Lighting

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14 March 2016

The school used the fixtures on their musical theatre produciton of Big City Dreams, performed by students on its MA Music Theatre course. The production ran over three days in Central's Webber Douglas Studio, a black box studio theatre with fixed lighting catwalks which allow for flexability, both in terms of design and staging.

Technical manager Phil Rowe says: "The show was set in traverse, and its divised nature required a broad colour palette. But our fixtures' scrollers were coming to the end of their life, which gave us an opportunity to try some LED fixtures, ahead of the new uilding which is being planned, and which will be largely

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14 March 2016

The Book's The Thing - A new theatre company hopes to reinvigorate local libraries through theatre. Librarian Theatre will tour productions to libraries across the UK in what founders Tom Cuthbertson and Kelly Eva-May, who are both actors, say will be the first touring company dedicated to visiting regional libraries. Its first production, an adaptation of Hamlet called The Book'

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14 March 2016

"The intent to show the prototype is to gain feedback from our distributors as well as end users so the final product has widespread appeal from a form and function standpoint," says Lycian. "This followspot puts out a beam that surpasses even the Lycian 1295 ELT, already acknowledged as the most powerful production followspot and does it in a surprisingly compact body."

The model 1299 incorporates a number of features not seen in any other followspot. Among them is the ability to be used over a wide spot to flood ratio without lens changing. The 1299 can be used in fixed or variable focal modes. Although still in the prototype stage, Lycian intends to make optio

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14 March 2016

Pete's Big TVs' owner Peter Daniel said, "We make it our mission to offer more creative, innovative solutions for your concert tour, corporate event, theatrical show, television broadcast or whatever your needs may be."

LightSlice will be on display at LDI at digiLED USA's booth #872 at the Las Vegas Convention Centre. Pete's Big TVs' Peter Daniel and Anne Johnston will be there Friday, 23 October..

The LightSlice is a slice of lightweight 10mm resolution LED video strip for indoor or outdoor use. It was designed for events requiring creative video solutions which do not conform to the module & panel format of standard LED screens. The LightSlice strips can be oriented in curved, splayed and organic formations to complement stage and se

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14 March 2016

MagicDot-R and CosmoPix-R are part of the Creative Solutions line, into which Ayrton has incorporated a totally new technology: the first 94mm diameter narrow beam angle collimator combined with the latest generation high-power (40W or 60W) Osram multichip LED that create tighter beams with an unrivalled centre beam intensity.

VersaPix-RS, the third new member of the Creative solutions line, puts Ayrton's new 94mm diameter optics in combination with a 4mm2 40W RGBW multichip to produce five 3.5° beams (the narrowest in Ayrton's portfolio) with a record-breaking central beam intensity of 200 candela per lumen.

LDI also marks the US premiere of DreamPanel-Shift and DreamPanel-Twi

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14 March 2016

With local chapters on virtually every continent, the conferences entail a full production of inspiring music, speakers and panel discussions. Brought on to heighten the conference experience, production designer Nathan Baugh (46 Entertainment) and lighting designer Craig Rutherford (Blueshift Design) created a full lighting, audio and video design using the live event production team at Elite Multimedia.

"One of the biggest challenges in the design was the differences in the venues," says Rutherford. "We had to have a design that could be manipulated to fit as needed, but then we still had to have the right production elements to support the ba

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14 March 2016

Entec's Will Wright project managed and co-ordinated all the prep work for the lighting department and Mark 'Magic' Ellis-Cope did the same for all the sound elements.

Entec's account handler Noreen O'Riordan commented, "When Richard Ames requested that Entec quote for both sound and lighting equipment, I knew that this would be a show ideally suited to our equipment inventory and skills. Having one supplier really benefitted the logistics of a four band arena tour - without any tech or rehearsal day.

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14 March 2016

The evening took place in the Hintze Hall, with 220 invited guests in attendance. As with most award ceremonies, the museum wanted to implement a particular theme for the occasion. Alice Beer, Events and filming manager at the Natural History Museum, comments, "Each year we choose an image from the finalists to establish the theme of the ceremony. For 2015, we chose the image of a pangolin.

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14 March 2016

"We were in Port Douglas on Thursday, Townsville on Friday and Canberra on Saturday," reported Alex, "and everywhere I go I ask for a Hog and nothing else. Björn Again own a HedgeHog4, we often pick-up a HedgeHog 4N, and I prefer to use a Hog 4. Staying in the Hog family is great because I can go from one platform to the other and not lose anything. I can also take a HedgeHog home for pre-programing and run the show on a Hog 4."<

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14 March 2016

The tour runs for five weekends in the US over October and is based on the concept of playing smaller and more intimate spaces on the touring circuit, allowing Lambert - known as a great communicator - to be close to her already loyal audience and reach out to potential new fans.

Chris has worked with the prolific and successful star since she opened on a section of Keith Urban's 2005 world tour.

He decided to specify 20 x Robe BMFLs Spots, 24 x Pointes and 19 x LEDWash 600s for his primary moving lights to give plenty of versatility and scope.

The BMFLs and Pointes are spread out al

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14 March 2016

Lighting for the three Brazilian dates in Rio de Janeiro, Sao Paulo and Porto Alegre was supplied by leading Latam rental company LPL who are based in Sao Paolo and featured a total of 137 Robe ColorSpot and ColorWash 2500E ATs.

This was a continuation of the ongoing 2014-15 world tour which had visited North America, Korea, Japan, Australia, New Zealand and Europe. The band wanted their enthusiastic Latam fanbase to experience the proper touring QAL experience, so brought their full production including Q-shaped set and ramp, sniffer kabuki, smoke and cryo machines and backline, sourcing the lighting, LED screens a

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14 March 2016

"I really liked the Platinum FLX and Elation should be commended for this fixture," lighting designer Nook Schoenfeld stated just hours after Sheryl Crow's performance. "Being the first time anyone had used these fixtures I had to get a rushed fixture library to use in my console. So I was actually unsure of what I would see on stage for that evening's performance as I wrote the entire light show in the light of the California sun. But here's where

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14 March 2016

For the last 10 years, lighting, film, TV, exhibit, concert, theatre and other designers have been exporting their light plots, scenic designs and event models created with Vectorworks Spotlight software to ESP Vision to cue and visualize award-winning experiences. This announcement creates a path to further enable such workflow collaboration.

"This purchase fortifies Vectorworks' global market leadership position and signals our continuous commitment to the entertainment design industry at a time when visualization capabilities are becoming a more mission-critical, cost-effective means of cueing a show in advance,"

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14 March 2016

Greg Wood of Stage Electrics commented: "We continue to offer our London customers our full range of services, we move a huge amount of hire equipment and sales goods through the London operation each month and having a central London premises to coordinate this is an important part of our strategy.

Stage Electrics provides audio, lighting, staging and video equipment to a wide range of theatre, events, broadcast and corporate clients in and around London. The London operation carries stocks of consumable items, including a comprehensive range of lighting filters, tape and batteries ava

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14 March 2016

The lighting was operated by lighting director and programmer Roland Greil using two grandMA2 full-size consoles and four MA NPU (Network Processing Unit) which were controlling nearly 130 moving lights and, amongst others, 315 LED panels.

Says Roland, "It was our intention to have a straight and elegant design that could provide theatrical as well as rock'n'roll looks. Therefore we focused on using only three different types of moving lights, amongst them Clay Paky Mythos and Philips Vari*Lite VL3500 Washes. That offered the flexibility we needed. Furthermore, the grandMA2 system was a great choice and proved once more its advantages and power, especially when adapting the show to various different lighting systems in the gi

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14 March 2016

WHITE Dubai is situated on the rooftop of the Meydan Grandstand racecourse. Each season sees a roster of international DJs take to the decks, with the club offering one of the most extravagant audio-visual party experiences in the Middle East.

During the opening party's 'reality-altering' light show, the Philips Showline strobes were employed to deliver bursts of colour that filled the space with light. The SL NITRO 510C is the colour version of the highly popular SL NITRO 510 and boasts an array of 264 tightly packed RGB LEDs to ensure maximum output.

"The SL NITRO 510C fixtures played a huge role in providing intense colour washes in conjunction with the LED wash lights," says the club's lighting designer Dave Parry

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14 March 2016

The RADM-23 1U Raclite is designed to be fitted to any 19 inch equipment rack, providing a flexible, elegant and practical solution for illuminating equipment in dark and dingy environments.

Suitable for the stage wings or dimmer, amp and control rooms, 25 x super bright high quality cool-white (6500K) LED emitters provide a crisp wash optimised to give clear vision of all the kit in the rack, allowing the status of equipment to be checked and assessed, and all the vital information and monitoring seen at a glance.

A 130 - 150 degree variable beam angle on the LEDs offers further visibility depending on the location and set-up of the installation, and a universal 12 Volt power supply means that it can be plugged in anywhere in the world.

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14 March 2016

Both the 8PX and 8PW series of LED tape are individually addressable and suitable for both stage and architectural applications, as well as any other indoor application; their use is only limited by the imagination of the designer.

The 8PW and 8PX LED tape offers designers flexibility as well; they can be joined together, cut to a smaller length, and are available in three different densities: 30, 60 and 144 pixels per meter. As expected, the brightness increases with the pixel density. Both the 8PW and the 8PX tape are backed by 3M adhe

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14 March 2016

MA Lighting has a solution. With the new MA Network Switch, the setup time and the level of complexity to achieve an optimised lighting network is radically reduced, says the company. MA now offers the complete lighting control solution from MA console, via MA Network Switch and its network infrastructure to MA DMX distribution.

In combination with the MA consoles and additional MA networking devices the MA Network Switch provides a very easy to use solution, even for complex lighting systems. Incorporating the hardware and software features MA is famous for.

The MA Network Switch is designed to simplify the set-up and management of today's lighting networks. A simple and intuitive web browser based user interfa

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14 March 2016

Joining the team of Clay Paky fixtures, the Mythos, the Stormy, the SuperSharpy is the brand new Scenius. This moving head spotlight boasts a 95 CRI light quality and a wide 80-500 zoom combined with all the sophisticated features one would expect from Clay Paky. Also attracting interst was the Spheriscan, a whole new take on the scanner light of the 90s; its mirror has a continuous pan rotation with speeds of

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14 March 2016

Presented at the Art Couture Painswick (ACP) Gallery in Painswick, a historic town in the picturesque Cotswolds, the six-week installation included creations from fashion icons Philip Treacy, Alexander McQueen, Selina Blow and many more, plus high profile works from sculptors, leather designer Mary Wing To and Peter Pullion (creator of the original Orville the Duck puppet) and a miscellany of other artefacts and exhibits.

When it came to lighting the space, the existing lighting wasn't suitable and a completely different approach was needed that was good looking, contemporary and portable, so organisers ACP approached Core's Phil Ion with the challenge.

Phil, who also lives locally, jumped at the chance, &q

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14 March 2016

Lighting designer Carlo Pastore and Gianna met professionally for the first time in 2011, in a show where Patrick Woodroffe was in charge of setting up and directing the lighting design. That tour was entrusted to the care of Eneas Mackintosh, founder of Lime Light.

At the time, Carlo Pastore was a programmer and Eneas's lighting assistant. During the second part of the tour, he was put in control of lighting desk operations and that was when he met Gianna Nannini.

"We met again this

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14 March 2016

The technical director of The Heights Baptist Church outside Dallas, Dennis flew six of the 330W Rogues in front of stage positions when Daigle appeared at his well-known house of worship. "There are a lot of nice performance features in the

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14 March 2016

This year Production Resource Group L.L.C. (PRG) showcased cutting edge developments that continue to provide practical yet inventive solutions to the various challenges of production. PRG understands that true innovation must enable producers, designers, gaffers, cinematographers and technicians to work smarter - to accomplish more, with greater efficiency, at lower costs.

One of the innovations making its debut at LDI was the PRG GroundControl Remote Followspot System. Followspot control hasn't changed for decades. It's time to take the truss spot operator out of the truss and put him on the ground where it's safer and more efficient to operate the followspot.

The PRG GroundControl System allows a technician to remotely operate a