Sound

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14 March 2016

With the ability to accommodate as many as 11,000 people in its main hall, the SICC is a challenging acoustic environment.Donny Hardono, owner of DSS and a highly recognized figure among the region's music industry, reports:

"For this concert, we deployed 32 D.A.S. Audio Aero-38, three-way, medium format line array elements. These enclosures were flown in four clusters - each with eight line array elements. We

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14 March 2016

In addition to their distribution activities, Yugdoka also runs a thriving rental and installation business. As long-standing APG customers and distributor, Yugdoka already owns a significant APG Matrix system complete with TB subs which forms part of their rental inventory. As a distributor, they have also sold numerous APG systems of varying types into Russian clubs and theatres throughout the territory. However, this is their very first Uniline order.

"The team at Yugdoka is already very familiar with many APG products, and the Matrix system in p

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14 March 2016

After the original fit out had been completed last year by Northern Light, new incumbent technical manager Tim Carr noticed that with an increasing number of amplified rock and folk events starting to appear on the upcoming programme of events, a conventional left/right proscenium line array hang was required to bolster the existing speech system.

Although the work went out to tender, and several sound systems were put forward as potential solutions, Tim Carr already had prior experience of Martin Audio's Mini Line Array - brought in by locally based W1 Productions when they were sponsoring a local band night. Thus the apex technical man was soon talking

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14 March 2016

The PRO9 was specified by long-time Slipknot engineer Dave 'Shirt' Nicholls, who was won over to Midas digital by a PRO6 which he used on tour with Stone Sour in the US. "I loved the sound of the desk and I loved the feel of it," he says. "The EQ is smooth and the preamps seem to be bullet proof. When the Slipknot tour came up, it was a no brainer to stay with Midas digital."

A Klark Teknik DN9696 high resolution audio recorder and Klark Teknik DN9331Rapide graphic EQ controller complete the set up. "Both have worked flawlessly and are extremely easy to use," says Nicholls who pays tribute to Rob Hughes at Midas and SAS man

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14 March 2016

The development features function rooms, a gymnasium, a VIP lounge, a learning centre, and other modern amenities; however the key facility will be the centre's Multipurpose Hall which has the capacity to accommodate 1,500people in a lavish banquet style seating and will be used to host royal, government, community, and corporate events.

The centre's many facilities had to be equipped with reliable audio-visual solutions. Outline's distributor Synergy AVL, a Singapore based audio-visual consultant and systems integrator

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14 March 2016

Designed by Philadelphia's KSS Architects, the venue adds 8,000sq.ft to WHYY's existing 60,000sq.ft headquarters. The centrepiece of the project is the Lincoln Financial Digital Education Studio. This flexible studio space can host up to 300 participants, and has been designed to allow reconfiguration and relocation of major components within the various systems.

The studio's audio and technology systems were designed by RJC Designs of Glen Burnie, Maryland, who recently won the ProAV 201

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14 March 2016

Once again the Tony Award winning sound designer Rob Kaplowitz chose a TiMax2 SoundHub delay matrix as a central element of his immersive sound design to help bring out the drama and impact in this emotional story of afrobeat's inception and the political struggles of its founder.

Following its critically acclaimed Broadway debut, Fela! did a sell-out three-month run at London's National Theatre. Rob Kaplowitz employed a TiMax2 SoundHub matrix and TiMax Tracker performer tracking system to "create various 'zones' in the house which allowed us to fulfill the director's request to localise the voices to their sources, while simultaneously allowing me

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14 March 2016

Aspiration will cross the country with its advanced SD/HD/3D production workflow featuring up to 12 cameras, a large routing system, a feature-rich production switcher and a comprehensive audio suite among other capabilities.

Nic Dugger, president of TNDV and four-time Emmy Award winner comments, "The shows and the budgets are getting bigger, but our first truck has been maximised. Aspiration allows us to double the amount of production work we do across the country, and more than double the crew positions for big events, allowing us to employ additional tape operators, shaders and audio personne

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14 March 2016

A.C. Audio were approached when the theatre was in the process of evaluating the leading audio brands in its search for a radio mic system, and also one that was channel 38 compliant ahead of the 'digital switchover'.

A selection of demo equipment was delivered to the theatre to enable thorough testing. The venue thought the Shure system was "awesome" and easily the best sounding out of the four they had tried, and so immediately made the decision to purchase.

A.C. Audio supplied 16 Shure UR4D dual channel receivers, which is a 1U 19 inch rack mounti

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14 March 2016

"We were acutely aware of the extremely high hurdle we had to clear if the Dubai club was to live up to the very high reputation of its sister club in London," says Chant Utukian, CEG Technologies' project manager. "The directors of the Amika were adamant that the standards set by the London club should be maintained in every respect."

AVL Electronics employed simulations to guide the design and configuration of the sound system. "As soon as they heard the system, our customers were not only astonished but captivated. They could see it was compact and elegant, but it also produced considerably higher sound pressure levels than they expected. A

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14 March 2016

Paul Nicholson who runs Salisbury based Midas ProSound and Red Square Audio was asked to manage the audio systems across the four main FOMFEST stages. Nicholson decided to use FOMFEST to put the new M-480 digital console through its paces in a live environment. Launched in April, the M-480 is a central unit in a full V-Mixing System with a powerful new mixing engine, which can be integrated with Roland's Digital Snakes, Personal Mixing and Multi-Channel Recording solutions.

In the Big Top Tent, the M-480 demonstrated its capabilities as a live mixing console, taking care of FoH under the supervision of Simon Kenning from Rola

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14 March 2016

The MW8 and MW10 are suitable for mid-to-high-volume rock/alternative performers, houses of worship, theatres, edge of stage-fills, corporate shows/events and presenters. They are also a designed for front-of-house or monitor engineers looking for a live monitoring option on the console meter bridge.

The MW8 is the smallest in the MW line of products, featuring an 8-inch woofer, and the MW10 features a 10-inch woofer. Both units' coaxial designs pair the respective woofers with a 3-in (diaphragm) coaxially

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14 March 2016

The producers wanted two separate systems running 24 hours a day, picking up different material which could be selected for the final daily edit. Installed by A&H's national distributor, Audmax, in collaboration with system integrator, Rexfilm, an iDR10 modular MixRack was installed in a studio room managing 32 inputs, and a second iDR10 in the CAR-room managing 24 inputs and 48 outputs. Both MixRacks were connected via ACE to iLive-144 control surfaces located in the sound control room, and fitted with Ethersound to network them together for input sharing. The programme's sound engineers then used iLive Editor to manage both systems.

"iLive was selected for its respons

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14 March 2016

All five members of Take That are using Sennheiser SKM5200 handheld wireless microphones with dynamic MD5235 heads and EM3732 MkII dual receivers, as well as 2000 series in-ear monitors (IEMs). Further sets of the IEMs are used by the backing band, dancers and technical crew, while wired backing vocal mics are e 935s.

One of the biggest challenges of the show is its sheer size, with a B stage projecting well into each stadium. This has meant the addition of Sennheiser's A5000-CP circular polarized antennas alongs

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14 March 2016

As part of his role as a Waves product specialist, Price will be called upon to share his vast knowledge with the Waves customer base, as well as shed light upon the digital revolution now taking place in the live sound arena.

Price stated, "I am very honoured and excited to join the Waves Live team. Waves plugins bring my vision of sound to life. If you can dream of the sound, Waves plugins can make it come alive. The best investment you can make

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14 March 2016

With crowds of between 60,000 and 86,000 every day, the demands on a sound system for an event of this size are high. GMB Pro Sound, the company behind the sound system for the main stages, decided to power everything with Lab.gruppen's flagship PLM 20000Q.

Remigiusz Kasztelnik, director at GMB Pro Sound, said, "My colleague, the highly experienced sound engineer Janusz Klimowicz, was instrumental in our purchase of our new inventory of Lab.gruppen's PLM 20000Q. We had used fP and FP+ Series products before, but none of us had experience working with PLM Series.

"Initially, we considered three differe

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14 March 2016

Headlining the programme is the 2011 Gottelier Masterclass presented by last year's winner of the Gottelier Award and one of the best known designers in the industry, Fred Foster. The theme of his talk will be a huge draw since his title is A Call To Arms - We Must Protect the Quality of Light.

Says Foster, "Faced with the headlong rush towards 'energy efficient' lighting, we as an industry must join together to defend the quality of light. While we have a duty to make and use more efficient sources of light, we must also work to ensure that these sources provide the beautiful full spectrum of light." The Gottelier Masterclass will be presented on Monday 12 September

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14 March 2016

"Constellation is a technology that cannot be adequately explained in a brochure or on a website," states Steve Devine of Meyer Sound Australia. "Until you are immersed in it, you won't fully understand what Constellation is about."

At the core of Constellation is the new D-Mitri digital audio platform, a flexible suite of hardware and software components adaptable for the most demanding mixing, matrixing, DSP and show control applications. D-Mitri serves as

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14 March 2016

The PA system, provided by Atlanta-based AEE Productions, utilised 16 EAW KF740 three-way full range line array Loudspeakers flown in two line arrays on either side of the 60ft wide stage. Another 16 EAW SB1000z large format subwoofers were set up and stacked on the stage itself. In addition, a pair of the new EAW KF394 line array modules was used as an out-fill on the wings of the main line array, positioned three feet behind and two feet to the side of the line array hangs, and eight EAW KF730s were used as delay speakers. The system was processed

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14 March 2016

Since Waves and DiGiCo entered into a strategic alliance in 2010, Waves reverbs, equalizers, compressors, limiters, delays and more run directly from DiGiCo's SD series consoles. Waves plugins that are noted for their use in leading recording studios, mixing rooms and mastering houses the world over are now being use in live sound reinforcement as well.

Suitable for front-of-house, monitor, broadcast and theatre applications alike, Waves live sound applications for DiGiCo consoles provide instant access to the industry's leading audio processors. Powered by Waves SoundGrid technology, Waves integrat

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14 March 2016

The system is rigged as two hangs of nine elements for large events but can be easily split into smaller systems as required. Each Flex Array element consists of dual horn-loaded 10" drivers, a 6.5" Polyhorn loaded mid-range driver, a Dendritic loaded 1" and dual 800w power amplifiers with DSP.

Eight Turbosound NuQ-8DP (8"/1") self powered cabinets were also purchased as front-fill and general purpose speakers. Both the Flex Array and NuQ self-powered speakers include network functionality allowing the team full laptop control (gain, delay, EQ and monitoring) o

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14 March 2016

The show took place in the city's Plac Defilad (Parade Square) and featured three stages. Televised nationally, a range of international artists joined Polishacts in playing one of their own songs and a popular Polish song, before handing over to the next act.

Such a rapid series of changeovers made the three stages necessary, so Warsaw-based production company GMB Pro Sound supplied a Yamaha PM5D-RH as the main front of house console for each stage. Two DSP5Ds and a DME64 digital mixing engine were also used for delays and speaker management of the large Nexo PA - compri