Lighting

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14 March 2016

W-DMX introduced innovative new features in the new G5 software, including Triple-Band communication, Wi-Fi, improved Adaptive Hopping with four times increased resolution and many other great components soon to be released.

The team also introduced a redesigned product line: a sleek MicroBox, IP66 rated WhiteBox, new ProBox, BlueBox and completely reshaped UglyBox. "It was very important to present these new products to our loyal distributors first," said Niclas Arvidsson, CEO of Wireless Solutions. "We have got the most unique software on the market, and the best product range created to date. The new im

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14 March 2016

With a new 78 W LED fiber projector, the RUSH FiberSource 1 can light up to 300 1 mm fibre optic cables and boasts improved efficiency and reliability. The luminaire features a colour wheel with nine interchangeable colours, a twinkle wheel for variable-speed sparkling effects, and smooth, full-range (0-100 percent) electronic dimming.The fixture is fully controllable via DMX (up to five channels) as well as a stand-alone mode that ensures any combination of colours, colour speed and twinkle speed can be easily programmed.

"LED technology is evolving and is now also taking over traditional fibre applica

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14 March 2016

The Pangolin FB-4 is a new interface providing Network laser show control options for Pangolin software products. It is designed for high performance application. Several FB-4 interfaces can be connected with normal network switches.

The RTI FB-4 is available for Pangolin Quickshow or for Pangolin BEYOND, and it is available in different configurations, each providing additional features: Standard, DMX, IDLA and MAX. RTI's FB-4 interface can be used with any ILDA compatible laser show projector, and can be placed directly at the laser (it is snap-on compatible to the RTI PIKO and RTI NANO remote pad attachment slot) and the

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14 March 2016

Leading technical production house MAX'N'MAX created the concept for the event which was called Banquet of Oriflame Directors: What Dreams May Come and took place at Moscow's Gostiniy Dvor.

MAX'N'MAX designed an ultra-wide stage with dynamic LED screens at the end of the venue's large hall. To complement this, the team worked with Stolyarov to specify an impressive rig of 34 x Alpha Spot 1500 HPE, 28 x Sharpy Wash 330, 50 x Sharpys, 81 x Shotlight Wash and 24 x Stormy CC fixtures from Arlecchino Group.

"As the venue has a glass roof and part of the event happened during the day, we needed fixtures that would still perfo

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14 March 2016

"My mission is to help companies get ahead of their competition by helping them create useful, innovative, and differentiated products. Anyone who has visited a trade show in recent years can testify to the fact that you have to look long and hard to find something really new. As the competition heats up and product life cycles gets shorter, companies are becoming painfully aware of the need to innovate in order to stay competitive and profitable. But only a few know how to do it, Karlsson shares."

"After bringing successful products to life at several leading companies, I am now making my skills and experiences available to those who wants to succeed using true competitive advantage

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14 March 2016

The purchase of 19 LEDWash 800s currently sees 10 installed in the 500 capacity main house, with nine in the smaller 100 capacity studio space. The Stadsteater is located in a large facility - together with the culture centre and library - built in 1976 and featuring some classic 1970s retro architecture and décor.

They wanted to replace some of their colour scrollers explains Lighting Technician and house LD Michael Dimle - and are absolutely delighted with the results of the LEDWashes. The Stadsteater had some previous experience with Robe ColorSpot 700E ATs bought in 2008, and the reliability of these was one of the reasons they looked to Robe again.

Michael also works for

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14 March 2016

"LYON is a very snappy box," says Mills, who works triple duty as FOH engineer, production manager, and system tech. "It's responsive, punchy and clear. The fans have noticed, too - I'm getting more compliments after shows than ever before."

The full system for the tour includes 24 LYON-M main and 4 LYON-W wide-coverage line array loudspeakers, 12 700-HP subwoofers, and four UPJ-1P loudspeakers as front fills. Two CQ-2 and four MSL-4 loudspeakers are deployed as needed for corner front and out fill, whi

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14 March 2016

WIcreations was approached directly by California based production company FiveCurrents who produced the Ceremonies. WI's team was led by Yves Vervloet and worked closely with FiveCurrents' senior technical director Nick Eltis.

The Heist-op-den-Berg based company was tasked with helping create some major visual moments, including the magic (flying) carpet during the opening ceremony, and design and construction of three performer stages for the closing ceremony, complete with a Temple of Fire rising up from beneath the largest one.

"It was a fantastic ev

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14 March 2016

Pierre, based in the same city, has been a lighting professional for over 25 years, starting his career in the world of theatre and musicals, with which he has toured worldwide. He's been lighting the Stampede's Grandstand Show for the last 19 years which sees a line-up of international artists play in front of 20,000 people nightly for 10 days plus a preview evening.

The lighting equipment was supplied in collaboration with BML Blackbird of Secuacus, New Jersey and Stagelite from Winnipeg, Canada working a joint venture initiative project, managed by VP of

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14 March 2016

Showgroup was the technical supplier and incorporated a Prolyte Roof Structure used for the stage, 16 Robe Robin 300s and four Robe BMFLs. Other lighting included six Martin MAC 600s, 30 Stage Color 48, 24 Longman LED Cans, 20 Longman Colourme 11, stage battens, 12 Parcans and six Source 4 Profiles.

"The BMFL is an amazing light," said Andries. He has since hired the units regularly from MJ Event Gear, usually four at a time, even incorporating them into smaller indoor shows.<

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14 March 2016

Opened on 1 December, 2004, Passion quickly established itself as a serious player in South Florida's buzzing club scene, making waves by booking talent like Lady Gaga and DJ Pauly D, as well as international EDM stars such as Dash Berlin and Latin sensations like Grammy-nominated Farruko. Still the club's owners have never been ones to rest o

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14 March 2016

Pierre Marleau of Orange Frog Productions Inc was the lighting and production designer for the grandstand show, a role he's fulfilled for the last 19 years. "It's an old-style review, a big outdoor mega-spectacle," he says. "It's got acrobats, circus acts, video, pyro, fireworks. It's one of the more complex projects we do." He obtained the Sharpy fixtures from a new joint venture between BML Blackbird of Secaucus, NJ and Stage Lite Manitoba Ltd. in Winnipeg, which combines a 30-year reputation for serving clients in the northeastern US with a professional team

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14 March 2016

The tour used a grandMA2 full-size and a grandMA2 light consoles, two MA NPU (Network Processing Units) and eight MA 8Port Nodes for lighting control of over 200 Clay Paky moving lights.

"Versatility, robustness and reliability are the main reasons I'm using a grandMA2", explained lighting programmer and operator Menga Cruz. "Versatility is needed because of the various ways in which we work with the system on shows. We have two users

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14 March 2016

The new location will also provide showroom and demonstration facilities. Due to the rapid expansion of their southern client base and operations, the company feels the new location will better serve the demands of local rental and sales clients.

The new location will provide sales and support for the company's expanding range of leading lighting products - stocking the brands the company has become renowned for supplying, such as ARRI, Manfrotto and KinoFlo. The company will still have its headquarters at the existing location in Manchester.

Flashlight directors Andy Dodd and Rob Williamson commented: "We're delighted to open a London office;

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14 March 2016

Staring at the monitor, cinematographer Larkin Seiple calls for level changes barely visible to the human eye. Bringing a fixture down to 4% output, Ardine explains, "If I were using incandescents, I would start seeing colour shift at around 26% and my crew would be spending time putting in NDA or full blue to compensate for the tungsten effect."

On a set with skylights, windows, fluorescents and practical table lamps, setting the perfect colour temperature can be challenging. "We started out trying to shoot at 3200K, but now we have settled on 4400K. With the Lustrs, I can di

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14 March 2016

The event was created using two d3 4X4 Pro servers which created the mask, blend and warp for the custom made screens as well as integrating the use of primarily Clay Paky lighting fixtures which included 24 Clay Paky Mythos and 14 Clay Paky K10 B-eye, working together alongside eight Sharpys, seven Sharpy Wash 330s and eight Super Sharpys.

The venue had to function as a sports arena post show, so the design had to take this into account, staying out of the way of overhead house lighting as not to form shadows for the TV sports broadcast and not interfere with the games being played below. The rig needed to be light weight but still pack a punch for such a dynamic and fast

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14 March 2016

The design and production of the exhibition stand was carried out by Andreas Messerli AG. As part of their stand design, three light boxes were hung from the ceiling. With open top, the boxes were on all other sides covered with white fabric. They were to be lit from above with enough light to travel through the fabric to create an up-lit bar environment underneath.

Owen Pritchard-Smith explains: "With only a metre or so between the truss and the fabric, I needed to find a fixture with a very wide beam angle, and little or no hot spot. It also needed to be bright enough to fight against the general lighting in ExCeL and the MSR PA

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14 March 2016

Steve, vice president of research and development at Electronic Theatre Controls (ETC), has made a significant impact on the Association during his many years of service with the Technical Standards Program, the Entertainment Technician Certification Program, the ESTA Board of Directors and the PLASA Governing Body.

Steve's unparalleled contributions to the lighting industry include leading the team responsible for the development of the original USITT standard for DMX512 and the formation of the original ESTA Technical Standards Program. He was a founding member of

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14 March 2016

Novalight's Nova-Scope is a weatherproof aerial effect light that can withstand all weather conditions. Using the HTI 2000W/D7/60 lamp combined with a different approach to reflector setup, the Nova-Scope provides a high output light, delivering stunning aerial effects.

This large scale effect light, while best suited for the largest entertainment environments, is still suitable for all forms of live performance, says the company.

The Novalight Nova-Scope can tolerate the harshest of production environments. The fixture boasts a seven option gobo wheel, a kaleido wheel effect, shutter, dimmer, and strobe effects, six colours, white, and CMY colour mixing,

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14 March 2016

In order to provide relief as quickly as possible, the event came together in short order, and Dawoud called on Colorwave Lighting and other rental houses for gear. Colorwave Lighting owner Erik Johnson didn't hesitate to volunteer his equipment, made up of PR Lighting fixtures, for the charity event. "When Omar asked if we would want to be a part of this it was a no brainer," he stated.

The company provided an inventory to The Marc's house lighting designer Alex Soto, know

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14 March 2016

LVW reached out to Elation lighting who in turn put them in touch with Jay Cid of Professional Sound and Lighting Products, who was integral in determining the best Elation lighting products for the space. In response, a turn-key solution was created that provided Focus with an outstanding and cost effective lighting system.

Ken Toal, Focus on the Family's audio visual services manager, recently reflected on the p

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14 March 2016

From 3-9 August this year, Sturgis was transformed into America's eleventh biggest city, ahead of such stalwarts as San Francisco and Boston, as an estimated 1m bikers and friends descended on the town for the Sturgis Motorcycle Rally. At the centre of it all was a Sturgis landmark, The Knuckle Saloon, decked out for the occasion with a lightshow that featured close to 40 fixtures from Chauvet Professional supplied by Blue Seed Entertainment.

Erich Meitzner, the lighting director for the Casey Donahe

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14 March 2016

The laser show was a central visual element of the event, so the organizers decided to go for high end laser gear from Swiss and German manufacturers. Ten SwissLas PM-10.000RGB lasers as well as six RTI PIKO RGB 18 were used to make this festival more than spectacular.

This whole laser setup had an overall laser power of more than 200W laser power and worked well with the video walls and conventional lighting, as the power was more than sufficient to cover the whole festival area.

Featured artists included Roger Shah, Dzeko & Torres, Alvaro, Genix and Ben Nicky.

(Jim Evans)

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14 March 2016

PRG will continue to use its brand name in all other countries across Europe and North America. XL Video teams in those territories will be immediately transitioned into the PRG family.

"Part of our decision to acquire XL Video was the premier value of its brand in many of our markets," said Jeremiah J. Harris, PRG's Chairman and CEO. "We recognize that the XL Video name and logo are synonymous with outstanding quality, customer service, and technical expertise in some of our territories, equal to that o