UK - Live video specialist XL Video is working closely with Production North, the Yorkshire-based production company headed by Steve Levitt and Iain Whitehead. Three of the most spectacular pop tours of the year so far benefited from this winning combination - Westlife, Ronan Keating and Fame Academy - all with one common element: high production values.

Video has been crucial to all these tours - emphasising the seminal role of the medium in the genre of live pop. With a largely young audience, moving images and camera relay are vital ingredients. Live show IMAG ensures that everyone has a good view of the artists, and on the creative front, video adds a dramatic and effective visual dimension to any show.

Westlife’s action packed, up tempo ‘Unbreakable’ tour is produced by Will Baker and Alan Macdonald, who conceived the eye-catching video visuals, based on

UK - Scene Change, the new company that creates video content for the entertainment industry, has teamed up with The Foundation Design, one of the UK’s leading graphic and animation design companies. The Foundation Design specializes in the creation of digital content for the retail and leisure industries. Its client list includes Yates’s, Lloyds No1 Bar in Birmingham, The Gate (Land Securities’ £70million leisure development in Newcastle - see major feature in the June issue of L&SI) and many drinks brands.

The new creative alliance aims to build on the strengths of both companies in lighting design, video-effects generation and video editing for the performing arts and entertainment industry. The Foundation Design has already created a selection of royalty-free abstract video clips which can be previewed and bought from the Scene Change website.

"We a

Andrew Lloyd Webber’s Tell Me On A Sunday, starring Denise Van Outen at London’s Gielgud Theatre, was originally a hit album and television special written for Marti Webb in 1979, and later appeared in London and New York as one half of Song & Dance.

Produced by Bill Kenwright and The Really Useful Theatre Company, directed by Matthew Warchus and designed by Rob Howell, this latest production has been expanded to an evening’s entertainment and features five brand new songs.

Serviced by London-based Orbital Sound, the production features the company’s fifth Yamaha PM1D digital mixing console, which was purchased from dealer Marquee Audio. With three of Orbital’s other PM1Ds specified for other West End musicals - Bombay Dreams, Our House and Joseph - the Yamaha desk has certainly made its mark in top-flight theatre.

"Large format digital desks are

UK - Music video specialists Blink TV shot and edited video footage of Kylie Minogue for leading contemporary dance pioneers The Rambert Dance Company’s new work ‘21’ - a production which will receive its London première at Sadlers Wells later this month.

Blink are no strangers to Kylie - the company produced all the insert material for last year’s seminal ‘Fever’ tour, and a specially commissioned video for her Royal Variety performance. They were approached by renowned Rambert choreographer Rafael Bonachela, who devised 21 to provide imagery for the dance piece, which runs in three sections, and lasts 21 minutes. The soundtrack for the performance has been composed by Benjamin Wallfisch and its lighting design conceived by Chris Davey.

Bonachela asked film production designer/video artist Alan Macdonald, and Kylie’s own personal image mak

UK - The Coronet, a 2,100 capacity, three-level multi-purpose entertainment facility, opened recently in south London. The venue’s £2m refurbishment programme is one of the first in a series of regeneration projects in the vicinity of Elephant and Castle, SE1.

The building in which the Coronet is housed was built in 1872 as the Theatre Royal. Following a fire, it reopened in 1879 as the Elephant & Castle Theatre, seating over 2,000 people. It was here that Charlie Chaplin first took to the stage as a child, and, in fact, the pub next door is named after the silent movie hero. Later remodelled as a 2,315-seat cinema (1931) and modernized as an ABC cinema (1967), the venue became The Coronet in 1997 - eventually closing in 1999.

Jeremy Millins, MD of the Pure Group, realized the potential of the venue two years ago. He contacted investor and theatre producer Dominic Madden, who

UK - When software licensing company Symbian held their two-day Exposium 03 at London’s ExCeL Centre to preview Symbian OS v7.0s, their latest operating system release for advanced mobile phones, they wanted to create a dynamic environment for keynote speeches and technology workshops, while providing a forum for over 70 exhibitors.

To achieve their goal they utilized two of ExCeL’s vast halls - N1, for exhibitions and workshops and N2 as a 1,200 seat auditorium - and asked integrated technology providers MCL to create a flexible production infrastructure. A division of Creative Technology (CT), MCL London equipped the main theatre and five breakout rooms with projection, lighting and sound, with a rapid turnaround to accommodate a gala dinner at the end of the first day.

The main backdrop consisted of a 20m wide cyclorama, backlit top and bottom using Vari*Lite VL

Sweden - Lighting, sound and AV specialist Fremlab AB of Helsingborg, Sweden, has been appointed distributor for the Showmagic show control system by Bradford, UK-based Dial. Tomas Nilsson will be responsible for ShowMagic at Fremlab.

The first installation in of ShowMagic in Sweden is at a corporate site - the showroom of GPA-Plast, where ShowMagic is controlling a projector, motorscreen, darkening blinds, DMX-transformers in the roof (nine different channels), and the nine different areas of the company’s product display. The system is controlled via a 15" touchscreen, while a second screen serves as the operator’s monitor.

Managing director of GPA-Plast, PerOlow Jansson, says: "We are very happy with the solution that Fremlab have supplied. We first looked at a Crestron-based system, but the cost felt huge. With ShowMagic we found the same control at a

Switzerland - Unitek Displays, the UK-based LED screen manufacturer, has successfully completed another landmark installation of its new V-series screen system. The company supplied the two giant video screens which flank the entrance to the new Schaulager art museum in Basel, Switzerland.

Designed by architects Herzog & de Meuron, who were also responsible for London’s Tate Modern, the Schaulager is home to the Emanuel Hoffman Foundation’s collection of contemporary art - a unique collection covering the work of over 150 artists. Although parts of the collection have previously been on display at both the Basel Museum of Art and the Museum of Contemporary Art, the Schaulager will, for the first time, allow the entire collection to be gathered under one roof. Combining the roles of museum, climate-controlled storage space and public exhibition venue, the polygonal-sh

UK - E//T//C UK is supplying a Pani 2k Tungsten Halogen projector with AMD-32 slide changer for David Mamet’s classic 1974 comedy Sexual Perversity In Chicago, which has opened at the Comedy Theatre in London’s West End to rave reviews. The large format projection specialists were approached by the show’s production manager John Dalston and set and costume designer Jeremy Herbert, both seeking a rapid method of scene-changing to recreate the work’s hectic, cinematic narrative style.

With 32 different scenes in the high-action, 88-minute, one-act performance, some lasting no more than 10 seconds, and all leaping between disparate locations like bars, libraries, bedrooms and the streets of Chicago, conventional scenery changes were out of the question! Instead, they thought laterally and turned to projection to create the location and ambience for ea

UK - George Gilbert, one of the UK's leading video projection experts, has died at the age of 79. In a career that spanned more than four decades, George was a leading expert in light valve video projectors and responsible for training many of the current generation of projection specialists. The industry continued to benefit from his expertise well past retirement age and up until his death, he was still on the payroll, although part-time, as an engineer for equipment rental firm Blitz.

Following electronics training in the army, George first began TV work at Cambridge-based Pye Television. In the 1950s and 60s he was one of just a handful of projection specialists in the UK with the skills to set up and operate the Eidophor and GE Talaria projectors. Video projection technology in this period was cutting-edge but, at the same time, temperamental. The light valve at the heart o

UK - A unique interactive and atmospheric audio-visual cricket experience has been designed for the England and Wales Cricket Board (ECB) to promote a new 20-overs cricket format being launched this Summer.

This brand new experience, which is housed in three identical 7m trailers, will play a key role in introducing the ‘Twenty20’ concept to target audiences. Working with the event management team from Watermark, Steljes Hire, a leading supplier of AV systems, have provided state-of-the-art NEC multi-media digital projectors to bring the concept to life. Initially, the road show will visit a mixture of sports and outdoor events, beach fronts, shopping centres and commercial hubs in The North, South, East and Mid-West of the country. Thereafter, it will support domestic, Test and One Day International matches.

The experience itself plays on the extremes of emotion i

UK - eading event production company AVC Productions has landed a prestigious two-year contract to provide a full AV and Event Production solution for British Airways. It’s an impressive business success story but how does one company command the attention of one of the world’s leading airlines? "It’s about finding a balance," explains Patrick Hill, managing director of AVC Productions, "and our philosophy is to never compromise on quality or creativity even if the budget is restrictive."

Patrick Hill is thrilled with the company’s latest achievement. "Everything about AVC Productions is developed with service in mind. We realized from the outset that our existing 15-year approved supplier relationship with British Airways would not necessarily be an advantage and we really had to reassess our business and put together a unique pa

UK - The Princess Royal and her daughter Zara Phillips have officially named P&O's two latest ships, Oceana and Adonia, at a naming ceremony which took place at Southampton Docks on May 21. Nicknamed the White Sisters, the identical twin superliners made a spectacular sight berthed bow-to-bow, while the dockside event, the biggest of its kind in Europe, made the history books as the first double cruise ship naming ceremony ever to take place in Britain. To make sure it would be remembered for all the right reasons, P&O enlisted the help of the entertainment industry’s finest to put on the show of shows.

Unusual Services Ltd was appointed by P&O to provide the infrastructure, management and event content for the evening. Maintaining Unusual’s theatre roots, Alan Jacobi, MD of Unusual brought in Sheelagh Barnard as creative director to devise the content for the show.

UK - Paradigm Audio Visual has successfully achieved their ISO 9001:2000 certification at the first attempt. Managing director Greg Jeffreys describes this as an important development for the Bedford-based company, which distributes dnp high resolution screens, in addition to manufacturing its own rear projection rigs (and bespoke solutions).

This, says Jeffreys, is the culmination of Paradigm’s programme to bring more substance to its infrastructure. Last year the company recruited Paul Wood MBA as general manager and set out a much more aggressive business plan. "Part of the rationale in increasing our business as a manufacturer was to improve our capacity in a controlled way, and ISO was a useful exercise in that it gave us the chance to review our business and highlight some areas where we needed to make improvements," said Jeffreys. "The other reason fo

UK - British audio and speech technology company, NXT, has announced the launch, by 3M, of a rear projection screen using SoundVu technology. The ‘Vikuiti XRVS-120 extended resolution video screen with sound enhancement, which is part of 3M Optical Systems Division's suite of Vikuiti display enhancement products, was unveiled yesterday at the annual InfoComm exhibition in Florida.

The Vikuiti XRVS-120 is a result of a recently reached in-principle agreement for 3M to exclusively provide SoundVu technology to the professional rear projection screen market. NXT's SoundVu technology turns the projection screen itself into a Distributed Mode Loudspeaker (DML) by using actuators positioned at the 'invisible' edge to vibrate the screen, locking sound and vision as one. NXT's SoundVu technology works without adding depth or size to the unit and, by using the screen, eliminates th

UK - BT eGovernment's Innovation Centre, in Westminster's Queen Anne's Gate, is a demonstration and discussion venue, which uses available and emerging technologies to illustrate innovative electronic solutions across the public sector and with other businesses.

The Centre was originally opened in 2000, but just over three years ago the Government started to review ways in which it could restructure in order to have all its services online by 2005. It wanted to transform the way it did business internally, and at the same time improve dialogue - and so it turned to its nearby resource, BT Stepchange, who created the Innovation Centre, with environments that were more theatrical, virtual and dynamic, and with a reception area that would have high visual impact.

"The idea," said outgoing centre manager Joe Crofts, "was to move people's mindsets away from their da

UK - Scene Change is offering true integration of visuals and music with the Hippotizer, which they say is the "ultimate club, bar and concert video-jockey hardware." The Hippotizer is a musical instrument for video, giving real-time control of video and video effects. As a digital media server for the live entertainment industry, the Hippotizer is pre-loaded with digital content. It offers on-the-fly playback of either pre-loaded content and effects, or specially created content which is loaded easily into the unit.

The Hippotizer can be played live, replay a preset sequence of effects, or, when given a sound source, left to create effects based on those selected. It is available in two versions: the Hippotizer Lite includes The Hippotizer Media Server, a 3U rack-mount unit with remote keypad allowing direct and immediate access to content. Hippotizer Pro builds on th

USA - Barco is pleased to announce that its SLM R8 projector was awarded this year’s Best New Video Projection Award at the Rental & Staging Systems Awards held at InfoComm yesterday. The annual Rental & Staging Systems Awards, which recognize excellence in the design and production of new products as well as the AV production for staged events, were held at InfoComm in Orlando on Wednesday. The awards for best new products in the rental and staging market, in which Barco’s SLM R8 won Best New Video Projection Product, were determined by a special Rental & Staging Systems Magazine readers’ poll.

Barco’s SLM R8 projector, which forms part of Barco’s SLM projection range, is equipped with a 3-chip DLP sub-system, features SXGA resolution Digital Micro Mirror Devices and a state-of-the-art optical system, and provides a compact, multi-purpose solution

USA - MediaSonic has launched the MS9400 High-Definition (HD) Video Player, the HD extension of MediaSonic’s FrEND (Far End Network Device) concept. This innovative HD-player network appliance, the compact MS9400, allows HD playback to be installed in almost any location, moving the intelligence and control out of the central equipment room and closer to the actual video display.

"The new HD FrEND can be mounted conveniently within a kiosk or installed behind plasma displays used prominently in a variety of AV and presentation applications," said Anthony Magliocco, manager of business development at MediaSonic. "The MS9400 is a flexible platform that will provide a critical foundation for new HD product development alongside our iMediate media networking applications. The compact size of our HD FrEND enables placement of player systems in areas that previo

USA - Electrosonic won two major awards at the very first Archi-tech AV Awards, organized by the ICIA and Archi-tech magazine, as well as collecting the ‘Best Overall’ award.

The competition was established to recognize the creative and effective integration of technology into projects that incorporate audio-visual equipment. All types of projects were considered, including corporate, worship, retail, education, medical facilities, urban design, historic buildings and hospitality and entertainment venues. Winners were voted for by an independent panel of judges, who considered concept, process, design, solution, results and creativity as guidelines when reviewing the entries.

At the awards ceremony on 3 June at Infocomm 2003 in Orlando, Florida, Electrosonic was presented with two of the six awards for their installations at Thinktank in Birmingham and the Imperial

Australia - The QLight loudspeaker range from Turbosound forms the centrepiece of a new audio-visual installation at St Paul's Tavern - one of Brisbane's major entertainment venues which was recently re-opened after lying dormant for several years. The design and installation of the venue's new AV system was undertaken by local contractor, Technical Response Group (TRG), with the project's equipment supplied by Audio Telex - Turbosound's Australian distributor - via the company's Queensland office.

One of Brisbane's oldest taverns, St Paul's was recently rescued from being nothing but a dust trap, and has been refurbished into an outstanding venue for live jazz and blues, as well as for private functions. Each area of the venue features a Turbosound-based audio system, from the venue's small function room - equipped with four Impact 50 loudspeakers and two Impact 110 sub-bass un

UK - Live video rental company XL Video has moved into new expanded premises in Hemel Hempstead. The relocation will address the company’s need for more space, and is part of its ongoing commitment to provide the best customer service, as Lee Spencer explains: "XL’s engineers and staff have pooled resources and ideas to design this facility for the advantage of our clients. We’ve invested over £170,000 in making the workspace more efficient, and in customizing it to our specific needs."

The new 13,500sq.ft premises have been completely gutted and rebuilt by XL: in addition to an open plan office set-up, the building features a dedicated camera cleaning centre and a projector service area, allowing these specialist pieces of kit to be cared for in clinically clean environments. There’s also a large open prep area so equipment can be prepared to

UK - Crawley-based TSC Music has achieved the revised BSI ISO 9001:2000 standard. TSC had already been incorporating the previous ISO 9001 standard in its procedures affecting the quality of its products and services since 1994, which has enabled the company to make this transition to the revised 2000 version remarkably quickly. This new standard is recognized as a business-focused quality tool and enables TSC Music to focus more effectively on customer service as well as continuing to incorporate the high quality standards it employs relating to production and installations.

Technical manager and ISO co-ordinator David Foster said: "At TSC we recognize the importance of ISO as a quality assurance standard and the positive impact it contributes towards the company achieving its short term goals and objectives as well as its long term mission and vision."

TSC’s

UK - The 224th Epsom Derby presented an opportunity for ARB to demonstrate the diversity of its services and equipment. This is the eighth year ARB has worked at the Derby, working both for the racecourse and for production company Net Production to provide a wide variety of equipment for the weekend.

ARB’s project co-ordinator Gaynor Molyneux managed the team on site throughout the event. As part of the company’s overall remit, ARB was the key temporary power supplier to the Epsom racecourse, with 16 generators on site for the Derby ranging from 30 to 320Kva, utilizing three miles of distribution cables and distro boxes all installed by specialist engineers to ensure the safe distribution of electricity. The company’s generators powered various hospitality areas including the Vodafone and Classic Marquees.

With thousands of people working on the racecourse,

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