katz's original design in Johannesburg, was also the original moving light programmer for the Beauty and the Beast tour which successfully ran in the United States from 2000 to 2004. The show is based on the original Broadway production produced in 1994.

The South African contingent of Programmers included Glenn Duncan, DWR Distribution's Nick Britz, and of course the South African associate designer Denis Hutchinson who also did his share of programming.

Hutchinson commented that the rig was fairly conv

UK - Solutions Group (UK) Plc recently opened the doors to its brand new product demonstration auditorium - The Solution - to a specially invited audience.

Bucking the current economic trend, Solutions Group has invested in excess of £100,000 in creating what it believes to be the UK's first club-sized room for the demonstration predominantly of professional sound and lighting equipment, distributed to the trade through its specialist operating division Impact Products (Europe) Ltd.

As the events of the day went on to show, however, the versatile 100sq.m auditorium will offer a host of other applications to the Company and its customers.

With the room laid out as a retro-style Bistro, the congregated crowd was literally led down the red carpet for the official ribbon cutting by the Mayor of Northampton, councillor Brian Markham.

With staff dressed as 1920s gangsters

UK - The exterior lighting at Glasgow's SECC Clyde Auditorium was turned from its usual blue to red on Valentine's Day, to mark the start of Scotland's Red Nose Day 2009 campaign. Stage Electrics donated nine Studio Due 2.5kW City Color units and 10 Martin Professional TW1 80 volt units to create the dramatic change in colour for the charity event.

The units were installed and operated by technical director Tony Edwards, chief technician Iain Banks and the technical team at the SECC. Stars of BBC1's Strictly Come Dancing, Rachel Stephens and winner Tom Chambers donned their red noses and pushed the button in front of BBC TV and press to instantly change the colour of the outside of the building, known as the 'Armadillo' for the evening. The stars of the show were at the SECC as part of their UK Strictly Come Dancing tour.

(Lee Baldock)

UK - The PLASA Technical Resources Office invites PLASA and STLD members to forget the worries of the credit crunch for a day by blasting around the Silverstone race track.

The event is organised by PLASA's Technical Resources manager Ron Bonner: "If you have ever wanted to drive your own car above the legal 70 MPH limit to see what it is capable of without being snapped by a Gatso - then this may be your big chance. The PLASA Technical Resources Office has reserved Silverstone for a day to hold a day of fun on the track. Included in the day is lunch and if you need it, tuition on how to drive your car in this environment. (Additional tuition fees apply)

"The day is provisionally booked for Friday June 26th 2009 - just a week after the British Grand Prix has been decided - and it is estimated that the full cost of the day and lunch will be in the region of £210

UK - In the few months since its opening, the Westfield London retail complex has already proved a success. And drawing on that success is large format exterior advertising specialist Ocean Outdoor, which has commissioned three large Lighthouse LED screens for Westfield, at a site close to the complex.

Facing the major Holland Park roundabout, the three large 12 by 4 panels (12.24m (w) x 3.04m (h) each) R16i/o 16mm outdoor screens, housed in a gigantic, standalone rectangular structure, provide an eye-catching display to a captive audience of thousands of drivers per day.

A wide range of exterior signage types compete for attention throughout London, so this installation demanded the ultimate in what is currently available. Lighthouse R16 combines the ideal image resolution for the site with 5000 nits brightness, 2000:1 contrast ratio, superior colour reproduction and Lighthou

UK - Italian lighting manufacturer Clay Paky has donated intelligent lighting fixtures to the BA (Hons) Lighting Design programme at Rose Bruford College.

The fixtures - four 1200 Stage Zoom and six Golden Scan units - will be added to the programme's teaching and production stock of generic and intelligent luminaires. Rose Bruford College's BA in Lighting Design, together with the new BA in Lighting Programming, are among the UK's leading specialist lighting degree programmes, and students are taught in a wide variety of lighting applications, from live performance to architectural and event lighting.

"The Clay Paky units will be of invaluable use to us, both on teaching seminars and production work, and my students are already using them on several shows this term, as well as learning new skills in moving light control in our lighting labs," says Hansjörg Schmidt,

UK - As reported on LSI Online last week, fears over the future of the entertainment and broadcast industries' use of radio spectrum continue, in the face of Ofcom's vague and inadequate assurances of protection and compensation.

At a meeting on 13 February, representatives of the programme making and special events (PMSE) sector agreed their common position on Ofcom's latest proposals for the future of the 'Digital Dividend' spectrum. These stakeholders included equipment manufacturers, end users, rental users and trade associations.

Alan March, representing manufacturer Sennheiser, is a member of the British Entertainment Industry Radio Group (BEIRG), the sector's campaign group formed to represent the interests of PMSE users to Ofcom. He said it was "unfair, unreasonable and impractical" of Ofcom to expect the industry to move to "new spectrum which is undete

USA - When more than a million people turned out on the Mall in Washington, D.C. to witness the inauguration of Barack Obama, it was perhaps less well known that 11 Zero 88 Fat Frogs were there too, controlling fixtures from Christie Lites, which, last November, supported Obama's victory speech in Chicago's Grant Park.

"We were very fortunate to have two career-milestone gigs," says Robert A. Roth, of Christie Lites, about the victory speech and Mall events. "They were very rewarding personally and professionally."

Once again Christie Lites teamed with event producer C3 Presents of Austin, Texas for the Mall lighting. "There was a series of tower positions along the Mall; some of the ones on the east end of the Capitol were set up in a reasonably symmetrical array," Roth recalls. "Initially, we were led to believe we could establish wired DMX

USA - MA Lighting's grandMA full-size console is accompanying Metallica's 2008-2009 coffin-clad concerts. The show theme, echoing the coffin motif of the 25-year-career heavy metal wizards' latest release, Death Magnetic, boasts 82-ton lighting structures, courtesy of lighting designer John Broderick. Programmer Troy Eckerman reflects that on the current tour, everything is "zero time cue - fast and furious. It's all about horsepower and intensity, full-on and in-your-face."

With full-size tracking backup in line for every show, the original lighting design had entailed a hard-edge, all wash light array, to be controlled by grandMA. "We'd needed lots of power to make a big statement," says Eckerman. "And it takes lots of lights, almost all on all of the time." The lighting rig comprises 56 x Vari*Lite VL3500 washes as well as several Coemar a

UK - Since originally opening in 1996, Lush has been a hot destination for the dance community right across Northern Ireland. Now clubbers have an additional incentive to flock to the northern holiday destination of Portrush in County Antrim, following the latest £1.5m technological upgrade of the 2,000-capacity venue.

Lush is within the Kelly's entertainment complex (which includes a hotel, restaurants, bars and holiday chalets). Managing director Peter Wilson asked his technology specialists Light & Sound FX (LSFX) to create a wow factor by delivering advanced LED media displays that would allow the venue's posse of resident VJs to show off their creativity.

Proprietor Darren Gardiner opted for a complete PR Lighting solution. He specified the high-resolution Marveon LED screen P12 Indoor, with 12mm pixel pitch, as the main display above the stage, with a 37.5mm V-LED

Switzerland - Europe's tallest wine tower, standing at a staggering 15 metres, has been unveiled as the centre piece of the new Radisson Blu Hotel at Zurich Airport. The innovative installation was the focal point of the recent grand opening ceremony.

ES Projects, a trading division of ES Group Ltd, designed, built and commissioned the structure with the support of specialist sub-contractor Stage One who installed and commissioned key features such as the LED lighting and Angel flying winches. ES Projects called on its experience in the events industry to provide training and choreography for the Wine Angels.

The wine tower is a steel framed, glass clad structure designed to act as a vertical four sided temperature controlled wine cellar, operated in full view of the hotel guests and bar customers. The total capacity of the tower is 3,840 bottles. Wine bottles are store

Eurovision Update - Georgia has chosen an entry which takes a swipe at Russian Prime Minister Vladimir Putin for May's Eurovision Song Contest in Moscow. But disco-funk song We Don't Wanna Put In, a play on the politician's name, could fall foul of Eurovision's rule against political content in entries. A contest spokesman told BBC News some lyrics are "sensitive", but any action would be deferred until next month. Russia and Georgia went to war last year over the region of South Ossetia. Relations between the two countries have been tense for several years.

Tout Control - A new website has been launched to try to help fans buy secondary gig tickets more safely. The Concert Promoters Association (CPA) has developed the website and says it is in response to a lack of government action on touts. Anyone will still be able to use the site, but the CPA

USA - Newly opened along the banks of the Potomac, the Gaylord National Resort & Convention Centre is the latest monumental addition to the national capital region. With 2,000 luxurious guest rooms and 470,000 sq.ft of meeting, convention and exhibition space - it's the largest combined hotel and convention centre on the Eastern Seaboard.

Candela Controls specified and installed a total of 355 PixelArc R architectural LED luminaires at the resort. 200 colour wash the custom built light box rooms that highlight the four external corners and two towers of the building. The additional 155 are installed inside architectural façade light boxes located above the doorways on the inside of each of the four ballrooms.

The illumination of the light boxes was a major installation challenge. Candela Controls' Bill Ellis explains: "We had to take into consideration the whole design o

USA - LEDtronics has released its latest generation narrow-beam (15 degree) PAR30-style LED spotlight bulb. The general-purpose bulb is made up of five 3-Watt, high-power LEDs and replaces filament-based PAR30 bulbs, combining advanced Light Emitting Diode (LED) technologies, standard AC voltages, 26mm Edison screw-in base, and light-optimising design, producing 367 lumens or an impressive 2,938cd Total End Foot Candles of vivid warm-white light.

The 15-degree narrow-beam PAR30A LED bulb runs on a voltage range of 85V to 260V AC current, and thus can be used anywhere in the world. Other voltages like 12-Volt AC or DC are optionally available for qualifying customers. The LEDtronics PAR30A-style lamp is a direct screw-in replacement for up to 75W PAR30 incandescent or halogen bulbs, but has a maximum power draw of only 9.5W.

Since it uses LEDs instead of standard filaments, thi

USA - ETC has expanded its website to include content in Russian for Eastern Europe, in addition to German and English. The new section brings together the Russian language information ETC has produced over the last several years in a user friendly format.

The homepage of the Russian part of the website has links to ETC product information, minisites, installation stories and news. There are also navigation tools for visitors to access ETC downloads, including product brochures, application sheets, setup guides and manuals. Visitors can also link directly to ETC's representatives and dealers in Eastern Europe and Central Asia from this site.

ETC's Eastern European sales manager Armin Kloss says: "As the markets in Russia and surrounding countries continue to grow, more and more people are turning to the internet to get information. Now our customers have all they need to

UK - Visuals and moving light director Svend Pedersen made extensive use of a Catalyst digital media server to illuminate and animate the set for the latest series of The Krypton Factor, recorded at Granada Television Studios in Manchester for ITV.

Designed by Dominic Toft, the set was made entirely from Perspex and Barco MiStrip LEDs, featuring a wide, shallow set of steps at the front, leading onto the stage, with a MiStrip back wall that curved up and above the stage to form a ceiling over the area, producing a cylindrical style structure.

Pederson used the latest spec Catalyst supplied by Ross Williams, with one output making comprehensive use of the Mix Window facility to zone the output to cover each of the four contestants individually.

He used four Mix Windows per contestant plus an additional Mix Window applied across the whole MiStrip surface, running on two

Europe - Lighthouse Technologies Ltd., a leading LED technology provider, has announced the implementation of a new corporate structure for Continental Europe and the Middle East (CEME) regions under the leadership of its current Southern European director, Roberto Segato.

The geographical scope of the new set up comprises the current Southern Europe remit, which includes Russia and the Middle East, as well as the former Western and Central European region.

A new German office has been opened in Munich, headed up by new team member, Massimo Dolce. Giulia Kabakova has also joined Segato's team as sales executive for Russia and the CIS regions to ensure that these areas can instantly benefit from this new arrangement.

"This move is designed to unify Lighthouse's European operation and help consolidate the company's position as the leading provider of high performance, fle

UK - A new game show, with colour as its central theme, has had its set brought to life by a combination of LED media displays, provided by Creative Technology London.

Commissioned by format creators and producers 12 Yard, The Colour Of Money, presented by Chris Tarrant, is one of the most ambitious sets yet created by production designer Patrick Doherty.

A total of nine mission-specific media surfaces are used on the set, including Barco's iLite 6 6mm display, which forms the main high-resolution central screen. This is reinforced by G-LEC's 30mm Phantom 30 and Barco MiTRIX transparent screens, Barco OLite 612 modular banner (curving round the rear of the set), and the German Schnick-Schnack LED FX, which borders the cash machines and also provides a uniform colour light detail elsewhere on the stage floor, with wide angle diffusion. The transparent screens have been b

UK - Lighting designer Tom Lesh used a grandMA full-size console for the first time on a recent UK tour by The Feeling. Lesh had "wanted to get my head around the desk properly" since he used grandMA for the Chemical Brothers' We Are The Night tour that ran throughout 2007 and 2008.

"With the stability of the timecoding and video operation on the grandMA, and the request early on in The Feeling production meetings to integrate video content into the show, it seemed a perfect opportunity to teach myself the desk," he explains. He set aside two weeks before the start of the tour to pre-programme the show - with the option after a week of moving back to another console had he not been happy with the grandMA. "Fortunately that proved not to be the case, and with Matt Buttons on phone support, I had a very good time and got right into it once my head w

UK - 24 i-Pix BB4 LED 4-lite units were used by lighting designer Al Gurdon on the 2009 Brit Awards show at Earls Court.

Supplied with special 'double-up' hanging brackets allowing two BB4s to be rigged together to make up an 8-Lite, six units in this format were positioned on the front truss pointing into the audience, with another two per side on each of two satellite trusses, hung stage left and right above the front line of the stage.

They were used for Molefey-style effects, providing strong and intense bursts of colour and illumination across the large live audience and highlighting the vast interior of Earls Court.

"They are absolutely super bright," comments lighting supplier PRG's crew chief Richard Gorrod. "There is also the power saving implications of running a BB4, which, with a consumption of 120 Watts, draws just half an amp on full at 240 volts

Italy - Proel S.p.A has announced the conclusion of an agreement with the Italian lighting company Lampo Lighting Designers for the acquisition of the Sagitter brand, together with the complete manufacturing plant.

Sagitter has been a well-known brand in professional lighting field for many years. Proel's statement says: "In Lampo, Proel has found a very valid partner to both monitor the manufacturing process and provide complete technical support through a committed service centre. The agreement has also brought with it the implementation of a dedicated and highly experienced R&D department."

"For Proel, this operation represents yet another large and important step towards the completion of the ongoing strategic plan for the professional Audio, Video and Lighting sectors," the company says.

(Lee Baldock)

Russia - The Children and Youth Theatre located in the West Siberian city of Kemerovo finally realised their long-standing dream for a 'Theatre in the Lobby' when Sistema, a Selecon dealer based in Moscow, supplied the required stage lighting for the project in the Autumn of 2008.

This unusual performance space was planned to be open four years ago when the theatre construction was completed, but due to deadline and other technical and design problems it wasn't, however all the electrical wiring and dimming channels were put in place.

With the aim of expanding the artistic potential of the Children and Youth Theatre the lobby windows and stairwells were darkened and cumbersome trusses that had originally been part of the plan were replaced with custom mounted Selecon Acclaim Fresnels. Supplied in Selecon's high temperature white paint finish which will not discolour over time

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