Taking place at the USS Iowa battleship museum as a salute to the armed forces, the summer 2015 American Ninja Warriors set featured a daunting obstacle course made of gleaming aluminium truss. Accenting the imposing image of the course were a collection of Nexus 4x4 LED panels and Nexus 4x1 LED strips.
Motts positioned two rows of four Nexus 4x4 panels acro
As the long-time tour lighting designer, Lawrence Upton of UV Lighting was once again designing the lighting rig for the alternative rock band, and the co-headlining line-up with Marilyn Manson presented a set of challenges. Working with tour lighting provider DPS, Upton created a festival-type lighting rig complete with 24 VL4000 Spot luminaires from Philips Vari-Lite to give himself the creative freedom needed to surpass those challenges.
"Anytime you do a co-headlining tour you ramp things up a lot and as you get closer to the event people start to add more and more production elements," began Upton. "In the production design, we ended up with seven la
"My design was originally produced with a narrow beam LED unit in mind but then, quite by chance, I saw the Ayrton MagicDot R fixtures in action online and decided to contact Ambersphere Solutions straight away for more information. Lee House from Technical Sales was my consistent point of contact from then on."
"The festival's chosen vendor was Colour Sound Experiment," continues Leitch, "and between us we replaced my original choice with MagicDot-R units and
Austrian-based rental and production company MartinKames.com, who worked with several bands at the two festivals, has worked with Heaven Shall Burn on their shows worldwide since 2008 and provided floor package lighting and stage effect lighting for the band at both Greenfield and With Full Force.
"The speed of the Sniper was the most crucial aspect of the Heaven Shall Burn rig," stated Nadine Horitani, head of events & sales at MartinKames.com. "The effect possibilities combined with the large quantity of fixtures made for a one-of-a-kind lightshow. Heave
Kingsley 'Greybeard' Holgate chatted around the fire. EPH Productions contributed to the setting by creating an intimate look using six Robe Robin 600s, two Martin 401s and control on a grandMA Lite. "We used the Robins, positioned on truss totems, to light the trees and to imitate the fire, creating warmth and ambience in the bush," said Andre Westraad from EPH Productions.
Kingsley has ventured through every country on the African continent and talked about his upcoming Heart of Africa Expedition, which is said to be his toughest exhibition yet. The aim is to r
Bewley has truss-mounted eighty-four MagicBlade-R fixtures behind the band in a curved wall which splits horizontally to adapt his design to fit any size of venue.
"My initial concept was to create a kind of 'fence' housing an LED framework in emulation of a brain and the neuropaths within it to emphasise the idea of The Mindsweep," says Bewley. "The LED strip needed more to bring it to life, so I supplemented it with MagicBlades which have really made it zing!"
Ayrton's MagicBlade-R aligns seven individually controllable 15W RGBW LED emitters, each with a tight 4.5° beam, and provides continuous double rotation on the pan and ti
Move Live on Tour 2015 opened in Phoenix and played 42 dates across the country before closing in Las Vegas 8 August. The spectacle features dancing and singing by the Houghs and the Move Dance Company; they also encourage audience participation.
"A lot of shows I do are rather large in scale. This tour plays mostly theatres and small arenas so it poses a bigger challenge: working with budget and truck space limitations while still making sure you knock it out of the park,"
In Arbatax, the Phoenix does not rise from its ashes, but expresses its special relationship with the sun, which enhances this wonderful place, giving beautiful reflections to the red of its rocks and the emerald sea.
At Red Rocks, the majestic Phoenix is the extraordinary setting for the Red Valley Festival - a giant DJ set which took place over two nights, on 5 and 6 August, with the participation of Italian and international DJs and world-renowned guest stars Steve Aoki and Deorro.
When the glaring sun gave way to
The piano was made by Swedish musical instrument designer Georg Bolin for the US jazz pianist Bill Evans. It was bought by Stockholm's Metronome Studios in 1967 and appeared on nearly all of ABBA's recordings between 1973 and 1977.The group's pianist Benny Andersson said, "The Bolin Grand is one of a kind and was a great source of inspiration while working in the recordin
This isn't your medieval ancestors' staging of Everyman. Carol Ann Duffy's adaptation recasts the play as a critique of the prodigal present, as a modern Everyman (Chiwetel Ejiofor) is forced to confront his solipsism, materialism and wasteful ways in the face of imminent death. The National's production, directed by Rufus Norris with lighting design by Paul Anderson, set design by Ian MacNeil, video design by Tal Rosner and sound design by Paul Arditti, uses a synthesis of up to the moment technology to present its new interpretation.
At the beginning of the play, God - who takes the form of a cleaning woman - becomes fed up with the self cent
Production designer Declan Randall united all visual elements - lighting, video and set - in a colourful collage of finesse and visual imagineering to match the pace and vibrancy of the show. With a cast featuring some of the best South African musical theatre talent, directed by award winning Janice Honeyman and produced by Bernard Jay, it received rave reviews and sold-out audiences.
Declan - a South African now living in the UK - lit Starlight Express a couple of years ago at the same venue for the same production team, who loved his work and asked him back to add his magic to Sister Act.
He began working on ideas seven months before the show opened, ba
"First of all we begin by working around various set design ideas. Then everyone says which one they prefer. This year, the choice was unanimous: a large covered stage, modelled on the keel of a ship. This is when you start processing the ideas yourself, while the activity of discussing and sharing the project goes on as it develops over six months. It takes a long time, but that is what it needs for a set of this size.
"You have to realize you are in a stadium, with an audience of 60 or 70,
Bonfante's group, Reservoir Dogs, is a Pink tribute band that has been wowing audiences with a dynamic lighting rig consisting of 32 Rogues and a variety of other Chauvet Professional fixtures supplied by Th
All the student's investment on the student edition licence, goes towards a wysiwyg six or 12-month lease or full professional version.
A newly added Perform Lease Student Edition enables students to programme lighting using up to 1,000 DMX channels including connection with media server or compatible offline editor, via protocols such as DMX, EDMX, Art-net, sACN, CITP, Motion Control Universes, Pangolin Laser System, Sollinger Laser Animation, Strand ShowNet or SandNet.
wysiwyg version R35 was recently upgraded to include unrivalled performance and functionality. Constantly evolving, wysi
The RUSH MH 6 Wash is adapted from the popular RUSH PAR 2 RGBW Zoom and utilizes the same LED engine and zoom system, while also featuring moving head capability. The RUSH MH 6 Wash offers a fully pre-mixed color system from 12 10 W RGBW LEDs with a spectacular 10°-60° zoom. It also features full electronic dimming, strobe effects and temperature-controlled fan cooling for quiet operation.
"After hosting a private preview event at this year's Prolight&Sound in Frankfurt I am confident in saying that the RUSH MH 6 Wash will be the ideal workhorse for night venues and small to medium events," said Mark Buss, product manager, RUSH by Martin. "With proven LED technology used within the RUSH Par 2 Zoom RGBW and the
Comer tackled the project with production designer Dennis Scrimo and chose a design that would be flexible enough for a 2000 seat theatre and a 10000 seat amphitheatre in addition to being cost effective, efficient on space, and load in and out times.
"I have smaller profile fixtures so they can mostly fit inside Bandit's Go-Go Truss, which has cut down time considerably in hanging fixtures or needed to have cases of fixtures in a truck or on a stage," explained Comer. "Once we decided on an idea we liked, I got with Dizzy Gosnell and we talked about how to streamline some things to make it work. The design has gone through a couple of modificatio
The latest touring version of the show played five large arenas in the Czech and Slovak Republics with a full Robe moving light rig supplied by rental company Q-99 from Slovakia.
The largest venue was Prague's 17,000 capacity O2. The concerts were so popular that extra shows were added in both Ostrava and Brno which immediately sold out. Lighting was designed by Martin Hruska.
The Robe fixture count included BMFL Spots and BMFL Blades, LEDBeam 1000s, CycFX 8s and 4s, Pointes and LEDWash 1200s - a combination that gave Martin the chance to create all the drama and intensity expected from the genres of rock an
Shaw, as project manager for Video Design, has been instrumental in driving the development of LED at Boardmasters and it's not as straight forward as it sounds. "The Unleashed stage is a saturation situation with pumping music from the likes of Groove Armada and Roni Size. The designers asked that we provide great arches skinned with LED
On their large 252sq.m stand at the China International Exhibition Centre the company presented no fewer than eight new products, and was rewarded by picking up several 'Best in Show' awards.
The XR 470 Beam won the first prize and three further PR Lighting products - XLED 3019, XR 1000 Spot and XR 130 Beam - took runner-up awards in the 24th PALM Expo Exhibitions Products Technology Progress category. In addition, PR Lighting walked away with the Exhibition's Intellectual Property Award.
According to international sales director, Ernie Armas, response to the new products from the market was equally positive. "The lighting professionals, specifiers and consultants who visited our booth were extremely bullish about all our new produc
"As we listened to our dealers and clients worldwide, we found that what they desired most in LED luminaires was colour consistency," said Julie Smith, Philips Strand Lighting general manager of the Americas. "Working with our engineers at Philips, we have found a fantastic solution with the PL Series Mark II LED luminaires and we are very excited to introduce them into the market."
The PLPROFILE1 MKII LED luminaire is a variable beam profile with precise beam control and pattern projection from a high output beam using only 140 Watts. An innovative combination of LED source technology and precision optical design, the PLPROFILE1 MKII is available in 18-34 or 24-44 degree beam angles while offering the performance of a 500 Watt pro
Belgian-based Arf & Yes were responsible for coming up with a lighting concept for the main part of the experience, and called upon the services of 112 Rogue R1 Washes supplied by Spanish distributor Stonex Show Lighting.
"The concept is nothing like a normal club," commented Ignace D'Haese, one half of Arf & Yes. He continued: "It's more like a Vegas show in a way, with many evolving
Crt chose to use close to 80 x Robe moving lights which were mostly supplied by rental company Intralite. This included 20 x Pointes, 16 x Robin 600E Beams, 20 x ColorSpot 1200E ATs, 20 x ColorWash 575E AT Zooms and three ColorSpot 700 E ATs all right at the centre of the design, which also utilised a number of other lights.
Crt and programmer / operator Nikola Podlesnik worked closely on creating a ran
Set designer Markus Blee has created the backdrop to the show using an array of pictorial acrylic blocks arranged to form a cascading effect. Aurora worked closely with the designer to populate the boxes with hundreds of metres of LED ribbon, adding colour and depth to the set pieces.
Elsewhere, to wash the set Aurora supplied Martin MAC Auras augmented with a selection of Viper Performances that add versatility with their framing and focusing capabilities. Martin Rush Pars are also included in the installation to keep the audience illuminated during ca
The Main Floor this year alone was equipped with the following material: 108 x Clay Paky Mythos, 28 x Clay Paky B-EYE K20, 20 x Clay Paky B-EYE K10, 16 x Alpha Spot HPE 1500, 66 x Laser Imagineering Sunbeam 100 4C Zoom, 34 x Laser Imagineering CLED 1000, one grandMA2 full-size, two grandMA2 light, with lighting design from Sebastian Heise.
Heise, who is also CEO of Laser Imagineering, explained, "The base design idea of the different dance floors is to get an impressive feeling to all festival guests. The lighting fixtures themselves should be part of the decoration and shall not dominate the total opti
