UK - Steve Warren - the well-known sales director of Avolites Ltd - made a rare live appearance as RADlite digital media server operator for last week's Hadley vs Cox gig at Shepherd's Bush Empire. He was hired for the show by lighting designer Dave Gibbon.

Warren is more usually seen at trade shows and on sales missions around the world, flying the flag for the Avolites sales team. He comments: "It's great to get hands-on with actual show operation. I have to admit I was nervous before the show, as this is the first time I've been hired professionally as a RADlite operator, but once it got going, I got into my stride."

Hadley vs Cox was an epic - and unique - show devised by 1980s superstars Tony Hadley of Spandau Ballet and Pete Cox of Go West, featuring all the hits and more from the era of New Romantic and Electronica. The two artists have worked together on many

UK - CT Screenco returned to the Ross Theatre bandstand at Edinburgh's Princes Street Gardens to fulfil a vast array of technical requirements at this year's Edinburgh Festival - billed as 'The UK's biggest free arts event of the year'. Their contract with Sean Rourke's Arts For Life is one of Screenco's most unusual, since a lot of their work is done 'on the fly' as they come into contact with a vast array of cultural content. Screenco also integrates broadcast students and volunteers into the team, who are sent out with ENG equipment to gather news, which is then edited in real time and relayed live to the 4 x 415mm LED daylight display.

The three weeks of he Festival Fringe are enough to keep Screenco's representative Jon Baverstock on his toes around the clock. The highlight of this year was undoubtedly the scheduled appearance of Joan Baez, Emmylou Harris, Chrissie Hynde, B

UK - This year the education programme has been relaunched to meet the changing demands of the PLASA visitor and will be hosted by the PLASA Professional Development Programme (PLASA PDP), the Association's new training initiative. A full timetable is now online and taking bookings - check out the website below.

This extended educational platform will examine current trends and issues across the wide range of the industry and provide visitors with the opportunity to broaden their knowledge and learn from the experts. The format has been revised with four different types of sessions - Technical Workshops; Business Seminars; Industry Seminars and Masterclasses.

Many of the sessions are supported by associations, trade bodies and publications and for the first time RIBA (Royal Institute of British Architects) are also supporting the programme. Their endorsement is clear recognit

UK - With just three weeks to go to PLASA, G-LEC Europe has signed an agreement with Fourth Phase London, for it to act as G-LEC's representative office in the UK. G-LEC Europe manufactures an innovative system of LED curtains utilizing clear rods to house the LEDs, the resulting transparency and low wind resistance making the system ideal for use in the theatre, as well as for concerts, corporate events and architectural use. Weighing just 10kg per square metre, the G-LEC LED curtain is also lightweight, so can be flown effortlessly.

Lars Wolf, managing director of G-LEC, told PLASA Media: "This business is about people - trust and confidence - and before appointing anyone I wanted to be sure they would be absolutely right for us. Having met Alan Thomson and his team, I know that with Fourth Phase London we will be doing great things in the UK." Thomson, the managing

UK - Edirol Europe (a member of the Roland Group of Companies), will be exhibiting with ShowCAD Control Systems at the PLASA show this year, and will be showing its latest range of live performance video products. Edirol products on show include the V-4 video mixer, which has been very popular since its launch earlier this year due to its combination of affordable price, functionality, durable metal construction and quality of results achievable.

Also on show is the DV-7PR - an innovative live performance video system for use in concerts, shows, conventions, hotels and seminars. The DV-7PR integrates with MIDI control systems (and DMX via MIDI/DMX converters) and allows the user to control in realtime various aspects of the video playback. Remote control is also possible. The DV-7PR can play and loop indefinitely, drawing from up to eight hours of unique content. It can be used

Japan - Digital Projection International and its joint venture partner NEC Viewtechnology, have announced they have carried out the first commercial demonstration of the cS25 projection system in Tokyo, Japan. The cS25 is the first commercial projector utilizing the new higher resolution Texas Instruments DC2K DMD, offering over two million pixels. The demonstration was arranged in conjunction with Japanese distributor, Toshiba Denko and was held at the Togeki theatre, owned by Shochiku, in Ginza, Tokyo, Japan.

"We are extremely proud to have been involved in the two significant world firsts within the Digital Cinema market. In December 2000 we sold and installed the first ever digital cinema projector and have followed this up with the world's first commercial demonstration of the DC2K unit. It demonstrates that Digital Projection is committed to innovation and is 100% beh

UK - DPL Production Lighting in collaboration with laser and video specialists CMT, produced a spectacular mixed-media end to Bournemouth Symphony Orchestra's summer outdoor season, illuminating the skies in and around Meyrick Park in Bournemouth.

This was the biggest ever concert staged by the BSO, and saw them perform Carl Orff's Carmina Burana conducted by Neville Creed and accompanied by The Bournemouth Symphony Chorus. Over 6,000 people enjoyed the event, complete with full lighting, laser and video projections and over 150 pyro cues skilfully interwoven into the piece. DPL and CMT, together with Classic Fireworks and Skan PA, were asked onboard by the BSO's Anthony Brown.

DPL's Darren Parker led the lighting team. The company architecturally lit the production Horizon and coloured the trees behind the stage using 12 Martin MAC 2000s, two 7kW Xenon Space Can

UK - Rob Fowler has joined the Projected Image Digital team as technical applications engineer. He will be providing technical field support for the various digital servers and associated hardware supplied by Projected Image Digital, and applications advice relating to digital content, training and programming support.

Fowler has been in the professional lighting industry for 12 years. His career started at Theatre Projects in Greenford, from which he moved on to Vari*Lite's technical support department. He also worked at the Millennium Dome as a programmer/operator for the Wholehog II consoles running the Central Show, plus multi-tasking in other areas of the attraction. In 2001 he joined Flying Pig Systems' technical support department, and has now moved to P.I.D.

In addition to his wealth of experience in technical support, Fowler has also worked on a variety of live events

UK - CT Screenco recently undertook its first contract for the burgeoning esoteric dance festival, The Big Chill, a 16,500-capacity sell-out event which was held for the second year in the grounds of Eastnor Castle in the Malvern Hills. Working alongside production manager Ruari Cormack and AV manager Adam Seaman, CT Screenco provided a 5x5 15mm LED screen on its own ground support, situated upstage centre on the Sanctuary stage. Video is the equal of audio playback as the primary content in this dance extravaganza, and Screenco's daylight screen was put to good use, fed by a succession of VJs, providing self-originated video, animations and graphics to complement their respective artistes.

Since the festival was using a Wango elliptical stage (allowing a lot of natural daylight to penetrate the stage) the production would not have been effective without such a high brightness s

UK - Le Mark will celebrate its 20th anniversary with the launch of its new catalogue at PLASA 2003. After nine months in the design and production, the new catalogue will be launched on Sunday 7 September at the PLASA Show, Earls Court, and will include many new and innovative products.

This issue will reinforce Le Mark's reciprocal trading policy: the catalogue features exciting accessories from Apollo Design Technology Inc, City Theatrical Inc and GAM Products. For the first time, products from Le Mark's recently-announced production partner Tesa UK Ltd are introduced, including the new high heat-resisting Scroller-Tak splicing tape. "Le Mark offers an 'open house' on the day of the launch, with a Champagne toast at mid-day," says catalogue design co-ordinator Mark Gibbons. "It's been a tough time for many areas of the entertainment industry - we have worked ha

UK - The Professional Lighting and Sound Association have announced that they are now members of the RIBA Continuing Professional Development (CPD) Network. This reflects the increasing importance that audio and lighting now plays within an architect's brief and underlines the growth within the architectural and design markets.

The first involvement will be at this year's PLASA Show (7-10th September at Earls Court, London), where the demands of this dynamic audience will be met with an extensive educational programme. This event is supported and endorsed by the RIBA CPD Providers Network. Included in the masterclass sessions will be a talk from English Heritage on the Conflict between Historic Accuracy and Modern Standards, whilst from Conran Design, David Chaloner will be talking about Retail Dynamic Applications. The industry seminars will cover topics including challenges a

UK - Bosch Security Systems has won the 'Market Penetration Award 2003' from international consultancy Frost & Sullivan. Bosch's gain in market share, its innovative new products and its successful strategies for marketing and sales decided the choice of Bosch Security Systems as prizewinner. The assessments were made on the basis of the company's performance during the last two to three years.

Over this period of time, Bosch has made two major acquisitions. The first in 2001 was Detection Systems Inc headquartered in Fairport, New York, a global supplier of intruder alarms with production sites and sales distribution channels in every major economic region of the world.

The second acquisition at the end of 2002 was Philips CSI, formerly the CCTV and Communications Systems division of the Philips Group in Eindhoven. With this acquisition, Bosch also gained additional productio

Israel - The Kramer VP-724DS is a true multi-standard video to RGBHV scaler that converts video, s-Video, component video (SDTV and HDTV), VGA-through-UXGA, and DVI-D signals to 10 user-selectable pixel rates: VGA (640x480), SVGA (800x600), XGA (1024x768), SXGA (1280x1024), UXGA (1600X1200), 1024x852, 1024x1024, 1366x768, 1365x1024 and 1280x720. It has three additional output modes: 480p, 720p and 1080i in component format with tri-level sync.

In addition, the unit acts as an 8-input seamless presentation switcher, and digitally reprocesses the signal to correct mastering errors, and regenerates the video at a higher line and pixel rate format, providing native-resolution video for LCD, DLP and Plasma displays. It allows scaling of any graphics resolution to any other resolution (scaling for example, a VGA input to an UXGA output, or an SXGA input to an SVGA output, etc), and in

UK - Since moving into new premises earlier this summer, ARB has continued to expand. Three new members of staff have joined the team this August. The two new sales executives, taken on to develop ARB's diverse client base, are Stephen Brady, joining from De Boer, with his extensive experience in corporate events, hospitality and production areas; and Barry Clayson, who has two decades of production experience working in the outdoor events industry - including commentating at a range of country fairs and shows.

Cathy Lynn from NSR has also joined ARB as the new hire office manager. She will be responsible for enquiries and quotes and ensuring that hire operations out of ARB's Buckingham headquarters are managed efficiently.

(Sarah Rushton-Read)

Denmark - In order to take increased advantage of the recent agreement of co-operation between Seelite and Procon MultiMedia AG, Seelite A/S has hired Mikkel Behrend as AV project manager.

Behrend, who was formerly key account manager at ComTech Holding A/S, will begin at the company in October, and will be responsible for AV solutions for fairs and shows, presentations, events and festivals, areas where the company can now offer single source technical solutions including lighting, sound, AV and stage setting.

(Sarah Rushton-Read)

UK - PMC, manufacturer of professional monitor and audiophile speaker systems, have announced the appointment of Boxer Systems Limited, as the company's new UK sales dealer for the broadcast, film and post production sectors.

Based in Harpenden, Hertfordshire, with offices in Glasgow and a newly opened Soho showroom in the heart of London's post production community, Boxer Systems specializes in the representation, distribution, and systems integration services of high quality, high performance digital products for the broadcast, film and post-production.

Rapid growth in the Boxer Systems' broadcast and video systems integration business, has led to an increasing requirement to specify suitably high-resolution monitor systems as part of the package. Group marketing and sales director Jon Phillips explains the choice of PMC: "In servicing a large part of the London based p

UK - PLASA is emphasizing the importance of training development via the PLASA Professional Development Programme (PDP).The format for this year's education programme at the PLASA Show has changed to offer a wider choice with sessions ranging from technical workshops for technicians through to business seminars for freelancers and company start-ups.

The industry seminars have been expanded to cover a wide range of topics on current debates including 'Theatrical Fog - Knowing when Enough is Enough' and 'White Lighting versus Colour in Architectural Application'. Conversely the masterclasses will provide a forum for industry experts to share their knowledge. Speakers will include Brough Skingley from English Heritage on 'Lighting Up The Past - the Conflict Between Historical Accuracy and Modern Technology' and Bruce Jackson of Lake Technology on 'Sydney Olympics' Audio Design.'

UK - A.C. Lighting has announced a new staff appointment at the company's headquarters in High Wycombe, Buckinghamshire. Philip Norfolk joins as product manager for the rapidly expanding portfolio of products for which A.C. Lighting holds exclusive UK or worldwide distribution. In this new role, Norfolk will be dividing his time between the road and the company's headquarters in High Wycombe.

Norfolk has spent his entire working life in the entertainment lighting industry and joins the company from Martin Professional, where he held the role of UK stage studio and events segment manager. Prior to this, Norfolk worked in Chicago for Tech Lighting as sales training manager and specification sales manager, having also spent 13 years at the Lighting Technology Group where he moved from equipment sales up to the role of key account manager.

Phill Capstick, sales director at A.C. Li

USA - Andrew Lloyd-Webber's Starlight Express first opened at the Apollo Victoria, London, in 1984, enjoying nearly 18 years of success there. Now it has a new incarnation as an American touring production, with dates scheduled until the end of the year.

Designed by John Napier for Troika Entertainment, it features an updated score and instead of the race track that was an integral part of the original show, it now has stunning stereoscopic 3D race sequences projected using a custom-built rig, from London-based 3D specialist, Inition.

Stuart Cupit, James Gant, Chris Sutton and Andy Millns formed Inition in 2001. The team has a passion for 3D graphics, creating a range of virtual reality (a.k.a. VizSim) graphics products and services, including the recently-launched Duality range of stereoscopic projection rigs. Although 3D projection has featured in themed entertainment instal

UK - On June 28, Robbie Williams started one of this summer's most anticipated European tours. After skimming round Europe, as part of an 18-date, 10-country tour, he rounded it all off with three headline dates at Knebworth in the UK.

Most of the press surrounding the event focused on the awful travel experiences of many of the thousands of fans who travelled to Knebworth - 375,000 in total across the three shows - ourselves included. And let's face it travel chaos made for good headlines, as did the sheer number of people who were packed into Knebworth Park: this was not an event for anyone with a fear of crowds - 120,000 plus each night - although a large proportion of these stood no chance of actually seeing the star of the show directly.

However, it was the show itself that made the delays, travel headaches, expensive 'pints' of beer and enormous viewing distances worth i

UK - Here, as promised last month, we round-up some of the main highlights of our industry's contribution to this year's Glastonbury Festival.

- Glastonbury's Pyramid Stage has traditionally been equipped with Turbosound Flashlight systems, but this year, in a major departure for the organizers, SSE Hire provided one of the world's largest Nexo GEO T Tangent Array systems. Nearly 100 GEO T4805 cabinets were used, configured with two far-field arrays of 24 cabinets each (25m offstage each side) and two near-field arrays of 11 cabs flown from SSE's Teepee structures, each about 7m offstage. There was also a centre array of six T4805s for centre image/near-field, and two field delays (eight cabinets each) 130m down-range from the system. Camco Vortex amplifiers powered the whole system. SSE's Chris Beale says they used 12 CD-18 subs per side, plus nine S2 subs under the near-field

Switzerland - The 37th Montreux Jazz Festival closed its doors at the end of July with a suitably rousing ZZ Top concert in the Stravinski Hall, the main auditorium in the Congress Centre perched on the Lake Geneva waterfront. It was the culmination of 17 days of music and performance that featured acts from across the musical spectrum performing on a variety of stages, both inside and out.

The Festival drew some top names with 2003 headliners including Radiohead, Yes, Bonnie Raitt, Jethro Tull, Cypress Hill, Morcheeba, Craig David, Herbert Gronemeyer, Stereophonics, George Benson and The Pretenders - plus just about every musical genre you might care to mention.

The production elements of this ambitious schedule were managed by technical co-ordinator Andre Vouilloz, while audio aspects were in the hands of Patrick Vogelsang, MD of Meyer's Swiss distributor Niveau2 and the fes

UK - Intrigued by the growing discontent in the industry that guerilla projection is causing, L&SI talked to players on both sides of the fence about the pros and cons.

Pod Bluman, well known for his role in several guerilla projects, doesn't regard guerilla projection as an issue, and he's not alone:

"We rarely get more than half a dozen or so onlookers, so there are never any huge crowds leading to problems. Most of the projections are of a corporate advertising nature anyway, so it's very rare to do anything that is truly controversial." It seems that the Police are fairly indifferent to it as well; despite a major security threat closing Parliament Square and Whitehall, Bluman and his team sat on an empty Westminster Bridge merrily projecting onto the Houses of Parliament without any intervention. "I have been searched under the prevention of terrorism act,

France - Following their show-stopping appearance at the Glastonbury Festival this summer, Radiohead went on to complete the European festival leg of their 'All Hail To The Thief' world tour.

Lighting designer Andi Watson had been keen to develop a concept that was practical to tour for festivals as a 'special', but which could also be incorporated into the lighting rig and visual elements as the tour developed. Originally, he thought in terms of a video-based solution, but this transmuted into the idea of having a row of colour-changing LED battens upstage, capable of producing a variety of spectacular effects, as well as introducing a layer of texturing and depth to the stage.

Watson researched the LED products currently on the market before deciding on the James Thomas Pixelline 1044 batten, of which 48 were rigged vertically, end-to-end on 24 Manfrotto stands. Watson reali

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