Sound

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14 March 2016

The microphones were located in key areas of the Abbey; a computer touchscreen showed the operator their exact positions within the building. The ES935ML6 microphones were switched on and off locally by the user or controlled remotely by a verger using any of the touchscreens. Additionally, several U851R microphones were used on the altars.

Greg Pinto, Audio-Technica US vice president, marketing, said, "We are incredibly honoured to have our microphones employed for such a momentous occasion. The royal wedding was one of the most highly watched events on television, and we believe it speaks to the quality and dependability of our p

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14 March 2016

"With shows and projects getting bigger and bigger, Coachella being one of them, we thought it would be important to make our Fly Pak system as flexible as possible," states Ian-C. Charbonneau, mixing engineer LeMobile. "We added four MADI cards to the DM2000 allowing an all-digital interface between our Pro Tools rig, Apogee converters, and the console. The MADI cards also provide more flexibility when using the console with our other recording systems, like Le Box or even Le Mobile."

"I had used MADI previously with the Studer digital recorder and knew this format was one

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14 March 2016

INSPEN Campus 2 measures approximately 48 acres and is located in the vicinity of Putrajaya, the federal administrative centre of Malaysia. INSPEN is tasked with advising the government on all matters relating to the value of real estate, the impact of property development and management policies and to enhance the knowledge and expertise of the human resources in the real estate industry.

The new INSPEN Campus 2 consists of a central North-South axis connecting the northern building components comprising female hostels, student union, kindergarten, a central park and a pr

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14 March 2016

In order to comply with these noise constraints, MYC used the Sequenza 10 Line Array from Kling & Freitag. The 40 m wide show stage was equipped with four K&F Sequenza 10N for the far field and two SEquenza 10W for the nearfield.

Six Sequenza 10B and two Nomos XLC in cardioid setup supported the system in the lower frequency range.

In total, 40 different radio and hand-held microphones were employed. A high quality monitor system, consisting of two Scena 15, provided the musicians with precise feedback, with a warm and precise basic sound. All speaker systems were driven by the K&F SystemRack. The combination of the digit

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14 March 2016

The audio system had to meet various requirements, as is explained by Marco Mazzon, founder of the company of the same name, based in Meolo (Venice), which installed the system. "The brief I got from the client was above all to ensure a considerable increase in intelligibility and flexible control of the various sectors - there are approximately thirty microphones used by officiates and singers in seven different zones of the church."

As he had detailed knowledge of the Basilica and its logistics, Mazzon designed the signal management system, whereas, for the actual acoustic de

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14 March 2016

"The reason we bought the K1 system was the quality and its high international standard," says Jack Langer, CEO of Redline. "Our new K1 system will push our company to a much higher level. Apart from the sound capabilities of the system, we particularly like the handling of the rigging as well as the digital network integration."

Adds L-Acoustics trainer Sherif el Barbari, "Yet again another highly professional provider, who's already been using L- Acoustics products has made the step to the top level of large scale

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14 March 2016

Churches and cathedrals often pose challenges for acousticians and sound system designers, but few surpass the architectural complexity of the cavernous St Michaelis, originally built in 1750.

Its interior is ornate Baroque at its most florid. White painted walls are endowed with gilded ornamentation and its architecture, advanced for its time, supports a soaring roof without columns. Destroyed by fire in 1906, then rebuilt virtually brick for brick, it has an important role in German culture, regularly hosting televised services, most recently a memorial service for Loki Schmidt, wife of former German Chancellor Helmut Schmidt, in November 2010.

Emphasising the importance of the pulpit in Protestant churches, where the sermon is central to worship, th

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14 March 2016

Held at Orbital's seminar facility in Brixton, south London, the course included application training from d&b audiotechnik and Yamaha Commercial Audio, as well as covering the spectrum of technical disciplines required for live sound applications. Led by principal tutors Theo Holloway and Richard Carter, the course's scope included modules on show control, radio microphones, video, communications and networking, as well as the chance to quiz guest speaker Gareth Owen, who presented a session on sound design.

The students were also treated to a detailed backstage tour on the West End production of Grease, providing an insight into the challenge

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14 March 2016

Soundtools Oy, under the guidance of industry veterans Antti Murto and Peter Stråhlman will now handle Smaart in Finland. Soundtools is the newly formed sister company to well-known Finnish pro AV company, and former Smaart distributor, Studiotec.

In the UK, Wigwam Acoustics will now be handling all Smaart sales, support and training. Founded in 1979, Wigwam is one of the world's best-known sound companies for the rental, sales and installation of professional audio equipment.

Pacific Rim Electronics & Engineering Pte Ltd (E&E) will handle Smaart for the territories of Singapore, Malaysia and Indonesia with their branch office E&E India taking on Smaart distribution duties for India. E&E was founded in 1951 and just celebrated their 60th anni

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14 March 2016

"For a venue this unique, we have to have the best," says Alain Phillipon, the Eiffel Tower's resident sound engineer for the past eight years, who previously worked on a Midas Heritage 1000. "I wanted the versatility of digital as we host so many different kinds of events here that we need maximum flexibility. But I also wanted to keep the warmth of the Midas sound. The PRO3 offered the perfect solution."

Once the PRO3 was installed, the sound team at t

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14 March 2016

Built on an area of 3,000sq.m, it combines bars, dancefloor, five billiard tables, eight lanes of bowling and the Gorka retro nightclub, all wrapped up in striking hi-tech urban architecture that blends into the landscape of the historic city centre.

Patrons can climb to the top of the pitched roof, which will be used as a hill slope for skiing in the winter - hence the name - and in summer as an amphitheatre for concerts.

EAW components have been used throughout the complex, as part of an installation carried out by EAW's Russia distributor, MS-Max.

Open seven days a week, much of the activity at Hill Hall takes place inside Gorka where the dance system has been constructed around eight EAW KF730 line arr

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14 March 2016

All the seated tickets for Gustavo Dudamel and the Simon Bolivar Symphony Orchestra sold out within three hours. Verdi's Requiem and Havergal Brian's gargantuan the Gothic Symphony have also all gone. However, up to 1,400 extra tickets are released on the day of each concert. Proms director Roger Wright said, "We're delighted that so many people have been able to get their tickets successfully and look forward to welcoming them to the Proms this summer."

Musical Chairs - Warner Music has been bo

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14 March 2016

The show is now over 85% sold - almost five months ahead of its four-day run at Earls Court from 11-14 September. Confidence that PLASA 2011 will be a busy event is confirmed by the increase in visitor registrations, with 8500 visitors representing a healthy 5% increase on the same period last year. This is matched by a 14% increase in the number of companies confirmed to take part.

PLASA 2011 event manager Sophie Atkinson comments, "The PLASA Show has a unique reputation for launching ground breaking products. The Show embraces everything from theatre, live music, film/TV and special events to night venues, architectural installations and construction projects. It's a true reflection of a highly d

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14 March 2016

Adlib provided all the sound equipment for both FoH and monitor systems based around an L'Acoustics K1 PA system. Adlib also supplied seven LM 26 digital audio loudspeaker processors from Lake for FoH and monitor system processing, along with a number of Lab.gruppen PLM 10000Q Powered Loudspeaker Management systems to drive the wedges on stage.

Adlib's Tony Szabo, who acted as system tech for the UK/Ireland leg of the tour, explains that the LM 26s were used for FoH EQ and time alignment. "We had three devices at FoH for general EQ and four at stage next to the amp racks to handle system zoning. W

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14 March 2016

"I'd heard about the loudness of the system, but I was really looking forward to hearing how it performed at a lower level," says Linklater. "My big praise for it, really, is the vocal definition. I mean obviously, there is the volume side of it as well; it is a very powerful system. But the main reason for bringing on the Steve Harley acoustic Tour is that I wanted to hear it with an acoustic band. This band has got quite a range of instruments, dulcimer, violin, full range piano for instance, and I wanted to see if it was musical as well as being loud, which it is, I'm pleased to say

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14 March 2016

Recent revamps have seen the house sound system totally replaced and the stage entirely remodelled to accommodate current trends. Steering that remodelling was the audio consultant Alexandre Forgues of 20k inc.

"I started my career as a system engineer and had visited the theatre many times. I know it well and have a great fondness for the room," he says. "On several occasions I had taken in a d&b audiotechnik system from Axion (now part of Solotech), a rental company that used to be based in Quebec. The house had always liked the sound of d&b equipment so

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14 March 2016

For the first time in Italy, it will be possible to see Outline GTO, the large-format line-source system already owned by some of the world's major rental companies.

In spite of the official launch dating back to just last month, on the occasion of Frankfurt's Prolight+Sound, the Brescia company wishes to emphasize that the system has already been in use since the summer of 2010. As well as Peter Gabriel's New Blood tour, GTO has just been used for the concert by Mike + The Mechanics at London's Royal Albert Hall. There is no lack of illustrious artists in the United States using the system.

At Show-Way, the 100sq.m Ou

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14 March 2016

In 'On' mode each of the four channels of the DELTA8.4-DSP delivers 1,300 watts at 8 ohms and 1,700 watts at 6 ohms. In 'Off' mode the output power is 4 x 850 watts at 8 ohms or 4 x 1,700 watts at 4 ohms respectively.

The proven Hoellstern DSP loudspeaker management with four discrete audio inputs has also been integrated. The setups of the global manufacturer-independent Hoellstern loudspeaker library are available free of charge.

Like all other Hoellstern amplifiers, the DELTA8.4-DSP may be comfortably operated via an RS-485 net

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14 March 2016

Manufactured by Scame, and available exclusively from SES, this follows the success of the 16A range which is now specified by several users in the entertainment industry. Having the clear back on the connectors enables the user to check the integrity and connections inside without the time consuming strip down process saving time and money.

These units are now in stock at SES along with the 16A version and can be sold as loose connectors or indeed on HO7 extension cables.

(Jim Evans)

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14 March 2016

During a year of testing, KV2 invited over 300 performers to come and experience the effect of listening to their chosen instrument through the Classic Series in a concert hall environment. The results were "phenomenal", says the company.

Consisting of two models, the smaller Sonata and the larg

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14 March 2016

The ultra-compact battery-powered combo amplifier, measuring 32cm x 22cm and weighing only 5 kg, provides an impressive sound pressure level (> 95 dB) and audibility, and is equipped with features "unique for its size".

Andrew Richardson, managing director of Adam Hall UK says, "The Roadboy 6.5 Series is ideal for today's demanding small event circuit, whether its aerobics classes or business conferences. We have improved the sound, weight and battery life of this popular product."

(Jim Evans)

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14 March 2016

The beginning of the month saw an education workshop held in the Sennheiser lecture theatre (which the company also sponsors) at the Liverpool Institute of the Performing Arts (LIPA), where Sennheiser UK special projects manager Phil Cummings and chief RF engineer Andrew Lillywhite delivered a two-part session to 50 students.

The first was an overview of Sennheiser, including the company's history, products, services and position in the industry. The second part of the workshop was a radio microphone 'best practice' session, which covered a range of topics including what exactly a radio microphone is, planning and frequency allocat

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14 March 2016

The new equipment forms the centrepiece of the upgraded Sound Dubbing 4 at The London Studios, part of the ITV Studios complex on London's Southbank, the largest commercial production company in the UK.

"After a thorough review of TLS post sound requirements in 2009, we chose Pro Tools as our preferred system for future upgrades such as that recently undertaken at Sound Dubbing 4," comments Phil Graham, project manager at The London Studios. "Having worked with Scrub in the past, it was an easy decision to choose them to supply and commission the new ICON console. Working with Scrub is always a pleasant and smooth experience."

Building on a heritage of over 50 yea

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14 March 2016

Mick Hall, account manager for GC Pro (Guitar Centre Professional Division), oversees a large percentage of the company's house of worship market projects and was intimately involved in both the design and installation of Iglesia De Dios Pentecostal's installation. He commented on the scope of the project and the decision to deploy D.A.S. Audio loudspeaker eq