One of the largest video projection screens ever made, 27m wide by 14m deep covered the whole of the RAH's upstage area. XL commissioned screen manufacturers ECT to produce the Matt Bright front projection surface. It was hung and stretched onto a rectangular truss with a slight curvature, pro
Video was naturally central to the performance, and was designed, specified and co-ordinated by Sam Collins, who also production managed the tour for Artangel. Associates who had also worked with the UK's leading live music video rental house recommended Collins to XL Video. His account was project managed by XL's Arts and Theatre specialist, Malcolm Mellows.
The movies we
The ILMC says that the safety guide will provide a tool for concert and festival organizers to assess and manage risks, and will be useful to everyone from the new event organizer to the most established promoters. Scheduled to be ready by late autumn of 2004, it will primarily be accessible via a specially designed website, although a limited number of hard copies will be produced. With its Euro
(Sarah Rushton-Read)
Managing director Mark Elliott said of the strategic decision to operate as a single entity: "Being able to centralize all our resources into a single building has enabled us to further develop full service capability to provide a wide range of resources. This includes video, lighting, audio, and staging equipment, together with our ever-increasing range of indoor and outdoor LED screens."
A substantial upgrade to CT's hire fleet will see heavy investment, with the company inten
Kern took on the role of production manager for the 'Stripped' tour in March when rehearsals began, leading into production rehearsals in June. Taking on the World 'XTina' style began in earnest with 46 shows in the US before her first Arena tour across Europe and the UK, taking in 29 shows, then three nights in Tokyo, before finishing with seven dates in Australia.
In addition to Aguilera there are five musicians, three backing singers and eight dancers on stag
With its 12 awards including four first prizes, almost one third of all the ILDA Awards for outstanding creative achievements went to Lobo during the glamorous ceremony. This brings the Aalen-based company's total in just 10 years to 69 ILDA awards, including more than 20 first prizes.
Four of Lobo's 3D beam shows were awarded prizes, including two first prizes. All winning beam shows originate from the Lobo's Software Contract - a show subscription service that offers subscribers one beam show per month.
Key to many of Lobo's achievements is its laser and multi
E//T//C UK supplied two 6kW Pigi projectors with double rotating scrollers, and a Barco G10 video projector. All hardware was located 50m away on the green in the middle of the Square, protected by heavy-weather tents. All PIGI artwork was created by E//T//C's Ross Ashton and video artwork by Vin. Vin and Ashton are looking at the possibility of staging Glow Projects in other cities around the UK and Europe.
UK - "At first there wasn't going to be any grid, we were asked to rig a system off the king poles." Bryan Grant of audio contractor Britannia Row Productions describing the preliminaries of what is always a big event in the music industry calendar, the MTV Europe Awards (EMA's for short). Unrealistic as that might seem - this is after all Europe's premier music awards show (isn't it?), the initial belief that you could stage a world class event off some tent poles proved a partial blessing.
"The design was very different this year," continued Grant, "they brought in Mark Fisher [creative director was Ray Winkler] and he produced a quite minimalist set design, a big departure from previous years. Plus the show was characterized by multiple performance points, with many presentation areas as well."
The concept predicated a highly distributed syste
The LED display and backdrop, supplied by Barco Rental Partner XL Video, consisted of a 20sq.m ILite 10 indoor LED display surrounded by 80sq.m of Barco's revolutionary MiPIX LED blocks. The Barco ILite 10 indoor LED and MiPIX displays were used as one seamless display on which high resolution graphics and animations were shown throughout t
Already featured by the company on the Mercedes stand at the Frankfurt Motor Show, Montage will allow CT to expand on its already advanced multi-image capability, by offering sophisticated high quality screen content manipulation.
CT chief executive Graham Andrews said: "Creative Technology continually strives to not only keep up with our clients' imaginations, but to exceed their expectations. We've pushed existing technology to its limits and now, with Montage, we'll be able to provide the sophisticated alpha-channel based keying, the DVE-like PiP moves and the pixel-perfect resolution that our clients demand. With this syst
The panoramic screen, which wraps around the façade of a building overlooking the Circus, was designed by Lighthouse to be capable of interactive video, with a satellite-linked control room feed that allows real-time live video to be delivered direct to the screen from a remote location. Measuring 32m wide by 6.6m high, the screen is made up of 88 standard LVP1650 panels and 170 bespoke
For control of the video, Metcalf is using a Catalyst digital media server run from his WholeHog II console. Additionally he has six camera inputs - three Toshiba 'lipstick' devices, two Sony surveillance cameras on the drums and a handheld DV cam, operated throughout the show by the band's video co-ordinator Tom Kirk. These are also fed into the Macintosh, where Metcalf manipulates and adds them to the overall mix as he would lighting fixtures.
The video feeds are output to three upstage LED screens - hung in portrait format - on motors that track in and out vertically to different positions through the show. The screens are made up from 82 pa
Laservision's objectives included the selection of suitable buildings and key viewing areas. A draft design for each chosen structure was completed, taking account of energy efficiency and light pollution issues. A series of reports was then sent to the Hong Kong Government and Laservision was invited to showcase techniques incorporated into the Harbour Lighting Plan during Chinese New Year of 2003. The demonstration consisted of illumination of the Hong Kong Cultural Centre and the creation of a multi-media show, attracting a public audience of up to 45,000 per night.
The Hong Kong Government engaged Laservision to prepare a launch e
Three projection units will display images onto the 12m by 3m screen. Quadrant estimate that it will take up to 18 hours to install the equipment. "We had been providing AV support for this particular client's events for about six years and each year we try to make our sets bigger and better than the last," says Quadrant's events manager, Mark Oakland: "The decision to use what we believe to be the largest ever curved projection screen in the cou
The popular Fête des Lumières - a rich fusion of light, colour and architecture - has been taking place for over 150 years, and this year's theme was 'Light in motion: dynamic light, interactive light'. Staged in Lyon's imposing central square, the Place des Terreaux, Skertzò (renowned for their work with light and projections) created the 'Zone d'ombres' (Theatre of shadows) show. This centrepiece show of the festival used 16 PIGI DDRA (automatic rotating double scrolle
The Coldplay tour was instrumental in boosting general interest in the technology: Whitehouse wanted to use RADlite again on Feeder, and was brimming with ideas about what could be achieved by running the video in this configuration. The Feeder show was heavily video-based - a medium they have always enthusiastically embraced. Whitehouse operated the RADlite servers using a Avolites Diamond
Video is a vital production element of the show, and equipment includes two of the new Catalyst V.3 digital media servers - specially purchased for the show along with a Jands Wholehog 500 DMX lighting desk. The show's video designer is Jon Driscoll with whom XL has also collaborated on Up For Grabs (starring Madonna) and the Madness musical Our House. XL's clients are JSTO Ltd for Blue Box Entertainment (Iain Gillie - production executive) and The Production Desk (Dan Watkins - production manager)
The XL equipment supplied also includes two flown NEC XT5000 DLP projectors, matrix rou
By far the largest part of Folsom's sales are realized in the Events (Rental and Staging) market, which makes it an ideal match for Barco, as today Barco already dominates two segments of this market with its LED displays and its large venue projectors. The acquisition of Folsom offers Barco t
The huge portrait screen proved so successful that the Amnesty live show producer and Eddie's tour manager and promoter, Mick Perrin, wanted to repeat the concept on the artist's Sexie world tour - and CT Screenco was tasked with creating a touring version of the one-off display that had been seen at Wembley.
This time, the 25mm LED display was designed to be scalable from 72sq.m down to 42sq.m at the smallest venues, and form the centrepiece of a five-screen display. The large portrait display was fl
It was commissioned by property developer LMS, operator of the Rotunda, for use as an advertising space for the facilities and businesses operating within the venue - including restaurants, cinema, health and sports clubs - and a message board highlighting promotions and special offers. Metropolis's product manager was Nick Ford who oversaw the entire operation.
The screen is mounted 3.5m above ground on stainless steel cabinets, offering full weatherproofing and robust build quality. The screen is in action from early morning till last thing at night, when the Rotunda close
The high definition television units also feature Philips' Ambilight technology, an advanced lighting system that provides emotive environment lighting and enhanced picture quality, and PixelPlus 2 technology, which creates sharper, more detailed pictures with a greater impression of depth, say Philips.
Commen
