While the centre screen was sent a feed comprising of stage close-ups, the flanking screens and plasma display took its feed from the live television mix. Hosts Trevor McDonald and Tess Daley presented the awards, screened on ITV1, while this year ITV2 also broadcast exclusive coverage from backstage and the glamorous after-show party. Graham Filmer, director and general manager at Screenco commented
The update includes more than 500 symbols of buttons, switches, knobs, connectors, logos, meters and much more. They have been created to meet all of the criteria currently used in the production of Stardraw libraries and conform to layer and drawing specifications.
According to marketing director, Rob Robinson, this is a significant enhancement. "By making the component symbols available, we are effectively giving our subscribers even greater scope to customize Stardraw to their own requirements. Although our library
AVW-TELAV Audio Visual Solutions, which is a new company formed by the merger of TELAV Audio Visual Services and AVW Audio Visual, is one of North America’s leading AV rental and staging companies. AVW was founded in 1971 and although headquartered in Dallas, had 15 locations throughout the US. TELAV was established in 1982, and from its base in Montreal, Quebec operated 18 locations across Canada. Today, AVW-TELAV Audio Visual Solutions has 34 offices coast to coast and offe
One of the key technical requirements was to create a backbone - with various plug-in points throughout the building - that would allow information in the form of data and text, video and audio to flow from its source to any desk or display screen, the GLA website or for national broadcast. IVC, the company awarded the £2.1 million contract, were also asked to provide a high-grade portable presentation unit, that would be able to operate in both the first floor assembly chamber and way up on the ninth floor.
IVC devised a solution based around an 80" dnp Black Bead screen and Christie Roadster X4 DLP projector, also designing
Driscoll and film editor Richard Overall have again teamed up with video scientist Richard Turner to produce the visuals, working in close collaboration with lighting designer Mark Henderson and Tiger Aspect’s production manager Steve Rebbeck. The production’s principal projection sequence takes place during the seminal Madness hit Driving In My Car. The Morris Minor car comes onstage, and the minimal set turns into a giant three-sided screen surface, in old-fashioned Cinema 180 film projection style. The footage propels car and cast on a journey which starts on the st
The new division will be based at Three Mills Island in East London and run by directors David March and Jim Douglas, the latter of whom founded Projected Image in 1999. Projected Image, meanwhile, has moved into new, expanded premises at Three Mills in preparation for a busy schedule for 2003. Projected Image Digital will be complementary to the gobo manufacturing side of the business, and dedicated to being at the cutting edge of new digital technology, video generation and projection.
The company was formed to take advantage of the ever-increasing creative integr
Below this - upstage of the band - is a 4-screen RADLite video effects generation system. Several layers of lighting are sandwiched in between the two video systems, giving depth to Coldplay's overall visuals. Siyan commissioned the projection screen from XL Video. The semi-circular idea was initiated by Coldplay's lead singer Chris Martin, who approached Leitch and production manager Derek Fudge, wanting a semi-circular thrust stage.
Coldplay's video director is Nick Whitehouse, who is running Siyan's 4-way
The major new 10-part BBC2 history series, directed by Miriam Jones, included the programme about Nelson, one of the top 10 Great Britons as voted for by the public. The two 6kW PIGI projectors were located in Jubilee Gardens, near the banks of the Thames, and overlaid, to project one 40m wide image across the building.
For the programme’s opening sequence, the camera panned along the Thames, taking in the various sights of that particular stretch of the river, including the Houses of Parliament and the London Eye, before swinging round to catch the dramatic projection on the Shell Building, which stands near the Eye.
Three weeks later, E//T//C UK was bac
"The diversity of important events where our clients have deployed our video displays is a testament to both the quality of our equipment and the dependability of our service," says Rene De Keyzer, managing director of XL Video. "When approached to provide material to high profile events such as the MTV Europe Awards, it is with confidence and pride that we recommend Barco’s material, as we know it will exceed the c
The UK's Neg Earth is the primary lighting contractor, with Upstaging as its partner on the North American legs. The Neg Earth crew includes programmer/operator Dennis Gardner, crew chief John Shelly, head electrician Andy Porter, and Dave Cox in charge of Catalyst systems.
(Lee Baldock)
The latest addition to the sales team is Dave Peacock: based in Manchester and starting on 6 January 2003, Peacock will become 5 Star's North West sales manager. With 14 years’ experience in every aspect of the flightcase industry, having worked for BSH Transit cases and Condor, Peacock will aim to improve service and support to 5 Star’s existing customers whilst developing new conta
The event allowed CT to combine Dataton Watchout and QMotion screen movement. Four high-brightness Barco ilite 10mm LED screens in a portrait orientation were flown with Stage One’s Qmotion system. This enabled them to be tracked around the stage, each screen receiving input from the Dataton Watchout System. The Watchout content took the form of colourful images which set each scene, and this was supplemented with Video Stings timed to match the screen movement. The output to the i10 was pixel matched to maintain image
The Barco ELM R18 Director projector combines extreme light output, high resolution and advanced signal processing to deliver remarkable performance. It is specifically designed for large screen video projection, and is equipped with the state-of-the-art DLP technology. Combined with Barco's expertise in electronics and optics, the R18 features an impressive 17,000 ANSI lumens and SXGA resolution.
XL Video's busy autumn schedul
Following his successful North American tour stops, McCartney then toured to Mexico City
Set designer Bill Dudley was struck by the shortness of the play’s scenes and the frequency of location changes. His design had to allow for quick, simple scene changes, which provided the opportunity to use 3D-computer modelling: it was but a short step then to the use of computer-animated projections to provide instant scene changes.
With 75 scenes, kinetics were key to the set and lighting design. The production sees a partnership between Dudley, lighting designer David Hersey, DHA’s projection specialists Wyatt Enever and Steve Larkins, the RNT’s new video department and Dick Straker, its vide
The lighting and visual elements for the new Marquee have been designed and co-ordinated by Dan Cook, who vacated his post as technical manager of the Ocean Music Centre in Hackney to take up the role of lighting manager. Cook designed a flexible lighting rig to cater for a diverse range of artists.
For its rock and roll credentials, Entec Sound & Light was asked onboard by Gary McGovern, Dave Stewart’s studio maintenance manager and the club’s technical consultant. Entec supplied the lighting e
The atmosphere was more like that of a gig than an awards ceremony, due in large part, to its tight production and planning. The show itself changed format considerably this year, with the guests having dinner before the show in a separate draped area before moving into the main auditorium for the awards.
The event’s production manager, Mick Kluczynski, of MJK Productions, expanded: "We changed the layout in order to keep the show fresh. I brought together my regular team of suppliers, who make a consistent and professional team for the big awards shows I run each year.
The show is a superlative example of high production values, with Chris Vaughan’s CV Productions team featuring many who made the first Pop Idol tour gel. With 12 trucks and 24 sold-out UK arena dates, this is some achievement in these politically jittery times.
With Vaughan himself in the States for American Idol, the UK tour is production managed by Kenny Underwood and Debbie Bray, with tour management by Bill Barclay. XL Video UK is once again the live video equipment supplier, working in conjunction with Blink TV - the latter hiring the gear
Robin Coles, managing director at SPS, says: "We are delighted to be extending the working relationship with the BDC, and we hope that our expertise will continue to add value to all events at the venue. We have become an integral part of the way in which the BDC works and the two members of the SPS team that are permanently based at the BDC is testament to our close working relationship."
This sentiment is echoed by Dominic Jones, Managing Director at the Business Design Centre. He says: "We fe
The Barco portfolio is certainly impressive, ranging from the compact state-of-the-art Cine Versum 80 home theatre projector through to the ScenergiX seamless wide screen and SLM Performance projectors - ideal for panoramic backdrops on stage.
Also on view to visitors was Barco’s iStudio, one of the most advanced all-in-one solutions for managed monitoring. Intended for use in studios, control centres, playout centres, uplink centres and for downlink monitoring, it has a high quality display with rear screen projection, a graphic controller and web-based operating softwar
The 64-panel LVP1650 (15.875mm pixel pitch, 5000-nit brightness) screen is in an 8x8 configuration 26.7ft wide by 20ft high. The 13-bit panels utilize Lighthouse’s M4 uniformity control and the screen has an overall resolution of 512 x 384 pixels. Although the high brightness, high resolution LVP1650 screen has been installed at the new Seattle Seahawks stadium, this is the first billboard application for it worldwide.
Skye Media’s newest outdoor advertising location is in the heart of Toronto's retail, financial and theatre district, on the south-east corner of Yonge and Dundas Square. Overlooking the new Dundas Square project, whic
The company specializes in audio visual production and hire and sale of AV equipment. Its clients range from those requiring a simple audio-visual presentation at a small event to large-scale productions for conferences, outdoor concerts and festivals. Clients include household names such as the BBC, Leeds City Council, Dyson Appliances, The Salvation Army, Pfizer and Dairy Crest. Matt McCarty, managing director at 6th Sense Solutions, told us: "The move will enable us to be more efficient and give us greater opportunities to display our technology. We need to continually invest in the latest equipment in order to satisfy our clients’ expectations."
Th
Having spent the last 18 years within the sales and marketing environment, he is ideally suited to the role. Prior to joining Blitz Vision, he spent 15 months as sales director at Autograph Sales Ltd. Previously he was at Sennheiser UK for 10 years, six of which he spent as sales and marketingmanager. Andy Watterston, sales director of Blitz Vision, told us: "Our appointment of Rob reflects the
Video is the central visual concept to Blue’s energetic, up-tempo show. The artistic director is Kim Gavin, whilst the set is designed by Paul Staples, and the show’s video baseline developed by lighting designer Peter Barnes. Central to video being the defining visual counterpoint is an enormous 60ft by 24ft low resolution Westerhagen LED screen from Germany. This was originally designed and built by XL Video for German touring and recording artist Paul Westerhagen. Barnes had heard about the
