Also on show is the DV-7PR - an innovative live performance video system for use in concerts, shows, conventions, hotels and seminars. The DV-7PR integrates with MIDI control systems (and DMX via MIDI/DMX converters) and allows the user to control in realtime various aspects of the video playback. Remote control is also possible. The DV-7PR can play and loop indefinitely, drawing from up to eight hours of unique content. It can be used
"We are extremely proud to have been involved in the two significant world firsts within the Digital Cinema market. In December 2000 we sold and installed the first ever digital cinema projector and have followed this up with the world's first commercial demonstration of the DC2K unit. It demonstrates that Digital Projection is committed to innovation and is 100% beh
This was the biggest ever concert staged by the BSO, and saw them perform Carl Orff's Carmina Burana conducted by Neville Creed and accompanied by The Bournemouth Symphony Chorus. Over 6,000 people enjoyed the event, complete with full lighting, laser and video projections and over 150 pyro cues skilfully interwoven into the piece. DPL and CMT, together with Classic Fireworks and Skan PA, were asked onboard by the BSO's Anthony Brown.
DPL's Darren Parker led the lighting team. The company architecturally lit the production Horizon and coloured the trees behind the stage using 12 Martin MAC 2000s, two 7kW Xenon Space Can
Fowler has been in the professional lighting industry for 12 years. His career started at Theatre Projects in Greenford, from which he moved on to Vari*Lite's technical support department. He also worked at the Millennium Dome as a programmer/operator for the Wholehog II consoles running the Central Show, plus multi-tasking in other areas of the attraction. In 2001 he joined Flying Pig Systems' technical support department, and has now moved to P.I.D.
In addition to his wealth of experience in technical support, Fowler has also worked on a variety of live events
Since the festival was using a Wango elliptical stage (allowing a lot of natural daylight to penetrate the stage) the production would not have been effective without such a high brightness s
This issue will reinforce Le Mark's reciprocal trading policy: the catalogue features exciting accessories from Apollo Design Technology Inc, City Theatrical Inc and GAM Products. For the first time, products from Le Mark's recently-announced production partner Tesa UK Ltd are introduced, including the new high heat-resisting Scroller-Tak splicing tape. "Le Mark offers an 'open house' on the day of the launch, with a Champagne toast at mid-day," says catalogue design co-ordinator Mark Gibbons. "It's been a tough time for many areas of the entertainment industry - we have worked ha
The first involvement will be at this year's PLASA Show (7-10th September at Earls Court, London), where the demands of this dynamic audience will be met with an extensive educational programme. This event is supported and endorsed by the RIBA CPD Providers Network. Included in the masterclass sessions will be a talk from English Heritage on the Conflict between Historic Accuracy and Modern Standards, whilst from Conran Design, David Chaloner will be talking about Retail Dynamic Applications. The industry seminars will cover topics including challenges a
Over this period of time, Bosch has made two major acquisitions. The first in 2001 was Detection Systems Inc headquartered in Fairport, New York, a global supplier of intruder alarms with production sites and sales distribution channels in every major economic region of the world.
The second acquisition at the end of 2002 was Philips CSI, formerly the CCTV and Communications Systems division of the Philips Group in Eindhoven. With this acquisition, Bosch also gained additional productio
In addition, the unit acts as an 8-input seamless presentation switcher, and digitally reprocesses the signal to correct mastering errors, and regenerates the video at a higher line and pixel rate format, providing native-resolution video for LCD, DLP and Plasma displays. It allows scaling of any graphics resolution to any other resolution (scaling for example, a VGA input to an UXGA output, or an SXGA input to an SVGA output, etc), and in
Cathy Lynn from NSR has also joined ARB as the new hire office manager. She will be responsible for enquiries and quotes and ensuring that hire operations out of ARB's Buckingham headquarters are managed efficiently.
(Sarah Rushton-Read)
Behrend, who was formerly key account manager at ComTech Holding A/S, will begin at the company in October, and will be responsible for AV solutions for fairs and shows, presentations, events and festivals, areas where the company can now offer single source technical solutions including lighting, sound, AV and stage setting.
(Sarah Rushton-Read)
Based in Harpenden, Hertfordshire, with offices in Glasgow and a newly opened Soho showroom in the heart of London's post production community, Boxer Systems specializes in the representation, distribution, and systems integration services of high quality, high performance digital products for the broadcast, film and post-production.
Rapid growth in the Boxer Systems' broadcast and video systems integration business, has led to an increasing requirement to specify suitably high-resolution monitor systems as part of the package. Group marketing and sales director Jon Phillips explains the choice of PMC: "In servicing a large part of the London based p
The industry seminars have been expanded to cover a wide range of topics on current debates including 'Theatrical Fog - Knowing when Enough is Enough' and 'White Lighting versus Colour in Architectural Application'. Conversely the masterclasses will provide a forum for industry experts to share their knowledge. Speakers will include Brough Skingley from English Heritage on 'Lighting Up The Past - the Conflict Between Historical Accuracy and Modern Technology' and Bruce Jackson of Lake Technology on 'Sydney Olympics' Audio Design.'
Norfolk has spent his entire working life in the entertainment lighting industry and joins the company from Martin Professional, where he held the role of UK stage studio and events segment manager. Prior to this, Norfolk worked in Chicago for Tech Lighting as sales training manager and specification sales manager, having also spent 13 years at the Lighting Technology Group where he moved from equipment sales up to the role of key account manager.
Phill Capstick, sales director at A.C. Li
Designed by John Napier for Troika Entertainment, it features an updated score and instead of the race track that was an integral part of the original show, it now has stunning stereoscopic 3D race sequences projected using a custom-built rig, from London-based 3D specialist, Inition.
Stuart Cupit, James Gant, Chris Sutton and Andy Millns formed Inition in 2001. The team has a passion for 3D graphics, creating a range of virtual reality (a.k.a. VizSim) graphics products and services, including the recently-launched Duality range of stereoscopic projection rigs. Although 3D projection has featured in themed entertainment instal
Most of the press surrounding the event focused on the awful travel experiences of many of the thousands of fans who travelled to Knebworth - 375,000 in total across the three shows - ourselves included. And let's face it travel chaos made for good headlines, as did the sheer number of people who were packed into Knebworth Park: this was not an event for anyone with a fear of crowds - 120,000 plus each night - although a large proportion of these stood no chance of actually seeing the star of the show directly.
However, it was the show itself that made the delays, travel headaches, expensive 'pints' of beer and enormous viewing distances worth i
- Glastonbury's Pyramid Stage has traditionally been equipped with Turbosound Flashlight systems, but this year, in a major departure for the organizers, SSE Hire provided one of the world's largest Nexo GEO T Tangent Array systems. Nearly 100 GEO T4805 cabinets were used, configured with two far-field arrays of 24 cabinets each (25m offstage each side) and two near-field arrays of 11 cabs flown from SSE's Teepee structures, each about 7m offstage. There was also a centre array of six T4805s for centre image/near-field, and two field delays (eight cabinets each) 130m down-range from the system. Camco Vortex amplifiers powered the whole system. SSE's Chris Beale says they used 12 CD-18 subs per side, plus nine S2 subs under the near-field
The Festival drew some top names with 2003 headliners including Radiohead, Yes, Bonnie Raitt, Jethro Tull, Cypress Hill, Morcheeba, Craig David, Herbert Gronemeyer, Stereophonics, George Benson and The Pretenders - plus just about every musical genre you might care to mention.
The production elements of this ambitious schedule were managed by technical co-ordinator Andre Vouilloz, while audio aspects were in the hands of Patrick Vogelsang, MD of Meyer's Swiss distributor Niveau2 and the fes
Pod Bluman, well known for his role in several guerilla projects, doesn't regard guerilla projection as an issue, and he's not alone:
"We rarely get more than half a dozen or so onlookers, so there are never any huge crowds leading to problems. Most of the projections are of a corporate advertising nature anyway, so it's very rare to do anything that is truly controversial." It seems that the Police are fairly indifferent to it as well; despite a major security threat closing Parliament Square and Whitehall, Bluman and his team sat on an empty Westminster Bridge merrily projecting onto the Houses of Parliament without any intervention. "I have been searched under the prevention of terrorism act,
Lighting designer Andi Watson had been keen to develop a concept that was practical to tour for festivals as a 'special', but which could also be incorporated into the lighting rig and visual elements as the tour developed. Originally, he thought in terms of a video-based solution, but this transmuted into the idea of having a row of colour-changing LED battens upstage, capable of producing a variety of spectacular effects, as well as introducing a layer of texturing and depth to the stage.
Watson researched the LED products currently on the market before deciding on the James Thomas Pixelline 1044 batten, of which 48 were rigged vertically, end-to-end on 24 Manfrotto stands. Watson reali
This year there were five awards categories and 79 nominations, generating £12,000 for PLASA'S nominated charities - Light Relief, PSA Welfare and Benevolent Fund and the Golden Lions Children's Trust. This system has been running for five years now and every penny of the entry fees is donated. To date this scheme has raised almost £45,000 for charitable causes.
The five product categories this year were Lighting, Sound, Stage Engineering, Software (a new category introduced this year), Audio-Visual, and finally an Award for the product with the most environmental considerations. The PLASA awards were presented by PLASA's Chairman, Da
The company also launched a weatherproof stainless steel enclosure for its 7000W OLS large format projectors. Featuring dust-filtering ventilation, it also provides some measure of security against theft. Riding above the stand was the spherical Projection Balloon: these are available up to 5m in diameter and projection is from a 4000W OLS unit, which can hold up to 100 images.
