Video and AV

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14 March 2016

The O-lite makes up a spectacular 13m high, 55m wide set back wall and is surrounded by seven lighting towers reaching heights of up to 28m, which together resemble a giant conch shell. This was designed by Mark Fisher/Stufish.

The screen provides an elegant 3D curved wall and an elegant architectural back drop immediately behind the performance area. It is an interactive canvass for video playback, graphics images and IMAG which are integrated with lighting (designed by Patrick Woodroffe) effects.

The O-lite pixels are fitted into customised touring frames designed by XL Video and made by Brilliant Stages, populated at differe

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14 March 2016

Both Creative Technology and XL Video have just added significant quantities of MiTrix to their rental fleets, as have Alabama in France and Sweden-based Massteknik, who successfully used it during the recent Eurovision Song Contest in Helsinki.

Hulskamp in the Netherlands has renewed its DLP projector fleet taking delivery of SLM R12+, FLM HD18 and XLM HD30 projectors. Gahrens + Battermann Germany also renewed their DLP projector fleet by purchasing multiple FLM R20+, FLM HD18 and XLM HD30 projectors. In addition, they have just replaced their indoor LED screen by 90 square meters of new ILite 6XP tiles.

Procon, headquartered in Germany, has also taken deliv

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14 March 2016

Following up on the preceding events held in Cologne and Barcelona, the background chosen this time was the Paris skyline. The Trocadero Gardens in front of the Eiffel Tower provided an impressive setting. After a live link to the International Space Station (ISS) and a roundtable discussion with former astronauts, a 40-minute, multimedia spectacle followed. Altogether, eight, time-code-controlled, full-color lasers interfaced to a fiberoptic-linked, central, computer network were installed in the grounds.

tarm General Manager, Ralf Lottig, noted: "Fortunately, the days of elaborate water-cooling systems and three-phase, electrical cabling as thick as a man's arm are over. Even though all of our

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14 March 2016

The design debuted in London's Hyde Park, where Faithless was one of the headline acts at the O2 Wireless Festival. Lighting director Jvan Morandi has conceived a visually stunning backdrop for the show, which has been realised by PSL's Pod Bluman and team, using the latest high-resolution projectors from Christie, bought by PSL especially for this event and other summer/autumn touring commitments.

Morandi's design was based around 18 8ft x 6ft rear-projection screens, split into a 6 x 3 matrix. He specified 40,000 ANSI lumens to front-project onto each block of six displays, a brightness quotient dictated by the fact that Faithless go on-stage around 8.30pm when there is still high ambient light.

Pod Bluman introduced Morandi to the new C

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14 March 2016

Unusually, two additional screens were configured and flown above the side stage monitor positions at right angles pointing away from the front of stage and directly at the restricted view seats around the back - to ensure that everyone in the stadium got an equally good view of the action. These were also made up from Lighthouse R16 in a 5 x 4 panel format.

Onstage, XL supplied six 10m high by 4m wide Barco MiTrix columns on a tracking system, that formed three pairs of 'doors' for stage entrances and exits and also tracked

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14 March 2016

The Plasmariser can accommodate screens up to 60"; it has a wide variety of applications from hotel conferencing to educational facilities to companies and government bodies. Plasmariser is available in a fixed installation format.

(Jim Evans)

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14 March 2016

The latest FireBall SEi digital audio servers are packed with features that make acquiring, encoding, storing, searching and playing music files as easy as watching TV, says the company. Multi-functionality includes CD playback, ripping and CD-R recording, analogue recording, internet radio streaming, PC/ Mac file sharing, and HD storage for thousands of albums worth of music.

The on-screen user interface for browsing, managing and selecting music, IP streaming, system configuration and setup functions, is supplemented by the included FireBall-PC application for control and stream

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14 March 2016

"For mission critical military applications, having the most up-to-date, responsive and robust AV systems that meet every need for presentation, communication and collaboration, whether on-site or over a long distance, whether in a fixed location or in the field, is an absolute necessity," comments Paul Gardner, business development manager, 3M Visual Systems.

"Our portfolio of digital annotation and super close projection products resolve traditional issues suc

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14 March 2016

Broadcast live on BBC One and Two and presented by Jonathan Ross and Graham Norton, the Wembley show featured performances by Madonna, Red Hot Chilli Peppers, Razorlight, Snow Patrol, Keane, Corrine Bailey Rae, Genesis, Duran Duran, Paolo Nutini and many more.

Co-ordinating all the video elements between XL and the various event designers, producers and others involved in screen content, was screen producer Chris Saunders.

Although XL already had also a large video system installed at Wembley for the Princess Diana Tribute concert just six days before Live Earth, this all had to be removed in the meantime. Some kit from that system was then re-installed for Live Earth along with several new and different video elements.

Flanking both sides of

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14 March 2016

The Prince Consort Rooms have been built in the shell of a Victorian drill hall. PSL has been chosen as a preferred supplier of AV and Production, and has already produced custom-designed sets for the venue. The Prince Consort Rooms have an inbuilt pinspot lighting scheme and audio visual infrastructure which will be augmented by PSL's high-tech inventory of display screens, digital sound reinforcement and state-of-the-art media servers and playback devices.

Diane Waldron, head of marketing and events at the HAC, says, "The City is short of flexible, large-capacity venues that can accommodate 300-pl

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14 March 2016

According to the terms of the acquisition, the Christie and Vista transition plan ensures no disruption to employees, customers or business partners, many of which are already shared by both companies.

"Christie's acquisition of Vista Controls Systems significantly increases our opportunities for deeper market penetration and reflects Christie's core strategic goal of establishing solid leadership in markets for professional display solutions," remarked Jack Kline, president and COO, Christie Digital Systems USA.

"Vista offers advancements in technology that no other image processing company has been able to achieve, making our two companies an ideal fit. We already share many of the same channel partners, philosophies and commitment

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14 March 2016

Named in honour of the late Tony Gottelier, the industry innovator and commentator who passed away in 2006, the Gottelier Award is aimed at those members of our industry who have made a significant and sustained contribution to the advancement of entertainment, presentation or installation technology - whether in audio, lighting, rigging, staging, or any other related field.

Once the deadline for nominations passes this Friday (13 July), a shortlist will be drawn up of the most widely nominated people, and their names will be put forward, along with a brief summary of their achievements, to the Gotte

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14 March 2016

Based in Milton Keynes, IMS Technical Publications is able to offer a range of document services from simple text generation to full layout, graphic design and publication to print and electronic media. IMS Technical Publications claim that their many years of industry experience allow them to "provide a user's viewpoint of a product, something that many manufacturers have a problem with, especially after a long R&D phase".

According to Lovell and Boggis, the motivation for the new venture comes from what they see as a need to provide manufacturers with an alternative and more effective solution to generating technical documentation. "A manufacturer will frequently spend much time and effor

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14 March 2016

As the LC units are semi-transparent, they can be used in an array of applications and allow the seamless integration of moving images, lighting and set design, says the company. The panels can move through a range of intensity, from a solid wall of images and colour to near-invisibility and allow light, air, and effects to pass through.

The variety and depth of achievable colours in the LC series, combined with a brilliant output, allows the accurate broadcast of digital media, which remains true to the source formatting and the colour and intensity of other lights in the design.

Although useful in a wide variety of applications, the LC series is specially prepared for video and TV ap

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14 March 2016

The Axion has been designed to meet the growing demand for easy-to-use, yet powerful controllers used for high-end large vents with multi-room and large screens, using soft edge blending technology. The Axion can control several iX Hi res seamless switchers, the Di Ventix, Eventix, Natix or the Centrix, either as stand alone boxes or in any kind of combination.

"Axion offers an unprecedented quality and performance in delivering a comprehensive level of hands-on control over the most complex projects," says marketing and communications manager Ludovic Vossovic. "This state-of-the-art live environment contro

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14 March 2016

The event kicked off the high profile venue's new life as a major UK concert venue in grand style - with performances by Basement Jaxx, the Kaiser Chiefs and Tom Jones. The show was presented by Dermot O'Leary.

Packed close to its 23,000 capacity, guests were treated to a five-camera IMAG show directed by Kevin Watts. The four manned Sony D50 cameras were positioned one at FOH, two left and right high up in the bleachers either side and one hand-held onstage. The fifth camera was a hot-head rigged to a circular truss hung over the front of the stage.

IMAG was fed to the side screens, while the onstage scr

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14 March 2016

The Lighthouse screen was used as a backdrop of the catwalk that featured girls who had replied to an appeal on the band's MySpace web page.

Video director Charlie Lightening says: "Having seen other music videos using LED video walls I knew that, as a video director, I could do something amazing with it.

"I wanted a strong, clean image when the cameras were zoomed back, but also to have a pixellated style of image when the cameras zoomed in close. I approached R16 from an artistic point of view, it was the right screen to achieve the effect that I want."

(Jim Evans)

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14 March 2016

Production design was conceived by Roger Waters and LD Marc Brickman and manned by video director Alastair MacDiarmid and his crew, LED techs Clark Anderson, Icarus Wilson-Wright, Rob Maloney and John Scruggs.

John Wiseman, president of XL Video, notes: "This is a perfect execution between our UK and US offices. It was a great effort by myself and Chris Mounsor, but truth be told, we were just the pretty faces, all the hard work was done by Phil Mercer."

(Jim Evans)

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14 March 2016

The EvenLED (100 x100cm) can be built to different specifications. The maximum number of modules is vertically limited by 12, but horizontally unlimited. Depending on the back projection screen, the average distance is 300mm. Additional features of the EvenLED are the low power consumption (150W), the very low maintenance, the low weight and heat and the long lifetime. Special flightcases for eight modules in

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14 March 2016

Named in honour of the late Tony Gottelier, the industry innovator and commentator who passed away in 2006, the Gottelier Award is aimed at those members of our industry who have made significant and sustained contributions to the advancement of entertainment, presentation or installation technology - whether in audio, lighting, rigging, staging, or any other related field.

Following a six-week period of gathering nominations from across the industry, the shortlist of leading nominees can now be revealed, ready for the voting process to begin.

The nominees are as follows (in alphabetical order):

• Tony Andrews is a highly regarded designer and manufacturer of high quality point source loudspeaker systems, w

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14 March 2016

Forming part of the Airport's digital signage upgrade at their check-in desks, the screens were specified by consultant Tom Batey, while Pixel Inspiration carried out the installation of the displays, working in conjunction with Panasonic PT-D3500 single chip DLP projectors.

Since the Airport will not be using the screens as a revenue generator, their choice of concept was based on a combination of high clarity, relatively low capital outlay and predictable cost of ownership (with weight and engineering considerations).

Paradigm AV director Greg Jeffreys comments: "This is proving to be one of our most technically-challeng

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14 March 2016

Amongst the new line up is Richard Rogers, who is promoted to operations director; Dave Watchorn also receives recognition for his contribution to the business with promotion to operations manager - assisted by a £150k investment in a new operating system, which will further enhance performance delivery, the company says.

The account handling department, headed by Andy Watterston as senior account director, has been organised into three groups, each supported by a Project Co-ordinator. This will ensure that each client is serviced by a team, rather than just one individual and will lead to enhanced c

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14 March 2016

The rack consists of a bolted, die-cast frame with aluminium extrusions, giving it high stability despite its lightweight construction. Recessed 19" mounting cutouts are integrated into the four uprights, and the frame can be disassembled if required.

Suitable for housing amplifiers, equalisers and a variety of other audio and video equipment, the rack has a static load bearing capacity of 200kg and is equipped with integral handle strips on the side panels to facilitate transportation. It can be supplied with adjustable feet, castors or a special mobile plinth.

Available in heights from 6U to 34U and de

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14 March 2016

Commissioned by Manchester International Festival, Industrial Resolution brought together visual artists from Microchunk, led by director Todd Graft, to perform custom-designed, multimedia to the soundscape of DJs, including 2 Many DJs, Carl Cox, Fatboy Slim, Laurent Garnier, Layo, Sasha, and many more.

The focal point of the visually stunning show was the shaped Harkness screen - 48m wide by 18m high over a 25m radius and with a total area of more than 800sq.m - specially constructed for the event to form a spectacular backdrop for the