Sound

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14 March 2016

Lancaster-based company Low Fold Audio. carried out the installation in the college theatre, which is used for a range of activities including presentations, full theatre and live music shows.

Two Fohhn AT-50 loudspeakers have been flown from the lighting bar to form the main PA system, with four AT-09 speakers fixed to the wall either side of the stage for use as in-fills, positioned to cover the balcony seating and the first few rows of the main auditorium. A single Fohhn D-2.1500 DSP-controlled Class D amplifier has been configured to run the AT-50 loudspeakers, with a Fohhn D2.750 amplifier handling the four AT-09s.

The sy

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14 March 2016

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14 March 2016

The Perception Wireless is designed to accommodate musicians and entry-level audio technicians, although it has the capabilities to handle even the most difficult audio setups with up to eight channels per band.

The Perception Wireless series consists of a Vocal Set, with the handheld transmitter HT 45 featuring a dynamic cardioid capsule; the Instrumental Set, which comes with the pocket transmitter PT 45 plus instrument cable; the Sports Set with the

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14 March 2016

At ProLight+Sound, TTA and Figure 53 will announce the introduction of The Stagetracker Cue to the QLab package. Controlling one audio input in the Stagetracker Matrix, the new Stagetracker Cue in QLab can take a sound effect and fly it around onstage or anywhere else in the auditorium, using the Stagetracker Matrix for localization effect. The Stagetracker Cue also opens up options for controlling live audio inputs, making it easy to localize live audio from wireless microphones in QLab. All this is fully integrated in the QLab play list.

In addition to tracking the actors a

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14 March 2016

White Acoustics, a new umbrella brand emerging from the portfolio of TC Group, leverages Tannoy's loudspeaker technology, Lab.gruppen's recognised prowess in power amplifier design and the DSP and control expertise of TC Electronic into "a highly focused product range that displays all of the qualities that you would expect from three of the world's leading players in their respective fields"

A group statement says, "The brainchild of former Lab.gruppen chairman David Bissett-Powell, White Acoustics will, for the first time, bring the cutting edge in audio technology and innovation from the TC Group of companies together to create an audio system package that delivers superior performance, class-leading quality of sound and exc

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14 March 2016

Commissioned by Arjun Bahl of Most Technical India who were the specialist media suppliers for the event, sound design was by Out Board's Dave Haydon and involved multiple surround zones running parallel 3D surround and dynamic delay-panning effects simultaneously for the performance stage, audience seating plus lounge areas and then later for the dance floor.

A separate surround system ran a continuously looping ethereal soundscape generated by TiMax as an accompaniment to the candelabras, chandeliers, mirrors and dry ice that greeted guests as they pa

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14 March 2016

The facility deploys four Soundweb London BLU-160 devices and four BLU-BOB 8-channel output expanders, placed on the Soundweb London fault-tolerant digital audio bus. The two mobile racks are configured identically and the digital audio bus audio channels can be connected at four different points. Feeding the BLU-BOB devices, source inputs include four wireless commentator microphones (with pre-programmed ducking function), and a small ext

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14 March 2016

CAMCO, the German distributor of Nexo products, hosted a successful demonstration of the new monitors to a meeting of Nexo hire companies. "We had a lot of fun with the N12," reports CAMCO's Reinhard Steger. "The technology has very clear and obvious design and technical advantages, and its unique selling points are all patented. For applications which require dedicated monitors, it makes very sound economic sense."

Both Pro Musik and Babbel & Haeger OHG have been dedicated Nexo users for a number of years, and were impressed by the design and useability of Nexo's first purpose-built wedg

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14 March 2016

For meeting the growing demand for standardized protocols for IP based intercom, the European Broadcast Union (EBU) defined the specifications for interoperable intercom-over-IP. The EBU Tech 3347 standard will allow for a standardized operation between interfaces of different vendors, thus changing the way large installation will be handled in the future. Interoperable intercom will also make it easier for broadcasters to communicate with each other at large-scale events such the Eurovision Song Contest, which is run by the EBU.

The EBU Tech 3347 standard makes use of technology already common in IP tel

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14 March 2016

Allen & Heath will be exhibiting the iLive digital mixing system fitted with the new Dante audio interface card, which provides up to 64x64 bi-directional audio channels. The system will demonstrate iLive working with other Dante-enabled equipment, as well as virtual soundcard recording.

Also on display will be the new iLive MixPad app, which provides control of iLive's essential functions for live mixing, including channel faders and mutes, DCA faders and mutes, image controls, aux sends, channel processing, mic-pre control and full metering.

The recently launched Xone:DB4 will be at the centre of the Xone display. The fully digital DJ mixer has a Quad FX Core DSP engine, giving each channel access to its

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14 March 2016

Music Licensing - New Conservative peer and former ITV chairman Michael Grade used his maiden speech in the House of Lords to back Tim Clement-Jones' Live Music Bill, claiming the 2003 Licensing Act which it seeks to amend is a "bad law" that denies up and coming music talent the chance to develop their skills.

The Live Music Bill had its second

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14 March 2016

"Southwark Playhouse is a very complicated venue with a lot of acoustic challenges, so we've tried to keep the sound system as simple as possible, whilst still dealing with the demands and complexities of the show," says Johnson.

"We're running separate band and vocal systems and the desk is dealing with all the processing and EQ for all outputs. This means that we're not only using the desk to EQ the system, but to time it as well. A lot of people would use external processing for

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14 March 2016

OTK reports that the existing sound rig badly needed upgrading, since the oldest of the original systems had been installed 14 years before, and was beyond repair. It also lacked clarity - and sufficient SPL to provide even coverage across the 1000-capacity space. Furthermore, other design features (such as a 'wrecked ship') had been added, while the peripheral and service areas had also been expanded.

The operators wanted to achieve an even dispersion right to the outermost seats in the wide arc, with a consistent SPL that didn't deviate off axis.

A QSC solution was recommended as being the most cost-effect

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14 March 2016

"Over the many years in which we were in Earl's Court, we had pretty much the same technical team putting the show together and we'd honed set up time to a minimum, thereby maximising what we were doing and giving real value for money," says Zieba.

This year, the Awards moved to The O2, acquired a new designer and many new team members. Also, because The O2 has such a busy show schedule, Derrick and his crew f

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14 March 2016

Sarah Rushton-Read, co-founder of WiSE (Women in Stage Entertainment) says: "This was our first WiSE Monthly. WiSE members are hugely grateful for the support we received from technical manager for the Southbank Complex, Roger Hennigan, GrandMA's Philip Norfolk and Chris West and Martin Professional's Matthew Pittman, who provided a number of fixtures, a load of Pret Sandwiches and some delicious Pizza. We would also like to thank Coral Cooper for furnishing us with a flask of gin and a huge box of chocolates.

"We have wanted to get a regular networking and education group for WiSE members going for some time. The event is open to any member of WiSE (we now have over 350) intereste

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14 March 2016

"I am very pleased to have someone with Rob's background and experience join Studer and look forward to working with him in the US market," Curtis said. "He has already begun efforts to expand the US team's East Coast sales and support staff."

Reporting to Lewis, Paul Shorter will continue to manage Studer customer service from Northridge in addition to commissioning and sales applications support.

Lewis was previously sales director for Euphonix and also has many credits to his name as a freelance audio engineer.

Speaking of his appointment Lewis said, "Studer has always stood for excellence and highest quality both in the recording and the broad

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14 March 2016

Also at AED, Alex Goemans joins as PR and communications manager. His role will be to develop and implement the company's overall public relations programme, which will include media relations, internal- and new product information. He has previously worked with EML and Showtex and also as a production manager.

(Jim Evans)

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14 March 2016

"I'm thrilled for this new opportunity to drive the worldwide Entertainment group," says Conte. "I'm surrounded by very smart and dynamic people, and it is this worldwide group of talented people that motivates me every day. Between the outstanding vision and leadership of our executive management team and our tremendous talent base, Electrosonic will continue to accomplish great things."

Conte has worked for systems integrators and design production companies since 1987 and has more than 15 years' experience in audio-visual technology in the

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14 March 2016

The plugfest - an invitation-only gathering of hardware manufacturers with near-market ready products - featured Harman and five other manufacturers testing interoperability and performance of AVB prototype technologies. During the plugfest, engineers from the different companies had a rare hands-on opportunity to test connectivity, interoperability and interfaces.

"The promise of AVB is universal connectivity with no performance compromises," said Rob Urry, Harman Professional CTO, vice president. "But to achieve this, all

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14 March 2016

When the time came to replace the mixing console in the Hotel de Ville's grandest reception room, the aptly named Salle des Fetes, technical director Dominique Dunesme selected an Eclipse digital console from Innovason.

"We host between 400 - 600 events per year," he says. "That's an average of about three or four per week, and it can be anything from fashion shows to conferences and

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14 March 2016

Bose Pro Partner, AB Audio Visual, was invited in to discuss the issues, and after listening carefully to the needs of the church, presented some options and even demonstrated the system that they believed would give the best results. Once agreed, the installation team began work, fitting in well with church routines and all was completed in less than a week.

Four Bose Panaray MA12 line array speakers

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14 March 2016

The Agora Stage is actually made up of two stages (A & B) which are run adjacent to each other, so to maintain sufficient coverage, three hangs of Peavey's Versarray line array system will be deployed: one hang dedicated to each stage, and a central hang serving both. Each hang will comprise eight Versarray 212 three-way tri-amped mid/high enclosures; and 24x Versarray 218 subwoofers will be arrayed beneath the stage to provide low frequency reinforcement.

Twenty-four Crest Pro 9200 amplifiers will be dedicated to the subs (one per sub); and the Versarray 2

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14 March 2016

d&b audiotechnik, Roland Systems Group, Shure, TTA, RTS Telex and Figure 53 (known for QLab) are jointly hosting the event, which will be a rich mix of presentations, Q&As and discussions, as well as some new-to-the-UK products to play around with.

Any theatre professional or student of technical theatre is invited to attend the OpenStage forum at RADA's Jerwood-Vanbrugh Theatre, and the event's hosts are keen to stress it is not a tradeshow. Rather it is an opportunity f

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14 March 2016

According to Andrew Richardson, managing director of Adam Hall UK, "With its outstanding features, the exciting new Wave 28 is sure to be a winning solution for all performers. It is extremely portable and given its amazing price, represents one of the most exciting products we have released to date."

Frequency-response-based 4.1 five-way amping results in a clear, dynamic and balanced sound throughout the frequency range of this system. The array configuration ensures greater coverage with well-balanced sound distributi