Pio Nahum, Clay Paky's commercial and marketing director comments: "This new appointment will make the Clay Paky range of products more accessible to our North American customers. With offices in New York and Los Angeles, A.C.T Lighting is a leading importer and distributor of cutting-edge lighting products and provides superior customer support and service."
"We are proud to become part of the Clay Paky family and this is a very excitin
From 1 October, Primarc will relocate to AC-ET's international sales office and warehouse operation in High Wycombe, allowing the company to benefit from AC-ET's infrastructure and logistics.
Primarc's Bob Peach and Kevin Everett will then join AC-ET's UK sales team. With access to both companies' entertainment lighting stockholdings and product sales teams, this will provide Primarc and AC-ET customers with even greater choice and availability whilst continuing to deliver the same high standard of service and support.
Primarc will focus on its specialist lamps business, with particular emphasis on growing
At 160ft in diameter and 26ft deep, the theatre features the world's largest commercial pool, holding 3.7m gallons of water. Eight 10-ton hydraulic elevators allow the conversion of the 65ft diameter centre performance area from water to a solid floor, and high-speed overhead winches move performers and scenery through space in a 3-D visual ballet.
Theatre Projects played a cen
Utilising cost-efficient, high-volume production and featuring an ultra-compact design that promotes use in larger quantities, the MAC 101 is suitable for easy-to-produce, high-impact looks like large wall matrices or as a dynamic replacement for static PAR cans.
Even in smaller numbers the MAC 101 is a highly effective and versatile wash light, useful for visual effect in a wide variety of applications like concerts, events, exhibitions, clubs, television studios, bars, restaurants and more.
The MAC 101 consumes a low 125 watts of power (0.6 A @ 230V / 1.2 A @ 110V), saving on energy and elimin
The show, which has been designed by award winning lighting designer Simon Wilkinson and has an original sound score composed by Ronnie McConnell, takes The Enchanted Forest back to its roots as a spectacular son et lumière.
Derek Allan, chairman of the Enchanted Forest commented, "This year we've endeavoured to approach the design of the show a little differently than in the past. Instead of entrusting the outcome to a single company, we've brought together a team of experts and artists in lighting design and sound design, who are working with one of Scotland's most reputable lighting companies to make their vision become a reality.
"The effect will be a more natu
VMB offers a total of 14 different lift models. The introduction of the TL-A Line Array lifts has attracted a lot of interest in the US with the product offering a practical solution for companies looking to set up a line array quickly and easily and above all safely.
Ben Sinclair, VMB's export manager commented, "We have been discussing distribution with Creative Stage Lighting for a while now. Interest for VMB lifts in North America has been increasing dramatically. We are delighted that Creative Stage Lighting will now be officially carrying them in North America. VMB lifts offer many special features and we are looking forward to demonstr
These NOS modules are now available on the CCSKills website and industry professionals are being actively encouraged to provide initial comment and consultations. "It is vitally important," says Hitchcock, 'that the modules are reviewed and commented on by as many individuals, automation professionals and interested parties as possible, to ensure that the NOS become a relevant tool for all employees and employ
Accompanying the show on tour is an ETC EOS 4000 console. "ETC products are always really good and well made," comments Yates. "They're user friendly and 'simple' to use. They're just really good consoles. The EOS obviously incorporates a lot of ETC history but it also seems to have the best features from other consoles. It's like they've grabbed all the best ideas on the market - without copyright infringement - and put them into one console. I particularly like the dir
The new address is: 12349 South West 53rd Street, Cooper City, Florida 33330, USA; Tel : +1 954 680 1901.
With close proximity to all transportation hubs, the move will also consolidate the efficiency of Robe Inc's distribution network, says the company.
Robe Inc sales manager David Chesal and the team have already moved into the new offices, and have added a new member - Jerry Seay - to handle internal sales and co-ordinate the dealer network within the US.
Jerry Seay brings many years of experience in the worlds of production and moving lights to
Gearhouse's project manager Dave Tudor comments, "It was the first time we have worked on the show, so we wanted to bring a fresh look and approach, increase the production values, and let the client see just what can be achieved with imagination, appropriate use of equipment and a bit of lateral thinking".
One of the challenges was to create a performance environment that would work in daylight - the show started at 10am and ended after dark, catering for the sold out 18,000 audience as well as the cameras (the show was recorded for DVD for future release).
The line up featured 14 of South Af
This compares to the original Full FocusTrack licence at UK£400 or US$600. That licensing option is still available for those looking to use FocusTrack to document multiple productions. In addition, FocusTrack is available to students for UK£90 or US$140.
"When we first launched FocusTrack, I thought that programmers would be the ones to buy it, since it directly saves them time and effort in tidying up and documenting the shows they work to create," comments FocusTrack's Rob Halliday. "In fact, in most cases programmers have persuaded the show to purchase it.
Working in the former Eurostar Terminal at London's busy Waterloo Station for lighting designer Simon Tutchener was a project with many challenges.
The trains to Paris and Brussels had long left the station, but the perfect fashion runway remained in place along the concourse of Platform 4, complete with all the charisma and transitional charm of the neo-industrial setting. Tutchener and the Entec team's biggest challenges were working the light levels in the ever changing daylight conditions inside the glass roofed building, and installing lighting kit into very limited spaces. Some of this was over the old train tracks, which still contain live DC volt rails that are part of Waterloo's signalling network.
Richard Martin Lighting supports lighting designer Dave Davey's design. The design brief set out for Davey when he first joined the production, was to "make the set look colourful without spill onto projection screens". To achieve this Davey opted for VL1000TS' "All hanging, focussed on to backing flats".
The VL1000TS luminaire combines the functionality of one of the most popular conventional lighting tools - the ellipsoidal reflector spotlight - with the versatility of an automated luminaire.
Automated functions include CYM colour mixing, rotating gobos, variable diffusion, and a zoom lens that ranges from 19° to 36° for normal imaging and a super zoom function that ranges to 70°.
Davey comments, "The VL100TS is the righ
Version 2.4 supports full tracking as an option per show file. For each show, you can now select between a hybrid tracking mode and a full tracking mode, depending on preference. Both modes support the ability to record a cue as cue only, track forward, track back, or block.
As pre-visualisation is done before getting in to a venue the patch setup in the visualiser may not always be the same as what is found on site. To accommodate this, a separate patch can now be set for visualiser output so that you can continue to do blind programming on the visualiser once you are in the venue, without h
Mirroring the show's success (it was the most watched VMAs in nearly a decade), Kenny says the MAC 101s were the most talked about lighting fixture out of the 1500 moving lights on the show.
"Once we brought them on site, it had so many scenarios we could use it in," Kenny commented. "Everybody loved it. The director, some of the bands, and some of the scenic people said, 'can we use that light?' It has a million and more uses. We hid them all over the place and used them as a scenic element, putting it in places that no other light can fit in."
Hosted by Chelsea Handler and broadcast live from the
The show's theme, scenario, and music changed every week, starting off with Into the Blue, which was followed by Magic Green and Red Passion, and concluded by Colourful Cultures.
For this year's event, tarm Showlaser installed a total of 11 laser systems whose radiant atmospheric effects immersed the Autostadt in a sea of colours.
A pair of high-powered laser systems scanned the night sky from the roofs of the AutoTo
Presented at a ceremony on The Theatres Trust's Ecovenue stand at PLASA2010 in London, Global Design Solutions was voted for by visitors of this leading international trade show for event, installation and entertainment technology.
Products were nominated by participating PLASA2010 manufacturers if they could demonstrate improvements in sustainable theatre technology. They were used to illuminate a special stand featuring the work of The Theatres Trust's Ecovenue project.
Announcing that the Award will run again during PLASA2011, Director of The Theatres Trust, Mhora Samuel said: "We were delighted with the all the support we received from PLASA Events, our stand's sponsors, and the
Early 2010, Barco launched the RLM-W6 as its first Barco Elements three-chip DLPTM projector in a single-chip DLPTM price range. It offers a top-end image quality along with an environmentally conscious profile, by being ten times more silent and 33% less energy-consuming than competing products. As an extension of the RLM family, the RLM-W8 continues these themes, while adding more features that suit rental and staging environments.
"The market responded
In the Reflection projectors, the LEDs project the light onto a mirror surface which reflects it to the outside guaranteeing perfect colours and extreme purity throughout the white light range, says the company. It was this concept and the lighting that generated it that impressed the PLASA judges.
Reflection, which will be commercially available from the beginning of November of this year, will therefore represent a new turning point in the event lighting world, yet another of the technological and commercial developments contributing to the success story of Coemar, says the company.
(Jim Evans)
Surrounded by stars of the stage, screen, and television including: James Fleet, Cyril Nri, Trevor Peacock, Peter Benson, and Phyllida Law, David Edelstein explained the FNR's mission to raise money for The Theatrical Guild (TTG). TTG is a charity that supports active and former backstage and front of house employees that have hit hardship or require support.
The 2011 event follows hot on the wheels of the successful 2010 inaugural First Night Ride. Last June an international posse of entertainment and backstage professionals raised £10,000 by motor-biking around some of the UK's most historic and interesting theatres.
In just eight days they travelled from London's National The
Says Cooper Controls' Peter Coles, "This is an inventive and different solution for a number of applications from bars, restaurants, hotels, sports and health clubs, designer retail, to home entertainment and high-end AV systems. The technology perfectly complements Cogent's extensive LED product portfolio."
Jo Cooke from amBX comments, "Our widely patented amBX technology has been developed over a number of years so we wanted a company with a good reputation and understanding of LEDs in both entertainment and architectural lighting markets to maximise the potential of this product which is driven by amBX technology
Two lighting rigs - one for each space in the C aquila venue - were specified and designed in a collaboration between head of hire and events for Northern Light Nick Read, production manager for C venues Richard Williamson, artistic director of C venues (and international lighting designer) Hartley T A Kemp, and industry journalist Sarah Rushton-Read, The aim: To substantially reduce energy consumption during the month-long festival, without compromising visiting lighting designers' creative output.
Space technician - and ETC ion programmer - at C aquila's main theatre, Kariss Leigh A
Bandit Lites has been with Underwood since the beginning. Ann Edelblute and the team at 19 Management have worked with Bandit for every tour, even rehearsing in Venue One, the Bandit rehearsal facility in Nashville. Tour manager Geoff Donkin, production manager Chris Coffie and stage manager Lenny Rogers are all familiar with one another from many years of working together. Veteran lighting designer Bud Horowitz worked with Bandit VP Michael Golden on the Play On Tour 2010.
Lighting director Brian Jenkins runs the Grand MA console to control the Star Wars like lighting universe overhead. Included in the inventory are VL 3000 Spots, VL 3500 Spots, VL 3500 Washes, MAC 3 Spo
The Awards for Innovation, for the first time, were judged 'live' at the Innovation Gallery by an independent panel of 16 expert judges, in front of show visitors and a camera team on Sunday 12 September. Show visitors are able to watch the judging process replayed on large screens in the interactive Innovation Gallery for the rest of the show.
Seven Awards for Innovation and one Gold Award were presented by PLASA CEO Matthew Griffiths.
The winners of the 2010 PLASA Awards for Innovation were . . .
Clay Paky Sharpy, a newly developed beamlight t
