Video and AV

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14 March 2016

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14 March 2016

Stuart Holmes, Director of PSCo added: "The 2004/2005 period for PSCo has seen a complete change in our business strategy which has set us apart as an innovative and service led company. The CASVP Gold Award recognised the work the whole team has put in to improve their technical knowledge and this award is a brilliant accolade for all their work this year."

PSCo will be showcasing its whole portfolio at Tech Event 2005 held at Reading Football Stadium Conference Centre on October 27.

(Jim Evan

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14 March 2016

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14 March 2016

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14 March 2016

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14 March 2016

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14 March 2016

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14 March 2016

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14 March 2016

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14 March 2016

Electrosonic's submission for Systems Company of the Year was based on the work achieved by its UK Solutions Business, which is a silver level CAVSP qualified company. Electrosonic Solutions divides its activities into a series of inter-connected teams covering sales consultancy, project engineering and management, systems assembly and test, installation, programming and development.

As Service Company of the Year, the turnover of the Electrosonic UK Service Business showed a 43% year-on-year tur

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14 March 2016

"There's no other product like it out there right now," enthuses HSL's Mike Oates. "It's a drape that doubles as a video wall and can be rigged by lampies - surely that's every production and lighting company's dream!"

SoftLED is a flexible high-resolution surface that is billed as being suitable for full colour graphics, text and high resolution video effects of all types. The modules can be used in all types of venues and situations from hotel rooms to concert venues and arenas.

In addition to the 6 Soft-LED cloths, HSL has also purchased 180+ I-Colour tiles made by Color Kinetics. These tiles ar

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14 March 2016

Blitz's equipment included 61" and 42" plasma screens, DV cameras, a PA system and lapel mics. At the Restaurant Show the DV camcorders were placed to catch all the action taking place within the Cookery Theatre. The close ups were relayed to the plasma screens and the footage was edited onsite using an Avid for the evening's Awards Ceremony at Claridges.

Paul Hutton, managing director of Blitz, explains "As there were large crowds gathered around the stand, using trailing cables for the cameras to transmit t

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14 March 2016

Based in Agoura, California, just outside of Los Angeles, TCI has significant experience in both video production and lighting rental markets. "It's really exciting to be part of making Pandora happen in the US," says TCI's president, Steve Gilbard. "The Pandora's Box Media Server is an amazing range of products in itself, along with some really quite spectacular content, and Coolux has a number of other interesting new products, which we are looking forward to helping them market to the industry."

Coolux's Pandora's Box Digital Media Engine V2.0 was first launched at PLASA in 2004 and sin

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14 March 2016

The SmartNet-X system, which is a true matrix switcher designed to connect multiple inputs to a myriad of remote displays, distributes high quality video and audio signals up to 300m over Cat 5 UTP cabling, say the company. The Smart-e equipment is being supplied by video production company XL Video, to project backdrop scenery and images with which the actors interact throughout this stage production adapted from Wilkie Collins' well-known Victorian thriller.

XL Video and video consultants Mesmer chose to use the Smart-e equipment for the New York production because it is an efficient and cost-effective solution to the problem of distributing high quality video an

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14 March 2016

In addition, PSL has ordered a substantial number of Samsung 42" plasma screens, of which 14 are PPM42M5HSXs, the newest high-resolution panel from Samsung, which allows high-definition images to be shown in true native resolution. Appropriately enough, as the broadcast world trundles towards unilateral high-def standards, PSL debuted its new screens at the International Broadcast Convention (IBC) in Amsterdam, where the reaction from PSL's customers at the sh

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14 March 2016

John Wiseman, president of XL Touring says "Production/Lighting Designer Butch Allen came to us with a need for a versatile and flexible video package that would fit the band's changing needs as a result of touring such drastically different sized venues. We came up with a soft led curtain and plasmas. Butch got together with High End Systems' Brad Schiller and was able to come up with a design that would allow for consistency from show to show."

(Jim Evans)

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14 March 2016

Arcstream deployed many of their special visual effects to set the scene for the car's unveiling, including lasers, and moving and generic lighting. They built a curved wall emblazoned with the Peugeot logo, which gradually rotated to reveal the new model. On the floor was Arcstream AV's poolSystem - a special effect using interactive floor projection. The images in the Peugeot poolSystem, which focused on the dancefloor, changed throughout the evening, featuring the manufacturer's famous lion logo.

Chris Cheetham, Peugeot's fleet marketing manager said: "We wanted a truly innovative reveal of the new 407 Coupé. Arcstream AV helped achieve this with the

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14 March 2016

Paul Vickerage, head of studio production for Sky News states, "One reason for the purchase from Barco was that Barco is a total solution provider and could provide us with all the LED and projectors needed for this new and technologically advanced studio."

At 7,500sq.ft Sky News' new newsroom is over twice the size of its previous facility, which was around 3,000 square foot. Measuring 14m x 3m, and 34 tiles l

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14 March 2016

Salon International brought together hairdressers and hair brands for the three day event, with live shows and hair design taking place across the day with celebrity hairdressers and leading professionals in the industry demonstrating their work.

Wella designed and built its own 'village' at the show, and used the Infinite bezel-less plasma as the focal point for the Wella show stage. AV production company Mindset built a plasma wall using 16 Infinite plasmas which allowed images from the show to be displayed to the seated audience in the arena.

A second stand featured the world's first hanging Infinite screen, hung from trussing above an exhibition st

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14 March 2016

Lighting designer was Andy Liddle, who last designed for the Mondays back in the mid-eighties when they were supporting New Order. He was asked onboard to do these shows by tour manager Neil Mather. The tour was project managed for HSL by Mike Oates.

Liddle designed an adaptable rig based on four upstage/downstage 'fingers' of truss which were assembled in 10ft modules. This was for easy break down and installation into the smaller venues, whist still retaining the look and aesthetics of the stage. The fingers were raked with the upstage ends lower and the downstage ends higher points. At Manchester t

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14 March 2016

Innovision called in the services of leading production industry companies, including large format projection specialist E/T/C UK and rigging specialist Summit Steel. Durham Marenghi came on board as lighting designer.Projection was beamed onto a special retractable 'sail' made from Sunbaba's Austronet 204FR fabric, and rigged onto the centre of three masts depicting a symbolic version of Nelson's flagship, HMS Victory.

The PIGI 6kW projector (complete with 'hot' backup) was located in a specially built hide, with a 17m throw distance, and fitted with a Ba

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14 March 2016

Stuart Graham's fast-expanding company, Clarity in Sound, Light & Vision, has done much in the past year to bring high production values into the educational sector; their £70,000 sound, lighting and projection design and fit for Coombe Girls School was based on industry standard devices.

With a roll of 1,500 students (including 500 attending Sixth Form College) Coombe is one of the largest facilities of this kind in the country, with an excellent reputation for drama and music. Graham realized that the facilities would be heavily used, so durability and reliability were major considerations. Wherever possible, he turned to Denon's s

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14 March 2016

For Sony Music's launch of Jamiroquai's new video, (Don't) Give Hate a Chance, they chose three separate projection sites in central London. This was designed to give maximum profile to the launch - and extra column inches in the UK's tabloid papers (secured when parking wardens tried to ticket singer Jay Kay as he watched the show).

The PSL and Sony Music teams completed three separate projections in one evening, at the NCP Car Park in Brewer Street (Soho), at Chelsea Barracks and at the National Gallery. Projecting typically over a 75m throw, PSL used a pair of Barco R12 high-power projectors, generating the programme material drawn from the new video from Doremi hard drives, supported by a d&b sound system.

The following week, the team hit well-known L

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14 March 2016

E//T//C was working for media and production company The Bank, who produced the event for Shell UK. It's the fourth year running that E//T//C UK has illuminated this prime site with high impact projections for the event.

The 26 storey building - once the tallest in the UK - was covered by eight 6 kW PIGI projectors that were sited 100 metres away on the edge of Queen's Walkway (the corresponding riverside path), housed in a curtain-sider truck. Six of the projectors, complete with double scrollers running vertically, produced the poppies, three targeted at the top half of the tower and three at the bottom.

The stunning red on turquoise background images were overlaid to maximise brightness, and were scrolled to